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CRATYLUS by Plato Translated by Benjamin Jowett the Project Gutenberg Ebook of Cratylus, by Plato
CRATYLUS By Plato Translated by Benjamin Jowett The Project Gutenberg EBook of Cratylus, by Plato INTRODUCTION. The Cratylus has always been a source of perplexity to the student of Plato. While in fancy and humour, and perfection of style and metaphysical originality, this dialogue may be ranked with the best of the Platonic writings, there has been an uncertainty about the motive of the piece, which interpreters have hitherto not succeeded in dispelling. We need not suppose that Plato used words in order to conceal his thoughts, or that he would have been unintelligible to an educated contemporary. In the Phaedrus and Euthydemus we also find a difficulty in determining the precise aim of the author. Plato wrote satires in the form of dialogues, and his meaning, like that of other satirical writers, has often slept in the ear of posterity. Two causes may be assigned for this obscurity: 1st, the subtlety and allusiveness of this species of composition; 2nd, the difficulty of reproducing a state of life and literature which has passed away. A satire is unmeaning unless we can place ourselves back among the persons and thoughts of the age in which it was written. Had the treatise of Antisthenes upon words, or the speculations of Cratylus, or some other Heracleitean of the fourth century B.C., on the nature of language been preserved to us; or if we had lived at the time, and been 'rich enough to attend the fifty-drachma course of Prodicus,' we should have understood Plato better, and many points which are now attributed to the extravagance of Socrates' humour would have been found, like the allusions of Aristophanes in the Clouds, to have gone home to the sophists and grammarians of the day. -
The Roles of Solon in Plato's Dialogues
The Roles of Solon in Plato’s Dialogues Dissertation Presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Samuel Ortencio Flores, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Bruce Heiden, Advisor Anthony Kaldellis Richard Fletcher Greg Anderson Copyrighy by Samuel Ortencio Flores 2013 Abstract This dissertation is a study of Plato’s use and adaptation of an earlier model and tradition of wisdom based on the thought and legacy of the sixth-century archon, legislator, and poet Solon. Solon is cited and/or quoted thirty-four times in Plato’s dialogues, and alluded to many more times. My study shows that these references and allusions have deeper meaning when contextualized within the reception of Solon in the classical period. For Plato, Solon is a rhetorically powerful figure in advancing the relatively new practice of philosophy in Athens. While Solon himself did not adequately establish justice in the city, his legacy provided a model upon which Platonic philosophy could improve. Chapter One surveys the passing references to Solon in the dialogues as an introduction to my chapters on the dialogues in which Solon is a very prominent figure, Timaeus- Critias, Republic, and Laws. Chapter Two examines Critias’ use of his ancestor Solon to establish his own philosophic credentials. Chapter Three suggests that Socrates re- appropriates the aims and themes of Solon’s political poetry for Socratic philosophy. Chapter Four suggests that Solon provides a legislative model which Plato reconstructs in the Laws for the philosopher to supplant the role of legislator in Greek thought. -
Theory of Forms 1 Theory of Forms
Theory of Forms 1 Theory of Forms Plato's theory of Forms or theory of Ideas[1] [2] [3] asserts that non-material abstract (but substantial) forms (or ideas), and not the material world of change known to us through sensation, possess the highest and most fundamental kind of reality.[4] When used in this sense, the word form is often capitalized.[5] Plato speaks of these entities only through the characters (primarily Socrates) of his dialogues who sometimes suggest that these Forms are the only true objects of study that can provide us with genuine knowledge; thus even apart from the very controversial status of the theory, Plato's own views are much in doubt.[6] Plato spoke of Forms in formulating a possible solution to the problem of universals. Forms Terminology: the Forms and the forms The English word "form" may be used to translate two distinct concepts that concerned Plato—the outward "form" or appearance of something, and "Form" in a new, technical nature, that never ...assumes a form like that of any of the things which enter into her; ... But the forms which enter into and go out of her are the likenesses of real existences modelled after their patterns in a wonderful and inexplicable manner.... The objects that are seen, according to Plato, are not real, but literally mimic the real Forms. In the allegory of the cave expressed in Republic, the things that are ordinarily perceived in the world are characterized as shadows of the real things, which are not perceived directly. That which the observer understands when he views the world mimics the archetypes of the many types and properties (that is, of universals) of things observed. -
On the Arrangement of the Platonic Dialogues
Ryan C. Fowler 25th Hour On the Arrangement of the Platonic Dialogues I. Thrasyllus a. Diogenes Laertius (D.L.), Lives and Opinions of Eminent Philosophers 3.56: “But, just as long ago in tragedy the chorus was the only actor, and afterwards, in order to give the chorus breathing space, Thespis devised a single actor, Aeschylus a second, Sophocles a third, and thus tragedy was completed, so too with philosophy: in early times it discoursed on one subject only, namely physics, then Socrates added the second subject, ethics, and Plato the third, dialectics, and so brought philosophy to perfection. Thrasyllus says that he [Plato] published his dialogues in tetralogies, like those of the tragic poets. Thus they contended with four plays at the Dionysia, the Lenaea, the Panathenaea and the festival of Chytri. Of the four plays the last was a satiric drama; and the four together were called a tetralogy.” b. Characters or types of dialogues (D.L. 3.49): 1. instructive (ὑφηγητικός) A. theoretical (θεωρηµατικόν) a. physical (φυσικόν) b. logical (λογικόν) B. practical (πρακτικόν) a. ethical (ἠθικόν) b. political (πολιτικόν) 2. investigative (ζητητικός) A. training the mind (γυµναστικός) a. obstetrical (µαιευτικός) b. tentative (πειραστικός) B. victory in controversy (ἀγωνιστικός) a. critical (ἐνδεικτικός) b. subversive (ἀνατρεπτικός) c. Thrasyllan categories of the dialogues (D.L. 3.50-1): Physics: Timaeus Logic: Statesman, Cratylus, Parmenides, and Sophist Ethics: Apology, Crito, Phaedo, Phaedrus, Symposium, Menexenus, Clitophon, the Letters, Philebus, Hipparchus, Rivals Politics: Republic, the Laws, Minos, Epinomis, Atlantis Obstetrics: Alcibiades 1 and 2, Theages, Lysis, Laches Tentative: Euthyphro, Meno, Io, Charmides and Theaetetus Critical: Protagoras Subversive: Euthydemus, Gorgias, and Hippias 1 and 2 :1 d. -
Thyrion Plato De Magistro
Plato De Magistro Stacie Lynne Thyrion Fond du Lac, Wisconsin Bachelor of Arts in Greek, University of Minnesota, 2007 Master of Arts in Philosophy, University of Virginia, 2012 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Philosophy University of Virginia May, 2018 CONTENTS Introduction: The Student Paradox 5 Chapter 1: Poet as Teacher 25 Chapter 2: Rhetorician and Text and Teacher 58 Chapter 3: Language as Teacher 89 Chapter 4: Sophist as Teacher 118 Bibliography 154 2 ACKNOWLEDGEMENTS I owe a deep debt of gratitude to both advisors who oversaw this project. Dan Devereux saw it through to the end with me, gave me his ceaseless, caring support, and offered a critical eye that never failed to make my work stronger and more careful. Dominic Scott was there at the inception of most of these chapters, thinking with me and encouraging me to pursue my ideas in a way that was exceptionally rewarding. I will always feel immense gratitude and affection for them both. I want to thank the many other members of my philosophy community that helped and encouraged this project. My dissertation committee, for their time, hard work, and care: Ian McCready-Flora, Brie Gertler, Antonia LoLordo, and Jenny Strauss Clay. The close friends who supported me and helped me grow through years of effort, not least of all Derek Lam and Nick Rimell. And the many others at the University of Virginia who have given me the happiest intellectual years of my life. -
Plato's Epistemology
Plato’s Epistemology: a Coherent Account in Meno , Phaedo and Theaetetus Chuanjie Sheng Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Department of Classics August 2015 II The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Chuanjie Sheng The right of Chuanjie Sheng to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. III Acknowledgements I appreciate all the persons that helped me to complete this thesis. I would like to express my greatest gratitude to my supervisors, Dr. Elizabeth E. Pender and Professor Malcolm F. Heath. As an enlightened teacher, Dr. Pender has offered me valuable comments and suggestions for my dissertation. Working with her is a stimulating intellectual experience. She patiently suggested on the structure of my thesis and corrected all the chapters line by line. As a wonderful friend, she brings happiness, pleasure and fruitful experience into my life in Leeds. Professor Heath has read all the chapters of my thesis and has given me feedbacks on each of the chapters. During the supervisions, he has given me valuable academic advice and comments, which has saved me from a large number of mistakes and errors in this dissertation. -
The Ocean of Theosophy Is a Classic of Theosophical Literature
PHILOSOPHY/THEOSOPHY T Mr. Judge’s The Ocean of Theosophy is a classic of theosophical literature. Written in 1893 as a text to explain the broad themes treated in H.P. Blavatsky’s HE two-volume magnum opus, The Secret Doctrine, it has long been regarded by students of the Wisdom Religion as one of the most valuable “keys” to understanding the latter work. O Robert Crosbie described the import of this volume in the following CEAN OF THE OCEAN OF manner: “As the Author’s Preface shows, the book was written in such a manner as to be understood by the ordinary reader; the simplicity of the terms used, however, should not mislead the reader into thinking that the work is an elementary one, for behind and within every statement THEOSOPHY there is a depth of meaning that the careless and superficial fail to perceive. It is really a simplified text-book of the fundamental teachings of Theosophy, and is found by students of the “Secret Doctrine” to be a true abridgment of that great work and a wonderful aid in its T comprehension; it was written with that end in view by the only one HEOSOPHY competent to do so and is there fore earnestly recommended to every student of Theosophy.” Students of every variety will gain enormous benefit from the study of both works conjointly. Mr. Judge’s Ocean provides a high-level overview - the schematic, if you will - of the subject matter treated in great detail in the Secret Doctrine, and is so very useful in keeping in mind the scope of that work. -
Laughable Etymologies: the Use of Γελοῖον in Plato's Cratylus In
Laughable Etymologies: The Use of γελοῖον in Plato’s Cratylus In Cratylus, Plato’s dialogue on the correctness of names, the large middle section consists of Socrates delivering a litany of etymologies analyzing words. Particularly because these etymologies are so contrary to modern sensibilities, this section of the work has been subject to widely varied interpretations, from those who argue that Plato uses the etymologies simply to demonstrate that names are in some sense correct (Sedley 1998) to those who claim that they are an extended satire (Baxter 1992). In the course of these etymologies, Socrates twice refers to his proposed reconstruction as γελοῖον, “laughable” (400b, 402a). Although the term is used throughout Plato’s dialogues, its use here is peculiar. Typically, it is used by interlocutors to agree with Socrates (or another primary speaker) that an idea ought to be dismissed, as in Theaetetus (178c) and Phaedrus (260b), or else to make their own (usually faulty) claim, as in Euthyphro (4b). Socrates himself uses the term more rarely. The Symposium, Republic, and Philebus present instances of the term which are more informative with regards to the sense of γελοῖον. The Symposium uses it to describe the expected content of Aristophanes’ famous account of love (Symposium 189b), which does lend itself readily to laughter but is also important in the development of the whole dialogue. In the Republic, it is repeatedly used (among other places) to describe a likely reaction to the idea of giving women the same education as men, but here Socrates specifically argues that what seems laughable may ultimately prove wise (452c). -
Dogma Et Rituel De La Haute Magie
Eliphas Levi Dogma et Rituel de la Haute Magie Translated by A. E. Waite www.holybooks.com Dogme et Rituel de la Haute Magie Part II: The Ritual of Transcendental Magic By Eliphas Levi (Alphonse Louis Constant) Translated by A. E. Waite. Originally published by Rider & Company, England, 1896. Transcribed and converted to Adobe Acrobat format by Benjamin Rowe, January, 2002. Typeset in Bauer Bodoni, Goudy Text, and Waters Titling. www.holybooks.com Part II: The Ritual of Transcendental Magic www.holybooks.com The Sabbatic Goat www.holybooks.com INTRODUCTION KNOWEST thou that old queen of the world who is on the march always and wea- ries never? Every uncurbed passion, every selfish pleasure, every licentious energy of humanity, and all its tyrannous weakness, go before the sordid mistress of our tearful valley, and, scythe in hand, these indefatigable labourers reap their eternal harvest. That queen is old as time, but her skeleton is concealed in the wreckage of women's beauty, which she abstracts from their youth and love. Her skull is adorned with lifeless tresses that are not her own. Spoliator of crowned heads, she is embellished with the plunder of queens, from the star-begemmed hair of Berenice to that-white, but not with age-which the executioner sheared from the brow of Marie Antoinette. Her livid and frozen body is clothed in faded garments and tattered winding-sheets. Her bony hands, covered with rings, hold diadems and chains, scepters and crossbones, jewels and ashes. When she goes by, doors open of themselves; she passes through walls; she penetrates to the cabinets of kings; she surprises the extortioners of the poor in their most secret orgies; she sits down at their board, pours out their wine, grins at their songs with her gumless teeth, takes the place of the lecherous courtesan hidden behind their curtains. -
The Influence of Plato's Crito and Phaedo on Xenophon's Apology of Socrates
Kentron Revue pluridisciplinaire du monde antique 31 | 2015 Les Socratica de Xénophon The influence of Plato’s Crito and Phaedo on Xenophon’s Apology of Socrates Boris Hogenmüller Electronic version URL: http://journals.openedition.org/kentron/347 DOI: 10.4000/kentron.347 ISSN: 2264-1459 Publisher Presses universitaires de Caen Printed version Date of publication: 1 November 2015 Number of pages: 127-138 ISBN: 978-2-84133-747-7 ISSN: 0765-0590 Electronic reference Boris Hogenmüller, « The influence of Plato’s Crito and Phaedo on Xenophon’s Apology of Socrates », Kentron [Online], 31 | 2015, Online since 19 October 2016, connection on 17 November 2020. URL : http://journals.openedition.org/kentron/347 ; DOI : https://doi.org/10.4000/kentron.347 Kentron is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 International License. The inFluence OF Plato’S CRITO and PHAEDO Hauteur 1 du rectangle d’empagement on Xenophon’S APOLOGY OF SOCRATES T_3_Article The relationship between Plato and Xenophon has been the subject of research for many years. During the late 19th and early 20th century, the result of this research, especially in terms of the ‘Sokratesbild’, was always the same, and Xenophon’s dependence on the logoi Sokratikoi written by Plato and Antisthenes has always been quite obvious 2. In the middle of the 20th century, however, new studies have given rise to another opinion 3, which made the case for dependence of Xenophon on other Socratics. Thus L.-A. Dorion’s statement (« Xénophon dépend des autres Socratiques : il ne constitue pas une source indépendante » 4), although he attempts to refute it 5, seems more appropriate today than ever before. -
Plato and True Names the Foundations of General Schemas Theory
Plato and True Names -- Kent Palmer dimensions but their dual. In effect it is the Plato and True Names Pascal simplicies that generate dimensionality by generating the minimal solid of each dimension. If we look at the second table The Foundations of concerning the chiasms or reversibilities then we see that at the first meta-level there is the General Schemas Theory schemas which are the dual of the dimensions generated from the minimal solids at each level Kent D. Palmer, Ph.D. of the pascal triangle. But when we go to the P.O. Box 1632 second meta-level we see that there is Orange CA 92856 USA causality, and we can see that in the unfolding 714-633-9508 of the Pascal Simplicies as well because each [email protected] line by addition produces the next line by a rule. And when we go to the third meta-level we see there the bits which are the physical Copyright 2004 K.D. Palmer. All Rights Reserved. Not for distribution. basis for the coding, and it turns out that the Started 04.08.12; Version 0.8; 04.08.16; gst05a08.doc Pascal Triangle produces the minimal systems of bit arrays associated with Boolean Logic and Algebra which are used as the basis for our Keywords: General Schemas Theory, Systems computers. Moving up to the fourth meta-level Engineering, Systems Theory, we find there anomalies and it turns out that when we generate the negative pascal triangle that is the dual of the positive Pascal triangle then after passing beyond the Pascal point, True Names there is the void of odd zero, and then the We have established in the last essay that Plato negative Pascal point of the negative triangle has opened up the difference between Logos which is composed of the hyper-complex and Physus through the exploration of the algebras. -
1. Necessity of Understanding the Phrase That Plato Has Not Left a Written Work on Philosophy
GEORGE CH. KOUMAKIS PLATO’S SO-CALLED "UNWRITTEN DOCTRINES” 1. Necessity of understanding the phrase that Plato has not left a written work on philosophy. The meaning of philosophy in Plato presents a uniqueness and peculiarity compared to other philosophers, because only in Plato does the problem of unwritten doctrines appear. This does not, to my knowledge, arise in any other author in the history of philosophical thought from antiquity to the present day. The pro blem lies, on the one hand, in Plato’s explicit statement that he has not left a treatise on philosophy, and on the other, in the singular way this is expressed. It is therefore by no means an easy undertaking to expound the meaning of philosophy according to Plato, much less understand it, as he himself states that it may not be spoken or told, unlike other studies.1 This statement, in conjunction with other extracts from Plato, for example in Phaedrus (278d-e), and the testimony of ancient commen tators, has given rise to the movement of the so-called unwritten doctrines (synousia)2, of which his student Aristotle speaks.3 If one takes these declarations and hints by Plato seriously - and there is in my view insufficient reason to the contrary - then all inter pretations and attempts to grasp the meaning of philosophy according to Plato remain empty and baseless, that is without real meaning, if the notional content of his unwritten teaching is not first fully re solved. Plato’s mode of expression does not impede only the revelation of his conception of philosophy but its very content, as the former forms part of the latter.