1. Necessity of Understanding the Phrase That Plato Has Not Left a Written Work on Philosophy
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CRATYLUS by Plato Translated by Benjamin Jowett the Project Gutenberg Ebook of Cratylus, by Plato
CRATYLUS By Plato Translated by Benjamin Jowett The Project Gutenberg EBook of Cratylus, by Plato INTRODUCTION. The Cratylus has always been a source of perplexity to the student of Plato. While in fancy and humour, and perfection of style and metaphysical originality, this dialogue may be ranked with the best of the Platonic writings, there has been an uncertainty about the motive of the piece, which interpreters have hitherto not succeeded in dispelling. We need not suppose that Plato used words in order to conceal his thoughts, or that he would have been unintelligible to an educated contemporary. In the Phaedrus and Euthydemus we also find a difficulty in determining the precise aim of the author. Plato wrote satires in the form of dialogues, and his meaning, like that of other satirical writers, has often slept in the ear of posterity. Two causes may be assigned for this obscurity: 1st, the subtlety and allusiveness of this species of composition; 2nd, the difficulty of reproducing a state of life and literature which has passed away. A satire is unmeaning unless we can place ourselves back among the persons and thoughts of the age in which it was written. Had the treatise of Antisthenes upon words, or the speculations of Cratylus, or some other Heracleitean of the fourth century B.C., on the nature of language been preserved to us; or if we had lived at the time, and been 'rich enough to attend the fifty-drachma course of Prodicus,' we should have understood Plato better, and many points which are now attributed to the extravagance of Socrates' humour would have been found, like the allusions of Aristophanes in the Clouds, to have gone home to the sophists and grammarians of the day. -
The Roles of Solon in Plato's Dialogues
The Roles of Solon in Plato’s Dialogues Dissertation Presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Samuel Ortencio Flores, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Bruce Heiden, Advisor Anthony Kaldellis Richard Fletcher Greg Anderson Copyrighy by Samuel Ortencio Flores 2013 Abstract This dissertation is a study of Plato’s use and adaptation of an earlier model and tradition of wisdom based on the thought and legacy of the sixth-century archon, legislator, and poet Solon. Solon is cited and/or quoted thirty-four times in Plato’s dialogues, and alluded to many more times. My study shows that these references and allusions have deeper meaning when contextualized within the reception of Solon in the classical period. For Plato, Solon is a rhetorically powerful figure in advancing the relatively new practice of philosophy in Athens. While Solon himself did not adequately establish justice in the city, his legacy provided a model upon which Platonic philosophy could improve. Chapter One surveys the passing references to Solon in the dialogues as an introduction to my chapters on the dialogues in which Solon is a very prominent figure, Timaeus- Critias, Republic, and Laws. Chapter Two examines Critias’ use of his ancestor Solon to establish his own philosophic credentials. Chapter Three suggests that Socrates re- appropriates the aims and themes of Solon’s political poetry for Socratic philosophy. Chapter Four suggests that Solon provides a legislative model which Plato reconstructs in the Laws for the philosopher to supplant the role of legislator in Greek thought. -
Plato Apology of Socrates and Crito
COLLEGE SERIES OF GREEK AUTHORS EDITED UNDER THE SUPERVISION OF JOHN WILLIAMS WHITE, LEWIS R. PACKARD, a n d THOMAS D. SEYMOUR. PLATO A p o l o g y o f S o c r a t e s AND C r i t o EDITED ON THE BASIS OF CRON’S EDITION BY LOUIS DYER A s s i s t a n t ·Ρι;Οχ'ε&^ο^ ι ν ^University. BOSTON: PUBLISHED BY GINN & COMPANY. 1902. I P ■ C o p · 3 Entered, according to Act of Congress, in the year 1885, by J o h n W il l ia m s W h i t e a n d T h o m a s D. S e y m o u r , In the Office of the Librarian of Congress, at Washington. J . S. C u s h in g & Co., P r i n t e r s , B o s t o n . PREFACE. T his edition of the Apology of Socrates and the Crito is based upon Dr. Christian Cron’s eighth edition, Leipzig, 1882. The Notes and Introduction here given have in the main been con fined within the limits intelligently drawn by Dr. Cron, whose commentaries upon various dialogues of Plato have done and still do so much in Germany to make the study of our author more profitable as well as pleasanter. No scruple has been felt, how ever, in making changes. I trust there are few if any of these which Dr. Cron might not himself make if he were preparing his work for an English-thinking and English-speaking public. -
Theory of Forms 1 Theory of Forms
Theory of Forms 1 Theory of Forms Plato's theory of Forms or theory of Ideas[1] [2] [3] asserts that non-material abstract (but substantial) forms (or ideas), and not the material world of change known to us through sensation, possess the highest and most fundamental kind of reality.[4] When used in this sense, the word form is often capitalized.[5] Plato speaks of these entities only through the characters (primarily Socrates) of his dialogues who sometimes suggest that these Forms are the only true objects of study that can provide us with genuine knowledge; thus even apart from the very controversial status of the theory, Plato's own views are much in doubt.[6] Plato spoke of Forms in formulating a possible solution to the problem of universals. Forms Terminology: the Forms and the forms The English word "form" may be used to translate two distinct concepts that concerned Plato—the outward "form" or appearance of something, and "Form" in a new, technical nature, that never ...assumes a form like that of any of the things which enter into her; ... But the forms which enter into and go out of her are the likenesses of real existences modelled after their patterns in a wonderful and inexplicable manner.... The objects that are seen, according to Plato, are not real, but literally mimic the real Forms. In the allegory of the cave expressed in Republic, the things that are ordinarily perceived in the world are characterized as shadows of the real things, which are not perceived directly. That which the observer understands when he views the world mimics the archetypes of the many types and properties (that is, of universals) of things observed. -
On the Arrangement of the Platonic Dialogues
Ryan C. Fowler 25th Hour On the Arrangement of the Platonic Dialogues I. Thrasyllus a. Diogenes Laertius (D.L.), Lives and Opinions of Eminent Philosophers 3.56: “But, just as long ago in tragedy the chorus was the only actor, and afterwards, in order to give the chorus breathing space, Thespis devised a single actor, Aeschylus a second, Sophocles a third, and thus tragedy was completed, so too with philosophy: in early times it discoursed on one subject only, namely physics, then Socrates added the second subject, ethics, and Plato the third, dialectics, and so brought philosophy to perfection. Thrasyllus says that he [Plato] published his dialogues in tetralogies, like those of the tragic poets. Thus they contended with four plays at the Dionysia, the Lenaea, the Panathenaea and the festival of Chytri. Of the four plays the last was a satiric drama; and the four together were called a tetralogy.” b. Characters or types of dialogues (D.L. 3.49): 1. instructive (ὑφηγητικός) A. theoretical (θεωρηµατικόν) a. physical (φυσικόν) b. logical (λογικόν) B. practical (πρακτικόν) a. ethical (ἠθικόν) b. political (πολιτικόν) 2. investigative (ζητητικός) A. training the mind (γυµναστικός) a. obstetrical (µαιευτικός) b. tentative (πειραστικός) B. victory in controversy (ἀγωνιστικός) a. critical (ἐνδεικτικός) b. subversive (ἀνατρεπτικός) c. Thrasyllan categories of the dialogues (D.L. 3.50-1): Physics: Timaeus Logic: Statesman, Cratylus, Parmenides, and Sophist Ethics: Apology, Crito, Phaedo, Phaedrus, Symposium, Menexenus, Clitophon, the Letters, Philebus, Hipparchus, Rivals Politics: Republic, the Laws, Minos, Epinomis, Atlantis Obstetrics: Alcibiades 1 and 2, Theages, Lysis, Laches Tentative: Euthyphro, Meno, Io, Charmides and Theaetetus Critical: Protagoras Subversive: Euthydemus, Gorgias, and Hippias 1 and 2 :1 d. -
Plato's Third Man Argument
Greek Philosophy (Essays) Theo Todman Does the Third Man Argument refute the theory of forms? Fine [1993] recognises four versions of the Third Man Argument (TMA). However, she argues persuasively that these are similar arguments with similar tacit premises, though with different emphases. Consequently, we will consider only that in Parmenides 132a1- b2. Fine’s translation runs as follows, with Parmenides speaking to Socrates: I suppose it is because of the following sort of thing that you think that (1) each form is one: (2) Whenever many things seem large to you, there perhaps seems to you to be, when you have looked at them all, some one and the same idea. Hence you think (3) the large is one. …. (4) What, then, if in the same way you look in your soul at all these – at the large itself and the other large things? (5) Will not some one large appear again, by which all these will appear large? …. So another form of largeness will appear besides the large itself and its participants. (6) And in addition to these, yet another, by which all these will be large. (7) And so each of the forms will no longer be one for you, but infinitely many. There are two things we need to address in this essay. Firstly, we need to understand the TMA itself, determining its premises, logical structure and validity. Secondly, we need to determine what Plato wants us to learn from it, and what its consequences are for his theory of Forms. The Argument Vlastos [1954] generalises Fine’s steps (2) and (5) as: (V2) If a number of things a, b, c, are all F, there must be a single Form F-ness, in virtue of which we apprehend a, b, c as all F. -
Plato's Meno: Knowledge Is Justified True Belief
Plato’s Meno: Knowledge is Justified True Belief: This Socratic dialogue introduces two dominate themes in Western philosophy: 402 BC What counts as virtue and what counts as knowledge. Part 1: 70-86c: Part 2: 86d-end: Can Virtue Be Taught? Knowledge Search for a definition of “arete.” MENO’S CHALLENGE: “Opinion” vs. “Knowledge” WHAT IS “ARETE”? 70-79b STRATEGY: : 80d-e 1. may be useful as knowledge, Socrates asks Meno for a formal definition of If you don’t know what “arete” is Socrates proposes that we first determine if virtue is a but often fails to stay in their “arete” for how can we know if arete can be already, you can’t even look for it, kind of knowledge. If it is, it can be taught. If virtue taught we don’t have a clear idea what it is. because if you don’t know what it place; must be tethered by All the examples of “arete” have something in is already, then even if you look, isn’t knowledge, then it can’t be taught (86d-e) anamnesis: certain common: The “essence” or “form” of “arete.” you will not know when you’ve [recognize that virtue is used interchangeably found it. Argument # 1: Virtue can be taught: (87-89c); knowledge is innate & recollected by the soul through with “the good”]. Argument # 2: Virtue is not knowledge (89c): KNOWLEDGE IS proper inquiry. RECOLLECTION: 70a: Can virtue be taught? 71b; Must know what virtue is before Everyone agrees that there are teachers for certain knowing its qualities. What is virtue? Meno responds: (71e-72a). -
Robert C. Bartlett, Trans., Plato: “Protagoras” and “Meno.” Ithaca and London: Cornell University Press, 2004, 155 Pp., $12.50 Paper
Book Review: Plato: “Protagoras” and “Meno” 291 Robert C. Bartlett, trans., Plato: “Protagoras” and “Meno.” Ithaca and London: Cornell University Press, 2004, 155 pp., $12.50 paper. A NDREA L. KOWALCHUK UNIVERSITY OF DALLAS [email protected] Robert Bartlett’s Plato: “Protagoras” and “Meno” is a significant contribution to Platonic scholarship. His thoughtful translations are literal without being awkward, and consistent regarding words of philosophic importance. Where there are problems with the manuscripts, discrepancies are indicated, and where there are words that can be variously translated, alternatives are supplied. Notes regarding context, background, definitions, people, and history are also helpful without being burdensome. The interpretive essays are terse and brief, yet dense and full of penetrating questions, suggestions, and insights. Even for those who might disagree with Bartlett’s interpretations, these essays are valuable since they constitute a challenge to more generally accepted views of Platonic psychology, morality, and, ultimately, of the Platonic approach to philosophy simply. What emerges most prominently from Bartlett’s treatments of the two dialogues is the careful and consistent focus on the two title characters, in and through which we gain wonderful insight into the moral self-understanding (or lack thereof) of both Protagoras and Meno. Bartlett’s analysis brings to life, respectively, a sophist and a future criminal (and with less emphasis, a future accuser of Socrates in Anytus), by sifting through and illuminating the particular qualities of each character’s moral confusion, which he also shows to be connected with each man’s view of the cosmos. As the source or sources of their respective confusions come to sight, we are led further into the question of the philosopher’s relationship to virtue, and into the unifying question of the two dialogues: whether virtue can be taught—an “apparently epistemolog- ical question [that] is (also) a thoroughly political one” (138). -
Laughable Etymologies: the Use of Γελοῖον in Plato's Cratylus In
Laughable Etymologies: The Use of γελοῖον in Plato’s Cratylus In Cratylus, Plato’s dialogue on the correctness of names, the large middle section consists of Socrates delivering a litany of etymologies analyzing words. Particularly because these etymologies are so contrary to modern sensibilities, this section of the work has been subject to widely varied interpretations, from those who argue that Plato uses the etymologies simply to demonstrate that names are in some sense correct (Sedley 1998) to those who claim that they are an extended satire (Baxter 1992). In the course of these etymologies, Socrates twice refers to his proposed reconstruction as γελοῖον, “laughable” (400b, 402a). Although the term is used throughout Plato’s dialogues, its use here is peculiar. Typically, it is used by interlocutors to agree with Socrates (or another primary speaker) that an idea ought to be dismissed, as in Theaetetus (178c) and Phaedrus (260b), or else to make their own (usually faulty) claim, as in Euthyphro (4b). Socrates himself uses the term more rarely. The Symposium, Republic, and Philebus present instances of the term which are more informative with regards to the sense of γελοῖον. The Symposium uses it to describe the expected content of Aristophanes’ famous account of love (Symposium 189b), which does lend itself readily to laughter but is also important in the development of the whole dialogue. In the Republic, it is repeatedly used (among other places) to describe a likely reaction to the idea of giving women the same education as men, but here Socrates specifically argues that what seems laughable may ultimately prove wise (452c). -
The Ascent from Nominalism Philosophical Studies Series
THE ASCENT FROM NOMINALISM PHILOSOPHICAL STUDIES SERIES Editors: WILFRID SELLARS, University of Pittsburgh KEITH LEHRER, University of Arizona Board of Consulting Editors: J ON A THAN BENNETT, Syracuse University ALLAN GIBBARD, University of Michigan ROBERT STALNAKER, Cornell University ROBERT G. TURNBULL, Ohio State University VOLUME 37 TERR Y PENNER Department of Philosophy, The University of Wisconsin at Madison, U.S.A. THE ASCENT FROM NOMINALISM Some Existence Arguments in Plato's Middle Dialogues D. REIDEL PUBLISHING COMPANY ~~ A MEMBER OF THE KLUWER . ACADEMIC PUBLISHERS GROUP DORDRECHTj BOSTONj LANCASTERjTOKYO Library of Congress Cataloging in Publication Data Penner, Terry, 1936- The ascent from nominalism. (Philosophical studies series; v. 37) Bibliography: p. Includes indexes. 1. Plato. 2. Aristotle. 3. Metaphysics-History. 4. Nominalism-History. I. Title. II. Series. B395.P347 1987 111'.2'0924 86·31641 ISBN-13: 978-94-010-8186-3 e-ISBN-13: 978-94-009-3791-8 DOl: 10.1007/978-94-009-3791-8 Published by D. Reidel Publishing Company, P.O. Box 17, 3300 AA Dordrecht, Holland. Sold and distributed in the U.S.A. and Canada by Kluwer Academic Publishers, 101 Philip Drive, Assinippi Park, Norwell, MA 02061, U.S.A. In all other countries, sold and distributed by Kluwer Academic Publishers Group, P.O. Box 322, 3300 AH Dordrecht, Holland. All Rights Reserved © 1987 by D. Reidel Publishing Company, Dordrecht, Holland Softcover reprint of the hardcover I 5t edition 1987 No part of the material protected by this copyright notice may be reproduced or utilized in any form or by any means, electronic or mechanical induding photocopying, recording or by any information storage and retrieval system, without written permission from the copyright owner ACKNOWLEDGEMENTS Much of this work was conceived and executed between 1971 and 1975, though some of it was done much earlier, and a few bits are quite recent. -
Participation in Plato's Dialogues: Phaedo, Parmenides, Sophist, and Timaeus
Binghamton University The Open Repository @ Binghamton (The ORB) The Society for Ancient Greek Philosophy Newsletter 10-1983 Participation in Plato's Dialogues: Phaedo, Parmenides, Sophist, and Timaeus Leo Sweeney S.J. Loyola University Chicago Follow this and additional works at: https://orb.binghamton.edu/sagp Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, and the History of Philosophy Commons Recommended Citation Sweeney, Leo S.J., "Participation in Plato's Dialogues: Phaedo, Parmenides, Sophist, and Timaeus" (1983). The Society for Ancient Greek Philosophy Newsletter. 123. https://orb.binghamton.edu/sagp/123 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in The Society for Ancient Greek Philosophy Newsletter by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. ss/f>s nff.3 Participation in Plato*s Dialogues: Phaedo. Parmenides» Sophist and Timaeus Lee Sweeney» S. J. Loyola 0niversify of Chicago From the time of its first technical use by Plato* "partici pation" has recurred in every period of the history of Western thought· One; can gather that fact simply from checking a bibli ography on participation- The one I consulted consists of 81 en tries and is five typed pages in length. Eesides eight general studies on participation— regarding its nature and history— and one on scholasticism in general— it lists studies on the follow ing individual philosophers: Plato (eight studies)* Aristotle, Plotinus (d. 270 A.D.), Augustine (d. -
The Influence of Plato's Crito and Phaedo on Xenophon's Apology of Socrates
Kentron Revue pluridisciplinaire du monde antique 31 | 2015 Les Socratica de Xénophon The influence of Plato’s Crito and Phaedo on Xenophon’s Apology of Socrates Boris Hogenmüller Electronic version URL: http://journals.openedition.org/kentron/347 DOI: 10.4000/kentron.347 ISSN: 2264-1459 Publisher Presses universitaires de Caen Printed version Date of publication: 1 November 2015 Number of pages: 127-138 ISBN: 978-2-84133-747-7 ISSN: 0765-0590 Electronic reference Boris Hogenmüller, « The influence of Plato’s Crito and Phaedo on Xenophon’s Apology of Socrates », Kentron [Online], 31 | 2015, Online since 19 October 2016, connection on 17 November 2020. URL : http://journals.openedition.org/kentron/347 ; DOI : https://doi.org/10.4000/kentron.347 Kentron is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 International License. The inFluence OF Plato’S CRITO and PHAEDO Hauteur 1 du rectangle d’empagement on Xenophon’S APOLOGY OF SOCRATES T_3_Article The relationship between Plato and Xenophon has been the subject of research for many years. During the late 19th and early 20th century, the result of this research, especially in terms of the ‘Sokratesbild’, was always the same, and Xenophon’s dependence on the logoi Sokratikoi written by Plato and Antisthenes has always been quite obvious 2. In the middle of the 20th century, however, new studies have given rise to another opinion 3, which made the case for dependence of Xenophon on other Socratics. Thus L.-A. Dorion’s statement (« Xénophon dépend des autres Socratiques : il ne constitue pas une source indépendante » 4), although he attempts to refute it 5, seems more appropriate today than ever before.