The Theaetetus Is a Dialogue Full of Puzzles, Not the Least of Which Is the Character of Socrates Himself
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Theory of Forms 1 Theory of Forms
Theory of Forms 1 Theory of Forms Plato's theory of Forms or theory of Ideas[1] [2] [3] asserts that non-material abstract (but substantial) forms (or ideas), and not the material world of change known to us through sensation, possess the highest and most fundamental kind of reality.[4] When used in this sense, the word form is often capitalized.[5] Plato speaks of these entities only through the characters (primarily Socrates) of his dialogues who sometimes suggest that these Forms are the only true objects of study that can provide us with genuine knowledge; thus even apart from the very controversial status of the theory, Plato's own views are much in doubt.[6] Plato spoke of Forms in formulating a possible solution to the problem of universals. Forms Terminology: the Forms and the forms The English word "form" may be used to translate two distinct concepts that concerned Plato—the outward "form" or appearance of something, and "Form" in a new, technical nature, that never ...assumes a form like that of any of the things which enter into her; ... But the forms which enter into and go out of her are the likenesses of real existences modelled after their patterns in a wonderful and inexplicable manner.... The objects that are seen, according to Plato, are not real, but literally mimic the real Forms. In the allegory of the cave expressed in Republic, the things that are ordinarily perceived in the world are characterized as shadows of the real things, which are not perceived directly. That which the observer understands when he views the world mimics the archetypes of the many types and properties (that is, of universals) of things observed. -
On the Arrangement of the Platonic Dialogues
Ryan C. Fowler 25th Hour On the Arrangement of the Platonic Dialogues I. Thrasyllus a. Diogenes Laertius (D.L.), Lives and Opinions of Eminent Philosophers 3.56: “But, just as long ago in tragedy the chorus was the only actor, and afterwards, in order to give the chorus breathing space, Thespis devised a single actor, Aeschylus a second, Sophocles a third, and thus tragedy was completed, so too with philosophy: in early times it discoursed on one subject only, namely physics, then Socrates added the second subject, ethics, and Plato the third, dialectics, and so brought philosophy to perfection. Thrasyllus says that he [Plato] published his dialogues in tetralogies, like those of the tragic poets. Thus they contended with four plays at the Dionysia, the Lenaea, the Panathenaea and the festival of Chytri. Of the four plays the last was a satiric drama; and the four together were called a tetralogy.” b. Characters or types of dialogues (D.L. 3.49): 1. instructive (ὑφηγητικός) A. theoretical (θεωρηµατικόν) a. physical (φυσικόν) b. logical (λογικόν) B. practical (πρακτικόν) a. ethical (ἠθικόν) b. political (πολιτικόν) 2. investigative (ζητητικός) A. training the mind (γυµναστικός) a. obstetrical (µαιευτικός) b. tentative (πειραστικός) B. victory in controversy (ἀγωνιστικός) a. critical (ἐνδεικτικός) b. subversive (ἀνατρεπτικός) c. Thrasyllan categories of the dialogues (D.L. 3.50-1): Physics: Timaeus Logic: Statesman, Cratylus, Parmenides, and Sophist Ethics: Apology, Crito, Phaedo, Phaedrus, Symposium, Menexenus, Clitophon, the Letters, Philebus, Hipparchus, Rivals Politics: Republic, the Laws, Minos, Epinomis, Atlantis Obstetrics: Alcibiades 1 and 2, Theages, Lysis, Laches Tentative: Euthyphro, Meno, Io, Charmides and Theaetetus Critical: Protagoras Subversive: Euthydemus, Gorgias, and Hippias 1 and 2 :1 d. -
Plato's Third Man Argument
Greek Philosophy (Essays) Theo Todman Does the Third Man Argument refute the theory of forms? Fine [1993] recognises four versions of the Third Man Argument (TMA). However, she argues persuasively that these are similar arguments with similar tacit premises, though with different emphases. Consequently, we will consider only that in Parmenides 132a1- b2. Fine’s translation runs as follows, with Parmenides speaking to Socrates: I suppose it is because of the following sort of thing that you think that (1) each form is one: (2) Whenever many things seem large to you, there perhaps seems to you to be, when you have looked at them all, some one and the same idea. Hence you think (3) the large is one. …. (4) What, then, if in the same way you look in your soul at all these – at the large itself and the other large things? (5) Will not some one large appear again, by which all these will appear large? …. So another form of largeness will appear besides the large itself and its participants. (6) And in addition to these, yet another, by which all these will be large. (7) And so each of the forms will no longer be one for you, but infinitely many. There are two things we need to address in this essay. Firstly, we need to understand the TMA itself, determining its premises, logical structure and validity. Secondly, we need to determine what Plato wants us to learn from it, and what its consequences are for his theory of Forms. The Argument Vlastos [1954] generalises Fine’s steps (2) and (5) as: (V2) If a number of things a, b, c, are all F, there must be a single Form F-ness, in virtue of which we apprehend a, b, c as all F. -
Can God's Goodness Save the Divine Command Theory
CAN GOD’S GOODNESS SAVE THE DIVINE COMMAND THEORY FROM EUTHYPHRO? JEREMY KOONS Georgetown University School of Foreign Service in Qatar Abstract. Recent defenders of the divine command theory like Adams and Alston have confronted the Euthyphro dilemma by arguing that although God’s commands make right actions right, God is morally perfect and hence would never issue unjust or immoral commandments. On their view, God’s nature is the standard of moral goodness, and God’s commands are the source of all obligation. I argue that this view of divine goodness fails because it strips God’s nature of any features that would make His goodness intelligible. An adequate solution to the Euthyphro dilemma may require that God be constrained by a standard of goodness that is external to Himself – itself a problematic proposal for many theists. The Euthyphro dilemma is often thought to present a fatal problem for the divine command theory (aka theological voluntarism). Are right acts commanded by God because they are right, or are they right because they are commanded by God? If the former, then there is a standard of right and wrong independent of God’s commands; God’s commands are not relevant in determining the content of morality. This option seems to compromise God’s sovereignty in an important way. But the second horn of the dilemma presents seemingly insurmountable problems, as well. First, if God’s commands make right actions right, and there is no standard of morality independent of God’s commands, then that seems to make morality arbitrary. Thus, murder is not wrong because it harms someone unjustly, but merely because God forbids it; there is (it seems) no good connection between reason and the wrongness of murder. -
The Form of Soul in the Phaedo »
PRINCE, Brian D., « The Form of Soul in the Phaedo » THE FORM OF SOUL IN THE PHAEDO Brian D. PRINCE The Phaedo’s two most prominent philosophical topics are the theory of Forms and the immortality of souls.1 So the intersection of these should also be of central importance, and in particular, the question whether there is a Form of Soul in which individual souls participate. This question is salient for two reasons: first, souls receive specially focused attention in Plato’s texts, and second, if the fact that a thing is a soul were not to be explained by participation in a Form, this would make souls highly unusual among the non-Form items in Plato’s universe.2 That is, the Form of Soul occupies — or fails to occupy — a special slot in the metaphysics of the Phaedo: either it exists, and therefore souls have the same metaphysical explanation as visible items, or the Form of Soul does not exist, and therefore there is some quite different explanation of why something is a soul. As I shall argue, there is a Form of Soul, and it plays a central role in the Phaedo’s final argument for immortality. If this is correct, this Form will have other consequences for the relations between individual souls and Forms, and between individual souls and visible items. For example, if there is a Form of Soul, it seems clear that individual souls will follow the same pattern as visible items in their participation in eponymous Forms. The Form of Soul would raise other questions, including why it is never mentioned directly by Plato. -
Plato's Meno: Knowledge Is Justified True Belief
Plato’s Meno: Knowledge is Justified True Belief: This Socratic dialogue introduces two dominate themes in Western philosophy: 402 BC What counts as virtue and what counts as knowledge. Part 1: 70-86c: Part 2: 86d-end: Can Virtue Be Taught? Knowledge Search for a definition of “arete.” MENO’S CHALLENGE: “Opinion” vs. “Knowledge” WHAT IS “ARETE”? 70-79b STRATEGY: : 80d-e 1. may be useful as knowledge, Socrates asks Meno for a formal definition of If you don’t know what “arete” is Socrates proposes that we first determine if virtue is a but often fails to stay in their “arete” for how can we know if arete can be already, you can’t even look for it, kind of knowledge. If it is, it can be taught. If virtue taught we don’t have a clear idea what it is. because if you don’t know what it place; must be tethered by All the examples of “arete” have something in is already, then even if you look, isn’t knowledge, then it can’t be taught (86d-e) anamnesis: certain common: The “essence” or “form” of “arete.” you will not know when you’ve [recognize that virtue is used interchangeably found it. Argument # 1: Virtue can be taught: (87-89c); knowledge is innate & recollected by the soul through with “the good”]. Argument # 2: Virtue is not knowledge (89c): KNOWLEDGE IS proper inquiry. RECOLLECTION: 70a: Can virtue be taught? 71b; Must know what virtue is before Everyone agrees that there are teachers for certain knowing its qualities. What is virtue? Meno responds: (71e-72a). -
A Map of Crito (ΚΡΙΤΩΝ)
ΠΛΑΤΩΝ | Plato: Four Dialogues Handout 8 A Map of Crito (ΚΡΙΤΩΝ) 43a–44b After the trial, Socrates’s (wealthy; see Apology 38b) friend Crito visits him in prison. He brings news of his imminent execution. 44b–46a Crito tries to persuade Socrates to escape. Reason 1. The common people (οἱ πολλοὶ, hoi polloi) will think Crito let Socrates down, so the friends’ reputation will be damaged, with bad individual con- sequences. Reason 2. Money is not an issue. Reason 3. Socrates would be welcome abroad. Reason 4. Socrates complies with his enemies; he throws away his life. Reason 5. Socrates irresponsibly betrays his duty to his sons. Reason 6. Socrates is a coward. 46b–50a Socrates replies. To Reason 1: not all opinions have the same value. We should listen to the experts and the wise: the qualified. What matters in the present predicament is the expert on justice, for the question is whether it would be just for Socrates to abscond. Socrates reminds Crito that what is relevant is not merely a life, but a good life, or a well-lived life (τὸ εὖ ζῆν, to eu zên); and the good life is the just life. Socrates also reminds Crito of the long-held belief that one should never (willingly or intentionally) do an injustice (οὐδαμῶς δεῖ ἀδικεῖν, oudamôs dei adikein), and this entails that one should never do an injustice even if one is wronged, or somehow provoked (see Handout 6). Hence, the ‘established hypothesis’: non-retaliation. Doing injustice is doing harm and injury. Likewise for agreements or commitments (τις ὁμολογήσῃ, tis homologêsê): if they are just, one ought to fulfil them. -
Plato's Invisible Hero of Democracy: Socrates in the Republic and Crito
PLATO’S INVISIBLE HERO OF DEMOCRACY: SOCRATES IN THE REPUBLIC AND CRITO RICHARD J. KLONOSKI Abstract: The author argues that a careful reading of Republic VIII 557a- 558a, coupled with an analysis of the mythic backdrop to the conversation between Socrates and Crito in the Crito, reveals that Plato intends the reader to see Socrates as an invisible moral and political hero of the democratic polis even though Socrates was, for much of his life, a critic of the Athenian democracy, and even given the fact that Socrates doesn’t give democracy the highest standing among the political regimes in the Republic. The author discusses the myth of Theseus and the Minotaur and Hesiod’s races of man, in order to show that in the Republic and the Crito Socrates is portrayed as a hero, specifically one who supports democracy as the only regime in which philosophy and the philosopher can exist. Finally, the author argues that Socrates’ final act of heroism in the Crito is the act of remaining in prison, in large measure out of respect for the laws of Athens and its democratic legal procedures, a respect evident in the very structure of the conversation among Socrates, Crito, and the Athenian laws. It is suggested that the conversation in the Crito is indeed an imitation of a democratic legal procedure that would likely have been used to convict Socrates of a crime against the democracy were he to have followed Crito’s advice and escaped from prison. Keywords: Plato, Socrates, hero, democracy, Crito, Republic, Gorgias, Hesiod, Theseus In Book VIII of the Republic, in the course of the degeneration of the regimes, the democracy comes into being [557a ff]. -
Robert C. Bartlett, Trans., Plato: “Protagoras” and “Meno.” Ithaca and London: Cornell University Press, 2004, 155 Pp., $12.50 Paper
Book Review: Plato: “Protagoras” and “Meno” 291 Robert C. Bartlett, trans., Plato: “Protagoras” and “Meno.” Ithaca and London: Cornell University Press, 2004, 155 pp., $12.50 paper. A NDREA L. KOWALCHUK UNIVERSITY OF DALLAS [email protected] Robert Bartlett’s Plato: “Protagoras” and “Meno” is a significant contribution to Platonic scholarship. His thoughtful translations are literal without being awkward, and consistent regarding words of philosophic importance. Where there are problems with the manuscripts, discrepancies are indicated, and where there are words that can be variously translated, alternatives are supplied. Notes regarding context, background, definitions, people, and history are also helpful without being burdensome. The interpretive essays are terse and brief, yet dense and full of penetrating questions, suggestions, and insights. Even for those who might disagree with Bartlett’s interpretations, these essays are valuable since they constitute a challenge to more generally accepted views of Platonic psychology, morality, and, ultimately, of the Platonic approach to philosophy simply. What emerges most prominently from Bartlett’s treatments of the two dialogues is the careful and consistent focus on the two title characters, in and through which we gain wonderful insight into the moral self-understanding (or lack thereof) of both Protagoras and Meno. Bartlett’s analysis brings to life, respectively, a sophist and a future criminal (and with less emphasis, a future accuser of Socrates in Anytus), by sifting through and illuminating the particular qualities of each character’s moral confusion, which he also shows to be connected with each man’s view of the cosmos. As the source or sources of their respective confusions come to sight, we are led further into the question of the philosopher’s relationship to virtue, and into the unifying question of the two dialogues: whether virtue can be taught—an “apparently epistemolog- ical question [that] is (also) a thoroughly political one” (138). -
Law, Philosophy, and Civil Disobedience: the Laws' Speech In
Ouachita Baptist University Scholarly Commons @ Ouachita Articles Faculty Publications 2012 Law, Philosophy, and Civil Disobedience: The Laws' Speech in Plato's 'Crito' Steven Thomason Ouachita Baptist University, Department of Political Science, [email protected] Follow this and additional works at: https://scholarlycommons.obu.edu/articles Part of the Ancient Philosophy Commons, Ethics and Political Philosophy Commons, and the Law and Philosophy Commons Recommended Citation Thomason, Steven, "Law, Philosophy, and Civil Disobedience: The Laws' Speech in Plato's 'Crito'" (2012). Articles. 61. https://scholarlycommons.obu.edu/articles/61 This Article is brought to you for free and open access by the Faculty Publications at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Articles by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Law, Philosophy, and Civil Disobedience: The Laws’ Speech in Plato’s Crito Steven Thomason Ouachita Baptist University Plato’s Crito is an examination of the tension between political science, a life devoted to the rational discourse and critique of politics, and the demands of allegiance and service to the city. The argument Socrates makes in the name of the laws is not just meant to persuade Crito. Rather, it is a philosophic defense of the city itself, the philosophic response to Socrates’ own speech in the Apology defending philosophy. This speech reveals the dangers and problems of a life devoted to philosophy when reason is directed to politics and calls into question the values and way of life of the city. Introduction The United States has a long history of civil disobedience being, as it were, a nation founded on the overthrow of unjust laws, e.g. -
Plato's Epistemology
Plato’s Epistemology: a Coherent Account in Meno , Phaedo and Theaetetus Chuanjie Sheng Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Department of Classics August 2015 II The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Chuanjie Sheng The right of Chuanjie Sheng to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. III Acknowledgements I appreciate all the persons that helped me to complete this thesis. I would like to express my greatest gratitude to my supervisors, Dr. Elizabeth E. Pender and Professor Malcolm F. Heath. As an enlightened teacher, Dr. Pender has offered me valuable comments and suggestions for my dissertation. Working with her is a stimulating intellectual experience. She patiently suggested on the structure of my thesis and corrected all the chapters line by line. As a wonderful friend, she brings happiness, pleasure and fruitful experience into my life in Leeds. Professor Heath has read all the chapters of my thesis and has given me feedbacks on each of the chapters. During the supervisions, he has given me valuable academic advice and comments, which has saved me from a large number of mistakes and errors in this dissertation. -
Plato's Theaetetus: Formation Over Forms?
Deron Boyles 229 Plato’s Theaetetus: Formation Over Forms? Deron Boyles Georgia State University INTRODUCTION Plato’s Theaetetus offers the opportunity to consider epistemology in ways that importantly explore the meaning of “student” and “teacher.” Specifically, this article argues that the dialogue’s characters—Theodorus, Theaetetus, Protagoras, and Socrates—perform functions that not only reveal competing philosophies of education but templates of and for student engagement as formation. As a text, Theaetetus provides a noteworthy means through which students not only read and think about elenchus (refutation) and aporia (perplexity) but experience it as participants in interlocution. Additionally, the dialogue itself represents formation insofar as it is an instance of Plato’s move away from the Theory of Forms and his further development of midwifery. Proceeding in three parts, this paper 1) provides a brief overview of the dialogue; 2) underscores the representational nature of the characters in the dialogue—and the part they play in student formation; and 3) explores the Socrates-as-midwife motif and the overall marginalization of Forms in the dialogue. In short, this paper argues for understanding the Theaetetus as an aporetic dialogue about formation over Forms.1 BRIEF OVERVIEW OF THE DIALOGUE Theaetetus begins with a prologue that takes place just before Socrates’ death, in 399 BCE, and begins with Socrates asking Theodorus if he knows of any young men he thinks have potential. Theodorus recommends Theaetetus and the dialogue proceeds with Socrates asking Theaetetus “What do you think knowledge is?” (146c).2 Initially, Theaetetus only offers examples of knowledge (ousia) rather than providing a definition of knowledge itself eidos( ).