Minimalism on Health and Relational

Total Page:16

File Type:pdf, Size:1020Kb

Minimalism on Health and Relational THE IMPACT OF MINIMALISM ON HEALTH AND RELATIONAL SATISFACTION: UNDERSTANDING MINIMALISM THROUGH A MEDICAL FAMILY THERAPY LENS A Dissertation Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirement for the Degree Doctor of Philosophy Michelle Cappetto August 2020 THE IMPACT OF MINIMALISM ON HEALTH AND RELATIONAL SATISFACTION: UNDERSTANDING MINIMALISM THROUGH A MEDICAL FAMILY THERAPY LENS Michelle Cappetto Dissertation Approved: Accepted: _____________________ _________________________________ Advisor School of Counseling Director Dr. Rikki Patton Dr. Varunee Faii Sangganjanavanich ______________________ ___________________________________ Committee Member Acting Dean, College of Health Professions Dr. Heather Katafiasz Dr. Timothy McCarragher _______________________ ___________________________________ Committee Member Acting Dean of the Graduate School Dr. David Tefteller Dr. Marnie Saunders ________________________ __________________________________ Committee Member Date Dr. Delila Owens ________________________ Committee Member Dr. Ingrid Weigold ii ACKNOWLEDGEMENTS I would like to express my gratitude and appreciation to the MFT faculty for admitting me as a student in 2017 and taking a chance on my research which was uncharted territory for this field. Also, to my committee for looking at this project with a sense of curiosity and interest. I’d also like to thank those who have supported me along the way during this academic journey. To my friend and cohort member Eman. You have showed me such kindness, support, and friendship over the past three years. It has been an honor to learn and grow beside such an amazing person. To my parents Linda and Mario for helping care for my dog during the long days where I was unable to be with him. Your help with Petey during my graduate education, both times, made my success possible. To my friend Jenny for her emotional support and spiritual guidance. You have helped me in ways I cannot even express. To my friend Ariana for inspiring me to live a sustainable and minimal life, ten years ago she introduced me to the work of Bea Johnson. This sparked my interest in this lifestyle and led me to seek other perspectives such as the work of Marie Kondo and The Minimalists. This project would have not been possible without all of the generous people on social media who were interested in my research and participated in my study. I was overwhelmed by the amount of responses I received. Combining my love for marriage and family therapy and minimalistic living in this research project has been a dream come true. My collegiate education and doctoral research have sent me on a path of self- iii discovery and healing. I can say after almost ten years of education I now know the secret to happiness and life satisfaction. Live simply, love authentically. “Last but not least: I want to thank me. I want to thank me for believing in me, I want to thank me for doing all this hard work. I want to thank me for having no days off. I want to thank me for never quitting. I want to thank me for always being a giver, and trying to give more than I receive. I want to thank me for trying to do more right than wrong. I want to thank me for just being me at all times. -Snoop Dogg" -Michelle Cappetto iv TABLE OF CONTENTS Page LIST OF TABLES............................................................................................................v ABSTRACT......................................................................................................................x SUBJECTIVITY STATEMENT......................................................................................xi CHAPTER I. INTRODUCTION ..........................................................................................................1 Minimalism: A Chosen Lifestyle............................................................................1 Overconsumption: A Materialistic Epidemic .........................................................4 Physical Health Effects................................................................................5 Mental/Emotional Health Effects.................................................................6 Hoarding......................................................................................................7 Happiness.....................................................................................................8 Anxiety and Depression...............................................................................9 Insecurity....................................................................................................11 Traumatic Stress........................................................................................11 Social Isolation .........................................................................................11 Relational Impacts.....................................................................................12 Materialism and Relational Satisfaction................................................................13 Significance for Marriage and Family Therapy and other Mental Health Professions.............................................................................................................14 v Medical Family Therapy............................................................................15 Research Questions................................................................................................17 Summary of Chapter 1...........................................................................................18 Definitions .............................................................................................................19 II. LITERATURE REVIEW..............................................................................................20 Minimalism: A lifestyle.........................................................................................20 Materialism................................................................................................23 Consumption .............................................................................................24 Stress..........................................................................................................25 Mental Health ...........................................................................................26 Relational Satisfaction...........................................................................................28 Conflict ......................................................................................................28 Physical Health..........................................................................................30 Happiness...................................................................................................31 Intersection of Materialism and Relational Satisfaction........................................33 Medical Family Therapy (MedFT)........................................................................36 Summary of Chapter 2...........................................................................................42 III. METHODOLOGY......................................................................................................44 Research Questions ..............................................................................................44 Research Design....................................................................................................45 Participants.............................................................................................................46 Inclusion/Exclusion Criteria......................................................................46 Procedures..............................................................................................................46 vi Measures................................................................................................................49 Demographics ...........................................................................................49 Demographic Survey.................................................................................50 Gender .......................................................................................................50 Race/ Ethnicity...........................................................................................50 Relationship Status.....................................................................................50 Relationship Length ..................................................................................51 Childhood Family Financial Status ..........................................................51 Current Financial Status...........................................................................51 Therapeutic Services .................................................................................51 Material Values Scale (MVS) Short Form ................................................52 Medial Outcomes Study 20- Item Short-Form Health Survey (SF-20) .....53 The Relationship Satisfaction Scale (RAS) ...............................................55 Data Analysis Plan.................................................................................................56 Missing Data .........................................................................................................57 Ethical Considerations...........................................................................................58 Summary
Recommended publications
  • A Minimalist Global User Interface1
    A Minimalist Global User Interface1 Rob Pike AT&T Bell Laboratories Murray Hill, New Jersey 07974 [email protected] Abstract users from the keyboard-heavy user interfaces that preceded them. Help is a combination of editor, window system, shell, and user interface that provides a novel environment for There are many reasons for this failure one that is the construction of textual applications such as browsers, often overlooked is how uncomfortable most commercially debuggers, mailers, and so on. It combines an extremely lean made mice are to use but the most important might well be user interface with some automatic heuristics and defaults to that the interfaces the machines offer are just not very good. achieve significant effects with minimal mouse and keyboard Spottily integrated and weighed down by layers of software activity. The user interface is driven by a file-oriented pro- that provide features too numerous to catalog and too special- gramming interface that may be controlled from programs or ized to be helpful, a modern window system expends its even shell scripts. By taking care of user interface issues in a energy trying to look good, either on a brochure or on a dis- central utility, help simplifies the job of programming appli- play. What matters much more to a user interface is that it cations that make use of a bitmap display and mouse. feel good. It should be dynamic and responsive, efficient and invisible [Pike88]; instead, a session with X windows some- Keywords: Windows, User Interfaces, Minimalism times feels like a telephone conversation by satellite.
    [Show full text]
  • On Minimalism + Meditation
    On Minimalism + Meditation CIRCA GALLERY OCT 24TH, 2018 9:27 AM Lindsy Halleckson Silent Search - No. 26, 2015 CIRCA Gallery Contemporary minimalism as a style and practice is intertwined with meditation from start to finish. The artist often begins the creation of the piece by meditating, or falls into a meditative state while making the piece. On the other end of the process, the viewer can use the minimal nature of the artwork to guide their meditation, or after casually viewing the work may slip into an unintentional state of meditation. MINIMALIST PAINTING IS THE PLACE TO BEGIN MEDITATION THROUGH ART. CIRCA’s current exhibition depth of [color] field focuses on minimal, monochromatic, color field paintings that facilitate this kind of looking or mindful observation­­—looking into a piece, rather than at it. The very nature of minimal artwork allows the viewer to more easily move into a meditative state, where reality fades and all that remains is the observer and the painting. Without a specific visual subject or topic, the mind is much more open, unencumbered, and blank while viewing. The deep, saturated color of pieces like Brad Durham’s Without Shadows pull the viewer in and guide their eye deep into its textured layers. While other surfaces, like the subtle shifts and perspective-bending color transitions in Lindsy Halleckson’s Silent Search series, make a space for the eye to truly rest, almost as if out of focus. Brad Durham Without Shadows, 2017 CIRCA Gallery INTENTIONAL OBSERVATION IS ESSENTIAL. It’s no secret that the majority of the population dislikes minimalist art.
    [Show full text]
  • Minimalism Post-Modernism Is a Term That Refers to Events After the So
    Post-Modernism - Minimalism Post-Modernism is a term that refers to events after the so-called Modern period. The term suggests that we are now using what we learned in the “modern” period, but mixing it with ideas from the more distant past. A major movement within Post-Modernism is Minimalism Minimalism mixes some Eastern philosophical principles involving chant and meditation with simple tonal materials. Basic definition of Minimalism: sustained or repetitive use of simple (often tonal) materials. The movement began with LaMonte Young (b.1935); he used simple textures and consonant materials; often called trance music. Terry Riley (b.1935) is credited with first minimalist work In C (1964). The piece has repeated high C’s on piano maintaining simple pulse. Score has 53 short motives to be played by a group any size; players play all 53 figures, repeating as many times and as frequently as desired. Performance ends when all players are done with all 53 figures. Because figures change in content, there is subtle but constantly shifting texture all the time. Steve Reich (b. 1936) prefers to call his music “Structural” not minimal. His music is influenced by his study of African drumming. Some of his early works use phasing, where a tape loop is set up: the tape records first sounds made by performer; then plays them back while performer continues to play. More layers are added, and gradually live sounds get ahead of play-back. Effect can be hypnotic: trance-like. Violin Phase (1967) is example. In Mid-70’s Reich expanded his viewpoint and his ensemble: Music for 18 Musicians is a little like In C, but there is much more variation in patterns.
    [Show full text]
  • “Classical” Minimalism
    from Richard Taruskin, “Oxford History of Western Music Volume V: Music in the Late Twentieth Century; Chapter 8: A Harmonious Avant-Garde?”. Retrieved 4/29/2011 from oxfordwesternmusic.com. “CLASSICAL” MINIMALISM For many listeners, the most characteristic and style-defining aspect of In C is the constant audible eighth-note pulse that underlies and coordinates all of the looping, and that seems, because it provides a constant pedal of Cs, to be fundamentally bound up with the work's concept. Like much modernist practice since at least Stravinsky, it puts the rhythmic spotlight on the “subtactile” level, accommodating and facilitating the free metamorphosis of the felt beat —for example, from quarters to dotted quarters at the twenty-second module of In C—and allows their multiple presence to be felt as levels within a complex texture. It may be surprising, therefore, to learn that the constant C-pulse was an afterthought, adopted in rehearsal for what seemed at the time a purely utilitarian purpose (simply to keep the group together in lieu of a conductor), and that it was not even Riley's idea. It was Reich's. Steve Reich came from a background very different from Young's and Riley's. Where they had a rural, working-class upbringing on the West Coast, Reich was born into a wealthy, professional- class family in cosmopolitan New York. Like most children of his economic class, Reich had traditional piano lessons and plenty of exposure to what in later years he mildly derided as the “bourgeois classics.” He had an elite education culminating in a Cornell baccalaureate with a major in philosophy.
    [Show full text]
  • Modern & Contemporary
    MODERN & CONTEMPORARY ART HÔTEL METROPOLE MONACO 27 NOVEMBER 2018 Above : EUGÈNE BOUDIN (Honfleur 1824 - Deauville 1898) View on the port of Dieppe (Lot 908) Front Cover : СY TWOMBLY Poster Study for ‘Nine Discourses on Commodus by Cy Twombly at Leo Castelli’ 1964 (Lot 912) Back Cover : LÉONARD TSUGUHARU FOUJITA Détail Grande composition 2, dite Composition au chien, 1928. Reliefography on Canvas (Lot 939) Sans titre-1 1 26/09/2017 11:33:03 PAR LE MINISTERE DE MAITRE CLAIRE NOTARI HUISSIER DE JUSTICE A MONACO PRIVATE COLLECTIONS RUSSIAN ART & RARE BOOKS SESSION 1 / PRIVATE COLLECTIONS FRIDAY NOVEMBER 23, 2018 - 14:00 SESSION 2 / RUSSIAN ART FRIDAY NOVEMBER 23, 2018 - 17:00 SESSION 3 / OLD MASTERS SATURDAY NOVEMBER 24, 2018 - 14:00 SESSION 4 / ANTIQUE ARMS & MILITARIA SATURDAY NOVEMBER 24, 2018 - 16:00 SESSION 5 / NUMISMATICS & OBJECTS OF VERTU SATURDAY NOVEMBER 24, 2018 - 17:00 SESSION 6 / MODERN & CONTEMPORARY ART TUESDAY NOVEMBER 27, 2018 - 19:00 Hotel Metropole - 4 avenue de la Madone - 98000 MONACO Exhibition Preview : THURSDAY NOVEMBER 22, 2018 AT 18:00 Exhibition : FRIDAY NOV 23 & SATURDAY NOV 24 10:00 - 13:00 MODERN & CONTEMPORARY : SUNDAY NOV 25 & MONDAY NOV 26 12:00 - 16:00 CONTEMPORARY COCKTAIL : TUESDAY NOV 27 18:00 Inquiries - tel: +377 97773980 - Email: [email protected] 25, Avenue de la Costa - 98000 Monaco Tel: +377 97773980 www.hermitagefineart.com Sans titre-1 1 26/09/2017 11:33:03 SPECIALISTS AND AUCTION ENQUIRIES Alessandro Conelli Ivan Terny President C.E.O. Elena Efremova Ekaterina Tendil Director Head of European Departement Contact : Tel: +377 97773980 Fax: +377 97971205 [email protected] Victoria Matyunina Julia Karpova PR & Event Manager Art Director TRANSPORTATION Catalogue Design: Hermitage Fine Art expresses our gratude to Natasha Cheung, Camille Maréchaux Morgane Cornu and Julia Karpova for help with preparation of cataloguing notes.
    [Show full text]
  • Linking Local Resources to World History
    Linking Local Resources to World History Made possible by a Georgia Humanities Council grant to the Georgia Regents University Humanities Program in partnership with the Morris Museum of Art Lesson 5: Modern Art: Cubism in Europe & America Images Included_________________________________________________________ 1. Title: Les Demoiselles d’Avignon Artist: Pablo Picasso (1881– 1973) Date: 1907 Medium: Oil on canvas Location: Museum of Modern Art, New York 2. Title: untitled (African mask) Artist: unknown, Woyo peoples, Democratic Republic of the Congo Date: c. early 20th century Medium: Wood and pigment Size: 24.5 X 13.5 X 6 inches Location: Los Angeles County Museum of Art 3. Title: untitled (African mask) Artist: Unknown, Fang Tribe, Gabon Date: c. early 20th century Medium: Wood and pigment Size: 24 inches tall Location: Private collection 4. Title: Abstraction Artist: Paul Ninas (1903–1964 Date: 1885 Medium: Oil on canvas Size: 47.5 x 61 inches Location: Morris Museum of Art 5. Title: Houses at l’Estaque Artist: Georges Braque (1882–1963) Date: 1908 Medium: Oil on Canvas Size: 28.75 x 23.75 inches Location: Museum of Fine Arts Berne Title: Two Characters Artist: Pablo Picasso (1881– 1973) Date: 1934 Medium: Oil on canvas Location: Museum of Modern Art in Rovereto Historical Background____________________________________________________ Experts debate start and end dates for “modern art,” but they all agree modernism deserves attention as a distinct era in which something identifiably new and important was under way. Most art historians peg modernism to Europe in the mid- to late- nineteenth century, with particularly important developments in France, so we’ll look at that time in Paris and then see how modernist influences affect artworks here in the American South.
    [Show full text]
  • The Waste Land of Law School Fiction
    BOOK REVIEW The Waste Land Of Law School Fiction Arthur D. Austin* Sad things can happen when an author chooses the wrong subject: first the author suffers, then the reader, and finally the publisher, all to- gether in a tiny whirlpool of pain.' Law schools generate controversy and initiate change. They attract the "best and the brightest" students. 2 They have not, however, received the ultimate measure of recognition-the examination of institutional character through literary fiction. Novels about law school society can be counted on one hand-with a finger and thumb left over.3 They are John Osborn's The Paper Chase,4 Katherine Roome's The Letter of the Law, 5 and Michael Levin's The Socratic Method. 6 None succeed as fic- tion.7 This review focuses on the way each writer uses style, plot, and * Edgar A. Hahn Professor of Jurisprudence, Case Western Reserve University School of Law. 1. Sheed, The Exile, N.Y. REV. oF BooKs, Oct. 27, 1988, at 35, col. 1. 2. Even this causes controversy. Harvard University President Bok claims that the "brain drain" into law schools is "a massive diversion of exceptional talent into pursuits that often add little to the growth of the economy, the pursuit of culture, the enhancement of the human spirit." Lieber- man & Goldstein, Why Have Lawyers Proliferated?, N.Y. Times, Aug. 6, 1986, at A27, col. 1. 3. Novels with legal themes are prevalent. Wigmore's analysis of "legal literature" remains the best introduction to the subject. See Wigmore, A List Of One Hundred Legal Novels, 17 ILL.
    [Show full text]
  • Notions of Minimalism and the Design of Interactive Systems
    Where »less« is »more« – notions of minimalism and the design of interactive systems: A constructive analysis of products & processes of human-computer-interaction design from a minimalist standpoint Dissertation zur Erlangung des Doktorgrades an der MIN-Fakultät Department Informatik der Universität Hamburg vorgelegt von Hartmut Obendorf Hamburg 2007 Genehmigt von der MIN-Fakultät Department Informatik der Universität Hamburg auf Antrag von Prof. Dr. Horst Oberquelle Erstgutachter(in)/Doktorvater Prof. Dr. Horst Oberquelle Zweitgutachter(in) Hamburg, den _______________ Datum der Disputation 4.4.2007 Prof. Dr. ____________________________ Leiter Department Informatik (Prof. Dr. N. Ritter) OVERVIEW 1 Designing for an Age of Complexity 11 Computing has added complexity to our lives. The search for machine beauty motivates the transfer of the notion of minimalism from art and music to the design of interactive systems, trying to explain simplicity, and to differentiate paths of reduction. For a concise example, four notions of minimalism are presented and discussed. 2 In Search of ‚Minimalism‘ – Roving in art history, music and elsewhere 21 Examples of works in art, music and literature that were collectively described with the label of Minimalism by contemporary criticism and art history are revisited. This chapter follows a historical rather than a conceptual order and aims not at a single definition of Minimalism, but instead tries to illustrate both the breadth of concepts underlying works characterized as minimal, and the recurrence of attributes of minimal art in different disciplines. 3 A Role for Minimalism in the Use-Centered Design of Interactive Systems 61 Based on these shared aspects of minimalism, four principles, namely functional, structural, constructional and compositional minimalism, are introduced.
    [Show full text]
  • Modeling Linguistic Theory on a Computer: from GB to Minimalism
    Modeling Linguistic Theory on a Computer: From GB to Minimalism Sandiway Fong Dept. of Linguistics Dept. of Computer Science 1 MIT IAP Computational Linguistics Fest, 1/14/2005 Outline • Mature system: PAPPI • Current work – parser in the principles-and- – introduce a left-to-right parser parameters framework based on the probe-goal model – principles are formalized and from the Minimalist Program declaratively stated in Prolog (MP) (logic) – take a look at modeling some – principles are mapped onto data from SOV languages general computational mechanisms • relativization in Turkish and Japanese – recovers all possible parses • psycholinguistics (parsing – (free software, recently ported preferences) to MacOS X and Linux) – (software yet to be released...) – (see http://dingo.sbs.arizona.edu/~sandi way/) 2 MIT IAP Computational Linguistics Fest, 1/14/2005 3 PAPPI: Overview sentence • user’s viewpoint syntactic represent ations parser operations corresponding to linguistic principles (= theory) 3 MIT IAP Computational Linguistics Fest, 1/14/2005 PAPPI: Overview • parser operations can be – turned on or off – metered • syntactic representations can be – displayed – examined • in the context of a parser operation – dissected • features displayed 4 MIT IAP Computational Linguistics Fest, 1/14/2005 PAPPI: Coverage • supplied with a basic set of principles – X’-based phrase structure, Case, Binding, ECP, Theta, head movement, phrasal movement, LF movement, QR, operator-variable, WCO – handles a couple hundred English examples from Lasnik and
    [Show full text]
  • Capabilities of Rationalism and Minimalism for Contemporary
    International Journal of Scientific & Engineering Research, Volume 7, Issue 1, January-2016 339 ISSN 2229-5518 Capabilities of Rationalism and Minimalism for Contemporary Graffiti and Environmental Graphic: A Descriptive, Analytical and Comparative Case Study Seyed Maziar Mohsenian* Enghelab–e Eslami Technical College (EITTC), Tehran, Iran Abstract— In early centuries, human created some magical and ritual artworks on the wall of caves, with the limited facilities, to achieve some goals. During time and by developing of sciences and technologies, factors such as change in material, variety of tastes, ideas and so on allow art to be applicable in various fields. One of the art branches which have a wide and multi–dimensional applicability from definition and performance points of view is graffiti. In the current time, graffiti is a symbol of urban and popular art. Although use of paintings, colors and decorative elements for decoration of architecture has been common since ancient era, graffiti is changed due to changing in urban structures and establishing new urbanism concepts in recent years. For creating graffiti in the current time, it has not confine to performing on a vertical wall using tools such as brush and color but we can see different artworks sometimes are comparable to the artworks of various art branches such as minimal art and utilize the characteristics of such art branches to create new graffiti. The current research aims to describe the capabilities of contemporary graffiti and environmental graphic of Iran and it can be used to calm urban space, which its critical foundation, decorative purposes and constitutional concepts of minimal art.
    [Show full text]
  • Rethinking Minimalism: at the Intersection of Music Theory and Art Criticism
    Rethinking Minimalism: At the Intersection of Music Theory and Art Criticism Peter Shelley A dissertation submitted in partial fulfillment of requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee Jonathan Bernard, Chair Áine Heneghan Judy Tsou Program Authorized to Offer Degree: Music Theory ©Copyright 2013 Peter Shelley University of Washington Abstract Rethinking Minimalism: At the Intersection of Music Theory and Art Criticism Peter James Shelley Chair of the Supervisory Committee: Dr. Jonathan Bernard Music Theory By now most scholars are fairly sure of what minimalism is. Even if they may be reluctant to offer a precise theory, and even if they may distrust canon formation, members of the informed public have a clear idea of who the central canonical minimalist composers were or are. Sitting front and center are always four white male Americans: La Monte Young, Terry Riley, Steve Reich, and Philip Glass. This dissertation negotiates with this received wisdom, challenging the stylistic coherence among these composers implied by the term minimalism and scrutinizing the presumed neutrality of their music. This dissertation is based in the acceptance of the aesthetic similarities between minimalist sculpture and music. Michael Fried’s essay “Art and Objecthood,” which occupies a central role in the history of minimalist sculptural criticism, serves as the point of departure for three excursions into minimalist music. The first excursion deals with the question of time in minimalism, arguing that, contrary to received wisdom, minimalist music is not always well understood as static or, in Jonathan Kramer’s terminology, vertical. The second excursion addresses anthropomorphism in minimalist music, borrowing from Fried’s concept of (bodily) presence.
    [Show full text]
  • Art Year 9 – Autumn SURREALISM
    Knowledge Organiser Examples of Symbolism Art Year 9 – Autumn SURREALISM An Art Movements are the collective Surrealism began as a philosophical movement that said the way to find titles that are given to artworks truth in the world was through the subconscious mind and dreams, rather which share the same artistic style than through logical thought. The movement included many artists, poets, and writers who expressed their theories in their work. or technical approaches. There is no fixed rule that determines what an When was the Surrealism movement? art movement is. Below are a list of the most common art movements. The movement began in the mid-1920s in France and was born out of an earlier movement called Dadaism from Switzerland. It reached its peak in • Symbolism -1860 the 1930s. • Impressionism – 1860 • Fauvism – 1905 What are the characteristics of Surrealism? The Persistence of Memory (Salvador Dali) • Expressionism – 1912 • Dadaism -1916 Surrealism images explored the subconscious areas of the mind. The Perhaps the most famous of all the great Surrealist paintings, the • Surrealism 1920 artwork often made little sense as it was usually trying to depict a dream Persistence of Memory is known for the melting watches as well as • Cubism 1937 or random thoughts. the clarity of the art. The painting gives you sense that you are • Op Art - 1960 dreaming and that time is irrelevant. • Pop Art – 1962 • Minimalism – 1970 The Song of Love (Giorgio de The Son of Man (Rene Magritte) Chirico) Surrealist Artists The Son of Man is a self-portrait of This painting is one of the earliest Rene Magritte.
    [Show full text]