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Modern & Contemporary MODERN & CONTEMPORARY ART HÔTEL METROPOLE MONACO 27 NOVEMBER 2018 Above : EUGÈNE BOUDIN (Honfleur 1824 - Deauville 1898) View on the port of Dieppe (Lot 908) Front Cover : СY TWOMBLY Poster Study for ‘Nine Discourses on Commodus by Cy Twombly at Leo Castelli’ 1964 (Lot 912) Back Cover : LÉONARD TSUGUHARU FOUJITA Détail Grande composition 2, dite Composition au chien, 1928. Reliefography on Canvas (Lot 939) Sans titre-1 1 26/09/2017 11:33:03 PAR LE MINISTERE DE MAITRE CLAIRE NOTARI HUISSIER DE JUSTICE A MONACO PRIVATE COLLECTIONS RUSSIAN ART & RARE BOOKS SESSION 1 / PRIVATE COLLECTIONS FRIDAY NOVEMBER 23, 2018 - 14:00 SESSION 2 / RUSSIAN ART FRIDAY NOVEMBER 23, 2018 - 17:00 SESSION 3 / OLD MASTERS SATURDAY NOVEMBER 24, 2018 - 14:00 SESSION 4 / ANTIQUE ARMS & MILITARIA SATURDAY NOVEMBER 24, 2018 - 16:00 SESSION 5 / NUMISMATICS & OBJECTS OF VERTU SATURDAY NOVEMBER 24, 2018 - 17:00 SESSION 6 / MODERN & CONTEMPORARY ART TUESDAY NOVEMBER 27, 2018 - 19:00 Hotel Metropole - 4 avenue de la Madone - 98000 MONACO Exhibition Preview : THURSDAY NOVEMBER 22, 2018 AT 18:00 Exhibition : FRIDAY NOV 23 & SATURDAY NOV 24 10:00 - 13:00 MODERN & CONTEMPORARY : SUNDAY NOV 25 & MONDAY NOV 26 12:00 - 16:00 CONTEMPORARY COCKTAIL : TUESDAY NOV 27 18:00 Inquiries - tel: +377 97773980 - Email: [email protected] 25, Avenue de la Costa - 98000 Monaco Tel: +377 97773980 www.hermitagefineart.com Sans titre-1 1 26/09/2017 11:33:03 SPECIALISTS AND AUCTION ENQUIRIES Alessandro Conelli Ivan Terny President C.E.O. Elena Efremova Ekaterina Tendil Director Head of European Departement Contact : Tel: +377 97773980 Fax: +377 97971205 [email protected] Victoria Matyunina Julia Karpova PR & Event Manager Art Director TRANSPORTATION Catalogue Design: Hermitage Fine Art expresses our gratude to Natasha Cheung, Camille Maréchaux Morgane Cornu and Julia Karpova for help with preparation of cataloguing notes. Photography: Maxime Melnikov All lots marked with the symbol + are on temporary exportation and are subject to import tax. A buyer intending to import them within the European Union should be aware that import tax will be due on hammer price and shall be paid to the organizer in addition to other fees (eg: 5.5% for antics and artworks in Monaco). 901 • ADRIANO CECIONI (1836/38 – 1886) Boy with a Rooster Bronze 1 Height 65 cm (25 /4 in.) 6,000 - 7,000 € Provenance : Private Collectioon, Italy 6 902 • RENATO BERTELLI (1900-1974) Continuous Profile Terracotta 1 1 30 x 26 cm ( 12 /4 x 10 /4in.) 6,000 - 7,000 € Provenance : Private Collectioon, Italy 7 903 • HENRI CHARLES MANGUIN (1874-1949) HENRI CHARLES MANGUIN nudes and portraits, Manguin realized Still Life with Teapot French painter and co-founder of the many still lives distinguished by his Signed ‘Manguin’ (lower left) Fauvism movement in 1905, along dense and blushful touch. There are Oil on canvas with Henri Matisse, André Derain and numerous tea scenes around 1900, 5 3 54.8 x 65.5 cm (21 /8 x 25 /4in.) Georges Braques. His style distinguishes with delicate ceramics, metal or silver Painted circa 1900 itself by a sense of delight and a very tea-pots, bread, buns and sometimes colorful palette, shuffling between fruit, displayed on wooden tables just 9,000 - 10,000 € blues, yellows, oranges, nuances of like in this painting signed “Manguin” greens and many more. Thereby, the on the lower left. Provenance : Private collection, Switzerland poet Guillaume Apollinaire called him Previously in the collection of Ambroise Vollard, “the voluptuous painter” and professor Paris (acquired directly from the artist in 1906 Nr. Gaston Diehl re-baptised him as the 70 on the list of purchase) “Chantre du bohneur.” Apart from his vibrant landscapes, 8 904 • ALBERT-MARIE LEBOURG (1849 - 1928) French impressionist painter Albert the white city with its nuances of va- Notre Dame. Vue prise du Pont de la Tournelle Marie LEBOURG (1849-1928) studied rious shades. Signed, inscribed and dated ‘A Lebourg Paris Dec at the Ecole des Beaux Arts of Rouen, With his distinct brushstroke, he star- 79’ (lower left), inscribed ‘Notre Dame Vue prise du where he is originally from. Close ted to paint winter views burried by the Pont de la Tournelle’ (lower right) friends with Victor Delamare and Gus- color white like on this snowy view of Oil on canvas tave Morin, he started drawing with Notre Dame, signed and dated on the 1 1 64 x 92 cm (25 /4 x 36 /4 in.) charcoal and began to paint alongside lower left — a good representation of Painted in Paris in 1879 the Seine in his hometown – Mont- his style with different soft shades of 20,000 - 25,000 € fort-sur-Risle. As a professor in Alger white pastel colors. around 1875, he was astonished by his surroundings and made colors and Provenance : Private collection, Switzerland lights his chosen field. He discovered 9 905 • ANTOINE BOUVARD (1870-1955/56) Canal in Venice Signed (lower right) Oil on canvas 1 38 x 46 cm (15 x 18 /8 in.) 8,000 – 12,000 € Provenance : Koller Geneva, 13 November 2006 Private Collectioon, Switzerland 10 906 • ANTOINE BLANCHARD (1910-1988) Paris at Dusk near Folie Bergeres Theater Signed (lower left) Oil on canvas 7 33 x 43 cm (13 x 16 /8in.) 3,500 – 5,500 € Provenance : Fisher, Luzern, 13 November 2008, lot 14 Private collection, Switzerland 907 • LÉON GERMAIN PELOUSE (1838-1891) River in Summer Signed (lower right) Oil on canvas 3 61 x 45 cm (24 x 17 /4in.) 3,000 – 5,000 € Provenance : Private collection, Switzerland 11 908 • EUGÈNE BOUDIN (1824 - 1898) View on the Port of Dieppe Signed ‘E. Boudin’ (lower right) Oil on panel 3 1 39 x 46 cm (15 /8 x 18 /8 in.) 80,000 – 120,000 € Provenance : Private collection, Switzerland. Bibliography : Schmit, Robert. Eugène Boudin 1824-1898, Catalogue raisonnée de l’oeuvre peint, Paris, 1973, Vol. II, No.2237 with Ill. “I already want to be on the battlefield! Running after Impressionism, Boudin is a specialist of the nautical the boats ... following the clouds with a paintbrush in theme. He painted many beach scenes, featuring my hand. Smelling the good salty air of the beaches elegant women in crinoline dresses, estuaries, and watching the sea rise ...” (Eugène Boudin, Musée harbors and sea views alongside the Atlantic coast in Jacquemart André, Institut de France, 2013, Paris, Normandy, deeply inspired by Joseph Vernet, who he p.133) praised in his notebook: “The admirable figures, so clear and so right with their character so well studied. Firmness French painter, born in Honfleur; one of the first to of the background, of the waters…” (Eugène Boudin, capture and paint landscapes outside of his atelier, Musée Jacquemart André, Institut de France, 2013, Paris, in open air, directly from nature. p.11) His career really started off at the Parisian Salon of 1859, where Charles Baudelaire drew his talents to As a forerunner of the Impressionism movement, public attention. He then showed his works in the first Boudin’s growing reputation enabled him to receive the Impressionist exhibition of 1874 next to Jean- third place medal at the Paris Salon of 1881 and the Francois Millet, Jean-Baptiste Corot and Claude gold medal at the Exposition Universelle of 1889. He was Monet with whom he worked in his atelier. also decorated by France as Chevalier de la Légion d’Honneur in 1892 as official recognition of his talents. Halfway between the naturalism from the early 19th century and the runny brush stroke of the late century 12 13 909 • MARTIN LINDENAU (B. 1948) Monte Carlo Lagoon Montegasse and Cap Martin Signed ‘M. Lindenau’ (lower left), inscribed ‘Monte Carlo la lagune Montegasse et le cap Martin’ (on the reverse) Oil on canvas 3 1 73 x 92 cm (28 /4 x 36 /4 in.) 2,200 - 2,800 € Provenance: Private Collection, Switzerland 14 910 • MADELEINE LUCIE French artist from the end of the 20th and the FUNCK-HELLET beginning of the 21st centuries - well known Nude in an Art Déco Interior for her figurative paintings and her thick Signed (lower left) brushstroke. She painted many portraits and Oil on canvas interior scenes like this seated nude. 1 1 130 x 102 cm (51 /8 x 40 /8in.) 8,000 – 10,000 € Provenance: Private Collection, Monaco 15 16 911 • ERNST FUCHS (1930 - 2015) Nude (Nymphe von St Petersburg) Signed and dated (lower right) 0il on canvas Painted in 2010 38,000 – 45,000 € Provenance: Private Collection, Austria Described by his friend Salvador Dalì as "The Dalì various ways he could express himself artistically. of the Germanics", Ernst Fuchs was a co-founder Most known for his paintings, drawing and prints, of the Vienna School of Fantastic Realism in the often of female nudes, Fuchs was also a talented 1940s, and an artist famed for colourful works, sculptor, composer, singer, poet, designer and often with spiritual and religious themes. Born to architect, living most of his life in Vienna, though a Jewish antiques dealer and a Catholic seamstress, he also spent time in Paris and the USA. In 1972 as a youth Fuchs was baptised a Catholic to escape he acquired and renovated the Otto Wagner Villa in the Holocaust, when his father was forced to flee Hütteldorf, which is now the Ernst Fuchs Museum. to China. The Scriptures, the Bible, and Jewish mythology were long-standing influences in This striking nude is a good example of Fuchs’ Fuchs' practice, but so were Byzantine art, Italian bold style and strong sense of colour. To achieve and Renaissance painting, Surrealism, and before a luminous quality to his paintings, Fuchs used a that, German Expressionism. In 1950 he met mischtechnik method of painting, combining egg Dalì in Paris, and Fuchs credited their subsequent tempera with oil paint and resin.
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