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H-Net Discussion Networks - After the End of Music History: An Inter…nor of Richard Taruskin (Princeton University, February 9?12, 2012) 26/10/2013 12:24 From: Serguei A. Oushakine <[email protected]> List Editor: Amy Garey <[email protected]> Editor's Subject: After the End of Music History: An International Conference in Honor of Richard Taruskin (Princeton University, February 9?12, 2012) Author's Subject: After the End of Music History: An International Conference in Honor of Richard Taruskin (Princeton University, February 9?12, 2012) Date Written: Fri, 10 Feb 2012 22:19:58 -0800 Date Posted: Sun, 11 Feb 2012 01:19:58 -0500 After the End of Music History An International Conference in Honor of Richard Taruskin Princeton University February 9-12, 2012 Final Schedule http://etcpanel.princeton.edu/music/ Thursday, February 9 11 ? 12 pm Ekphrases (McAlpin Rehearsal Hall, Woolworth Building) Chair: Micaela Baranello (Princeton University) Wendy Heller (Princeton University), "Rescuing Ariadne" Lydia Goehr (Columbia University), "The Life and Death of Boheme, or Painting the Red Sea Red" 12:15 - 1:15 pm Close Listening (McAlpin Rehearsal Hall, Woolworth Building) Chair: Christopher Gibbs (Bard College) David Kjar (Boston University), ?Wanda Landowska and the Pursuit of Richard Taruskin?s Early Music Performance Style? David Kasunic (Occidental College), ?Listening for Disease: The Invention of the Stethoscope and Nineteenth-Century Music Analysis? 1:15 ? 1:45 pm Lunch break 1:45 ? 2:45 pm Machaut Mashup (McAlpin Rehearsal Hall, Woolworth Building) Chair: Jamie Greenberg Reuland (Princeton University) Michael Long (University at Buffalo), ?Machaut and the Refreshment Aesthetic: Three Remixes? Anna Zayaruznaya (Princeton University), ?Motets and the Modern Medieval Sound: Ars Nova Intelligibility Redux? 3 - 4 pm http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=h-soyuz&month=1202&week=b&msg=7IiriAqZBp/9Gp66et8bFw&user=&pw= Page 1 of 6 H-Net Discussion Networks - After the End of Music History: An Inter…nor of Richard Taruskin (Princeton University, February 9?12, 2012) 26/10/2013 12:24 Vernacular Modernisms (McAlpin Rehearsal Hall, Woolworth Building) Chair: Christopher Gibbs (Bard College) Carolyn Abbate (University of Pennsylvania), ?Igor, Lilian, and Frivolity? Mitchell Morris (University of California?Los Angeles), ?Modernity in the 1920s: Cole Porter? 4:30 - 6 pm Welcome and Keynote 1 (McCormick 101) Welcome: Simon Morrison, Wendy Heller, Caryl Emerson Introduction and Respondent: Elaine Sisman (Columbia University) Keynote: Scott Burnham (Princeton University), ?At Taruskin?s Table? 6:30 - 7:30 pm John Freedman (drama critic, The Moscow Times), ?Putinism and the Arts? (McCormick 101) 8 pm Prokofiev/Krzhizhanovsky Eugene Onegin (World Premiere) Gabriel Prokofiev Concerto for Bass Drum, Joby Burgess, Percussionist Princeton Symphony Orchestra, Princeton Glee Club, Princeton Student Dancers Rossen Milanov, conductor; Rebecca Lazier, stage director; Sydney Schiff, choreographer; Gabriel Crouch, Glee Club Director (Richardson Auditorium in Alexander Hall) Friday February 10 9 - 10:15 am Keynote 2 (McCormick 101) Introduction and Respondent: Anna Nisnevich (University of Pittsburgh) Keynote: Daniel Albright (Harvard University), ?Music?s Beginning and Music?s End? 10:30 - 12:00 Classically Trained (McCormick 101) Chair: Lydia Goehr (Columbia University) Karol Berger (Stanford University), ?The Ends of Music History, or: The Old Masters in the Supermarket of Cultures? Christopher Doll (Rutgers University), ?Beatles Heroes: Digitally Re-Canonizing the Fab Four? Alex Ross (The New Yorker), ?A Brief History of Pop-Classical Fusion in New York Concert Life? Pushkin Translation and Adaptation (McCormick 106) Chair: Alyssa Gillespie (University of Notre Dame) Roger Clarke (Pushkin Scholar and Translator), ?Tatyana?s lost cat: different approaches to translating Pushkin?s Eugene Onegin? Alisa Ballard (Princeton University), ?Krzhizhanovsky?s Philosophization of the Theater? Michael Wachtel (Princeton University), ?Krzhizhanovsky?s Onegin as http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=h-soyuz&month=1202&week=b&msg=7IiriAqZBp/9Gp66et8bFw&user=&pw= Page 2 of 6 H-Net Discussion Networks - After the End of Music History: An Inter…nor of Richard Taruskin (Princeton University, February 9?12, 2012) 26/10/2013 12:24 Formal Experiment? 12 - 1:30 pm: Lunch break (on own) 1:30 - 3 pm Making Music History (McCormick 101) Chair: Mary Ann Smart (University of California?Berkeley) Kofi Agawu (Princeton University), ?The Politics of Citation: A Perspective from Africanist Ethnomusicology? Michael Gallope (University of Chicago), ?Taruskin?s Metaphysics? Michael Beckerman (New York University), ??In Other Words, There is No Separating Content and Manner in Musicology, As in Music Itself?? Transpositions of Pushkin: Opera, Theater, Film, Dance (McCormick 106) Chair: William Mills Todd (Harvard University) Stephanie Sandler (Harvard University), ?Onegin on Film: Why Not?? Christina Guillaumier (Royal Conservatoire of Scotland), ?Creative Processes in Prokofiev?s Eugene Onegin? Susanna Weygandt (Princeton University), ?Performing the Narrator and Language-Images in Anatoly Vasiliev?s Operatic-Play From Onegin?s Journey? 3:15 ? 4:45 pm PhD Music (McCormick 101) Chair: Andrew Oster (Haverford College) Anne Shreffler (Harvard University), ?The Twelve-Tone Music of Hanns Eisler? Jeffrey Levenberg (Princeton University), ?Bombs, Telescopes, Tunings, Timbres, and the Masses: The Cold War as Compositional Determinant? Lawrence Kramer (Fordham University), ?Babbitt?s Catskill Eagle: The Aesthetics of Late Serialism? The 1937 Jubilee and Pushkin Reception in Russia (McCormick 106) Chair: Ksana Blank (Princeton University) Sergei Kokovkin (Moscow Theater of Satire), ?Onegin?s Theatrical Journeys? Alexandra Smith (University of Edinburgh), ?The Modern Elegy in Stalin?s Russia: Shostakovich?s and Tynianov?s Renderings of Pushkin?s Poetry? Tim Vasen (Princeton University), ?Staging Onegin? 5 pm ? 6:30 pm Keynote 3 (McCormick 101) Introduction and Respondent: Caryl Emerson (Princeton University) Keynote: Boris Gasparov (Columbia University), ?The Pushkin Myth? 8 pm The Program in Theater presents Eugene Onegin (World Premiere) Tim Vasen, director; Anna Tchetchetkine, pianist; Anya Klepikov, set designer James E. Falen?s translation (a ?drama-in-verse?) of Sigizmund Krzhizhanovsky?s playscript adaptation of Alexander Pushkin?s http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=h-soyuz&month=1202&week=b&msg=7IiriAqZBp/9Gp66et8bFw&user=&pw= Page 3 of 6 H-Net Discussion Networks - After the End of Music History: An Inter…nor of Richard Taruskin (Princeton University, February 9?12, 2012) 26/10/2013 12:24 novel-in-verse Eugene Onegin with incidental music performed on piano ? first time ever the full script and music will be performed together in their entirety. (Marie and Edward ?53 Matthews Acting Studio at the Lewis Center for the Arts, 185 Nassau Street) Saturday February 11 9 ? 10:30 am Censoring Music (McCormick 101) Chair: Ellen Lockhart (Princeton University) Elaine Sisman (Columbia University), ?The Censor?s Song? Roger Parker (King?s College), ?Censorship and the Danger of Music: a View from Nineteenth-century London? Mary Ann Smart (University of California?Berkeley), ?How Political Were Verdi?s operas? Public Display and Press Censorship in 1840s Milan? Russian Classics on the Stalinist Stage (McCormick 106) Chair: Olga Peters Hasty (Princeton University) Boris Wolfson (Amherst College), ?Bulgakov?s Offstage Classics? Anna Muza (University of California?Berkeley), ?Figures of Speech: The Soviet Cult of Literary Performance? William Gunn (University of Southern California), ?Alexander Nikolaevich Ostrovsky on the Stalinist Stage? 10:45 ? 12:15 Stage Constructs (McCormick 101) Chair: Laurel Fay (G. Schirmer Inc.) Olga Haldey (University of Maryland?College Park), ?Reading the Master: Sergei Slonimsky?s Master i Margarita as an Interpretation of Its Source? Anna Nisnevich (University of Pittsburgh), ?Ear of the Beholder: Listening in/to Muzykal?naia istoriia (1940)? Patrick Zuk (Durham University), ?Some Reflections on Stylistic Tendencies in Soviet Composition During the Stalinist Era? 12:15 ? 1:30 pm Lunch break (on own) 12:15 ? 1:20 pm Roundtable Discussion with Tim Vasen and Caryl Emerson on the Dramatic Onegin (Food provided, Slavic Department Seminar Room, 245 East Pyne) 1:30 ? 3:00 pm Historiography (McCormick 101) Chair: William Quillen (University of Cambridge) Gregory Myers (Independent Scholar), ?From Out of the Drawer? Olga Manulkina (St. Petersburg Conservatory), ?The ?Foreign? Versus the ?Russian? in Soviet Musicology? Marina Frolova-Walker (University of Cambridge), ??It is not convenient?: Self-censorship in Post-Soviet Musicology? http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=h-soyuz&month=1202&week=b&msg=7IiriAqZBp/9Gp66et8bFw&user=&pw= Page 4 of 6 H-Net Discussion Networks - After the End of Music History: An Inter…nor of Richard Taruskin (Princeton University, February 9?12, 2012) 26/10/2013 12:24 3:15 ? 4:45 Modernist Identities (McCormick 101) Chair: Peter Schmelz (Washington University?St. Louis) Klara Moricz (Amherst College), ?Symphonies and Funeral Games: Lourié?s Critique of Stravinsky?s Neoclassicism? Nelly Kravetz (Tel Aviv University), ?Prokofiev as ?A Jewish Composer??? Philip Bohlman (University of Chicago), ?Music?s Eschatological Moment? 5 ? 6:30 pm Keynote 4 (McCormick 101) Introduction and Respondent:
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    CAMBRIDGE OPERA JOURNAL FANTASTIC TITLES FROM CAMBRIDGE! Opera Peking Opera Robert Cannon Chengbei Xu 3HUIHFWIRUPXVLFVWXGHQWVDQGRSHUDJRHUV 3HNLQJ2SHUDSURYLGHVDFRPSUHKHQVLYH WKLVERRNLQYHVWLJDWHVZKDWRSHUDLVKRZLW LOOXVWUDWHGLQWURGXFWLRQWRWKHRULJLQV ZRUNVDQGKRZLWKDVGHYHORSHG DQGGHYHORSPHQWRIWKLVXQLTXH Cambridge Introductions to Music SHUIRUPDQFHDUW $95.00: Hardback: 978-0-521-76302-8: 450 pp. Introductions to Chinese Culture $29.99: Paperback: 978-0-521-74647-2 $19.99: Paperback: 978-0-521-18821-0: 138 pp. Performing Operas for Mozart Forthcoming August 2012 Impresarios, Singers and Troupes Ian Woodfield Harrison Birtwistle’s $VWXG\RIWKH3UDJXH,WDOLDQRSHUDFRPSDQ\ Operas and Music Theatre DQGLWVUROHLQSHUIRUPLQJ0R]DUW·VZRUNV David Beard LQWKHODWHHLJKWHHQWKFHQWXU\ $GHILQLWLYHVRXUFHVWXG\RIWKHVWDJHZRUNV VOLUME $99.00: Hardback: 978-1-107-01429-9: 290 pp. RI+DUULVRQ%LUWZLVWOHRQHRI%ULWDLQ·V IRUHPRVWOLYLQJFRPSRVHUV Engaging Haydn Music in the Twentieth Century Culture, Context, and Criticism $110.00: Hardback: 978-0-521-89534-7: 472 pp. 24 Edited by Mary Hunter and Richard Will +D\GQLVHQMR\LQJUHQHZHGDSSUHFLDWLRQ NUMBER WKLVERRNH[SORUHVIUHVKDSSURDFKHVWRKLV PXVLFDQGWKHFXOWXUDOIRUFHVDIIHFWLQJLW $99.00: Hardback: 978-1-107-01514-2: 368 pp. Prices subject to change. 3 NOVEMBER 2012 www.cambridge.org/us Cambridge Journals Online For further information about this journal please go to the journal website at: http://www.journals.cambridge.org/opr VOLUME 24 NUMBER 3 NOVEMBER 2012 Downloaded from https://www.cambridge.org/core. IP address: 170.106.35.229, on
  • Musical Narrative in Three American One-Act Operas with Libretti By

    Musical Narrative in Three American One-Act Operas with Libretti By

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Musical Narrative in Three American One- Act Operas with Libretti by Gian Carlo Menotti: A Hand of Bridge, The Telephone, and Introductions and Good-Byes Elizabeth Lena Smith Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MUSICAL NARRATIVE IN THREE AMERICAN ONE-ACT OPERAS WITH LIBRETTI BY GIAN CARLO MENOTTI: A HAND OF BRIDGE, THE TELEPHONE, AND INTRODUCTIONS AND GOOD-BYES By ELIZABETH LENA SMITH A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2005 Copyright © 2005 Elizabeth Lena Smith All Rights Reserved The members of the Committee approve the dissertation of Elizabeth Lena Smith defended on March 14, 2005. ___________________________ Jane Piper Clendinning Professor Directing Dissertation ___________________________ Larry J. Gerber Outside Committee Member ___________________________ Michael H. Buchler Committee Member ___________________________ Matthew L. Lata Committee Member ___________________________ Matthew R. Shaftel Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To someone I once knew… iii ACKNOWLEDGEMENTS I wish to extend my appreciation to my advisor Prof. Jane Piper Clendinning for her continuous support and guidance through the preparation of this document as well as related proposals and presentations that preceded it. In every aspect of my doctoral experience, her encouragement and thoughtful counsel has proven invaluable. Also, my gratitude goes to Prof. Matthew Shaftel (whose doctoral seminar inspired this project) and Prof.