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Opera Peking Opera Robert Cannon Chengbei Xu 3HUIHFWIRUPXVLFVWXGHQWVDQGRSHUDJRHUV 3HNLQJ2SHUDSURYLGHVDFRPSUHKHQVLYH WKLVERRNLQYHVWLJDWHVZKDWRSHUDLVKRZLW LOOXVWUDWHGLQWURGXFWLRQWRWKHRULJLQV ZRUNVDQGKRZLWKDVGHYHORSHG DQGGHYHORSPHQWRIWKLVXQLTXH Cambridge Introductions to Music SHUIRUPDQFHDUW $95.00: Hardback: 978-0-521-76302-8: 450 pp. Introductions to Chinese Culture $29.99: Paperback: 978-0-521-74647-2 $19.99: Paperback: 978-0-521-18821-0: 138 pp. Performing Operas for Mozart Forthcoming August 2012 Impresarios, Singers and Troupes Ian Woodfield Harrison Birtwistle’s $VWXG\RIWKH3UDJXH,WDOLDQRSHUDFRPSDQ\ Operas and Music Theatre DQGLWVUROHLQSHUIRUPLQJ0R]DUW·VZRUNV David Beard LQWKHODWHHLJKWHHQWKFHQWXU\ $GHILQLWLYHVRXUFHVWXG\RIWKHVWDJHZRUNV VOLUME $99.00: Hardback: 978-1-107-01429-9: 290 pp. RI+DUULVRQ%LUWZLVWOHRQHRI%ULWDLQ·V IRUHPRVWOLYLQJFRPSRVHUV Engaging Haydn Music in the Twentieth Century Culture, Context, and Criticism $110.00: Hardback: 978-0-521-89534-7: 472 pp. 24 Edited by Mary Hunter and Richard Will +D\GQLVHQMR\LQJUHQHZHGDSSUHFLDWLRQ NUMBER WKLVERRNH[SORUHVIUHVKDSSURDFKHVWRKLV PXVLFDQGWKHFXOWXUDOIRUFHVDIIHFWLQJLW $99.00: Hardback: 978-1-107-01514-2: 368 pp. Prices subject to change. 3 NOVEMBER 2012 www.cambridge.org/us Cambridge Journals Online For further information about this journal please go to the journal website at: http://www.journals.cambridge.org/opr VOLUME 24 NUMBER 3 NOVEMBER 2012 Downloaded from https://www.cambridge.org/core. IP address: 170.106.35.229, on 25 Sep 2021 at 22:02:56, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0954586712000298 GUIDELINES FOR CONTRIBUTORS Contributions from North America should be sent as Word file attachments to: CAMBRIDGE OPERA JOURNAL Professor Steven Huebner, email: [email protected] Contributions from Europe should be sent as Word file attachments to: EDITORS: Suzanne Aspden Dr Suzanne Aspden, email: [email protected] University of Oxford, UK Contributions from the rest of the world may be sent to either editor. Electronic submission of all Steven Huebner material is preferred. If size of files is a concern at initial submission, contributors should consult with McGill University, Canada the editors. 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Information on Cambridge Opera Journal and all other Cambridge Journals can be accessed at 4 Winton Dean, ‘French Opera’, in Abraham, Beethoven, 137–46. www.journals.cambridge.org 5 Ernest Newman, The Life of Richard Wagner,IV(1947;rpt.NewYork,1981),212–15. 6 Edgar Istel, ‘Beethoven’s Leonora and Fidelio’, Musical Quarterly, 7 (1921), 228–31. 6 CAMBRIDGE UNIVERSITY PRESS 2012 7 K. T. Rohrer, ‘ ‘‘The Energy of English Words’’: A Linguistic Approach to Henry Purcell’s Method Printed in the United Kingdom by Henry Ling Limited, at the Dorset Press, Dorchester, DT1 1HD. of Setting Texts’, Ph.D. diss. (Princeton University, 1980), 33. 8 Rohrer, 249n3. 9 Whenham, Monteverdi: ‘Orfeo’, 57. First proofs may be read and corrected by contributors provided that they can be reached without Downloaded from https://www.cambridge.org/core. IP address: 170.106.35.229, on 25 Sep 2021 at 22:02:56, subject to the Cambridge Core terms of use, available at delay and are able to return the corrected proofs, by airmail if necessary, within 3 days of receipt. https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0954586712000298 Cambridge Opera Journal volume 24, number 3 Two into Three Won’t Go? Poetic Structure and Musical Forms in Mozart’s Idomeneo 229 tim carter Seeing the Empress Again On Doubling in L’incoronazione di Poppea 249 magnus tessing schneider Cherubini and the Revolutionary Sublime 293 sarah hibberd Walking the Line: Deconstructing Identity, Suicide and Betrayal in Peter Maxwell Davies’ Mr Emmet Takes a Walk 319 richard mcgregor Front cover illustration: Pierre-Jacques Volaire: An Eruption of Vesuvius by Moonlight, 1774, Oil on canvas, 6 Compton Verney, Photograph by Prudence Cuming Associates Ltd Downloaded from https://www.cambridge.org/core. 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