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Music and Decadence in European Modernism The Case of Central and Eastern Europe Stephen Downes $95.00: Hardback: 978-0-521-76757-6: 386 pp. American Musicological Society 2010 Philip Brett Award Portrait of a Castrato Politics, Patronage, and Music in the Life of Atto Melani Roger Freitas New Perspectives in Music History and Criticism $102.00: Hardback: 978-0-521-88521-8: 452 pp. American Musicological Society 2010 Lewis Lockwood Award Music and the Myth of Arcadia in Renaissance Italy Giuseppe Gerbino New Perspectives in Music History and Criticism VOLUME $127.00: Hardback: 978-0-521-89956-7: 456 pp. Richard Wagner: Tristan und Isolde Edited by Arthur Groos 23 Cambridge Opera Handbooks $85.00: Hardback: 978-0-521-43138-5: 232 pp. $28.99: Paperback: 978-0-521-43738-7 NUMBER Opera in the Novel from Balzac to Proust Cormac Newark Cambridge Studies in Opera 3 $90.00: Hardback: 978-0-521-11890-3: 300 pp. NOVEMBER Italian Opera in the Age of the American Revolution Pierpaolo Polzonetti Cambridge Studies in Opera $90.00: Hardback: 978-0-521-89708-2: 408 pp. Opera’s Orbit 2011 Musical Drama and the Influence of Opera in Arcadian Rome Stefanie Tcharos $90.00: Hardback: 978-0-521-11665-7: 334 pp. Prices subject to change. www.cambridge.org/us Cambridge Journals Online For further information about this journal please go to the journal website at: http://www.journals.cambridge.org/opr VOLUME 23 NUMBER 3 NOVEMBER 2011 Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.40, on 02 Oct 2021 at 11:06:00, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0954586712000158 GUIDELINES FOR CONTRIBUTORS Contributions from North America should be sent as Word file attachments to: CAMBRIDGE OPERA JOURNAL Professor Steven Huebner, email: [email protected] Contributions from Europe should be sent as Word file attachments to: EDITORS: Suzanne Aspden Dr Suzanne Aspden, email: [email protected] University of Oxford, UK Contributions from the rest of the world may be sent to either editor. Electronic submission of all Steven Huebner material is preferred. If size of files is a concern at initial submission, contributors should consult with McGill University, Canada the editors. 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Information on Cambridge Opera Journal and all other Cambridge Journals can be accessed at 4 Winton Dean, ‘French Opera’, in Abraham, Beethoven, 137–46. www.journals.cambridge.org 5 Ernest Newman, The Life of Richard Wagner,IV(1947;rpt.NewYork,1981),212–15. 6 Edgar Istel, ‘Beethoven’s Leonora and Fidelio’, Musical Quarterly, 7 (1921), 228–31. 6 CAMBRIDGE UNIVERSITY PRESS 2012 7 K. T. Rohrer, ‘ ‘‘The Energy of English Words’’: A Linguistic Approach to Henry Purcell’s Method Printed in the United Kingdom by Henry Ling Limited, at the Dorset Press, Dorchester, DT1 1HD. of Setting Texts’, Ph.D. diss. (Princeton University, 1980), 33. 8 Rohrer, 249n3. 9 Whenham, Monteverdi: ‘Orfeo’, 57. First proofs may be read and corrected by contributors provided that they can be reached without Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.40, on 02 Oct 2021 at 11:06:00, subject to the Cambridge Core terms of use, available at delay and are able to return the corrected proofs, by airmail if necessary, within 3 days of receipt. https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0954586712000158 Cambridge Opera Journal volume 23, number 3 Guest editor: Roger Parker Orating Verdi: Death and the media c.1900 119 gavin williams Photo-Opera: La fanciulla del West and the staging souvenir 145 ellen lockhart Puccini, in the distance 167 arman schwartz Review Article Giovanni Gavazzeni, Armando Torno and Carlo Vitali, O mia patria: storia musicale del Risorgimento, tra inni, eroi e melodrammi, preface by Philip Gossett.