Approaches to Teaching the Works of Eliza Haywood
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The Old Bailey Proceedings, 1674–1913: Text Mining for Evidence of Court Behavior
The Old Bailey Proceedings, 1674±1913: text mining for evidence of court behavior Article (Accepted Version) Hitchcock, Tim and Turkel, William J (2016) The Old Bailey Proceedings, 1674–1913: text mining for evidence of court behavior. Law and History Review, 34 (4). pp. 929-955. ISSN 0738-2480 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/66000/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk The Old Bailey Proceedings, 1674-1913: text mining for evidence of court behaviour. -
The Youth of Early Modern Women the Youth of Early Modern Women Gendering the Late Medieval and Early Modern World
GENDERING THE LATE MEDIEVAL AND EARLY MODERN WORLD Cohen and Reeves (eds) Cohen The Youth of Early Modern Women Modern Early of Youth The Edited by Elizabeth S. Cohen and Margaret Reeves The Youth of Early Modern Women The Youth of Early Modern Women Gendering the Late Medieval and Early Modern World Series editors: James Daybell (Chair), Victoria E. Burke, Svante Norrhem, and Merry Wiesner-Hanks This series provides a forum for studies that investigate women, gender, and/ or sexuality in the late medieval and early modern world. The editors invite proposals for book-length studies of an interdisciplinary nature, including, but not exclusively, from the fields of history, literature, art and architectural history, and visual and material culture. Consideration will be given to both monographs and collections of essays. Chronologically, we welcome studies that look at the period between 1400 and 1700, with a focus on any part of the world, as well as comparative and global works. We invite proposals including, but not limited to, the following broad themes: methodologies, theories and meanings of gender; gender, power and political culture; monarchs, courts and power; constructions of femininity and masculinity; gift-giving, diplomacy and the politics of exchange; gender and the politics of early modern archives; gender and architectural spaces (courts, salons, household); consumption and material culture; objects and gendered power; women’s writing; gendered patronage and power; gendered activities, behaviours, rituals and fashions. The Youth of Early Modern Women Edited by Elizabeth S. Cohen and Margaret Reeves Amsterdam University Press Cover image: Hans Baldung Grien, The Seven Ages of Woman (1544-1545). -
Joseph Conrad
Joseph Conrad Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Joseph Conrad Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] ( listen); 3 December 1857 – 3 August 1924) was a Polish-British writer[1][note 1] regarded as one of the greatest novelists to write in the English language.[2] Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.[note 2] Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.[note 3] Conrad is considered an early modernist,[note 4] though his works contain elements of 19th-century realism.[3] His narrative style and anti-heroic characters[4] have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events.[5][6] Conrad in 1904 Writing near the peak of the British Empire, Conrad drew, among by George Charles Beresford other things, on his native Poland's national Born Józef Teodor Konrad [7]:290, 352[note 5] experiences and on his own experiences in the Korzeniowski French and British merchant navies, to create short stories and 3 December 1857 novels that reflect aspects of a European-dominated world— Berdychiv, Russian including imperialism and colonialism—and that profoundly Empire explore -
Realism, Evidence, and Truth
Realism, Evidence, and Truth Hal Gladfelder, Criminality and Narrative in Eighteenth-Century England-Beyond the Law. Baltimore and London: The Johns Hop- kins University Press, 2001. Pp. xiii, 281. $42.50. Susan Staves Hal Gladfelder reconsiders the much-considered relation between early modern nonfictional representations of crime and the novel. His nonfictional accounts include newspaper reports, Old Bailey Ses- sions reports, dying speeches of malefactors about to be hanged, and popular criminal biographies. He focuses on two novelists, Daniel Defoe and Henry Fielding, both of whom also wrote nonfiction about crime. A third novelist, William Godwin, who addressed the problem of crime in his anarchist Enquiry Concerning Political Justice (1793), comes in to frame the overall analysis. Some earlier writers have stressed the differences between, on the one hand, the nonfictional literature of crime, which they see as serving primarily to inculcate and reinforce ruling-class norms, and, on the other hand, fiction, which they see as critical of those norms.' Others have found the novel itself an ally of the police.2 Gladfelder, however, argues that both the nonfiction and the fiction are oppositional. He con- tends that both forms of writing "tend to legitimate, to project as desirable, the very disruptive potentialities they set out to contain."' 1. On nonfiction as inculcating ruling-class norms, see, for example, J.A. Sharpe, Last Dying Speeches Religion, Ideology, and Public Execution in Seventeenth-Century England, 107 PAST & PRESENT 144 (1985); LINCOLN B. FALLER, CRIME AND DEFOE: A NEW KIND OF WRITING (1993); and LINCOLN B. FALLER, TURNED TO ACCOUNT: THE FORMS AND FUNC- TIONS OF CRIMINAL BIOGRAPHY IN LATE SEVENTEENTH- AND EARLY EIGHTEENTH- CENTURY ENGLAND (1987). -
J H Stape Conrad Publications
J H Stape Conrad Publications Monographs and edited volumes Joseph Conrad. The Rover. Ed. J. H. Stape and Alexandre Fachard. The Cambridge Edition of the Works of Joseph Conrad. Forthcoming Cambridge: Cambridge University Press, 2018 Joseph Conrad. Victory. Ed. J. H. Stape and Alexandre Fachard. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2016 Awarded the Seal of the Committee of Scholarly Editing of the Modern Language Association of America The New Cambridge Companion to Joseph Conrad, ed. J. H. Stape. Cambridge: Cambridge University Press, 2015 Conrad ‘The Duel’: Sources/Text. Ed. J. H. Stape and John G. Peters. Rodopi: Amsterdam, 2015. The New Cambridge Companion to Joseph Conrad. Ed. J. H. Stape. Cambridge University Press, forthcoming 2014. Joseph Conrad. The Shadow-Line. Ed. J. H. Stape and Allan H. Simmons, with Introduction and Notes by Owen Knowles. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2013 Awarded the Seal of the Committee on Scholarly Editions, Modern Language Association of America Joseph Conrad. Tales of Unrest. Ed. Allan H. Simmons and J. H. Stape. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2012 Awarded the Seal of the Committee on Scholarly Editions, Modern Language Association of America Joseph Conrad: The Contemporary Reviews. 4 vols. General editors: Allan H. Simmons, J. G. Peters, and J. H. Stape. Cambridge University Press, 2012 “Under Western Eyes‟: Centennial Essays, edited with Jeremy Hawthorn and Allan H. Simmons. Rodopi: Amsterdam, 2011 Joseph Conrad. Lord Jim, A Tale, ed. J. H. -
Joseph Conrad: the Greatest Living Artist in English Prose [London: T
Joseph Conrad: The Greatest Living Artist in English Prose [London: T. Fisher Unwin, 1924?] THIS promotional pamphlet advertises works by Conrad published by Unwin. In particular, it promotes Conrad‘s last completed novel The Rover, which was published in late 1923. Given the publication date of The Rover, this pamphlet was probably published in early 1924. On the cover is a drawing of Conrad based upon a photograph taken by Malcolm Arbuthnot. The Rover By Joseph Conrad IN THIS NOVEL Mr. Joseph Conrad has the Mediterranean, as seen from the French south coast, not for a stage, but for a background, in the depth of which the presence of the English blockading fleet is rather felt than seen throughout the course of events which happen on land in a lonely farm-house. The narrative, intimate in character, deals with the crisis in the lives of two women and some men – the Rover being the central figure – and ends at sea in an episode in which the shapes of the blockading ships and the person of Lord Nelson himself are evoked for a moment. The tale, though in no sense historical, attempts to reflect in part at least the spirit of the period 1802–4, with references to an earlier time, after the evacuation of Toulon, when during the savage excesses of the Republican reaction the Heiress of Escampobar, when still almost a child, passed through experiences which had unsettled her mind. 7s. 6d. net T. Fisher Unwin Ltd. 1 Adelphi Terrace, London W.C. 2 Uniform Edition of Joseph Conrad‘s Earlier Works. -
Review Articles
. ., ' : / .'" Review Articles FACT INTO FICTION: CONRAD'S CREATIVE PROCESS Elisabeth Gerver Conrad's Western World. By Norman Sherry. Cambridge University Press, 1971. Pp. xiv, 455. In a little-known letter to the New York Times in 1901, Conrad made ex· plicit the belief in fundamental conflict that underlies all his best fiction: "the only legitimate basis of creative work lies in the courageous recognition of all the irre concilable antagonisms that make our life so enigmatic, so burdensome, so fascin ating, so dangerous-so full of hope. They exist! And this is the only funda· mental truth of fiction".1 It was this belief in the conflict of values, of men within themselves and with one another, and of political necessities, that led Conrad to create his characteristic, open-ended novels. Conrad's personal life was also marked by conflict, both intellectual and emotional. He held simultaneously, for example, a number of apparently contra dictory social and political attitudes: he often expressed the idea of "loneliness [as] .. a hard and absolute condition of existence'? but he believed also in the existence and necessity of human solidarity. His attitudes towards revolutionaries were typical of the complexity and contradictions of his political thought: at one moment he was disturbed by the "menace of fanaticism and intolerance" 3 inherent in revolutionaries, while at another moment he supported the valid struggle and the self-sacrifice of revolutionaries in Spain and Poland. Yet again, while he re mained suspicious of any change brought about by revolutions, he insisted on the necessity for a wholly destructive revolution in Russia. -
Passion and Language in Eighteenth- Century Literature
Copyrighted Material - 9781137442048 Passion and Language in Eighteenth- Century Literature The Aesthetic Sublime in the Work of Eliza Haywood, Aaron Hill, and Martha Fowke Earla Wilputte Copyrighted Material - 9781137442048 Copyrighted Material - 9781137442048 PASSION AND LANGUAGE IN EIGHTEENTH- CENTURY LITERATURE Copyright © Earla Wilputte, 2014. All rights reserved. An earlier version of part of Chapter 4 originally appeared in the essay “Eliza Haywood’s Poems on Several Occasions: Aaron Hill, Writing, and the Sublime,” Eighteenth- Century Women: Studies in their Lives, Work, and Culture 6 (2011): 79– 102 (AMS Press). Part of Chapter 5 originally appeared in the essay “Midwife for the Mind: Delivering the Passions in Aaron Hill’s The Plain Dealer (1724),” Journal for Eighteenth- Century Studies 31, no. 1 (2008): 1– 15. They are used here in revised form, with permission. First published in 2014 by PALGRAVE MACMILLAN® in the United States— a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978- 1- 137- 44204- 8 Library of Congress Cataloging- in- Publication Data Wilputte, Earla Arden, 1959– Passion and language in eighteenth- century literature : the aesthetic sublime in the work of Eliza Haywood, Aaron Hill, and Martha Fowke / by Earla Wilputte. -
In Search of Lady Isabella's Library; Or, a Question of Access
ABO: Interactive Journal for Women in the Arts, 1640-1830 Volume 2 Issue 1 Volume 2.1 (Spring 2012): Open Access Article 14 2012 In Search of Lady Isabella’s Library; or, A Question of Access Patricia L. Hamilton Union University, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/abo Part of the Dramatic Literature, Criticism and Theory Commons, Educational Methods Commons, Feminist, Gender, and Sexuality Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Hamilton, Patricia L. (2012) "In Search of Lady Isabella’s Library; or, A Question of Access," ABO: Interactive Journal for Women in the Arts, 1640-1830: Vol. 2 : Iss. 1 , Article 14. https://www.doi.org/http://dx.doi.org/10.5038/2157-7129.2.1.13 Available at: https://scholarcommons.usf.edu/abo/vol2/iss1/14 This New Media is brought to you for free and open access by Scholar Commons. It has been accepted for inclusion in ABO: Interactive Journal for Women in the Arts, 1640-1830 by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. In Search of Lady Isabella’s Library; or, A Question of Access Keywords access, archives, Charlotte Lennox, digital archives, literary influence, online databases, women's education Creative Commons License This work is licensed under a Creative Commons Attribution-No Derivative Works 3.0 License. This new media is available in ABO: Interactive Journal for Women in the Arts, 1640-1830: https://scholarcommons.usf.edu/abo/vol2/iss1/14 Hamilton: In Search of Lady Isabella’s Library Over the past thirty years, scholars have suggested that Charlotte Lennox drew on a variety of sources to shape The Female Quixote. -
Bluestockings: Women of Reason from Enlightenment to Romanticism
scope beyond the strictly historical regimes and categories of illegality BLUESTOCKINGS: borders of the nineteenth century dispose disabled persons, racialized WOMEN OF to include the adoption of the Con- Others, and women as people outside REASON FROM stitution in the eighteenth century the borders of belonging. The third and the subsequent amendments that and final chapter discusses the means ENLIGHTENMENT TO followed. In this way, she considers by which individuals challenge and ROMANTICISM the various challenges to the notions resist these borders, and how those of personhood and citizenship that sanctioned under law attempt to de- Elizabeth Eger came with the abolition of slavery, fend them. What is striking here are Houndsmills, Basingstoke: Palgrave with calls for suffrage, with property the similarities between contestations Macmillan, 2010 reform, and with the Immigration and defenses. Welke points out, for Acts of the 1920s. instance, that like those challenging REVIEWED BY GISELA This book asks a series of questions oppressive legal structures, those ARGYLE that demonstrate the complexity of who defend them rely on a similar the concept of “belonging.” Welke language of inclusion in order to mask provides examples of the ways in privilege and make it less accessible to Elizabeth Eger’s group biography which personhood and citizenship, those subordinated under law. builds on and expands the focus of while interrelated, are somewhat Encompassing legal precedents Sylvia Myers’s study The Bluestocking distinct considerations: personhood and court cases, social histories, and Circle: Women, Friendship, and the being the recognition of the indi- published letters and memoirs, Wel- Life of the Mind in Eighteenth-Century vidual specifically under law, the ke’s research is expansive and varied. -
The Female Quixote and the Professional Woman Writer Jodi L
Quixotic Legacy: The Female Quixote and the Professional Woman Writer Jodi L. Wyett Abstract: This essay argues that Charlotte Lennox’s The Female Quixote or, The Adventures of Arabella (1752) served as a fulcrum in eighteenth-century literary history by providing a figuration of the female quixote for subsequent women novelists who were keen to court absorbed readers on the one hand while countering stereotypes about women's critical failings on the other. The figure of the female quixote proves to be a significant mark of literary professionalism by reifying the spectre of the professional writer’s need for absorbed readers and dramatizing the occasion by which the woman writer demonstrates her own authority, paradoxically allowing both woman novel reader and woman novel writer to lay claim to intellectual authority. Ultimately, the main character Arabella's fictional model potentially echoes more actual eighteenth-century women’s experiences than her adventures at first suggest: the female quixote emerges as less a social outcast or a freak than a figure for women’s commonality, especially their intellectual and ethical ambitions in a world inimical to their interests. Contributor Biography: Jodi L. Wyett, Associate Professor of English at Xavier University, Cincinnati, has published on Jane Austen, Frances Brooke, and animals in the long eighteenth century. She is currently working on a book about women novelists’ use of the female quixote trope to address anti-novel discourse. After the publication of Charlotte Lennox’s The Female Quixote, or The Adventures of Arabella in March 1752, the trope of the overly absorbed woman reader who misconstrues her reality via the conventions of prose fiction featured in many novels until the end of the eighteenth century and beyond. -
Improvement and Politeness in the Female Spectator
ABSTRACT REFORM THE MORALS AND IMPROVE THE MANNERS: IMPROVEMENT AND POLITENESS IN THE FEMALE SPECTATOR Eliza Haywood’s The Female Spectator, a 1740s periodical, was dedicated to the pursuit of personal improvement, with the ultimate goal of educating readers in how to achieve politeness. It did so through letters, anecdotes, and essays that detailed appropriate behavior for its readers. The popularity of The Female Spectator suggests that it may have influenced readers to follow its suggestions: in this case, by encouraging women to venture into county gardens to study natural philosophy and to moderate their attendance of public events. In recent years, scholars have explored the significance of The Female Spectator with special emphasis on Haywood’s political stance or her portrayal of women; however, scholars have not adequately addressed Haywood’s recommendation to her readers that the casual study of natural philosophy was appropriate for women in so far as it would prepare women to partake in polite conversation, and thereby create improvement within their community. Scholars have also disregarded Haywood’s prescription of moderation when attending social spaces and public events as the over attendance of these events would distract readers from their goal of personal improvement. In this thesis, I examine Haywood’s use of the eighteenth-century concepts of improvement and politeness as they related to appropriate conversation topics and polite sociability. Savannah Leigh Welch Nakamura May 2018 REFORM THE MORALS AND IMPROVE THE