Afterword: Writing Coteries, Reading Coteries
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Katherine Philips and the Discourse of Virtue
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Katherine Philips and the Discourse of Virtue Tracy J. Byrne Thesis submitted for the degree of Ph.D. University of Glasgow Department of English Literature March 2002 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior written consent. ProQuest Number: 10647853 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. -
Seventeenth-Century News
100 seventeenth-century news David L. Orvis and Ryan Singh Paul, eds. The Noble Flame of Katherine Philips: A Poetics of Culture, Politics, and Friendship. Pittsburgh: Duquesne University Press, 2015. ix + 454 pp. $60. Review by Anna Lewton-Brain, McGill University. In her short life (1632–1664), Katherine Philips (née Fowler) composed some 125 poems, translated two plays by Pierre Corneille, became England’s first female playwright to have her work performed on a public stage, adapted lyrics out of French and Italian songs, and exchanged letters with the intellectual and political elite of her day (her letters to Sir Charles Cotterell, e.g., were published in 1705). Despite her obviously significant contribution to seventeenth-century English literary culture, surprisingly, The Noble Flame of Katherine Philips: A Poetics of Culture, Politics, and Friendship is “the first scholarly collec- tion devoted to [her] poetry” (7). This collection of essays, edited by David L. Orvis and Ryan Singh Paul, seeks to remedy this oversight and “to demonstrate the ‘state of the art’ in [Philips] scholarship at the present moment” (7). In their extensive (40-page) introduction, which begins with a brief and informative biography of Philips’s life, Orvis and Paul provide a detailed literature review of the history of Philips scholar- ship. They remind us that, although Philips was “rediscovered” in the early twentieth century by George Saintsbury who “included her in the first volume of hisMinor Poets of the Caroline Period” (published in 1905), it was not until “the feminist, lesbian, gay and queer critics … in the 1980s and 1990s marshaled her works into debates at the intersections of gender, sexuality, politics, and religion” that Philips’s reputation as a major poet of the seventeenth century was restored (6). -
The London Gazette, May 10, 1910. 3251
THE LONDON GAZETTE, MAY 10, 1910. 3251 At the Court at Saint James's, the 7th day of Marquess of Londonderry. May, 1910. Lord Steward. PRESENT, Earl of Derby. Earl of Pembroke and Montgomery. The KING'S Most Excellent Majesty in Council. Earl of Chesterfield. "IS Majesty being this day present in Council Earl of Kintore. was pleased to make the following' Earl of Rosebery. Declaration:— Earl Waldegrave. " My Lords and Gentlemen— Earl Carrington. My heart is too full for Me to address you Earl of Halsbury. to-day in more than a few. words. It is My Earl of Plymouth. sorrowful duty to announce to you the death of Lord Walter Gordon-Lennox. My dearly loved Father the King. In this Lord Chamberlain. irreparable loss which has so suddenly fallen Viscount Cross. upon Me and upon the whole Empire, I am Viscount Knutsford. comforted by the feeling that I have the Viscount Morley of Blackburn. sympathy of My future subjects, who will Lord Arthur Hill. mourn with Me for their beloved Sovereign, Lord Bishop of London. whose own happiness was found in sharing and Lord Denman. promoting theirs. I have lost not only a Lord Belper. Father's love, but the affectionate and intimate Lord Sandhurst. relations of a dear friend and adviser. No less Lord Revelstoke. confident am I in the universal loving sympathy Lord Ashbourne. which is assured to My dearest Mother in her Lord Macnaghten. overwhelming grief. Lord Ashcombe. Standing here a little more than nine years Lord Burghclere. ago, Our beloved King declared that as long as Lord James of Hereford. -
Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville. -
R.Kirschbaum, Thesis, 2012.Pdf
Introduction: Female friendship, community and retreat Friendship still has been design‘d, The Support of Human-kind; The safe Delight, the useful Bliss, The next World‘s Happiness, and this. Give then, O indulgent Fate! Give a Friend in that Retreat (Tho‘ withdrawn from all the rest) Still a Clue, to reach my Breast. Let a Friend be still convey‘d Thro‘ those Windings, and that Shade! Where, may I remain secure, Waste, in humble Joys and pure, A Life, that can no Envy yield; Want of Affluence my Shield.1 Anne Finch’s “The Petition for an Absolute Retreat” is one of a number of verses by early modern women which engage with the poetic traditions of friendship and the pastoral.2 Finch employed the imagery and language of the pastoral to shape a convivial but protected space of retreat. The key to achieving the sanctity of such a space is virtuous friendship, which Finch implies is both enabled by and enabling of pastoral retirement. Finch’s retreat is not an absolute retirement; she calls for “a Friend in that Retreat / (Tho’ withdrawn from all the rest)” to share in the “humble Joys and pure” of the pastoral. Friendship is “design’d [as] the Support of Human-kind”, a divine gift to ease the burden of human reason and passion. The cause of “the next World’s Happiness, and this”, 1 Anne Finch, “The Petition for an Absolute Retreat” in Miscellany Poems, on Several Occasions, printed for J.B. and sold by Benj. Tooke at the Middle-Temple-Gate, William Taylor in Pater-Noster-Row, and James Round (London, 1713), pp. -
Biography Nicholas Breton
Biography Nicholas Breton Nicholas Breton, son of William and Elizabeth Breton, was born into an affluent and ancient family of the Layer-Breton area of Essex. The dates of his birth and death have been disputed, but 1545/1555-1626 seems a reasonable estimation of his lifespan. By February 20, 1576, Nicholas had situated himself in London, where, between the years 1577-1626, he published works in rapid succession. On January 14, 1592, he married Ann Sutton. They had at least four children, several of whom are known to have died in infancy or adolescence. The life of Nicholas Breton was a notable one: he shares with Robert Greene the distinction of being one of the first professional writers in England (Neilson 37). Breton enjoyed the patronage of important figures at court. He was the ‘humble servant’ first of Sir Philip Sidney, and then of Sidney’s sister, the Countess of Pembroke(Grosart xxvi). Although he dedicated The Pilgrimage to Paradise, Joyned With The Countesse of Pembroke’s Love to her (Robertson xxv), he lost the favour of the Countess during the 1590s. The works that he constructed during this time, however, were good enough to win him public recognition as a skilled author. Eventually, he came into the service of royalty, serving first Queen Elizabeth and later King James. Some of Breton’s early writings resemble those of his second stepfather, George Gascoigne, who was a close imitator of Petrarch’s poetry (Robertson xx). Breton made deliberate use of Gascoigne’s two poems "The Passion of a Lover" and "The Straunge Passion of a Lover," but after this, Gascoigne’s influence is less evident (Robertson xxi). -
Hereditary Genius Francis Galton
Hereditary Genius Francis Galton Sir William Sydney, John Dudley, Earl of Warwick Soldier and knight and Duke of Northumberland; Earl of renown Marshal. “The minion of his time.” _________|_________ ___________|___ | | | | Lucy, marr. Sir Henry Sydney = Mary Sir Robt. Dudley, William Herbert Sir James three times Lord | the great Earl of 1st E. Pembroke Harrington Deputy of Ireland.| Leicester. Statesman and __________________________|____________ soldier. | | | | Sir Philip Sydney, Sir Robert, Mary = 2d Earl of Pembroke. Scholar, soldier, 1st Earl Leicester, Epitaph | courtier. Soldier & courtier. by Ben | | Johnson | | | Sir Robert, 2d Earl. 3d Earl Pembroke, “Learning, observation, Patron of letters. and veracity.” ____________|_____________________ | | | Philip Sydney, Algernon Sydney, Dorothy, 3d Earl, Patriot. Waller's one of Cromwell's Beheaded, 1683. “Saccharissa.” Council. First published in 1869. Second Edition, with an additional preface, 1892. Fifith corrected proof of the first electronic edition, 2019. Based on the text of the second edition. The page numbering and layout of the second edition have been preserved, as far as possible, to simplify cross-referencing. This is a corrected proof. This document forms part of the archive of Galton material available at http://galton.org. Original electronic conversion by Michal Kulczycki, based on a facsimile prepared by Gavan Tredoux. Many errata were detected by Diane L. Ritter. This edition was edited, cross-checked and reformatted by Gavan Tredoux. HEREDITARY GENIUS AN INQUIRY INTO ITS LAWS AND CONSEQUENCES BY FRANCIS GALTON, F.R.S., ETC. London MACMILLAN AND CO. AND NEW YORK 1892 The Right of Translation and Reproduction is Reserved CONTENTS PREFATORY CHAPTER TO THE EDITION OF 1892.__________ VII PREFACE ______________________________________________ V CONTENTS __________________________________________ VII ERRATA _____________________________________________ VIII INTRODUCTORY CHAPTER. -
The Power of the Edge
The power of the edge Thomas Krijger The power of the edge The influence of the lords of the Welsh Marches on the political changes in England from 1258-1330 Thomas Krijger Master thesis – MA History 2 Contents Introduction 4 Chapter one: The meaning of the March 7 - The origins of the March 7 - Marcher Lords 8 - Parliament 11 Chapter two: Parliamentary revolution 13 - The Provisions of Oxford and the second barons’ war 14 - The role of the Marcher lords 18 - The disinherited 19 Chapter three: The King’s justice 23 - Edward, Llywelyn and the March 23 - The first war in Wales 25 - The war of conquest 26 - Quo warranto? 30 - Rights of the March 32 Chapter four: The tyranny of King Edward II 35 - Piers Gaveston 35 - Scotland and Bannockburn 37 - The rise of new favourites 38 - Hugh Despenser rules 41 - Isabella and Mortimer victorious 44 Conclusion 47 Bibliography 50 Appendix 55 Map of the March of Wales in the thirteenth century 59 3 Introduction The medieval border region of England and Wales was not a clearly defined one. It was unclear were England ended and Wales began, or as historian R. R. Davies put it: ‘Instead of a boundary, there was a March.’1 The March was home to a group of semi-autonomous lordships. These lordships were theoretically held by a lord in a feudal structure, and these lords had to do homage to the King of England for these lands. But the legal structures were different, as the Statutes of the realm proclaim: ‘In the marches, where the King’s writ does not run.’2 It is also mentioned in clause 56 of Magna Carta: ‘If we have deprived or dispossessed any Welshmen of lands, liberties, or anything else in England or in Wales, without the lawful judgement of their equals, these are at once to be returned to them. -
Passion and Language in Eighteenth- Century Literature
Copyrighted Material - 9781137442048 Passion and Language in Eighteenth- Century Literature The Aesthetic Sublime in the Work of Eliza Haywood, Aaron Hill, and Martha Fowke Earla Wilputte Copyrighted Material - 9781137442048 Copyrighted Material - 9781137442048 PASSION AND LANGUAGE IN EIGHTEENTH- CENTURY LITERATURE Copyright © Earla Wilputte, 2014. All rights reserved. An earlier version of part of Chapter 4 originally appeared in the essay “Eliza Haywood’s Poems on Several Occasions: Aaron Hill, Writing, and the Sublime,” Eighteenth- Century Women: Studies in their Lives, Work, and Culture 6 (2011): 79– 102 (AMS Press). Part of Chapter 5 originally appeared in the essay “Midwife for the Mind: Delivering the Passions in Aaron Hill’s The Plain Dealer (1724),” Journal for Eighteenth- Century Studies 31, no. 1 (2008): 1– 15. They are used here in revised form, with permission. First published in 2014 by PALGRAVE MACMILLAN® in the United States— a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978- 1- 137- 44204- 8 Library of Congress Cataloging- in- Publication Data Wilputte, Earla Arden, 1959– Passion and language in eighteenth- century literature : the aesthetic sublime in the work of Eliza Haywood, Aaron Hill, and Martha Fowke / by Earla Wilputte. -
South Pembrokeshire
S O U T H P E M B R O K E S H I R E S OME OF ITS HISTORY AND REC ORDS B Y MARY B EATRICE MIREHOUSE L O N D O N DAVID N 7-59 L NG A E 5 CR W. UTT, O , C . 1910 P R E F AC E I T seems to me to be the duty of some in every age to l so co lect and preserve the records of the past , that the story of the ages may run on unbroken for those who to care read ; and this , in my case , has been a labour of love , and full of interest and instruction . To all who are interested in unravelling the story of the days that are gone I dedicate this book ; in which I not own nor have set down as facts any theories of my , made any attempt to fill in the pictures faintly outlined I by the facts recorded in the chronicles . For these am chiefly indebted to the following ’ ’ Camden s Britannia . ’ ’ Lewis Dwnn s Visitation of Pembrokeshire . ’ r Desc iption of Pembrokeshire . George Owen . ’ Historical Tour through Pembrokeshire . R . Fenton . ’ History of Little England beyond Wales . E . Laws . ’ Notes on the Sheriffs of Pembrokeshire . James M A Allen, , and Egerton Allen . f o . Private Letters the late Dean Allen , of G A Holme , ’ Esq . , and others . Chapter I . contains the General History ; in Chapter II . I have written chiefly of places too remote to have attracted may sizes vi PREFACE more than passing notice from most historians , but whose records nevertheless should not be forgotten Chapter III . -
Wives Writing Privacy, 1640-1670
Please do not remove this page Wives Writing Privacy, 1640-1670 Mamolite, Lauren https://scholarship.miami.edu/discovery/delivery/01UOML_INST:ResearchRepository/12355288010002976?l#13355527100002976 Mamolite, L. (2019). Wives Writing Privacy, 1640-1670 [University of Miami]. https://scholarship.miami.edu/discovery/fulldisplay/alma991031447190302976/01UOML_INST:ResearchR epository Embargo Downloaded On 2021/09/30 13:24:52 -0400 Please do not remove this page UNIVERSITY OF MIAMI WIVES WRITING PRIVACY, 1640-1670 By Lauren Mamolite A DISSERTATION Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Philosophy Coral Gables, Florida May 2019 ©2019 Lauren Mamolite All Rights Reserved UNIVERSITY OF MIAMI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy WIVES WRITING PRIVACY, 1640-1670 Lauren Mamolite Approved: ________________ _________________ Pamela S. Hammons, Ph.D. Susanne Woods, Ph.D. Professor of English Professor of English ________________ _________________ Tassie Gwilliam, Ph.D. Guillermo Prado, Ph.D. Associate Professor of English Dean of the Graduate School ________________ Elaine Hobby, Ph.D. Professor of Seventeenth Century Studies University of Loughborough MAMOLITE, LAUREN (Ph.D., English) Wives Writing Privacy, 1640-1670 (May 2019) Abstract of a dissertation at the University of Miami. Dissertation supervised by Professor Pamela S. Hammons. No. of pages in text. (223) Wives Writing Privacy, 1640-1670 investigates -
Reading and Feeling in Early Modern Devotional Literature
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Intimate Exegesis: Reading and Feeling in Early Modern Devotional Literature Bronwyn V. Wallace University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Religion Commons Recommended Citation Wallace, Bronwyn V., "Intimate Exegesis: Reading and Feeling in Early Modern Devotional Literature" (2015). Publicly Accessible Penn Dissertations. 2081. https://repository.upenn.edu/edissertations/2081 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2081 For more information, please contact [email protected]. Intimate Exegesis: Reading and Feeling in Early Modern Devotional Literature Abstract “Intimate Exegesis” proposes that early modern devotional literature offers feeling, and particularly bad feeling, as a productive matrix for interpretation. In this body of work, feeling – haptic, sensory, affective – generates an intimacy between reader and text in a reading practice that is also a means of coping with the tremendous gap between life in the fallen world and divine perfection. In an unlikely union that I argue involves a powerful shared approach to affect, embodiment, and interpretation, I bring patristic theology together with feminist and queer theory to address how Robert Southwell, Anne Lock, Aemilia Lanyer, and Katherine Philips develop sophisticated interpretive practices out of mourning, recalcitrance, despair, nostalgia, and failure, all grounded in the peculiar passions of embodied femininity. In their work, difficult or even destructive feeling is not an obstacle to reading and devotion, but rather enables the reader’s identification with and ve en desire for the text she reads. While recent debates in early modern studies have pitted historicism against queer temporality, devotional practice suggests that to read historically is – has always been – to read anachronically.