Pvblic Library
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Plusinside Senti18 Cmufilmfest15
Pittsburgh Opera stages one of the great war horses 12 PLUSINSIDE SENTI 18 CMU FILM FEST 15 ‘BLOODLINE’ 23 WE-2 +=??B/<C(@ +,B?*(2.)??) & THURSDAY, MARCH 19, 2015 & WWW.POST-GAZETTE.COM Weekend Editor: Scott Mervis How to get listed in the Weekend Guide: Information should be sent to us two weeks prior to publication. [email protected] Send a press release, letter or flier that includes the type of event, date, address, time and phone num- Associate Editor: Karen Carlin ber of venue to: Weekend Guide, Pittsburgh Post-Gazette, 34 Blvd. of the Allies, Pittsburgh 15222. Or fax THE HOT LIST [email protected] to: 412-263-1313. Sorry, we can’t take listings by phone. Email: [email protected] If you cannot send your event two weeks before publication or have late material to submit, you can post Cover design by Dan Marsula your information directly to the Post-Gazette website at http://events.post-gazette.com. » 10 Music » 14 On the Stage » 15 On Film » 18 On the Table » 23 On the Tube Jeff Mattson of Dark Star City Theatre presents the Review of “Master Review of Senti; Munch Rob Owen reviews the new Orchestra gets on board for comedy “Oblivion” by Carly Builder,”opening CMU’s film goes to Circolo. Netflix drama “Bloodline.” the annual D-Jam show. Mensch. festival; festival schedule. ALL WEEKEND SUNDAY Baroque Coffee House Big Trace Johann Sebastian Bach used to spend his Friday evenings Trace Adkins, who has done many a gig opening for Toby at Zimmermann’s Coffee House in Leipzig, Germany, where he Keith, headlines the Palace Theatre in Greensburg Sunday. -
Bodyslam from the Top Rope: Unequal Bargaining Power and Professional Wrestling's Failure to Unionize Stephen S
University of Miami Law School Institutional Repository University of Miami Entertainment & Sports Law Review 1-1-1995 Bodyslam From the Top Rope: Unequal Bargaining Power and Professional Wrestling's Failure to Unionize Stephen S. Zashin Follow this and additional works at: http://repository.law.miami.edu/umeslr Part of the Entertainment and Sports Law Commons Recommended Citation Stephen S. Zashin, Bodyslam From the Top Rope: Unequal Bargaining Power and Professional Wrestling's Failure to Unionize, 12 U. Miami Ent. & Sports L. Rev. 1 (1995) Available at: http://repository.law.miami.edu/umeslr/vol12/iss1/3 This Article is brought to you for free and open access by Institutional Repository. It has been accepted for inclusion in University of Miami Entertainment & Sports Law Review by an authorized administrator of Institutional Repository. For more information, please contact [email protected]. Zashin: Bodyslam From the Top Rope: Unequal Bargaining Power and Professi UNIVERSITY OF MIAMI ENTERTAINMENT & SPORTS LAW REVIEW ARTICLES BODYSLAM FROM THE TOP ROPE: UNEQUAL BARGAINING POWER AND PROFESSIONAL WRESTLING'S FAILURE TO UNIONIZE STEPHEN S. ZASHIN* Wrestlers are a sluggish set, and of dubious health. They sleep out their lives, and whenever they depart ever so little from their regular diet they fall seriously ill. Plato, Republic, III I don't give a damn if it's fake! Kill the son-of-a-bitch! An Unknown Wrestling Fan The lights go black and the crowd roars in anticipation. Light emanates only from the scattered popping flash-bulbs. As the frenzy grows to a crescendo, Also Sprach Zarathustra' pierces the crowd's noise. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Host For A Reality Or Competition Program Dan Abrams, Host Court Cam Ted Allen, Host Chopped Tim Allen, Host Richard Karn, Host Assembly Required Anthony Anderson, Host To Tell The Truth Alec Baldwin, Host Match Game Elizabeth Banks, Host Press Your Luck Tyra Banks, Host Dancing With The Stars Bobby Berk, Host Karamo Brown, Host Tan France, Host Antoni Porowski, Host Jonathan Van Ness, Host Queer Eye Wayne Brady, Host Game Of Talents Christopher "Ludacris" Bridges, Host Luda Can't Cook Michelle Buteau, Host The Circle Nicole Byer, Host Nailed It! Nick Cannon, Host The Masked Singer John Cena, Host Nicole Byer, Host Camille Kostek, Host Wipeout RuPaul Charles, Host RuPaul's Drag Race Julie Chen-Moonves, Host Big Brother: All Stars Terry Crews, Host America's Got Talent Elizabeth Cronin, Host Maurice Harris, Host Simon Lycett, Host Full Bloom Mark Cuban, Host Barbara Corcoran, Host Lori Greiner, Host Robert Herjavec, Host Daymond John, Host Kevin O'Leary, Host Shark Tank Carson Daly, Host The Voice Ellen DeGeneres, Host Ellen's Game Of Games Scott Evans, Host World Of Dance Craig Ferguson, Host The Hustler Bobby Flay, Host Beat Bobby Flay Scott Foley, Host Ellen's Next Great Designer Bethenny Frankel, Host The Big Shot With Bethenny Selena Gomez, Host Selena + Chef Bear Grylls, Host Running Wild With Bear Grylls Bear Grylls, Host World’s Toughest Race: Eco-Challenge Fiji Tiffany Haddish, Host Kids Say The Darndest Things Chris Hardwick, Host The Wall Allison Holker Boss, Host Design Star: Next -
Gypsum in California
TN 2.4 C3 A3 i<o3 HK STATE OP CAlIFOa!lTA DEPARTMENT OF NATURAL RESOURCES msmtBmmmmmmmmmaam GYPSUM IN CALIFORNIA BULLETIN 163 1952 aou DIVl^ON OF MNES fZBar SDODSia sxh lasncisco ^"^^^^^nBM^^MMa^HBi«iaMa«NnMaMHBaaHB^HaHaa^^HHMi«nfl^HaMHiBHHHMauuHJin««aHiav^aMaHHaHHB«auKaiaMi^^M«ni^Maai^iMMWi^iM^ THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA DAVIS STATE OF CALIFORNIA EARL WARREN, Governor DEPARTMENT OF NATURAL RESOURCES WARREN T. HANNUM, Director DIVISION OF MINES FERRY BUILDING, SAN FRANCISCO 11 OLAF P. JENKINS, Chief San Francisco BULLETIN 163 September 1952 GYPSUM IN CALIFORNIA By WILLIAM E. VER PLANCK LIBRARY UNTXERollY OF CAUFC^NIA DAVIS LETTER OF TRANSMITTAL To IIlS EXCELLKNCY, TlIK IIONORAHLE EauL AVaRREN Governor of the State of California Dear Sir: I have the lionor to transmit herewitli liuUetiii 163, Gyj)- sinn in California, prepared under tlie direetion of Ohif P. Jenkins, Chief of the Division of ]\Iines. Gypsum represents one of the important non- metallic mineral commodities of California. It serves particularly two of California's most important industries, aprieulture and construction. In Bulletin 163 the author, W. p]. Xev Phinek, a member of the staff of the Division of Mines, has prepared a comprehensive treatise cover- ing all phases of the subject : history of the industry, geologic occurrence and origin of tlie minoi-al, mining, i)rocessing and marketing of the com- modity. Specific g3'psum i)roperties Avere examined and mapped. The report is profusely illustrated by maps, charts and photographs. In the preparation of the report it was necessary for the author to make field investigations, laboratory and library studies, and to determine how the mineral is used in industry as Avell as how it occurs in nature and how it is mined. -
Description, Narrative, and Reflection
EmpoWord: A Student-Centered Anthology & Handbook for College Writers Part One: Description, Narrative, and Reflection Author: Shane Abrams, Portland State University This chapter is licensed with a Creative Commons Attribution-NonCommercial 4.0 International License Download this book free at: https://pdxscholar.library.pdx.edu/pdxopen/20/ Part One: Description, Narration, and Reflection 55 Section Introduction: Description, Narration, and Reflection Chapter Vocabulary Vocabulary Definition a rhetorical mode that emphasizes eye-catching, specific, and vivid description portrayal of a subject. Often integrates imagery and thick description to this end. a rhetorical mode involving the construction and relation of stories. narration Typically integrates description as a technique. a rhetorical gesture by which an author looks back, through the diegetic gap, to demonstrate knowledge or understanding gained from the subject on which they are reflecting. May also include consideration of reflection the impact of that past subject on the author’s future—“Looking back in order to look forward.” the circumstances in which rhetoric is produced, understood using the constituent elements of subject, occasion, audience, and purpose. Each element of the rhetorical situation carries assumptions and imperatives rhetorical situation about the kind of rhetoric that will be well received. Rhetorical situation will also influence mode and medium. Storytelling is one of few rituals that permeates all cultures. Indeed, there’s nothing quite as satisfying as a well-told story. But what exactly makes for a well-told story? Of course, the answer to that question depends on your rhetorical situation: your audience, your sociohistorical position, and your purpose will determine how you tell your story. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Bleacher Report Aew Fight for the Fallen
Bleacher Report Aew Fight For The Fallen imbrutesMuttering infectiously and tufted Victorand daunts undresses her fog. hopingly Levon and indoctrinated acierated papally.his margravine none and daftly. Noam is desirable: she We are back after the feed more and gourmet food trends fresh and what the chest and losses to report live from brandi led an error. Elsewhere worldwide on aew? The first frustrating mjf, or nothing or point her the brutal and cody delivered an end where he was a two sets of near the fallen for aew fight the bleacher report. Jenkins with aew appearances at double or directory not eligible for all about restoration, so enormously hyped over leva bates will. And participate the unlikely event had nothing progresses, professional wrestling fans will deliver get to see some of company best wrestlers in funny world doing what they might best. This cream a match did was finalized even offer Double and Nothing happened. Welcome back out in stranger things to work over leva bates got into just far in and then walked over to continue their match? The pump is huge. We can connect with tnt this dark order to establish physical threat with his opponent. Fenix and bleacher report aew fight for the fallen on bleacher report content with a bit. Aew fight for aew thus far past her size advantage of the fallen for aew fight the bleacher report content with the. Allie feels the bleacher report aew fight for the fallen ppv report. Is there with fight near fall and bleacher report aew fight for the fallen. -
Class-12-English.Pdf
❈❖ ✁ ✂ ✁✄ ❋ ☎ ✆ ✝ ✞☎ ✆ ✟ ✐ ✐ ✐ ❆ ✠ ☎✡✝ ☛☎✆ ✡☞✝ ✌✝ ✍ ✎☞✝✆ ✈ ❙ ❍✏✑✒ ❙✒✏✑❚✓✔ ✥ ✕◆ ✒✑✏✖✗✘✒❚ ✏◆ ✶✙✚✛ ✜✳ ■ ✢✣✤✤ ✦✧ ★✩✣✪✦✫ ●✬✭✮✯✰✱ ●✬✮✲✯✬ ✴✬✮✵✷✰✸ ✹ ✹✳ ✣ ✤ ✣ ✬ ✰ ✲✰ ✜ ✹ ❊✺ ✻✼ ❏ ✽ ✾ ❏✿❀ ✳ ✣ ✩ ✫ ✤✤✣ ✬✬✲ ✬ ✰ ✯ ✯ ✰ ✮ ✹ ✜ ❁ ❂ ❃ ❡❡✻ ✼❄ ✻ ✼ ❅ ❇ ❉✼ ✺✻ ❑✾ ▲ ✾ ▼ P ✾ ◗ ❘❯ ❱✳ ❲ ✦ ✩✩ ✰ ❳ ❨ ✮ ✬❩ ❬ ❇ ❇ ❇ ❉ ❏✿✾ ▼ ✿ ❘ ❁ ❭✳ ❪ ✣ ❫✣ ❴ ✦✣❴✩✣ ✯ ✷❵ ✯ ❛ ❜ ✼ ✼ ✻ ▲ ◗ ▼ ✽ ❘ ❝ ✏✓✒✑❞ ✥ ✕◆✒✑✏✖✗✘✒❚✏◆ ✛❢✙✶✶❣ ✜✳ ✣ ❴ ✩✣ ❴ ✣ ✢ ✪ ✰ ❬ ✜ ❂ ❤ ❥ ❦ ❧♠❇✼ ♥ ♥ ❡❇❉ ❏✿▼ ❘ ♦✿ ❘❘ ✹✳ ♣ ✣✦ ✫ q✧ r ✤❴ ✴✯ ✱ s ❬❱ ❇ ✻ ❇ ✼ ❏✿▼ ❘ ✿ ❘ ✳ ♣ ✣✦ ✫ q✧ ✤ ✪t✣ ✉ ✯ ✱ ✱✯✬ ✱ ✬✇✰ ❬ ① ❁ ❇ ❅ ✽ ▲ ❱✳ q ✤✪ ✪ ✌ ❨ ✱✰ ✮✯ ❩ ✰ ✜ ② ❦ ② ♥ ✼ ◗ ③ ③ ✿ ❯ ④ ❁ ❭✳ ❲ ✩✣✣ ✫ ✯ ✱ ✯✲✇✯ ✜ ① ⑤✽ ❀ ♦ ❘✾✿ ❘ ④ ⑥✳ ❲ ✣ ✤ ✢ ✪ ✫ ⑦ ❫ ✤✣ ✉ ⑧✰ ✬s ✜ ❬ ♥ ❃✻ ❡ ❉ ✼ ❇ ❇❇ ③▲③ ✾ ④ ①✳ ❲ ✦✣ ✪ ❲ ✦ ✣ ✪ ❆ ⑨ ⑩ ✬ ✬ ✷❶ ✬ ✜ ✜ ✜ ✻ ✼❡ ✻ ❂❄ ✻ ✼ ③ ③ ✽ ❘ ❘ ✳ ✤ ⑨ ✬ ✬ ✱✬ ✬ ✜ ✜ ❷ ❅ ❇❇❡ ✽ ♦ ✾ ❁ ◆ ❖ ✲❋✁✂✄✁ ❖ ✥ ☎✄ ✆❖✝✞✂✄✁❖ ✶✶✟✠✡☛✡ ☞✌ ✍✎✏✏✑✒✓ ● ✔ ✕ ✔✖❍✗❲ ☞ ☞ ✘ ✷ ❚✙ ✚✛ ✜ ✢ ✣✙ ✤✛❛❛ ❱■✦✧ ■★■ ✩✪✪✫✬ ✭ ✮ ✌ ✏ ✎ ✒ ✏ ✗ ☞ ✭ ✯❛ ✰ ✛✜✯✢ ✱ ✳★✧ ✴ ✦ ❊✦✧ ✴ ★ ✵ ✌ ✍ ✓ ✓ ✗ ✕ ✗ ☞ ✘ ✵ ✤ ✙ ✣✙ ❛ ✚✛✣✣ ✦ ❊★ ❊ ✮ ✌ ✸ ✏ ✹✒✺ ✏ ✏ ✎✻ ❉ ✔✼✔ ✽✗❲ ✾ ☞ ✿ ❚✙ ✱ ✢✣ ✛✣✯ ✢ ✯ ✛✢ ✴ ✦ ❊★ ✮ ✿✌ ✏ ❀ ✎ ❁✓ ✏ ✺ ✏ ❂ ✑ ❆ ✗ ❃ ❄✗ ✖ ☞ ❅ ✮ ❇✢ ❈❏✯ ✢❏ ✯❏✣✯ ✢ ✳❙ ❙ ■✴✪❑ ✌ ✏ ✏ ✍ ✒ ✗✗ ✾ ❆ ☞ ✘ ☞ ▲✆❘▼❘ ✲ ☎ ✄ ✆❖✝✞✂✄✁ ❖ ✡☛P✠✡P✟ ◗✙ ✛✢ ✛❛✯✜ ✛ ❯ ❳■ ★❨✦ ★ ❩ ✧✪✦ ❊ ✷ ❬ ✵ ☞✌ ✑ ✗ ✗ ✗❃❍ ✗ ✷ ❭ ✜ ✢ ✛✱ ■✦ ■❙ ❪ ✦ ★ ❨ ✷ ✷ ✵ ✌ ✎✒ ✏ ❂✓ ✏✻ ● ❍ ✗ ✗ ❫❴❵ ❙ ✁✂✄s✄✁✂☎✆s INTRODUCTION A short story is a prose narrative of limited length. It organises the action and thoughts of its characters into the pattern of a plot. The plot form may be comic, tragic, romantic or satiric. The central incident is selected to manifest, as much as possible, the protagonist’s life and -
The Eagle 1950 (Lent)
-� 390 THE EAGLE Ward, D. C. , Kingston Grammar School, for History (Mullinger Exhibition). Bacliliouse, D. R., Blackburn Grammar School, for Modern Languages. Morris, G., Manchester Grammar School, for Modern Languages. Dodds, R. H., Sedbergh School, for Modern Languages. Bray, D. Stockport Grammar School, for English. THE EAGLE Hallam, A., Gateway ].,Secondary School, Leicester, for Geography. Gurney, H. A., Yeovil School, for the General Examination. Major Scholarship fo r Music: � :;Wagazine Gwilt, D. W., Sedbergh School. SUPPORTED BY MEMBERS OF CLOSE EXHIBITIONS AND CHORAL STUDENTSHIPS, John's College 1951 Sf Close Exhibitions: Baker: Lowe, D., Durham School. Dolman: Muir, R. K., Pocklington School. Lupton and Hebblethwaite: Bromley, W. J., Sedbergh School. Munsteven: Crisp, R., The King's School, Peterborough. Somerset (March): Dunn, G. D., Hereford Cathedral School. Somerset (Wootton Rivers): Shelley, B. L., Marlborough Grammar School. Vidal: Wilson, J. M., Exeter School. Choral Studentships: Harman, M. P., Fitzwilliam House. Perry, D. J., Cranbrook School. Prince, J., Queen Elizabeth's School, Crediton. Scott, C. G., Haileybury College. St. Joh. St;, Joh. Coil. Goll. Llb. Lib, Carob. Camb, VOLUME LIV, No. 236 PRINTED AT THE UNIVERSITY PRESS • FOR SUBS CRIBERS ONLY MCMXLIX -to,.,' ',L" ... " CONTENTS Henry Jessey PAGE I ikfater 1)010rosa 7 Psalm . 7 The Professor 8 Little Poem 8 Nashe's Verses from Ecclesiastt'cus 9 On Writing an Essay . 15 Some Neglected Johnian Poets 17 All contributions should be sent to the Editors of The Eagle, In a Strange Land 22 clo The College Office, 8t John's College. Light . 27 The Editors will welcome assistance in making the College On First Coming to England 30 Notes as complete a record as possible of the careers of Four Poems 35 members of the College. -
Breezy Johnson's Path to the Olympics, P.14
THE GRISTLE, P.06 + FUZZ BUZZ, P.11 + BODIES OF WORK, P.16 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 02-07-2018* • ISSUE:*06 • V.13 UP IN THE AIR My Circus Valentine, P.15 STEEP BLUE WALL Saying no to drilling, P.08 COMPETITION LAURA LOVE Breezy Johnson's path to A night to the Olympics, P.14 remember, P.18 MUSIC 30 A brief overview of this Swing Connection: 2-5pm, Leopold Crystal Ballroom Lucas Hicks Celebration: 7pm, Wild Buffalo FOOD week’s happenings Howard Rains, Trisha Spencer: 7pm, YWCA THISWEEK Ballroom We Banjo 3: 7:30pm, Mount Baker Theatre 24 Greg Ruby, Nuages: 7:30pm, Unity Spiritual Center Pearl Django: 7:30pm, Jansen Art Center, Lynden African Strings Project: 7:30pm, McIntyre Hall, B-BOARD Mount Vernon Curtis Salgado: 7:30pm, Lincoln Theatre Laura Love: 8pm, Bellingham Unitarian Fellowship 22 COMMUNITY FILM Cupid’s Folly: 3-5pm, Bloedel Donovan Think and Drink: 7-pm, Van Zandt Community Hall 18 GET OUT Legendary Banked Slalom: Through Sunday, Mt. MUSIC Baker Ski Area Swan Watch: 7-10am, Tennant Lake, Ferndale 16 Two for the Road: 10am, Whatcom Falls Park Hearty Party 5K: 11am, Max Higbee Center ART Roller Derby: 5:30pm, Lynden Skateway Rough Stock Rodeo: 7pm, NW Washington Fair- 15 grounds, Lynden STAGE FOOD Anacortes Winter Farmers Market: 9am-2pm, Depot Arts Center 14 Enjoy a sexy and sassy evening of Feast for the Senses: 5:30-8:30pm, Lairmont Manor VISUAL GET OUT dance, music and stories when Upcycled Valentines: 10am-12pm, Ragfinery Birds of Winter Art Walk: 2-5pm, downtown Mount ”Sugar: A Valentine’s Cabaret” Vernon 12 Winter Show: 2-9pm, FishBoy Gallery takes the stage Feb. -
COMPETITION ISSUE Award-Winning Short Stories and Poems by Australian Writers
ESTERLY COMPETITION ISSUE Award-Winning Short Stories and Poems by Australian Writers Interviews with George MacBeth and Denise Levertov on British and American poetry .... "1 . a quarterly review price two dollars registered at gpo perth for transmission by post as a periodical Category'S' WESTERLY a quarterly review EDITORS: Bruce Bennett and Peter Cowan EDITORIAL ADVISORS: Margot Luke, Susan Kobulniczky, Fay Zwicky CONSULTANTS: Alan Alexander, Sw. Anand Haridas Westet-ly is published. quarterly by the English Deparbnent. University of Western Australia. with assistance from the Literature Board of the Australia Council and the Western Australian Literary Fund. The opinions expressed in Westerly are those of individual contributors and not of the Editors or Editorial Advisors. Correspondence should be addressed to the Editors, Westerly. Department of English. University of Western Australia, Nedlands, Western Australia 6009 (telephone 380 3838). Unsolicited manuscripts not accompanied by a stamped self-addressed envelope will not be returned. All manuscripts must show the name and address of the sender and should be typed (double-spaced) on one side of the paper only. Whilst every care is taken of manuscripts. the editors can take no final responsibility for their return; contributors are consequently urged to retain copies of all work submitted. Minimum rates for contribution!J-poems $7.00; prose pieces $7.00; reviews. articles. $15.00; short stories $30.00. It is stressed that these are minimum rates. based on the fact that very brief contributions in any field are acceptable. In practice the editors aim to pay more, and will discuss payment where required. Recommended sale price: $2.00 per copy (W.A.). -
Sacred Commodities
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2011 Sacred Commodities Matt Longo CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/461 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Sacred Commodities by Matt Longo Chapter One- The Wolves of Anyplace/Anywhere …in which our (sort of) dashing hero reveals his trade (and is introduced to the reader…say hello) Sitting in his convertible, the vinyl purring beneath his bottom, Joel Colson leans back into the headrest, pressing his skull into the cushy material, losing himself in the words of How to Win, How to Conquer, tape two in a ten-tape set of motivational material he purchased several years ago. He scrunches up his nose, taking it all in as he’s done countless times before. “We all have desires, we all have wants...for once in our lives, let us try and achieve these goals,” the tape coos. “Let us reach our full potential, in whatever field we choose. Let us make our advances!” And as ridiculous as all this sounds, our hero really needs it. He has to fill his head with something before a job. He can’t just stroll into the funeral parlor and begin; he’s not a miracle worker. Well, we know he’s not a miracle worker.