A Book of Flarf Poetry by Walter Mackey
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FCJ-170 Challenging Hate Speech with Facebook Flarf: the Role of User Practices in Regulating Hate Speech on Facebook
The Fibreculture Journal issn: 1449-1443 DIGITAL MEDIA + NETWORKS + TRANSDISCIPLINARY CRITIQUE issue 23: General Issue 2014 FCJ-170 Challenging Hate Speech With Facebook Flarf: The Role of User Practices in Regulating Hate Speech on Facebook. Benjamin Abraham University of Western Sydney Abstract: This article makes a case study of ‘flarfing’ (a creative Facebook user practice with roots in found-text poetry) in order to contribute to an understanding of the potentials and limitations facing users of online social networking sites who wish to address the issue of online hate speech. The practice of ‘flarfing’ involves users posting ‘blue text’ hyperlinked Facebook page names into status updates and comment threads. Facebook flarf sends a visible, though often non-literal, message to offenders and onlookers about what kinds of speech the responding activist(s) find (un)acceptable in online discussion, belonging to a category of agonistic online activism that repurposes the tools of internet trolling for activist ends. I argue this practice represents users attempting to ‘take responsibility’ for the culture of online spaces they inhabit, promoting intolerance to hate speech online. Careful consideration of the limits of flarf’s efficacy within Facebook’s specific regulatory environment shows the extent to which this practice and similar responses to online hate speech are constrained by the platforms on which they exist. 47 FCJ-170 fibreculturejournal.org FCJ-170 Challenging Hate Speech With Facebook Flarf Introduction A recent spate of high profile cases of online abuse has raised awareness of the amount, volume and regularity of abuse and hate speech that women and minorities routinely attract online. -
Lexical Innovation on the Internet - Neologisms in Blogs
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2009 Lexical innovation on the internet - neologisms in blogs Smyk-Bhattacharjee, Dorota Abstract: Studien im Bereich des Sprachwandels beschreiben traditionellerweise diachronische Verän- derungen in den Kernsubsystemen der Sprache und versuchen, diese zu erklären. Obwohl ein Grossteil der Sprachwissenschaftler sich darüber einig ist, dass die aktuellen Entwicklungen in einer Sprache am klarsten im Wortschatz reflektiert werden, lassen die lexikographischen und morphologischen Zugänge zur Beobachtung des lexikalischen Wandels wichtige Fragen offen. So beschäftigen sich letztere typischer- weise mit Veränderungen, die schon stattgefunden haben, statt sich dem sich zum aktuellen Zeitpunkt vollziehenden Wandel zu widmen. Die vorliegende Dissertation bietet eine innovative Lösung zur Un- tersuchung des sich vollziehenden lexikalischen Wandels sowohl in Bezug auf die Datenquelle als auch bzgl. der verwendeten Methodologie. In den vergangenen 20 Jahren hat das Internet unsere Art zu leben, zu arbeiten und zu kommunizieren drastisch beeinflusst. Das Internet bietet aber auch eine Masse an frei zugänglichen Sprachdaten und damit neue Möglichkeiten für die Sprachforschung. Die in dieser Arbeit verwendeten Daten stammen aus einem Korpus englischsprachiger Blogs, eine Art Computer gestützte Kommunikation (computer-mediated communication, CMC). Blogs bieten eine neue, beispiel- lose Möglichkeit, Wörtern nachzuspüren zum Zeitpunkt, in der sie Eingang in die Sprache finden. Um die Untersuchung des Korpus zu vereinfachen, wurde eine Software mit dem Namen Indiana entwickelt. Dieses Instrument verbindet den Korpus basierten Zugang mit einer lexikographischen Analyse. Indiana verwendet eine Kombination von HTML-to-text converter, eine kumulative Datenbank und verschiede Filter, um potentielle Neologismen im Korpus identifizieren zu können. -
Spam As the Inheritor of High Modernism
forty-five.com / papers /22 W@r aga1nst the F1lters: Spam as the Inheritor of High Modernism Octavian Esanu For some time, I have been captivated by a form of writing Reviewed by David Gissen that has been captivating my email inbox. Dictionaries define spam as intrusive, internet-mediated a d v e r t i s i n g — a d e fi n i t i o n w h o s e i n t e r e s t l i e s i nits s u g g e s t i o n o f h o w m u c h n o n - i n t r u s i v e a d v e r t i s i n g i s a l r e a d y a r o u n d u s . S p a m i s n o t l i k e t h i s a m b i e n t a d v e r t i s i n g , o f c o u r s e . I t i s p u r e i n t e n t i o n a l i t y . It resembles those bloodthirsty rainforest leeches with s u c k e r s a t b o t h e n d s t h a t w i l l g e t t o y o u r b l o o d n o m a t t e r h o w s a f e y o u m i g h t f e e l b e n e a t h l a y e r s o f p a n t s , s o c k s , a n d s n e a k e r s . -
Exploring the Relationship Between the Strong Black Woman Archetype and Mental Health Help-Seeking Behaviors of Black
CRANES IN THE SKY: EXPLORING THE RELATIONSHIP BETWEEN THE STRONG BLACK WOMAN ARCHETYPE AND MENTAL HEALTH HELP-SEEKING BEHAVIORS OF BLACK WOMEN A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF SOCIOLOGY AND SOCIAL WORK COLLEGE OF ARTS AND SCIENCES BY MIA M. KIRBY B.S., M.S.W., LCSW DENTON, TEXAS MAY 2019 Copyright © 2019 by Mia Moore Kirby DEDICATION This work is dedicated to my ancestors and spirit guides Joseph B. Provost Sr. Mary Louise Dorn Jackson James Lamar Provost Wilbur Daniel Moore Thank you for always being with me. ii ACKNOWLEDGEMENTS First, I must acknowledge The Creator, through which all blessings flow. I could not have embarked on this journey without the presence of the Lord in my life, Ashé. It wasn’t until I was deeply ingrained in the research that I realize that this work is a physical embodiment of my upbringing. To this end, I must thank my parents, my mother Janice Provost, for being the original strong black women in my life, who demonstrated strength through healing. I can never repay you for the seeds of healing and growth that you planted in me. To my father, Dexter Moore, the first DJ I ever knew. You have always been one of my biggest supporters. I am so grateful for your wisdom and guidance throughout my life and most importantly for always playing my favorite songs. To my husband, Dr. Darian T. Kirby, I am beyond grateful for your love, support, and encouragement. -
SEALED 4 S/ T
Case 3:21-mj-02060-JLB Document 1 Filed 05/21/21 PageID.68 Page 1 of 53 1 2 3 SEALED 4 s/ T. Ferris 5 6 7 ORDERED UNSEALED on 07/19/2021 s/ TrishaF 8 9 UNITED STATES DISTRICT COURT 10 SOUTHERN DISTRICT OF CALIFORNIA 11 12 UNITED STATES OF AMERICA, Case No.: 21-MJ-2060 13 Plaintiff, COMPLAINT FOR VIOLATION OF: 14 v. Title 21 U.S.C.§ 841(a)(1) 15 Distribution of a Controlled Substance 16 Lindsay Renee HENNING, (Felony); Title 21 U.S.C. §§ 841(a)(1) 17 Garrett Carl TUGGLE, and 846 Conspiracy to Distribute LSD (Felony); Title 18, U.S.C., Sec. 1349 – 18 Defendants. Conspiracy; Title 18, U.S.C., Sec. 19 981(a)(1)(C), and Title 28, U.S.C., Sec 2461(c) – Criminal Forfeiture 20 21 22 23 The undersigned complainant being duly sworn states: 24 COUNT ONE 25 On or about June 15, 2020, within the Southern District of California, defendant, 26 Lindsay Renee HENNING, did knowingly and intentionally distribute approximately 7 27 grams (0.015 pounds) of a mixture and substance containing a detectable amount of 28 Case 3:21-mj-02060-JLB Document 1 Filed 05/21/21 PageID.69 Page 2 of 53 1 methylenedioxymethamphetamine (MDMA), a Schedule II Controlled Substance in 2 violation of Title 21, United States Code, Section 841(a)(1). 3 COUNT TWO 4 Beginning at a date unknown and continuing up to and including September 8, 2020, 5 within the Southern District of California, defendant, Lindsay Renee HENNING, did 6 knowingly and intentionally conspire together with JT and with other persons known and 7 unknown to distribute approximately 1 gram and more, of a mixture and substance 8 containing a detectable amount of lysergic acid diethylamide (LSD), a Schedule I 9 Controlled Substance; in violation of Title 21, United States Code, Sections 841(a)(1) and 10 846 and, Title 18, United States Code, Section 2. -
OWL Sends 17 Projects to State Can Listen to the Piano Player Tition and Support Their Peers
Where’s Tim? What’s the Angelo needs - Page 4 best Girl his space. Scout cookie? Literally. - Page 5 - Page 5 Volume #19, Issue #5 March 15th, 2019 OWL sends 17 projects to state can listen to the piano player tition and support their peers. Ten senior and seven junior projects advance by the main entrance, or buy “Moral support is good,” says Elsa Carlson proved their projects to the after a long, adrenaline filled er projects that were awarded the famous two dollar eggrolls. Helena. “It also just feels good Staff Writer best of their ability. In hopes morning, the results for the honorable mention. “Other than watching other to share this information that Thought you were done of becoming a state qualitier, competition were finally an- During the competition, people’s projects,” 10th grader you’ve learned with other peo- hearing about all the history many changes were made to nounced on March 9th during there were many fun things to Helena Squires Mosher says, ple, cause hopefully they can day jazz? Well think again, be- the history day projects. Per- the awards ceremony at John- do outside of the actual judg- “It’s also fun to hang out in learn some new things too.” cause the regional competition formances were run count- son High School. OWL did ing time. In fact, with only the halls and play some card The awards ceremony was has just wrapped up and we’ve less times; exhibit boards and an amazing job at the compe- 20 minutes of judging time games; that’s what I’ve done in a ruckus as usual. -
Agenda Items Meeting of the Board of Regents
Agenda Items Meeting of the Board of Regents September 1, 2016 REVISED 8/25/2016 AGENDA ITEMS MEETING OF THE BOARD OF REGENTS THE TEXAS A&M UNIVERSITY SYSTEM September 1, 2016 College Station, Texas 1. COMMITTEE ON FINANCE 1.1 Adoption of a Resolution Authorizing the Issuance of the Board of Regents of The Texas A&M University System Permanent University Fund Bonds, A&M System 1.2 Adoption of a Resolution Authorizing the Issuance of the Board of Regents of The Texas A&M University System Revenue Financing System Bonds, Series 20__, A&M System 2. COMMITTEE ON AUDIT 2.1 Approval of System Internal Audit Plan for Fiscal Year 2017, A&M System 3. COMMITTEE ON BUILDINGS AND PHYSICAL PLANT 3.1 Approval of System Capital Plan for FY 2017 – FY 2021, A&M System 3.2 Approval of the Project Scope and Budget, Appropriation for Pre-Construction and Construction Services, and Approval for Pre-Construction and Construction for the RELLIS Campus Infrastructure Project, The Texas A&M University System RELLIS Campus, Bryan, Texas (Project No. 01-3228) 3.3 Approval of the Project Scope and Budget, Appropriation for Construction Services, and Approval for Construction for the Joint Library Facility Module 2 Project, The Texas A&M University System RELLIS Campus, Bryan, Texas (Project No. 02-3193) 3.4 Approval of the Project Scope and Budget, Appropriation for Construction Services, and Approval for Construction for the McAllen Multipurpose Academic Building Project, Texas A&M University Higher Education Center, McAllen, Texas (Project No. 02-3212), Texas A&M 3.5 Approval of the Project Scope and Budget, Appropriation for Construction Services, and Approval for Construction for the Fabrication Center Project, Prairie View A&M University, Prairie View, Texas (Project No. -
THE TALL MAN's GUESTBOOK December 2001
25 March 2005 Jeff Weise writings, retrieved via Google on March 24, 2005. Blades11 on The Tall Man's Guest Book Blades11 on EZ Board's The Writer's Coven Blades11 on Dune2K Blades11 on Raptorman See also Jeff Weise postings on Nazi.org: http://cryptome.sabotage.org/jeff-weise.htm As Blades11 on The Tall Man's Guest Book THE TALL MAN'S GUESTBOOK December 2001 It takes some big balls to speak up to the big guy! Comments list started on December 1, 2001 Last post on December 31, 2001 Blades11, Redlake,MN Sat Dec 1 23:06:05 EST 2001 P1: Yes P2: Yes P3: Yes P4: Yes Ok,I am writing about the e-mail. To me it seem's to be a sort of Fan fiction.Are some body hoping to make people wonder if the movie's were real.That is what I believe.As for the Phantasm series?,I LOVE IT!. My Fav's P3,But they are all cool....Love the site,I'd like to see still's from P3..... But that's just me.... -Blades11 As Blades11 on http://p090.ezboard.com/fthedeadwalkfrm10 Source: http://p081.ezboard.com/bwriterscoven.showUserPublicProfile?gid=blades11 Blades11 Total Posts :: 772 Member Since :: October 8, 2001 (Global User) My Personal Information First Name :: private Last Name :: private Age :: 17 Location :: .:Minnesota:. Occupation :: .:Amateur Writer:. Hobbies :: Writing, drawing, listening to music, chatting/hanging out with friend's, playing guitar, and animating. Personal Bio :: I'm a fan of zombie film's, have been for year's, as well as fan of horror movies in general. -
“Ready to Die” 1994–2017 MA CCC CENTRAL SAINT MARTINS
“Ready To Die” 1994–2017 MA CCC CENTRAL SAINT MARTINS 1 F.Sargentone march 2017 ed: /2 2 READY TO BE The Anti-Cinematographic eye Writing an introduction to this publication has probably been one of the most difficult things I have ever done in the recent years. I thought it could have been easy to talk about one of the most influential records of the whole music history. It turned out that this loose, A5 –sized, home printed book- let is the only existing monographic work on Notorius B.I.G.’s Ready To Die. By stating this at the beginning of the sup- posed dissertation, I want to make sure that the reader could read these lines as the raw output of a deep, although instinc- tive, research on one of the milestones of hip-hop cultural history. The research pro- cess, of which this booklet testifies the ma- terial result, has been spontaneous, in the sense that did not started as a canonical research question, but instead it happened a posteriori, being the record a very famil- iar matter for me since ages. As you will see, the lyrics of the songs contained within Ready To Die are formal- ly printed –without any additional editing– from RapGenius, a world famous website collecting lyrics and anecdotes of hip-hop songs from users. The oral history com- ponent of this platform is an essential el- ement shared with early hip-hop culture, in which realities existed and formalised themselves only via word of mouth or so- cio-cultural affinity with the hip-hop phe- nomenon. -
Perlow Lyric Ignorance
LYRIC IGNORANCE: TECHNOLOGIES OF AMERICAN POETRY A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Seth Michael Perlow January 2013 © 2013 Seth Michael Perlow LYRIC IGNORANCE: TECHNOLOGIES OF AMERICAN POETRY Seth Michael Perlow, Ph.D. Cornell University 2013 This study argues that the rhetoric of ignorance has helped to define the lyric genre in US poetry and its criticism. It examines how differentiations between poetic thought and knowledge have informed recent responses to Emily Dickinson, Gertrude Stein, and Frank O’Hara—altering both their reputations as lyric poets and the material histories of their texts. Whereas new media scholars often link technology with rationality and information, “Lyric Ignorance” challenges critiques of the lyric by showing how textual equipment enables lyrical claims against knowledge. It thereby explores how the language of ignorance has informed the social and historical values of US lyric poetry in the postwar and contemporary periods. BIOGRAPHICAL SKETCH Seth Michael Perlow was raised in Atlanta, GA and attended college at Brown University, where he concentrated in Comparative Literature, earning an AB (2005) with Highest Honors and departmental honors. His undergraduate thesis, a translation of work by the Argentine poet Karina Macció, won the Rosalie Colie Prize in Comparative Literature. He then enrolled in the Master of Arts Program in the Humanities a the University of Chicago, earning an MA in Humanities (2006). A revision of his master’s thesis on Wallace Stevens’ early poetry, “The Other Harmonium: Toward a Minor Stevens,” appeared in The Wallace Stevens Journal 33.2 (Fall 2009). -
Reconceiving the Actual in Digital Art and Poetry
humanities Article Code and Substrate: Reconceiving the Actual in Digital Art and Poetry Burt Kimmelman Department of Humanities, New Jersey Institute of Technology, Newark, NJ 07102, USA; [email protected] Received: 12 December 2016; Accepted: 5 July 2017; Published: 14 July 2017 Abstract: The quality of digital poetry or art—not merely as contained within our aesthetic reaction to digitally expressive works but as well our intellectual grounding in them—suggests that the digital’s seemingly ephemeral character is an indication of its lack of an apparently material existence. While, aesthetically, the digital’s ephemerality lies in the very fact of the digitally artistic enterprise, the fact is that its material substrate is what makes the aesthetic pleasure we take in it possible. When we realize for ourselves the role played by this substrate, furthermore, a paradox looms up before us. The fact is that we both enjoy, and in some sense separately understand the artwork comprehensively and fully; we also allow ourselves to enter into an ongoing conversation about the nature of the physical world. This conversation is not insignificant for the world of art especially, inasmuch as art depends upon the actual materials of the world—even digital art—and, too, upon our physical engagement with the art. Digital poetry and art, whose dynamic demands the dissolution of the line that would otherwise distinguish one from the other, have brought the notion of embodiment to the fore of our considerations of them, and here is the charm, along with the paradoxical strength, of digital art and poetry: it is our physical participation in them that makes them fully come into being. -
Textframe: Cosmopolitanism and Non-Exclusively Anglophone Poetries
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2019 TextFrame: Cosmopolitanism and Non-Exclusively Anglophone Poetries Michael N. Scharf The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3447 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] TextFrame: Cosmopolitanism and Non-Exclusively Anglophone Poetries by Michael Scharf A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2019 MICHAEL SCHARF, 2019 Attribution 4.0 International (CC BY-SA 4.0) ii TextFrame: Cosmopolitanism and Non-Exclusively Anglophone Poetries by Michael Scharf This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ______________________ _________________________________________ Date Ammiel Alcalay Chair of Examining Committee ______________________ _________________________________________ Date Kandice Chuh Executive Officer Supervisory Committee: _________________________________________ Ammiel Alcalay __________________________________________ Matthew K. Gold __________________________________________