DOCSLIB.ORG

May 2013 Exhibitions & Events Keywords

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
May 2013 Exhibitions & Events Keywords Exhibitions & Events March – May 2013 Keywords Exhibition 27 March – Words stay the same but their use often 18 May 2013 changes. These cultural shifts in society fascinated Raymond Williams, who in 1976 published the seminal book, Keywords Keywords — a vocabulary of culture and society, in which he analysed the use and meanings of over a hundred words such as anarchism,originality, genius and democracy. From March 27, 2013, Iniva presents a programme of exhibitions, lectures, film and learning projects in partnership with Tate Liverpool, expanding Williams’ studies of words into three - dimensional form. Keywords draws on loans from Tate Collection and explores words through works of art. The works date from 1976 focusing on material from the 1980s and early 1990s, including a frieze commission by Luca Frei and Will Holder. Keywords Lectures examine terms such as Equality, Theory and Sex, and Keywords Investigations invites you to explore your own words as part of a 10 – week workshop series. Keywords continues at Tate Liverpool in 2014. Artists include: Sonia Boyce, Willie Doherty, Rita Donagh, Sunil Gupta, Mona Hatoum, Lubaina Front and back cover: Stephen McKenna, An English Oak Tree, Himid, Inventory, Derek Jarman, Louis Le Brocquy, 1981, © Stephen McKenna,courtesy Tate; Sunil Gupta, Heaven, from the tape-slide Gustav Metzger, Donald Rodney, Guy Tillim, David project London Gay Switchboard, 1980, 35mm, colour slide projection, © Sunil Gupta, Wojnarowicz, Stephen Willats and Carey Young. courtesy of the artist. Talks programme includes: Linda Bellos, Leo Opposite page: Richard Hamilton, The Orangeman, 1990, Bersani, Douglas Crimp and Geeta Kapur. © The Estate of Richard Hamilton, courtesy Tate. May Talks & Events 1, 8 Wednesday lunchtime tour 1.15 pm March free 2–25 Family 27 Culture & Polity: Public Policy Working with Stoke Newington Secondary School students free and a team of cultural practitioners, this exhibition explores the The austerity drive continues to eat into arts funding while the 6.30 pm different notions of family we carry in our minds and their origins. positioning of arts subjects in schools is under review. Join us £7 (£5) and the University of East London’s Centre for Cultural Studies to discuss how artists & arts bodies should respond. 8 Keyword Lecture: Leo Bersani — Sex Gustav Tuck Lecture Hall, University College London. Theorist 6.30 pm 28 Keyword Lecture: Linda Bellos — Equality and writer on art, literature, film and psychoanalysis, Leo £7 (£5) Bersani, considers the keyword, Sex. Ex-politician, activist and businesswoman Linda Bellos discusses 6.30 pm the keyword Equality. £7 (£5) 9 Stuart Hall Library Reading Group 6.30 - 8 pm 28 Stuart Hall Library Research Network free Find out about new research in art and culture. For details 6.30 - 8 pm 11 Keyword Lecture: Geeta Kapur — Practice on each discussion follow @StuartHallLib on Twitter. free Art critic and curator, Geeta Kapur discusses the word, ‘Practice’. 2.30 pm April £7 (£5) 11 On Art Therapy 3 Keywords Investigations Lyn French, Director of A Space, in conversation with Art 1 pm A 10 week workshop series, led by Adrian Rifkin, in which 6.30 - 8 pm Therapist, Diana Kaglafa, to discuss Art Therapy as part free participants are invited to explore the meaning, genealogy deposit of the Family exhibition. and significance of contemporary keywords’‘ . required 16 Militant Image 3 Keyword Lecture: Douglas Crimp — Theory This event, programmed by Ros Grey and The Otolith Group, 6.30 pm Gustav Tuck Lecture Theatre, University College London. 6.30 pm includes screenings of Channel 4 films from the 1980s followed £7 (£5) Seminal art critic, curator, editor and activist Douglas Crimp £7 (£5) by a discussion with Kodwo Eshun and guests. unpacks the keyword Theory. 18 On Family 1.15 pm 10, 17, 24 Wednesday lunchtime tours Lyn French in conversation with art therapist Camilla Waldburg, head 1 pm free 11 Stuart Hall Library Reading Group teacher Prue Barnes and Reva Klein, author and pyschotherapist. free Discuss a text exploring the themes of the Keywords exhibition. 6.30 - 8 pm 18 Keywords Closes Follow @StuartHallLib on Twitter for details of each discussion. free 18 Curators’ Tour Curators Grant Watson and Gavin Delahunty lead a tour of 6.30 pm Keywords, expanding on the concept and content of the show. free 18–27 Dislocation Led by artist Erika Tan, Central Saint Martins students present free Group tours and discussions Booking your tickets work which explore curatorial & artistic frameworks. Iniva offers facilitated tours and discussions For more events information, to buy around our exhibitions for groups including tickets and reserve your place at events visit Education, Community and Professional. www.rivingtonplace.org or call 020 7749 1240. 25 Stuart Hall Library Research Network Email [email protected] for bookings and Contact [email protected] to book a place for 6.30 - 8 pm further information. the Stuart Hall Library events. free Explore & Reflect Who we are Things to do Rivington Place, a visual arts New in Stuart Hall Library New in the Autograph New in the Education Space space designed by David Adjaye ‘The special library for ABP Photography Archive In response to Keywords OBE, is home to both Iniva and international visual arts Selection of portraits from Dislocation (18–27 April) explores Autograph ABP. in London’ Roshini Kempadoo, artist John Goto’s Lovers’ Rock artistic frameworks of green Find out about new research (Lewisham, 1977) portfolio screen technology. Iniva, (the Institute of International Visual Arts) creates exhibitions, digital in art and culture by joining is now available to view in Family (2–25 May) explores the initiatives, publications, education projects the Research Network, Autograph ABP’s photography and undertakes research which engage social, political and emotional with new ideas and emerging debates in and discover more about collection and imagebank online. resonances of the changing the contemporary visual arts and reflect the Keywords exhibition. An artist book is forthcoming the diversity of contemporary society. shape of contemporary families Email [email protected] to book an appointment later in 2013. Browse thousands www.iniva.org and the different notions of or request specific research. Check our opening @iniva_arts of contemporary and historical times online. family we carry in our minds. photographs online at www. Autograph ABP Established in 1988, Autograph ABP is a charity that works autograph-abp.co.uk/imagebank internationally in photography, with a Portfolio viewing / visits by appointment only, particular emphasis on issues of cultural please contact [email protected] identity and human rights. We champion historically marginalised photographic practices through our programme of exhibitions, education, publishing and the creation of an archive of culturally 2012. Tan, Erika by Photography diverse photography. Photography by Christa Holka by Photography www.autograph-abp.co.uk 1977 London, @autographABP Shutterbug Café & Bar Cannibalising the Archive. A crêperie come intimate Lewisham, , cocktail speakeasy in the heart Rock Lover’s of Shoreditch. Serving savoury John Goto, John Goto, and sweet crêpes for all tastes, high quality healthy lunches, coffee, signature cocktails, Sign up and find out more wines and artisan beers in a relaxed and creative space. It is We’ve got a brand new newsletter called the Rivington available for hire, 60-120 people Place Fortnightly. Sign up for invites, events, news and offers with heated outdoor space. at http://eepurl.com/cTtIk and tell us what you think. Follow @ShutterbugLDN or www.shutterbug- london.com for menu, events and promotions. www.shutterbug-london.com for menu Photography by Kate Elliot Kate by Photography updates, events and promotions. Follow us, friend us & come see us Open Tue / Wed/Fri 11am – 6pm Rivington Place, London, EC2A 3BA Thu 11am – 9pm / Sat 12 – 6pm +44 (0) 20 7749 1240 (We are fully accessible – check Find us on Twitter & Facebook our website for details) www.rivingtonplace.org .
Load more

Recommended publications
  • Read the Introduction
    BLOODFLOWERS The Visual Arts of Africa and Its Diasporas A series edited by Kellie Jones and Steven Nelson ii / Exposure One W. Ian Bourland BLOODFLOWERS ROTIMI FANI- KAYODE, PHOTOGRAPHY, AND THE 1980S Duke University Press / Durham and London / 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Mindy Basinger Hill Typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Names: Bourland, W. Ian, [date] author. Title: Bloodfl owers : Rotimi Fani-Kayode, photography, and the 1980s / W. Ian Bourland. Other titles: Rotimi Fani-Kayode, photography, and the 1980s Description: Durham : Duke University Press, 2019. | Series: The visual arts of Africa and its diasporas | Includes bibliographical references and index. Identifi ers:lccn 2018032576 (print) lccn 2018037542 (ebook) isbn 9781478002369 (ebook) isbn 9781478000686 (hardcover : alk. paper) isbn 9781478000891 (pbk. : alk. paper) Subjects: lcsh: Fani-Kayode, Rotimi, 1955 – 1989 — Criticism and interpretation. | Photography of men. | Photography of the nude. | Homosexuality in art. | Gay erotic photography. | Photographers — Nigeria. | Photography — Social aspects. Classifi cation:lcc tr681.m4 (ebook) | lcc tr681.m4 b68 2019 (print) | ddc 779/.21 — dc23 lc record available at https://lccn.loc.gov/2018032576 Frontispiece: Rotimi Fani-Kayode, Untitled (1985). © Rotimi Fani-Kayode / Autograph abp. Courtesy of Autograph abp. Cover art: Rotimi Fani- Kayode, Tulip Boy
    [Show full text]
  • Capital Case Study: Rivington Place Shoreditch
    Capital case study: Rivington Place Shoreditch, London Borough of Hackney 1 Contents 7 Planning and project development Capital case study: 2 Executive summary 8 Design and delivery 3 Project background and history 9 Opening the new gallery Rivington Place 4 The company 10 The gallery in operation Shoreditch, Hackney 5 Vital statistics 11 Wider lessons 6 Rationale for the project 12 Credits 1 Contents 2 Executive summary 3 Project background and history 4 The company 5 Vital statistics 6 Rationale for the project 7 Planning and project development 8 Design and delivery 9 Opening the new gallery 10 The gallery in operation 11 Wider lessons 12 Credits 1 Contents 7 Planning and project development Capital case study: 2 Executive summary 8 Design and delivery 3 Project background and history 9 Opening the new gallery Rivington Place 4 The company 10 The gallery in operation Shoreditch, Hackney 5 Vital statistics 11 Wider lessons 6 Rationale for the project 12 Credits Executive summary Rivington Place is a new gallery in The total cost of the project was just Hackney, east London, housing two under £8 million. It was funded by organisations: Iniva and Autograph. grants from the Arts Council Lottery Both are dedicated to the development Capital programme, Barclays Trust, and presentation of black visual arts the London Borough of Hackney, LDA at a national and international level. (London Development Authority), Designed by award-winning architect ERDF (European Regional Development David Adjaye, the building opened to Fund) and the City Fringe
    [Show full text]
  • Download Delegate Pack
    Reframing the moment LEGACIES OF 1982 BLK ART GROUP CONFERENCE hoto of Eddie Chambers by John Reardon 1980 p Saturday 27th October 2012 On Thursday 28th October 1982, a group of black art students hosted The First National Black Art Convention at Wolverhampton Polytechnic. Their purpose was to discuss ‘the form, function and future of black art’. Lecture Theatre Thirty years later almost to the Millenium Campus (MC) day, on Saturday 27th October 2012 artists, curators, art historians Building and academics gather, once again University of Wolverhampton in Wolverhampton, to share scholarship and research the Wulfruna St ‘black art movement’ of the 1980s, its core debates, precursors and WV1 1LY legacies. Reframing the moment legacies ofSaturday the 1982 Blk 27th Art GroupOctober Conference 2012 09:00 Registration Tea/Coffee Programme 09:45 Welcome & Introductions 10:00 Kobena Mercer: Keynote Perforations: Mapping the BLK Art Group into a diasporic model of art history by looking at ‘translations’ of US Black Arts Movement ideas and the prevalence of a cut-and-mix aesthetic. PART ONE 11:00 RAIDING THE ARCHIVE: introduced and moderated by Paul Goodwin Keith Piper Pathways to the 1980s In a video-essay first presented as work in progress at the February 2012 Blk Art Group Symposium, Keith Piper will present a brief history of the Blk Art Group and discuss the socio-political moment of 1980s that heralded the cultural explosion of UK born and educated black artists. Courtney J Martin Art and black consciousness In 1982, Rasheed Araeen was invited by the Wolverhampton Young Black Artists to speak at the First National Black Art Convention in Wolverhampton.
    [Show full text]
  • Stuart Hall and Black British Art 62
    von Rosenberg: Stuart Hall and Black British Art 62 Stuart Hall and Black British Art INGRID VON ROSENBERG Technische Universität Dresden, Germany Introduction: A Sidelined Area of Hall’s Work The following article deals with a somewhat neglected aspect of Stuart Hall’s manifold activities and its relevance for his theoretical work: his interest in and commitment to the promotion of black British art. To start with, a brief definition seems helpful as, in the course of time, the term ‘black’ has been charged with various meanings. Once used in a disparaging racist sense from the colonialists' position, it was later adopted by black people with self-confidence, first in an essentialist sense, later in more differentiating ways. It was Stuart Hall who highlighted the importance of cultural differences between the various groups living in diasporic conditions in Britain, most famously in his seminal article “New Ethnicities” of 1989. Yet when he wrote or spoke about ‘black art’ or ‘black artists’, he used the term black in the same “broad and inclusive way” as the politically active artists in the 1970s and 1980s had done, referring “to all those communities, of whatever ethnic or ‘racial’ origin, who were regarded as ‘other’ – different – and thus racially excluded” (Hall, 2001a: 35). The following study is based on this definition. In the later part of his life Stuart Hall became institutionally involved in black art, dedicating much of his time to this engagement: for 15 years he held the chairs of the boards of both Iniva (Institute of International Visual Art) and Autograph ABP (a non- profit making arts agency promoting photographers from ethnic minorities), two leading institutions focusing on ‘black art’ in the defined sense, i.e.
    [Show full text]
  • PDF Stuart Hall Events
    + Department of Media + and Communications Stuart Hall Mon 24th 25th + Events Week 26th Conference November 2014 27th Fri 28th + #ProfStuartHall + Contents Pages - Introductions 1 The Unfisnished Conversation 2-3 by John Akomfrah Stuart Hall in the Field of Vision 4-5 Learning from Stuart Hall: An Architectural Analysis 6-7 of the Transformations of Higher Education Stuart Hall Key Texts Discussion 8-9 Stuart Hall Film Screenings 10-11 Writing in Light: Jess Hall 12-13 Cinematography Masterclass International Conference: Stuart Hall - 14-15 Conversations, Projects + Legacies The Naming of the Professor 16-17 Stuart Hall Building [PSH] Stuart Hall Fanfare 18 The Voice of Stuart Hall 19 Acknowledgements 20-21 End Notes 22 1 Professor Stuart Hall Introductions - - For Stuart thinking and working together were critical to the ways in which we all learn and gain understanding of the world and our place in it. Becky, Jess and I are very appreciative of the enthusiasm for Stuart’s work that has inspired this extraordinary set of events at Goldsmiths during the week of 24th to 28th November. It is heart-warming to see the ways in which his legacies live on across disciplines and generations. Stuart always had connections with Goldsmiths and he admired its commitment to the study of culture in its broadest sense - as a way of life. We hope to be able to join you in this celebratory week and would like to thank all those who have made it possible. Professor Catherine Hall, University College London - - Professor Stuart Hall Events Week - - Professor Stuart Hall Events Week The Stuart Hall Week of events, international conference and the naming of the Professor Stuart Hall Building could not have come together without the considerable effort of a very broad range of people across the university.
    [Show full text]
  • Althea Mcnish
    Art and Design The Place Welcome to The Place is Here online educational resource. This website is designed to support learning and conversations around race, politics, activism, and the arts in the context of British history and The Black Arts Movement. https://theplaceishere.org Syed Haider Raza Born: February 22, 1922; Babaria, India Nationality: French, Indian Art Movement: Art Informel Genre: abstract Field: painting https://www.wikiart.org/en/s-h-raza Yinka Shonibare Yinka Shonibare CBE, RA is a British-Nigerian artist living in the United Kingdom. His work explores cultural identity, colonialism and post-colonialism within the contemporary context of globalisation. A hallmark of his art is the brightly coloured Dutch wax fabric he uses. https://www.royalacademy.org.uk/art-artists/name/yinka-shonibare-ra Sokari Douglas Camp Sokari Douglas Camp CBE is a London-based artist who has had exhibitions all over the world and was the recipient of a bursary from the Henry Moore Foundation. She was honoured as a Commander of the Order of the British Empire in the 2005 Birthday Honours list. Born: 1958 (age 62 years), Buguma, Nigeria Education: California College of the Arts Known for: Steel sculpture Books: Sweeping: Sculpture by Sokari Douglas Camp, Knots of the Human Heart: Sculpture https://sokari.co.uk/ The Singh Twins The Singh Twins are contemporary British artists of international standing whose award-winning paintings have been acknowledged as constituting a unique genre in British Art and for initiating a new movement in the revival of the Indian miniature tradition within modern art practice – something which, in 2010, was officially recognized at the highest level of British Establishment when they each received an MBE from the Queen “for Services to the Indian Miniature Tradition of Painting in Contemporary Art”.
    [Show full text]