DOCSLIB.ORG

Althea Mcnish

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Althea Mcnish Art and Design The Place Welcome to The Place is Here online educational resource. This website is designed to support learning and conversations around race, politics, activism, and the arts in the context of British history and The Black Arts Movement. https://theplaceishere.org Syed Haider Raza Born: February 22, 1922; Babaria, India Nationality: French, Indian Art Movement: Art Informel Genre: abstract Field: painting https://www.wikiart.org/en/s-h-raza Yinka Shonibare Yinka Shonibare CBE, RA is a British-Nigerian artist living in the United Kingdom. His work explores cultural identity, colonialism and post-colonialism within the contemporary context of globalisation. A hallmark of his art is the brightly coloured Dutch wax fabric he uses. https://www.royalacademy.org.uk/art-artists/name/yinka-shonibare-ra Sokari Douglas Camp Sokari Douglas Camp CBE is a London-based artist who has had exhibitions all over the world and was the recipient of a bursary from the Henry Moore Foundation. She was honoured as a Commander of the Order of the British Empire in the 2005 Birthday Honours list. Born: 1958 (age 62 years), Buguma, Nigeria Education: California College of the Arts Known for: Steel sculpture Books: Sweeping: Sculpture by Sokari Douglas Camp, Knots of the Human Heart: Sculpture https://sokari.co.uk/ The Singh Twins The Singh Twins are contemporary British artists of international standing whose award-winning paintings have been acknowledged as constituting a unique genre in British Art and for initiating a new movement in the revival of the Indian miniature tradition within modern art practice – something which, in 2010, was officially recognized at the highest level of British Establishment when they each received an MBE from the Queen “for Services to the Indian Miniature Tradition of Painting in Contemporary Art”. https://www.singhtwins.co.uk https://www.christies.com/features/The-Singh-Twins-Studio-Visit-7344-3.aspx Chakaia Booker An internationally renowned and widely collected American sculptor known for creating monumental, abstract works from recycled tires and stainless steel for both the gallery and outdoor public spaces. Booker’s works are contained in more than 40 public collections and have been exhibited across the US, in Europe, Africa, and Asia. https://nmwa.org/art/artists/chakaia-booker/ Faith Ringgold Faith Ringgold is a painter, writer, mixed media sculptor and performance artist, best known for her narrative quilts. Wikipedia Born: 8 October 1930 (age 89 years), Harlem, New York, United States Artworks: Tar Beach (Part I from the Woman on a Bridge series), MORE On view: Baltimore Museum of Art, MORE Known for: Painting; Textile arts; Children's Books https://www.serpentinegalleries.org/whats-on/faith-ringgold/ Yayoi Kusama Yayoi Kusama is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, film, fashion, poetry, fiction, and other arts. http://www.artnet.com/artists/yayoi-kusama/ Elizabeth Catlett Elizabeth Catlett was an American and Mexican graphic artist and sculptor best known for her depictions of the African-American experience in the 20th century, http://www.artnet.com/artists/elizabeth-catlett/ Amrita Sher Gil Amrita Sher-Gil was a Hungarian-Indian painter. She has been called "one of the greatest avant- garde women artists of the early 20th century" and a "pioneer" in modern Indian art. Drawn to painting from an early age, Sher-Gil started getting formal lessons in the art, at the age of eight. https://www.nytimes.com/2018/06/20/obituaries/amrita-shergil-dead.html Frida Kahlo Frida Kahlo was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artifacts of Mexico. Inspired by the country's popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society. https://www.biography.com/artist/frida-kahlo Harriet Powers Harriet Powers was an American folk artist, and quilt maker. She was born into slavery in rural Georgia. She used traditional appliqué techniques to record local legends, Bible stories, and astronomical events on her quilts. Only two of her quilts are known to have survived: Bible Quilt 1886 and Pictorial Quilt 1898. https://americanhistory.si.edu/collections/search/object/nmah_556462 Chris Ofili Christopher Ofili, CBE is a British Turner Prize-winning painter who is best known for his paintings incorporating elephant dung. He was one of the Young British Artists. Since 2005, Ofili has been living and working in Trinidad and Tobago, where he currently resides in Port of Spain. http://www.artnet.com/artists/chris-ofili/ Nnenna Okore Nnenna Okore is an artist who works both in Nigeria and the United States. Her largely abstract sculptures are inspired by textures, colours and forms within her immediate milieu. https://www.artsy.net/artist/nnenna-okore Beatriz Milhazes Beatriz Milhazes is a Brazilian artist. She is known for her work juxtaposing Brazilian cultural imagery and references to western Modernist painting. http://www.artnet.com/artists/beatriz-milhazes/ Larry Chiampong Achiampong (b. 1984, UK) is a Jarman Award nominated artist (2018). He completed a BA in Mixed Media Fine Art at University of Westminster in 2005 and an MA in Sculpture at The Slade School of Fine Art in 2008. He lives and works in Essex, and has been a tutor on the Photography MA programme at Royal College of Art since 2016. Achiampong currently serves on the Board of Trustees at Iniva (Institute of International Visual Arts) and is represented by C Ø P P E R F I E L D. https://www.larryachiampong.co.uk/list-of-artworks/sundays-best https://vimeo.com/180301736 Sutapa Biswas Sutapa Biswas is a British Indian conceptual artist, who works across a range of media including painting, drawing, film and time-based media. https://iniva.org/library/digital-archive/people/b/biswas-sutapa/ Hugh Hayden Hugh Hayden’s practice considers the anthropomorphization of the natural world as a visceral lens for exploring the human condition. Hayden transforms familiar objects through a process of selection, carving and juxtaposition to challenge our perceptions of ourselves, others and the environment. Raised in Texas and trained as an architect, his work arises from a deep connection to nature and its organic materials. Hayden utilizes wood as his primary medium, frequently loaded with multi-layered histories in their origin, including objects as varied as discarded trunks, rare indigenous timbers, Christmas trees or souvenir African sculptures. From these he saws, sculpts and sands the wood, often combining disparate species, creating new composite forms that also reflect their complex cultural backgrounds. https://www.lissongallery.com/artists/hugh-hayden https://www.youtube.com/watch?v=JBhMvSzXdbY Stanley Wolukau-Wanambwa Stanley Wolukau-Wanambwa is a photographer, writer, and editor of The Great Leap Sideways. He has a BA in Philosophy & French from Oxford University, UK and an MFA in Photography from Virginia Commonwealth University. He has contributed essays to catalogues and monographs by Vanessa Winship, George Georgiou, and Paul Graham. His photographic work addresses questions of patriarchy, race, history, and identity. https://americansuburbx.com/2019/02/one-wall-a-web-an-interview-with-stanley-wolukau- wanambwa.html https://vimeo.com/186417353 Amy Sherald Amy Sherald is an American painter based in Baltimore, Maryland. She is best known for her portrait paintings. Her choices of subjects look to enlarge the genre of American art historical realism by telling African-American stories within their own tradition. https://www.youtube.com/watch?v=UPQSKQ7Rnyo David Medalla David Medalla is a Filipino international artist. His work ranges from sculpture and kinetic art to painting, installation and performance art. He lives and works in Manila and Berlin. Medalla was born in Manila, the Philippines, in 1942. https://hepworthwakefield.org/artist/david-medalla/ Frank Bowling Richard Sheridan Franklin Bowling OBE RA, known as Frank Bowling, is a Guyana-born British artist. His paintings relate to Abstract expressionism, Color Field painting and Lyrical Abstraction. https://www.youtube.com/watch?v=fD5Ft2t7QBI Helen Cammock Known for: Film, Image, Photography, Writing, Poetry, Spoken word, Song, Performance, Printmaking, Installation art. https://vimeo.com/371103846 Donald Rodney Born in 1961 in Birmingham, UK, Donald Rodney first achieved visibility as part of The Blk Art Group in the early 1980s. During that decade, he went on to become a key figure within the broad alliance of artists, which came to be known as The Black Art Movement. Rodney illustrated his versatility utilizing a range of mediums from painting, installation and photography to robotics, film and digital yet often defying simple categorisation, both thematically and through the innovative approach to materials and technical processes. He chose to incorporate his medical condition of sickle cell anemia, an illness he had been living with his whole life. He used this as a metaphor for black emasculation, racial stereotyping and wider socio-political concerns in contemporary society. On March 1998, Rodney died from sickle-cell anemia, aged 36. His artistic career had spanned two decades and produced some of the most engaging and innovative work by a British artist of his generation. https://www.tate.org.uk/art/artists/donald-rodney-3076 Lynette Yiadom-Boakye
Load more

Recommended publications
  • Gallery Guide Is Printed on Recycled Paper
    THE PLACE IS HERE 22 JUN – 10 SEP 2017 MAIN & FIRST FLOOR GALLERIES ADMISSION FREE EXHIBITION GUIDE THE PLACE IS HERE LIST OF WORKS 22 JUN – 10 SEP 2017 MAIN GALLERY The starting-point for The Place is Here is the 1980s: For many of the artists, montage allowed for identities, 1. Chila Kumari Burman blends word and image, Sari Red addresses the threat a pivotal decade for British culture and politics. Spanning histories and narratives to be dismantled and reconfigured From The Riot Series, 1982 of violence and abuse Asian women faced in 1980s Britain. painting, sculpture, photography, film and archives, according to new terms. This is visible across a range of Lithograph and photo etching on Somerset paper Sari Red refers to the blood spilt in this and other racist the exhibition brings together works by 25 artists and works, through what art historian Kobena Mercer has 78 × 190 × 3.5cm attacks as well as the red of the sari, a symbol of intimacy collectives across two venues: the South London Gallery described as ‘formal and aesthetic strategies of hybridity’. between Asian women. Militant Women, 1982 and Middlesbrough Institute of Modern Art. The questions The Place is Here is itself conceived of as a kind of montage: Lithograph and photo etching on Somerset paper it raises about identity, representation and the purpose of different voices and bodies are assembled to present a 78 × 190 × 3.5cm 4. Gavin Jantjes culture remain vital today. portrait of a period that is not tightly defined, finalised or A South African Colouring Book, 1974–75 pinned down.
    [Show full text]
  • Bruges Triennial 2021: T RAUMA
    PRESS KIT Bruges Triennial 2021: T RAUMA 08.05.2021 – 24.10.2021 Bruges Triennial 2021: TraumA PRESS KIT In a nutshell 3 Introduction 4-5 Artists & architects 6-17 Exhibition at the Porter’s Lodge: ‘The Porous City’ 18 About Bruges Triennial 2021 19 Public Programme, Activities for Children & Guided Tours 20 Practical information 21 Press contact 22 08.05.2021 - 24.10.2021 Bruges Triennial 2021: TraumA PRESS KIT IN A NUTSHELL Bruges Triennial 2021: TraumA ... is the third edition of Bruges Triennial and runs from May 8 to October 24, 2021. is a freely accessible contemporary art and architecture trail in the city centre of Bruges. is a thematic exhibition bringing together the work of 13 artists and architects — including 3 Belgians— in the public space. showcases artists and architects who respond to the complexity, versatility and dynamics of the city of Bruges. shifts its focus this year from the public space to some of the hidden dimensions of the city and its inhabitants. treads a balance between the present and the concealed, between private and public, between dream and nightmare. is complemented by a group exhibition at the Poortersloge (Porter’s Lodge) presenting about 40 sculptures, photographs, drawings, paintings and videos by national and international artists. is curated by the curatorial team consisting of Till-Holger Borchert, Santiago De Waele, Michel Dewilde, and Els Wuyts. is accompanied by a public programme packed full with an extensive range of engaging activities. 3 08.05.2021 - 24.10.2021 Bruges Triennial 2021: TraumA PRESS KIT INTRODUCTION From 8 May to 24 October 2021, Bruges once again becomes the host city for an exploration of contemporary art and architecture.
    [Show full text]
  • CVAN Open Letter to the Secretary of State for Education
    Press Release: Wednesday 12 May 2021 Leading UK contemporary visual arts institutions and art schools unite against proposed government cuts to arts education ● Directors of BALTIC, Hayward Gallery, MiMA, Serpentine, Tate, The Slade, Central St. Martin’s and Goldsmiths among over 300 signatories of open letter to Education Secretary Gavin Williamson opposing 50% cuts in subsidy support to arts subjects in higher education ● The letter is part of the nationwide #ArtIsEssential campaign to demonstrate the essential value of the visual arts This morning, the UK’s Contemporary Visual Arts Network (CVAN) have brought together leaders from across the visual arts sector including arts institutions, art schools, galleries and universities across the country, to issue an open letter to Gavin Williamson, the Secretary of State for Education asking him to revoke his proposed 50% cuts in subsidy support to arts subjects across higher education. Following the closure of the consultation on this proposed move on Thursday 6th May, the Government has until mid-June to come to a decision on the future of funding for the arts in higher education – and the sector aims to remind them not only of the critical value of the arts to the UK’s economy, but the essential role they play in the long term cultural infrastructure, creative ambition and wellbeing of the nation. Working in partnership with the UK’s Visual Arts Alliance (VAA) and London Art School Alliance (LASA) to galvanise the sector in their united response, the CVAN’s open letter emphasises that art is essential to the growth of the country.
    [Show full text]
  • Donald Rodney (1961-1998) Self-Portrait ‘Black Men Public Enemy’ 1990
    Donald Rodney (1961-1998) Self-Portrait ‘Black Men Public Enemy’ 1990 Medium: Lightboxes with Duratran prints Size: 5 parts, total, 190.5 x 121.9cm Collection: Arts Council ACC7/1990 1. Art historical terms and concepts Subject Matter Traditionally portraits depicted named individuals for purposes of commemoration and/or propaganda. In the past black figures were rarely portrayed in Western art unless within group portraits where they were often used as a visual and social foil to the main subject. Rodney adopted the portrait to explore issues around black masculine identity - in this case the stereotype of young black men as a ‘public enemy’. The title ‘Black Men Public Enemy’ comes from the writings of cultural theorist Stuart Hall about media representations of young black men as an ‘icon of danger’, a metaphor for all the ills of society. Rodney said of this Art History in Schools CIO | Registered Charity No. 1164651 | www.arthistoryinschools.org.uk work: “I’ve been working for some time on a series…about a black male image, both in the media and black self-perception. I wanted to make a self-portrait [though] I didn’t want to produce a picture with an image of myself in it. It would be far too heroic considering the subject matter. I wanted generic black men, a group of faces that represented in a stereotypical way black man as ‘the other’, a black man as the enemy within the body politic” (1991). Rodney is asking the question: ‘Is this what people see when they see me?’ He has created a kind of ‘everyman’ for every black man, a heterogeneous identity.
    [Show full text]
  • Read the Introduction
    BLOODFLOWERS The Visual Arts of Africa and Its Diasporas A series edited by Kellie Jones and Steven Nelson ii / Exposure One W. Ian Bourland BLOODFLOWERS ROTIMI FANI- KAYODE, PHOTOGRAPHY, AND THE 1980S Duke University Press / Durham and London / 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Mindy Basinger Hill Typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Names: Bourland, W. Ian, [date] author. Title: Bloodfl owers : Rotimi Fani-Kayode, photography, and the 1980s / W. Ian Bourland. Other titles: Rotimi Fani-Kayode, photography, and the 1980s Description: Durham : Duke University Press, 2019. | Series: The visual arts of Africa and its diasporas | Includes bibliographical references and index. Identifi ers:lccn 2018032576 (print) lccn 2018037542 (ebook) isbn 9781478002369 (ebook) isbn 9781478000686 (hardcover : alk. paper) isbn 9781478000891 (pbk. : alk. paper) Subjects: lcsh: Fani-Kayode, Rotimi, 1955 – 1989 — Criticism and interpretation. | Photography of men. | Photography of the nude. | Homosexuality in art. | Gay erotic photography. | Photographers — Nigeria. | Photography — Social aspects. Classifi cation:lcc tr681.m4 (ebook) | lcc tr681.m4 b68 2019 (print) | ddc 779/.21 — dc23 lc record available at https://lccn.loc.gov/2018032576 Frontispiece: Rotimi Fani-Kayode, Untitled (1985). © Rotimi Fani-Kayode / Autograph abp. Courtesy of Autograph abp. Cover art: Rotimi Fani- Kayode, Tulip Boy
    [Show full text]
  • Natural Materials Pancho Jiménez Nnenna Okore Cameron Welch
    FOR IMMEDIATE RELEASE Natural Materials Pancho Jiménez Nnenna Okore Cameron Welch April 10 – May 8, 2021 #naturalmaterialsexhibition #jenkinsjohsongallery #minnesotastreetproject @pancho_jimenez @nnennaokore @welch_cameron @jenkinsjohnsongallery @ minnesotastreetproject Cameron Welch, Hot Head, 2021, marble, glass, ceramic, oil, acrylic and spray enamel on panel in artist frame, 47.5 x 37.5 in. Jenkin Johnson Gallery, San Francisco, is pleased to present Natural Materials, a group exhibition featuring new works by Pancho Jiménez, Nnenna Okore and Cameron Welch. This exhibition explores three artists’ use of natural material and found objects in their practice. Each artist approaches materials differently creating a captivating discussion on materiality, texture, and shape. Jiménez rebuilds and recontextualizes found trinkets and objects. Okore weaves fibers and found material to create ethereal sculptures. Welch adds a contemporary perspective to traditional mosaic techniques with motifs and imagery found throughout history. Natural Materials opens Saturday, April 10, 2021 and will be on view through Saturday, May 8. The exhibition is by appointment only. Please visit our website to schedule a viewing. www.jenkinsjohnsongallery.com. Francisco (Pancho) Jiménez (lives and works in Santa Clara, CA) explores the elusiveness of dreams and memory. Joining together molded forms in unlikely combinations, Jiménez transforms kitsch elements into complex pieces with a rich and relevant focus. The juxtaposition of shapes in his sculptures may at first seem haphazard, but is intentionally crafted to mimic the illusiveness of memory as it advances and recedes over time. Jiménez holds an M.F.A. in Sculptural Ceramics from San Francisco State University, and his BA degree from Santa Clara University. He has exhibited extensively in the San Francisco Bay Area and nationally at universities, private galleries and civic spaces.
    [Show full text]
  • Lubaina Himid OUR KISSES ARE PETALS
    Media Release: 5 April 2018 PRESS PREVIEW Thursday 10 May 2018 EXHIBITION 11 May – 30 September 2018 Lubaina Himid OUR KISSES ARE PETALS Lubaina Himid, Why are you Looking, 2018. Image courtesy the artist and Hollybush Gardens BALTIC Centre for Contemporary Art will launch the first in a series of exhibitions for the UK’s largest public event of 2018, the Great Exhibition of the North (22 June – 9 September), with a solo show of new work by Turner Prize-winning artist Lubaina Himid. Our Kisses are Petals will run from 11 May – 30 September, and will feature a community-focussed outdoor commission beginning in June. Our Kisses are Petals originates from new paintings on cloth that employ the patterns, colours and symbolism of the Kanga, a vibrant cotton fabric traditionally worn by East African women as a shawl, head scarf, baby carrier, or wrapped around the waist. Typically, kangas consist of three parts: the pindo (border), the mji (central motif), and the jina (message or ‘name’), which often takes the form of a riddle or proverb. For Himid, these multicoloured fabrics are ‘speaking clothes’, which employ ‘the language of image, pattern and text through which one woman’s outfit talks to another’s’. Himid’s works engage in a dialogue with each other and with the viewer, both through their individual jina, borrowed from influential writers just as James Baldwin, Sonia Sanchez, Essex Hemphill and Audre Lorde, and through the invitation for visitors to rearrange the hanging works by a system of pulleys to form their own poetry. The suspended Kangas take on a flag-like quality, which, together with the colours and patterns of the fabrics, evoke regimental and ceremonial colonial flag-bearing.
    [Show full text]
  • ART of the CARIBBEAN ‘A Wonderful Set of Images Which Helps to Re-Define the Boundaries of the Caribbean for a British Onlooker
    PartGOODWILL 1 — Caribbean TEACHING art history GUIDE — the essential teaching resource for craft, design and culture LIST OF CONTENTS ART OF THE CARIBBEAN ‘A wonderful set of images which helps to re-define the boundaries of the Caribbean for a British onlooker. The visual art is supported by concise and effective background material, both historical and textual’. Dr. Paul Dash, Department of Education, Goldsmith’s College. LIST OF CONTENTS PART 3 This set explores Caribbean culture Looking at the pictures and its arresting visual art Unknown Taino Artist, Jamaica, Avian Figure Introduction Isaac Mendes Belisario, Jamaica, House John Canoe Map of the Caribbean Georges Liautaud, Haiti, Le Major Jonc Time-line Annalee Davis, Barbados, This Land of Mine: Past, Present and Future John Dunkley, Jamaica, Banana Plantation Wifredo Lam, Cuba, The Chair PART 1 Raul Martinez, Cuba, Cuba Caribbean art history Edna Manley, England/Jamaica, The Voice Colonial Cuba Unknown Djuka Artist, Suriname, Apinti Drum Cuban art since1902 Everald Brown, Jamaica, Instrument for Four People Stanley Greaves Caribbean Man No. 2 Colonial Saint-Domingue Aubrey Williams, Guyana/England, Shostakovich 3rd Symphony Cecil Baugh, Jamaica, Global Vase with Egyptian blue running glaze Haitian art since 1811 Stephanie Correia, Guyana, Tuma 1 Dutch West-Indian colonies Philip Moore, Guyana, Bat and Ball Fantasy British West Indies Ronald Moody, Jamaica/England, Midonz (Goddess of Transmutation) English-speaking Caribbean: Jamaica, Stanley Greaves, Guyana/Barbados, Caribbean Man No. 2 Barbados, Guyana, Trinidad, Wilson Bigaud, Haiti, Zombies Ras Aykem-i Ramsay, Barbados, Moses For easy navigation blue signals a link to a Caribbean-born artists in Britain Pen Cayetano, Belize, A Belizean History: Triumph of Unity relevant page.
    [Show full text]
  • Lubaina Himid Invisible Strategies Exhibition Notes
    2. Le Rodeur: The Lock, 2016 Revenge – A Masque in Five Tableaux 7. Fishing, 1987 9. Mr Salt’s Collection – The Ballad of 3. Le Rodeur: Exchange, 2016 4. Ankledeep, 1991 Fishing was originally part of a larger the Wing series, 1989 After completing this most recent 5. Five, 1991 installation: a cast of cutout painted This work was first shown as part characters roaming across gallery walls. of Himid’s solo exhibition The Ballad series, the artist realised that these 6. Carpet, 1992 interiors were the odd, empty rooms Collectively titled Restoring the Balance, of the Wing at Chisenhale Gallery, of her earlier Plan B paintings, now 8. Unwrapped but not Untied, 1991 these figures appeared within the London, in 1989. It displays the artist’s first retrospective exhibition influence on her practice of populated with a full cast of characters, Himid asserts: ‘After the mourning New Robes for MaShulan, a caricature, particularly eighteenth- and always with a glimpsed view of comes revenge.’ Revenge is at once collaboration with Maud Sulter held at century satirical cartoonists such the sea. They reflect Himid’s complex a monument to the victims of the Rochdale Art Gallery in 1987. In Sulter’s as James Gillray, George Cruikshank 1. Freedom and Change, 1984 personal relationship to water and the transatlantic slave trade, a critique of 10. Bone in the China: Success to the curatorial text, ‘Surveying the Scene’, and William Hogarth. The painting sea: ‘I have never been able to swim the patriarchy, and a space for dialogue. Africa Trade, c.1985 ‘Discourse is a primary tool against the she declared: ‘The show does not stand references the vast collection of properly and am very frightened of This series is a lamentation, an act of weapons used to marginalise and write in isolation.
    [Show full text]
  • Download Portfolio
    PHOTO LONDON ANNOUNCES 2019 TALKS PROGRAMME Photo London has announced details of the Talks Programme for the fifth edition of the Fair, which will take place from 15 - 19 May 2019 at Somerset House. The Programme will showcase the rich and diverse history of photography up until the present day, and explore the current and future direction of the medium in a dynamic format. It will feature talks, debates and discussions with some of the world’s most important and innovative photographers, artists, curators, critics and authors. As well as featuring many celebrated practitioners including Erwin Olaf, Susan Meiselas, Ralph Gibson, Hannah Starkey, Tim Walker, Maja Daniels, Ed Templeton and Vanessa Winship, the Talks Programme includes: • The Photo London Master of Photography 2019 Stephen Shore in conversation with curator David Campany • Martin Parr discusses British identity in his work with historian and broadcaster Dominic Sandbrook • The acclaimed biographer Ann Marks in conversation with the author Anna Sparham on the legacy of Vivian Maier • Gavin Turk discusses his Photo London project Portrait of an Egg with Matthew Collings • Zackary Drucker discusses her work on transgender identities in photography with Chris Boot, Executive Director of Aperture Foundation • Contemporary portrait photographer Martin Schoeller in conversation with publisher Gerhard Steidl • Liz Johnson Artur in conversation with Hans Ulrich Obrist • Photographer, electronic music producer and DJ, Eamonn Doyle discusses his special Photo London installation Made in Dublin with collaborators David Donohoe and Niall Sweeney • Panel discussions on subjects such as representations of the body; collecting photography; the future of photography curation and the legacy of the pioneering early photographer Roger Fenton • Tickets on sale now at photolondon.org/tickets – Fair tickets are not required to attend talks The Photo London Talks Programme is curated by William A.
    [Show full text]
  • Phillips, M. the Case of the Absent Artist. a Body Of
    The Case of the Absent Artist A Body of Evidence of Mike Phillips 1 The Case for the Defence. On the seventeenth of April 1962 Perry Mason, the legendary defence attorney, faced one of his most pataphysical cases. ‘The Case of the Absent Artist’ (CBS 1962) is an account of a transmogrification that resonates through digital arts practice to this day. The author of the popular comic strip ‘Zingy’, Gabe Philips, transforms from a cartoon- ist to a ‘serious’ painter, bifurcating in the process to become Otto Gervaert. This transformation is only completed when he (both Philips and Gervaert) is/are murdered, the artist(s) remains as a body of evi- dence and a body of work. Mason is faced with the absence left by the transformation of the artist; the absent artist (or artists) defines a new space, not emptiness but a place resonant with potential. The following is a re-investigation of this resonant place left by the artist – Philips/Gervaert and how this transformation of the artist is be- ing enacted with increasing frequency. This manifestation of trans- formation, duality and disappearance is symptomatic of a technologi- cal performativity evident in a series of projects and relationships that have informed the development of frameworks, articulated below as ‘Operating Systems’. As forensic tools these Operating Systems are ‘instruments’ or provocative prototypes that enhance our understand- ing of the world and our impact on it. In the case of the absent artist they probe the space that once held the artist to build a new body of evidence. This body of evidence itself builds on an evolutionary thread that has run through the collaborative work of i-DAT.org.
    [Show full text]
  • Re-Recordings | List of Materials ------9 1) Selection of Material from the Recordings Project Archive, Policy 6 Documents and Art Documentation (ACAA)
    Re-Recordings | List of Materials --------------------------------------------------------------------------- 9 1) Selection of material from the Recordings Project Archive, policy 6 documents and art documentation (ACAA) Recordings: a Select Bibliography of Contemporary African, Afro-Caribbean and Asian 5 British Art. London: INiva, 1996. Race, Sex and Class 5. Multi-Ethnic Education in further, Higher and Community Education, 1983 8 Box of Recordings Research Project and Drafts. Chelsea College of Art & Design Library Archive. Anti-Racist Film Programme. London, GLC, March/April 1985. London GLC/ London 3 Against Racism. 1985. The Arts and Ethnic Minorities: Action Plan. London: Arts Council of Great Britain, 1986 4 Ward, Liz. St.Martin’s School of Art Library: Collection Development, ILEA Muti-Ethnic 1 Review,Winter/Spring 1985 Chambers, Eddie. Blk Art Group Proposal to Art Colleges, 1983 Black Art in Britain: A bibliography of material held in the Library, Chelsea School of Art, 1986 Asian and Afro-Caribbean British art: a Bibliography of Material Held in the Library, 2 Chelsea College of Art & Design,1989. Art Libraries Journal, The Documentation of Black Artists, v.8, no.4 (Winter 1983) Black Arts in London no.50, 4-17 March 1986 7 African and Asian Visual Artists Archive (Flyer and cards) [Bristol],1990. Arts Council Arts & Ethnic Minorities Action Plan. London, February, 1996 ------------------------------------------------------------------------------------------------- 2) Artists’ multiples, artists’ books, ephemera and video Araeen, Rasheed. The Golden Verses: a Billboard Artwork… Artangel Trust, 1990 Chambers, Eddie. Breaking that Bondage: Plotting that Course. London: Black Art Gallery, 1984 Us and ‘Dem, The Storey Institute , Leicester, 1994. Postcard/Virginia Nimarkoh, 1993. Artist Book. The Image Employed, the use of narrative in Black art.
    [Show full text]