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CVAN Open Letter to the Secretary of State for Education
Press Release: Wednesday 12 May 2021 Leading UK contemporary visual arts institutions and art schools unite against proposed government cuts to arts education ● Directors of BALTIC, Hayward Gallery, MiMA, Serpentine, Tate, The Slade, Central St. Martin’s and Goldsmiths among over 300 signatories of open letter to Education Secretary Gavin Williamson opposing 50% cuts in subsidy support to arts subjects in higher education ● The letter is part of the nationwide #ArtIsEssential campaign to demonstrate the essential value of the visual arts This morning, the UK’s Contemporary Visual Arts Network (CVAN) have brought together leaders from across the visual arts sector including arts institutions, art schools, galleries and universities across the country, to issue an open letter to Gavin Williamson, the Secretary of State for Education asking him to revoke his proposed 50% cuts in subsidy support to arts subjects across higher education. Following the closure of the consultation on this proposed move on Thursday 6th May, the Government has until mid-June to come to a decision on the future of funding for the arts in higher education – and the sector aims to remind them not only of the critical value of the arts to the UK’s economy, but the essential role they play in the long term cultural infrastructure, creative ambition and wellbeing of the nation. Working in partnership with the UK’s Visual Arts Alliance (VAA) and London Art School Alliance (LASA) to galvanise the sector in their united response, the CVAN’s open letter emphasises that art is essential to the growth of the country. -
Read the Introduction
BLOODFLOWERS The Visual Arts of Africa and Its Diasporas A series edited by Kellie Jones and Steven Nelson ii / Exposure One W. Ian Bourland BLOODFLOWERS ROTIMI FANI- KAYODE, PHOTOGRAPHY, AND THE 1980S Duke University Press / Durham and London / 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Mindy Basinger Hill Typeset in Garamond Premier Pro by Copperline Book Services Library of Congress Cataloging-in-Publication Data Names: Bourland, W. Ian, [date] author. Title: Bloodfl owers : Rotimi Fani-Kayode, photography, and the 1980s / W. Ian Bourland. Other titles: Rotimi Fani-Kayode, photography, and the 1980s Description: Durham : Duke University Press, 2019. | Series: The visual arts of Africa and its diasporas | Includes bibliographical references and index. Identifi ers:lccn 2018032576 (print) lccn 2018037542 (ebook) isbn 9781478002369 (ebook) isbn 9781478000686 (hardcover : alk. paper) isbn 9781478000891 (pbk. : alk. paper) Subjects: lcsh: Fani-Kayode, Rotimi, 1955 – 1989 — Criticism and interpretation. | Photography of men. | Photography of the nude. | Homosexuality in art. | Gay erotic photography. | Photographers — Nigeria. | Photography — Social aspects. Classifi cation:lcc tr681.m4 (ebook) | lcc tr681.m4 b68 2019 (print) | ddc 779/.21 — dc23 lc record available at https://lccn.loc.gov/2018032576 Frontispiece: Rotimi Fani-Kayode, Untitled (1985). © Rotimi Fani-Kayode / Autograph abp. Courtesy of Autograph abp. Cover art: Rotimi Fani- Kayode, Tulip Boy -
Historical Argument and Practice Bibliography for Lectures 2019-20
HISTORICAL ARGUMENT AND PRACTICE BIBLIOGRAPHY FOR LECTURES 2019-20 Useful Websites http://www.besthistorysites.net http://tigger.uic.edu/~rjensen/index.html http://www.jstor.org [e-journal articles] http://www.lib.cam.ac.uk/ejournals_list/ [all e-journals can be accessed from here] http://www.historyandpolicy.org General Reading Ernst Breisach, Historiography: Ancient, Medieval, and Modern (Chicago: University of Chicago Press, 1983) R. G. Collingwood, The Idea of History (Oxford: Oxford University Press, 1946) Donald R. Kelley, Faces of History: Historical Inquiry from Herodotus to Herder (New Haven, CT: Yale University Press, 1998) Donald R. Kelley, Fortunes of History: Historical Inquiry from Herder to Huizinga (New Haven, CT: Yale University Press, 2003) R. J. Evans, In Defence of History (2nd edn., London, 2001). E. H. Carr, What is History? (40th anniversary edn., London, 2001). Forum on Transnational History, American Historical Review, December 2006, pp1443-164. G.R. Elton, The Practice of History (2nd edn., Oxford, 2002). K. Jenkins, Rethinking History (London, 1991). C. Geertz, Local Knowledge (New York, 1983) M. Collis and S. Lukes, eds., Rationality and Relativism (London, 1982) D. Papineau, For Science in the Social Sciences (London, 1978) U. Rublack ed., A Concise Companion to History (Oxford, 2011) Q.R.D. Skinner, Visions of Politics Vol. 1: Regarding Method (Cambridge, 2002) David Cannadine, What is History Now, ed. (Basingstoke, 2000). -----------------------INTRODUCTION TO HISTORIOGRAPHY---------------------- Thu. 10 Oct. Who does history? Prof John Arnold J. H. Arnold, History: A Very Short Introduction (2000), particularly chapters 2 and 3 S. Berger, H. Feldner & K. Passmore, eds, Writing History: Theory & Practice (2003) P. -
Gunn-Vernon Cover Sheet Escholarship.Indd
UC Berkeley GAIA Books Title The Peculiarities of Liberal Modernity in Imperial Britain Permalink https://escholarship.org/uc/item/6wj6r222 Journal GAIA Books, 21 ISBN 9780984590957 Authors Gunn, Simon Vernon, James Publication Date 2011-03-15 License https://creativecommons.org/licenses/by/3.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Peculiarities of Liberal Modernity in Imperial Britain Edited by Simon Gunn and James Vernon Published in association with the University of California Press “A remarkable achievement. This ambitious and challenging collection of tightly interwoven essays will find an eager au- dience among students and faculty in British and imperial history, as well as those interested in liberalism and moder- nity in other parts of the world.” Jordanna BaILkIn, author of The Culture of Property: The Crisis of Liberalism in Modern Britain “This volume investigates no less than the relationship of liberalism to Britain’s rise as an empire and the first modern nation. In its global scope and with its broad historical perspective, it makes a strong case for why British history still matters. It will be central for anyone interested in understanding how modernity came about.” Frank TrenTMann, author of Free Trade Nation: Consumption, Commerce, and Civil Society in Modern Britain In this wide-ranging volume, leading scholars across several disciplines—history, literature, sociology, and cultural studies—investigate the nature of liberalism and modernity in imperial Britain since the eighteenth century. They show how Britain’s liberal version of modernity (of capitalism, democracy, and imperialism) was the product of a peculiar set of historical cir- cumstances that continues to haunt our neoliberal present. -
Opens New Window
EDDIE CHAMBERS CV Curriculum vitae EDDIE CHAMBERS www.eddiechambers.com College Art Association Art Journal Editor-in-Chief July 1, 2021 - June 30, 2024 Art Monthly Foundation Honorary Patron, (together with Liam Gillick, Hans Haacke, Mona Hatoum, Alfredo Jaar, and Martha Rosler) Appointed June 2018 The University of Texas at Austin Department of Art and Art History 2301 San Jacinto Blvd. Stop D1300 Austin, Texas 78712-1421 Holder of the David Bruton, Jr. Centennial Professorship in Art History, approved by the university administration, effective September 1, 2021 EDUCATION Historical and Cultural Studies Department, Goldsmiths College, University of London, (Supervisor, Professor Sarat Maharaj, Internal Examiner, Dr. Carol McKay, External Examiner, Professor Stuart Hall) Black Visual Arts Activity in England 1981-1986: Press and Public Responses, Ph. D. awarded March 31, 1998 Sunderland Polytechnic, Faculty of Art and Design, Fine Art Department, 1980 - 1983. BA (Hons.) Fine Art, 2:1 UT-AUSTIN APPOINTMENT Professor, Art History, September 2016 onwards Holder of the David Bruton, Jr. Centennial Professorship in Art History, approved by the university administration, effective September 1, 2021. Affiliate faculty member of the Department of American Studies. Inaugural Curatorial Fellow at the John L. Warfield Center for African and African American Studies, Fall Semester 2013/Spring Semester 2014 1 EDDIE CHAMBERS CV Assistant Chair, Art History Division, Fall 2015 – Summer 2017, two-year term OTHER TEACHING Emory University, Atlanta, Georgia. Visiting Professor, Art History department, spring semester 2008, and spring semester and fall semester 2009. Emory University, Atlanta, Georgia. Visiting Professor, Art History department, spring semester and fall semester, 2005 and fall semester 2006. -
80 10 Covers.Pdf
n Contents October 1980 Volume 24 Number 10 Focus 2 Monetarism gone mad Italy after Bologna • ILEA Eric Hobsbawm Interviews Tony Benn 5 Editorial office Tony Benn has emerged over the last decade as one of the most significant and original figures 16 King Street, London WC2E SHY within the Labour Party and, indeed, on the British political scene. In this interview, Eric Telephone 01-836 2151 Hobsbawm, well-known historian and member of our Editorial Board, engages Tony Benn in an important discussion focused on Britain's crisis and the problems of the labour movement. Editor Martin Jacques Tricia Davis and Catherine Hall Editorial board Irene Brennan, Jack Cohen, Dan Connor, The Forward Face of Feminism 14 John Foster, Jean Gardiner, The women's movement is far from homogeneous. Here the authors examine the various Eric Hobsbawm, John Hoffman, trends within the women's movement, including Beyond the Fragments, and outline some Alan Hunt, Arnold Kettle, perspectives both for feminism and its relations with the labour movement. Tricia Davis and Betty Matthews, Bert Pearce, Catherine Hall are socialist feminists active in the women's liberation movement in Dave Priscott, Bob Rowthorn, Mike Seifert, Sue Slipman, Dave Wynn. Birmingham. Tricia Davis is a member of the Communist Party Birmingham City Committee. Martin Kettle Reviews Paul Webster The Drift to Law and Order 20 Advertising Law and Order emerged as one of the major questions in the last elections — the Tories have Contact Sally Townsend at editorial office. consistently championed the issue. Martin Kettle, Home Affairs Correspondent of New Orders and subscriptions Society and a member of the Labour Party and of the State Research editorial group, looks at Usual agents or Central Books Ltd, what it is all about. -
Capital Case Study: Rivington Place Shoreditch
Capital case study: Rivington Place Shoreditch, London Borough of Hackney 1 Contents 7 Planning and project development Capital case study: 2 Executive summary 8 Design and delivery 3 Project background and history 9 Opening the new gallery Rivington Place 4 The company 10 The gallery in operation Shoreditch, Hackney 5 Vital statistics 11 Wider lessons 6 Rationale for the project 12 Credits 1 Contents 2 Executive summary 3 Project background and history 4 The company 5 Vital statistics 6 Rationale for the project 7 Planning and project development 8 Design and delivery 9 Opening the new gallery 10 The gallery in operation 11 Wider lessons 12 Credits 1 Contents 7 Planning and project development Capital case study: 2 Executive summary 8 Design and delivery 3 Project background and history 9 Opening the new gallery Rivington Place 4 The company 10 The gallery in operation Shoreditch, Hackney 5 Vital statistics 11 Wider lessons 6 Rationale for the project 12 Credits Executive summary Rivington Place is a new gallery in The total cost of the project was just Hackney, east London, housing two under £8 million. It was funded by organisations: Iniva and Autograph. grants from the Arts Council Lottery Both are dedicated to the development Capital programme, Barclays Trust, and presentation of black visual arts the London Borough of Hackney, LDA at a national and international level. (London Development Authority), Designed by award-winning architect ERDF (European Regional Development David Adjaye, the building opened to Fund) and the City Fringe -
E. P. Thompson, Politics and History: Writing Social History Fifty Years
Special Issue: E.P. Thompson after Fifty Years RUDI BATZELL,SVEN BECKERT,ANDREW GORDON, AND GABRIEL WINANT E. P. Thompson, Politics and History: Writing Social History Fifty Years after The Making of the English Working Class Downloaded from Abstract These four articles revisit crucial concepts in the work of E.P. Thompson and the debates that follow him. Each looks forward to contemporary and future scholar- ship, and the real and potential relationship between historiography and social movements on the left. They reopen debates on moral economy, disputing how much of the working-class past is usable in the present. Particularly given the trans- http://jsh.oxfordjournals.org/ formed nature of the state since the period of social transition in early modern England, this question seems urgent: can (arguably) backward-looking claims of traditional rights continue to serve to guide working-class resistance movements, given that they must invoke the powers of the modern state? Can ideas of class drawn from a period in which men were understood as workers and citizens, and women were not, be made useful in a different moment? Are there class formations possible under capitalism other than the bourgeois-proletarian antagonism to which we are accustomed? Do these challenges require a thorough rethinking of the rela- by guest on June 18, 2015 tionship between such basic categories as law and political economy, class and gender? More recent social movements—indigenous, anticolonial, antiracist, femi- nist, and anti-war—might not have been recognized or countenanced by Thompson as “working class,” but might they be useful in conversation with the Thompsonian legacy of class analysis? Together, these papers push the boundaries of our inheritance from Thompson, and suggest ways in which new social and po- litical contexts—new states, new movements, and a drastically changed global economy—can reanimate the political force of Thompson’s work. -
Raphael Samuel's Publications: a Cumulative Bibliography
Raphael Samuel’s Publications: A Cumulative Bibliography Year Author (s) Title Publication Comments 1953 Raphael The New Fabians Oxford Left, Undergraduate at Samuel Trinity Term, Balliol; secretary pp.17-21 of the Communist Club Michaelmas 1953 and Hilary 1954; secretary Hydrogen Bomb Campaign Committee Trinity; assistant editor Oxford Left Trinity and Michaelmas 1953; co-editor Hilary and Trinity. 1953 Raphael The West and All Oxford Left, Samuel That Michaelmas, pp. 14-18 1954 Raphael Socialism and the Oxford Left, Samuel Middle Class Hilary, pp. 24-27 1954 Raphael The Mind of British Oxford Left, Samuel Imperialism Michaelmas, pp.40-48 1957 Raphael ‘A left notebook: Universities and Samuel politics of town Left Review, no. 2 planning 1957 Raphael ‘The insiders: a study Universities and Samuel, Stuart of the men who rule New Left Review, Hall, Peter British industry’ No.3 Sedgewick, Charles Taylor 1959 Raphael ‘Class and Universities and A response to Samuel classlessness’ New Left Review, MacMillan’s No.6 ‘affluent society’. 1959 Raphael 'The quality of life' in Fabian Tract, Samuel where? Five views on 320, November Labour's future together with an analysis on the election results by Hugh Berrington 1959 Raphael ‘The boss as hero’ Universities and Samuel New Left Review, No.7 1960 Raphael ‘The deference voter’ New Left Review, Samuel No. 1 1 Raphael Samuel’s Publications: A Cumulative Bibliography 1960 Raphael 'Votes and the people' Tribune, 30 An abridged Samuel September version of an article that first appeared in the New Left Review 1960 Raphael ‘Dr Abrams and the New Left Review, Samuel end of politics’ No. -
Gunn-Vernon Cover Sheet Escholarship.Indd
The Peculiarities of Liberal Modernity in Imperial Britain Edited by Simon Gunn and James Vernon Published in association with the University of California Press “A remarkable achievement. This ambitious and challenging collection of tightly interwoven essays will find an eager au- dience among students and faculty in British and imperial history, as well as those interested in liberalism and moder- nity in other parts of the world.” Jordanna BaILkIn, author of The Culture of Property: The Crisis of Liberalism in Modern Britain “This volume investigates no less than the relationship of liberalism to Britain’s rise as an empire and the first modern nation. In its global scope and with its broad historical perspective, it makes a strong case for why British history still matters. It will be central for anyone interested in understanding how modernity came about.” Frank TrenTMann, author of Free Trade Nation: Consumption, Commerce, and Civil Society in Modern Britain In this wide-ranging volume, leading scholars across several disciplines—history, literature, sociology, and cultural studies—investigate the nature of liberalism and modernity in imperial Britain since the eighteenth century. They show how Britain’s liberal version of modernity (of capitalism, democracy, and imperialism) was the product of a peculiar set of historical cir- cumstances that continues to haunt our neoliberal present. SIMon Gunn is a professor of urban history at the University of Leicester. JaMeS Vernon is a professor of history at the University of California, Berkeley. ConTrIBuTorS: Peter Bailey, Tony Bennett, Tom Crook, James Epstein, Simon Gunn, Catherine Hall, Patrick Joyce, Jon Lawrence, Tom Osborne, Chris Otter, Mary Poovey, Gavin Rand, John Seed, James Vernon, David Vincent Berkeley Series in British Studies, 1 Cover photo: Construction of the Royal Albert bridge, 1858 (Wikimedia Commons, source unknown). -
Download Delegate Pack
Reframing the moment LEGACIES OF 1982 BLK ART GROUP CONFERENCE hoto of Eddie Chambers by John Reardon 1980 p Saturday 27th October 2012 On Thursday 28th October 1982, a group of black art students hosted The First National Black Art Convention at Wolverhampton Polytechnic. Their purpose was to discuss ‘the form, function and future of black art’. Lecture Theatre Thirty years later almost to the Millenium Campus (MC) day, on Saturday 27th October 2012 artists, curators, art historians Building and academics gather, once again University of Wolverhampton in Wolverhampton, to share scholarship and research the Wulfruna St ‘black art movement’ of the 1980s, its core debates, precursors and WV1 1LY legacies. Reframing the moment legacies ofSaturday the 1982 Blk 27th Art GroupOctober Conference 2012 09:00 Registration Tea/Coffee Programme 09:45 Welcome & Introductions 10:00 Kobena Mercer: Keynote Perforations: Mapping the BLK Art Group into a diasporic model of art history by looking at ‘translations’ of US Black Arts Movement ideas and the prevalence of a cut-and-mix aesthetic. PART ONE 11:00 RAIDING THE ARCHIVE: introduced and moderated by Paul Goodwin Keith Piper Pathways to the 1980s In a video-essay first presented as work in progress at the February 2012 Blk Art Group Symposium, Keith Piper will present a brief history of the Blk Art Group and discuss the socio-political moment of 1980s that heralded the cultural explosion of UK born and educated black artists. Courtney J Martin Art and black consciousness In 1982, Rasheed Araeen was invited by the Wolverhampton Young Black Artists to speak at the First National Black Art Convention in Wolverhampton. -
May 2013 Exhibitions & Events Keywords
Exhibitions & Events March – May 2013 Keywords Exhibition 27 March – Words stay the same but their use often 18 May 2013 changes. These cultural shifts in society fascinated Raymond Williams, who in 1976 published the seminal book, Keywords Keywords — a vocabulary of culture and society, in which he analysed the use and meanings of over a hundred words such as anarchism,originality, genius and democracy. From March 27, 2013, Iniva presents a programme of exhibitions, lectures, film and learning projects in partnership with Tate Liverpool, expanding Williams’ studies of words into three - dimensional form. Keywords draws on loans from Tate Collection and explores words through works of art. The works date from 1976 focusing on material from the 1980s and early 1990s, including a frieze commission by Luca Frei and Will Holder. Keywords Lectures examine terms such as Equality, Theory and Sex, and Keywords Investigations invites you to explore your own words as part of a 10 – week workshop series. Keywords continues at Tate Liverpool in 2014. Artists include: Sonia Boyce, Willie Doherty, Rita Donagh, Sunil Gupta, Mona Hatoum, Lubaina Front and back cover: Stephen McKenna, An English Oak Tree, Himid, Inventory, Derek Jarman, Louis Le Brocquy, 1981, © Stephen McKenna,courtesy Tate; Sunil Gupta, Heaven, from the tape-slide Gustav Metzger, Donald Rodney, Guy Tillim, David project London Gay Switchboard, 1980, 35mm, colour slide projection, © Sunil Gupta, Wojnarowicz, Stephen Willats and Carey Young. courtesy of the artist. Talks programme includes: Linda Bellos, Leo Opposite page: Richard Hamilton, The Orangeman, 1990, Bersani, Douglas Crimp and Geeta Kapur. © The Estate of Richard Hamilton, courtesy Tate.