E Reconstruction of a Javanese Civilization Cultural Landscape in 8 AD Based on Canggal Inscription in Gendol Hill Complex, Magelang, Central Java
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Conserving the Past, Mobilizing the Indonesian Future Archaeological Sites, Regime Change and Heritage Politics in Indonesia in the 1950S
Bijdragen tot de Taal-, Land- en Volkenkunde Vol. 167, no. 4 (2011), pp. 405-436 URL: http://www.kitlv-journals.nl/index.php/btlv URN:NBN:NL:UI:10-1-101399 Copyright: content is licensed under a Creative Commons Attribution 3.0 License ISSN: 0006-2294 MARIEKE BLOEMBERGEN AND MARTIJN EICKHOFF Conserving the past, mobilizing the Indonesian future Archaeological sites, regime change and heritage politics in Indonesia in the 1950s Sites were not my problem1 On 20 December 1953, during a festive ceremony with more than a thousand spectators, and with hundreds of children waving their red and white flags, President Soekarno officially inaugurated the temple of Śiwa, the largest tem- ple of the immense Loro Jonggrang complex at Prambanan, near Yogyakarta. This ninth-century Hindu temple complex, which since 1991 has been listed as a world heritage site, was a professional archaeological reconstruction. The method employed for the reconstruction was anastylosis,2 however, when it came to the roof top, a bit of fantasy was also employed. For a long time the site had been not much more than a pile of stones. But now, to a new 1 The historian Sunario, a former Indonesian ambassador to England, in an interview with Jacques Leclerc on 23-10-1974, quoted in Leclerc 2000:43. 2 Anastylosis, first developed in Greece, proceeds on the principle that reconstruction is only possible with the use of original elements, which by three-dimensional deduction on the site have to be replaced in their original position. The Dutch East Indies’ Archaeological Service – which never employed the term – developed this method in an Asian setting by trial and error (for the first time systematically at Candi Panataran in 1917-1918). -
Plataran Borobudur Encounter
PLATARAN BOROBUDUR ENCOUNTER ABOUT THE DESTINATION Plataran Borobudur Resort & Spa is located within the vicinity of ‘Kedu Plain’, also known as Progo River Valley or ‘The Garden of Java’. This fertile volcanic plain that lies between Mount Sumbing and Mount Sundoro to the west, and Mount Merbabu and Mount Merapi to the east has played a significant role in Central Javanese history due to the great number of religious and cultural archaeological sites, including the Borobudur. With an abundance of natural beauty, ranging from volcanoes to rivers, and cultural sites, Plataran Borobudur stands as a perfect base camp for nature, adventure, cultural, and spiritual journey. BOROBUDUR Steps away from the resort, one can witness one the of the world’s largest Buddhist temples - Borobudur. Based on the archeological evidence, Borobudur was constructed in the 9th century and abandoned following the 14th-century decline of Hindu kingdoms in Java and the Javanese conversion to Islam. Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, then the British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, following which the monument was listed as a UNESCO World Heritage Site. Borobudur is one of Indonesia’s most iconic tourism destinations, reflecting the country’s rich cultural heritage and majestic history. BOROBUDUR FOLLOWS A remarkable experience that you can only encounter at Plataran Borobudur. Walk along the long corridor of our Patio Restaurants, from Patio Main Joglo to Patio Colonial Restaurant, to experience BOROBUDUR FOLLOWS - where the majestic Borobudur temple follows you at your center wherever you stand along this corridor. -
Donor Assistance to Indonesian Forestry Sector: 1985-2004 A-21 Annex C: Key Elements of Dept
Strategic Options for Forest Assistance in Indonesia 39245 Public Disclosure Authorized Public Disclosure Authorized Sustaining Public Disclosure Authorized Economic Growth, Rural Livelihoods, and Environmental Benefits: Public Disclosure Authorized Strategic Options for Forest Assistance in Indonesia i Strategic Options for Forest Assistance in Indonesia The International Bank for Reconstruction and Development THE WORLD BANK 1818 H Street, N.W. Washington, D.C. 20433, U.S.A. December 2006, Jakarta Indonesia The World Bank encourages dissemination of its work and will normally grant permission to reproduce portions of the work promptly. For permission to photocopy or reprint any part of this work, please send a request with complete information to the Copyright Clearance Center Inc., 222 Rosewood Drive, Danvers, MA 01923, USA; Telephone: 978- 750-8400; fax: 978-7504470; Internet: www.copyright.com. All other queries on rights and licenses, including subsidiary rights, should be addressed to the Office of the Publisher, The World Bank, 1818 H Street NW, Washington, DC 20433, USA; fax: 202-522-2422; email: [email protected]. The findings, interpretations and conclusions expressed here are those of the authors and do not necessarily reflect the views of the Board of Executive Directors of the World Bank or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this volume do not imply on the part of the World Bank Group any judgment on the legal status of any territory or the endorsement or acceptance of such boundaries. -
KARAKTERISTIK BATIK CEPLOK ASTAPADA SOJIWAN PRAMBANAN KLATEN JAWA TENGAH SKRIPSI Diajukan Kepada Fakultas Bahasa Dan Seni Unive
KARAKTERISTIK BATIK CEPLOK ASTAPADA SOJIWAN PRAMBANAN KLATEN JAWA TENGAH SKRIPSI Diajukan kepada Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta untuk Memenuhi Sebagian Persyaratan guna Mendapatkan Gelar Sarjana Pendidikan oleh Faoziah NIM 13207241041 PROGAM STUDI PENDIDIKAN KRIYA JURUSAN PENDIDIKAN SENI RUPA FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI YOGYAKARTA JUNI 2017 PERSETUJUA}I Skripsi yang bedudul Karakteristik Batik Ceplok Astapada Sojiwan Prambanan Klaten Jawa Tengah yang disusun oleh Faoziah, NIM 13207241041 talah diset{ui oleh pembimbing untuk dturiikan- YogyakartaT Juni 2017 Pembimbing Dr. I Ketut Sumrya, M.Sn. NrP 19581231198812001 PENGESAHAN Skripsi ymg berjri.dt;l KaraHeristik Batik Ceplok Astapado Sojiwon Prambanan Klaten Jauta Tengah irrr telah dipertahankan didepan Dewan Penguji pada 16 Juni 2017 dan dinyxakan lulus. DEWAITPENGUJI Nama Jabah Tmdmgan Tmggal ( Dr. I Ketut Smarya, M.Sn. Ketua Penguji Jutf 2017 Dn. Mardiyatmo, M.Pd. Sekertris Penguji t9 hmi20l7 Imadi,SPd.,M.A. PengujiUtama t$ Juni 2017 Yogyakarta,eoJuni 20 I 7 Fakultas Bahasa dan Seni 1,*) i Purbmi, M.A., 105241990012001 t PERI\IYATAAI\ Yang bertanda tangan dibawah ini, saya : Nama F aoziah Nim 13207241041 Program Studi Pendidikan Kdya Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta . , Menyatakan bahwa karya ilmiah ini adalah hasil pekerjaan saya sendiri. Sepanjang pengetahuan saya, karya ilmiah ini tidak berisi materi yang ditulis oleh orang lain, kecuali bagian-bagian tertentu yang saya ambil sebagai acuan dengan mengikuti tata cara dan penulisan karya ilmiah yanglazim. Apabila temyata terbukti pernyataan ini tidak benar, sepenuhnya menjadi tanggung j awab saya. Yogyakarta, T Juni 2017 NrM 13207241041 KATAPENGANTAR Puii dan syukur atas kehadirat Allah SWT yang Maha Pemurah lagi Maha Penyayang atas berkat, rahmat, hidayah dan inayah-Nya akhimya saya dapat menyelesaikan skripsi untuk memenuhi sebagian persyaratan guna memperoleh gelar sarj ana. -
Batu Tabung Berprasasti Di Candi Gunung Sari (Jawa Tengah) Dan Nama Mata Angin Dalam Bahasa Jawa Kuno Baskoro Daru Tjahjono, Arlo Griffiths, Véronique Degroot
Batu tabung berprasasti di Candi Gunung Sari (Jawa Tengah) dan nama mata angin dalam bahasa Jawa Kuno Baskoro Daru Tjahjono, Arlo Griffiths, Véronique Degroot To cite this version: Baskoro Daru Tjahjono, Arlo Griffiths, Véronique Degroot. Batu tabung berprasasti di Candi Gunung Sari (Jawa Tengah) dan nama mata angin dalam bahasa Jawa Kuno. Berkala Arkeologi (Yogyakarta), Balai Arkeologi D.I. Yogyakarta, 2014, 34 (2), pp.161-182. 10.30883/jba.v34i2.23. halshs-01908636 HAL Id: halshs-01908636 https://halshs.archives-ouvertes.fr/halshs-01908636 Submitted on 30 Oct 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. BATU TABUNG BERPRASASTI DI CANDI GUNUNG SARI (JAWA TENGAH) DAN NAMA MATA ANGIN DALAM BAHASA JAWA KUNO1 THE INSCRIBED STONE CYLINDERS AT CANDI GUNUNG SARI (CENTRAL JAVA) AND THE NAMES OF THE DIRECTIONS OF SPACE IN OLD JAVANESE Baskoro Daru Tjahjono1, Arlo Griffths2 dan Veronique Degroot2 1Balai Arkeologi Medan 2Ecole française d'Extrême-Orient, Jakarta [email protected] [email protected] [email protected] ABSTRACT This article presents an architectural and epigraphical study of several objects recovered from the Central Javanese temple site of Gunung Sari. -
Tourist Decision in Mount Merbabu National Park, Indonesia
RJOAS, 3(75), March 2018 DOI https://doi.org/10.18551/rjoas.2018-03.03 TOURIST DECISION IN MOUNT MERBABU NATIONAL PARK, INDONESIA Putri Indah Riadi*, Faida Lies Rahayu Wijayanti, Fandeli Chafid, Purwanto Ris Hadi Faculty of Forestry, University of Gadjah Mada, Indonesia *E-mail: [email protected] ABSTRACT This study aims to determine decision-making regarding tourist visit, preferences and average time of visit. The study was conducted using quantitative approach. The results exhibit travelers' characteristics are dominated by males within 15-30 age range. The average income is generally less than IDR 2,000,000 with monthly travel budget up to IDR 500,000 due to visiting motivation, that is, quiet and natural environment. Most tourists were originally from Central Java region, so transportation used in general is a private motorcycle and travel cars. Tourists’ visitation is for recreation purposes with friends which generally last for two days with about 2 to 5 times annualy. Lastly, travel activity most favored by tourists is camping. KEY WORDS Visitation decision, tourist, national park, mount Merbabu, ecotourism. Forest in national park area possesses natural resources capable to provide various benefits for human life in the surrounding and areas beyond. These populations are affected directly and indirectly. National park tourism is one of such benefits. Along with the increase in population and economic needs, it increases the need for forest resources. There is another supporting aspect in the form of customs, culture, cool weather, and the beauty of natural panorama. The increasing population rises density, routine work and activities which create a sense of saturation. -
Study on the Vegetation Planning for Borobudur Area
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositori Institusi Kemendikbud Kajian Penataan Tanaman Kawasan Borobudur Study on the Vegetation Planning for Borobudur Area Hari Setyawan dan Bambang Kasatriyanto Balai Konservasi Borobudur [email protected] ABSTRAK Relief cerita pada Candi Borobudur dan Candi Mendut merupakan gambaran lingkungan Jawa Kuna abad VIII–X M. Komponen lingkungan yang digambarkan pada panel relief dan menarik untuk dikaji, salah satunya adalah penggambaran tanaman pada relief. Tanaman merupakan salah satu elemen penting untuk menunjang kehidupan manusia pada masa lalu khususnya pada masa perkembangan Hindhu/ Buddha periode Jawa Tengah. Indentifikasi tanaman dapat dilakukan dengan pengamatan langsung. Setelah tanaman dapat diidentifikasi jenisnya maka konteks pengambaran tanaman berperan penting dalam menentukan kondisi lingkungan dimana tanaman tersebut tumbuh. Apabila ditarik pada masa kini, maka indentifikasi tanaman dan klasifikasi konteks penggambaran tanaman dapat bermanfaat dalam pelestarian lanskap budaya Kawasan Strategis Nasional Borobudur. Kata Kunci: relief tanaman; jawa kuno; candi borobudur; candi mendut; tanaman; kawasan borobudur. ABSTRACT The relief story of Borobudur Temple and Mendut Temple is a depiction of the Old Javanese environment of the 8th-10th century CE. The environmental components depicted in the relief panels are interesting to study, one of which is the depiction of plants in relief. Plants are one of the important elements to support human life in the past, especially during the Hindu-Buddhist period of Central Java. Plants identification can be done by direct observation. After the plants can be identified, the context of plant propagation plays an important role in determining the environmental conditions in which the plants grow. -
Candi Sojiwan Dalam Pemugaran
Candi Sojiwan Dalam Pemugaran Masyhudi Keywords: restoration, conservation, temple, protection, heritage How to Cite: Masyhudi, nfn. (2005). Candi Sojiwan Dalam Pemugaran. Berkala Arkeologi, 25(1), 110–118. https://doi.org/10.30883/jba.v25i1.915 Berkala Arkeologi https://berkalaarkeologi.kemdikbud.go.id/ Volume 25 No. 1, 2005, 110-118 DOI: 10.30883/jba.v25i1.915 This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. CANDI SOJIWAN DALAM PEMUGARAN Oleb Masybudi I. Pendabuluan Sebagaimana telah ditegaskan oleh Soekmono dalam disertasinya yang berjudul Candi Fungsi dan Pengertiannya, candi adalah bangunan suci tempat pemujaan dewa. Candi melambangkan mahameru, yaitu gunung yang menjadi pusat alam semesta. Bangunan candi yang biasanya terdiri atas tiga bagian, yaitu kaki, tubuh, dan atap melambangkan tiga dunia, yaitu bhurloka, bhuwarloka, dan swarloka (Stutterheim, 1937: 245; Boechari, 1978: 13). Disebutkan dalam kitab Manasara-<;ilpa~astra -- kitab yang berisi aturan-aturan pembangunan kuil di India -- bahwa sebelum suatu bangunan kuil didirikan maka arsitek pendeta (sthapaka) dan arsitek perencana (sthapati) harus lebih dahulu menilai kondisi dan kemampuan lahan yang akan dijadikan tempat berdirinya bangunan suci tersebut (A chary a, 1993: 13-21; Kramrisch, 1946: 3-17; Mundardjito, 1993: 13). Kitab tersebut juga menerangkan bahwa lahan tempat berdirinya suatu bangunan kuil dinilai sangat tinggi, bahkan lebih penting dari bangunan suci itu sendiri (Mundardjito, 1993: 239). Peninggalan sejarah dan purbakala merupakan bukti otentik sebagai bentuk nyata yang menyimpan makna dan nilai-nilai luhur. Kini, sebagai bangsa yang sedang membangun sangat memerlukan hal tersebut sebagai sumber inspirasi untuk bertindak ke depan mencapai cita-cita bangsa. Oleh karenanya perlu upaya upaya pelestarian dan pemanfaatan terhadap peninggalan sejarah dan Dok. -
Lumbinī Prabhā 2563 B.E
Lumbinī Prabhā 2563 B.E. Vol. 4 May, 2019 Advisory Board Prof. Dr. Hridaya Ratna Bajracharya Mr. Tilak Ram Acharya Dr. Manik Ratna Shakya Mr. Siddhishwar Man Shrestha Editor Fanindra Kumar Neupane Editorial Board Nir Bahadur Gurung Indra Prasad Kafl e Dr. Sharada Poudel Ven. Siri Vajira Dr. Deepak Prasad Acharya Dayaram Gautam Lumbini Buddhist University Central Campus Rupandehi, Lumbini, Nepal Tel.: (+ 977-71) 404077, 404071 Email: [email protected] Website: www.lbu.edu.np Back to Early Buddhism: A Look at South East Asia's Historical Exploration Tilak Ram Acharya Abstract Buddhism is considered to be the great philosophy of infl uence throughout the region when we look to the Buddhism in South-East Asia. Buddhism is believed to be the era or the span of the earliest Buddhism growth in the region. Buddhism begins primarily and originally from Southeast Asia and from South Asia. In the early days of Buddhism, trade and trade in goods are investigated and distributed. Contrary to numerous studies of the expansion of Islam and Christianity, there seems to have been little interest in expanding Buddhism, which represents the third largest religion in the world in terms of numbers. Keywords : Buddhism, great philosophy, infl uence throughout, era, span, earliest, growth, Asia, studies, expansion Background Reason of the expansion of Buddhism knock some questions recently. World’s two religious philosophies Islam and Christianity are in the race of spreading from all of their efforts. For instance, Muslims have and had a special tax (the jizzyah) laid down foe all non-Muslims, similarly Christians have different expanded organizations, which are working for the creating compression and luring to assume Christianity or their faith. -
A Lesson from Borobudur
5 Changing perspectives on the relationship between heritage, landscape and local communities: A lesson from Borobudur Daud A. Tanudirjo, Jurusan Arkeologi, Fakultas Ilmu Budaya, Universitas Gadjah Mada, Yogyakarta Figure 1. The grandeur of the Borobudur World Heritage site has attracted visitors for its massive stone structure adorned with fabulous reliefs and stupas laid out in the configuration of a Buddhist Mandala. Source: Daud Tanudirjo. The grandeur of Borobudur has fascinated almost every visitor who views it. Situated in the heart of the island of Java in Indonesia, this remarkable stone structure is considered to be the most significant Buddhist monument in the Southern Hemisphere (Figure 1). In 1991, Borobudur 66 Transcending the Culture–Nature Divide in Cultural Heritage was inscribed on the World Heritage List, together with two other smaller stone temples, Pawon and Mendut. These three stone temples are located over a straight line of about three kilometres on an east-west orientation, and are regarded as belonging to a single temple complex (Figure 2). Known as the Borobudur Temple Compound, this World Heritage Site meets at least three criteria of the Operational Guidelines for the Implementation of the World Heritage Convention: (i) to represent a masterpiece of human creative genius, (ii) to exhibit an important interchange of human values over a span of time or within cultural area of the world, on developments in architecture or technology, monumental arts, town planning or landscape design, and (iii) to be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literacy works of outstanding universal value (see also Matsuura 2005). -
Indonesian Performing Arts in the Netherlands, 1913–1944
CHAPTER TEN INDONESIAN PERFORMING ARTS IN THE NETHERLANDS, 1913–1944 Matthew Isaac Cohen The history of Indonesian music in the Netherlands is sometimes assumed to begin with Babar Lajar (Javanese for ‘Setting Sail’), a youth gamelan founded in Haarlem in 1941 and active through the mid-1950s (Mendonça 2002: 115–150). This so-called ‘white gamelan orchestra’ (blanke gamelan- orkest) was avidly supported by ethnomusicologist Jaap Kunst (1891–1960) and often performed on Dutch media, giving radio concerts, accompa- nying classical Javanese dance in the dance documentary Danskunst in Indonesië (1947) and modern Javanese dance in God Shiva (1955), and providing music for the Philips LP record of Jaap Kunst’s children’s book Begdja the gamelan boy: A story from the isle of Java (1953). Babar Lajar offered an important precedent for other gamelan played by (mostly) non- Indonesians outside of Southeast Asia. The group’s influence was due, in no small part, to the talents of the ensemble’s leader, Bernard IJzerdraat (1926–86), a musician who later took the Javanese name Suryabrata and founded the influential sanggar (arts studio) Bakti Budaya (‘Servant of Culture’) in Jakarta in 1956. IJzerdraat offered practical gamelan instruc- tion to American musicologist Mantle Hood while Hood worked on a PhD on musical modes in Javanese gamelan under Kunst’s supervision in the early 1950s. This experience directly contributed to Hood founding the first American university gamelan programme at UCLA in the 1950s. IJzerdraat later facilitated the research and practical studies of many foreign visitors to Indonesia. However, Babar Lajar’s legitimacy as a rep- resentative of Javanese culture was questioned by Indonesians living in the Netherlands; modern Javanese dancer Raden Mas Jodjana (1893–1972) notably expressed consternation at its monopolization of Dutch media time in the 1940s (Cohen 2010: 137). -
The Legitimacy of Classical Dance Gagrag Ngayogyakarta
The Legitimacy of Classical Dance Gagrag Ngayogyakarta Y. Sumandiyo Hadi Institut Seni Indonesia (ISI) Yogyakarta Jalan Parangtritis Km 6,5, Sewon, Bantul Yogyakarta ABSTRACT The aim of this article is to reveal the existence of classical dance style of Yogyakarta, since the government of Sultan Hamengku Buwono I, which began in 1756 until now in the era the government of Sultan Hamengku Buwono X. The legitimation of classical dance is considered as “Gagrag Ngayogyakarta”. Furthermore, the dance is not only preserved in the palace, but living and growing outside the palace, and possible to be examined by the general public. The dance was fi rst considered as a source of classical dance “Gagrag Ngayogyakarta”, created by Sultan Hamengku Buwono I, i.e. Beksan Lawung Gagah, or Beksan Trunajaya, Wayang Wong or dance drama, and Bedaya dance. The three dances can be categorized as a sacred dance, in which the performances strongly related to traditional ceremonies or rituals. Three types of dance later was developed into other types of classical dance “Gagrag Ngayogyakarta”, which is categorized as a secular dance for entertainment performance. Keywords: Sultan Hamengku Buwono, classical dance, “gagrag”, Yogyakarta style, legitimacy, sacred, ritual dance, secular dance INTRODUCTION value because it is produced by qualifi ed Yogyakarta as one of the regions in the artists from the upper-middle-class society, archipelago, which has various designa- and not from the proletarians or low class. tions, including a student city, a tourism The term of tradition is a genre from the city, and a cultural city. As a cultural city, past, which is hereditary from one gene- there are diff erent types of artwork.