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February, 1955
Library of The Harvard Musical Association Bulletin No. 23 February, 1955 Library Committee CHARLES R. NUTTER JOHN N. BURK RICHARD G. APPEL CYRUS DURGIN RUDOLPH ELIE Director of the Library and Library and Custodian of the Marsh Room Marsh Room Marsh Room CHARLES R. NUTTER MURIEL FRENCH FLORENCE C. ALLEN To the Members of the Association: Your attention is called to an article in this issue by Albert C. Koch. * * * * REPORT ON THE LIBRARY AND ON THE MARSH ROOM FOR THE YEAR 1954 To the President and the Directors of The Harvard Musical Association: Today, when television and the radio, both A.M. and F.M., are providing much of the intellectual sustenance for the common man and woman, the individual who turns for an intellectual repast to the writers of past centuries and also tries to phrase his thoughts both vocal and written with some regard to the rules of grammar and the principles of rhetoric is regarded as high‐brow and is thrown out of society. I am aware that I lay myself open to the charge of being a high‐brow, a charge that creates no reactionary emotion at all, especially as it comes usually from the low‐brow, and that I may be thrown out of society into a lower stratum, when I state that for the text of this report I have turned to a gentleman whose mortal life spanned the years between 1672 and 1719. Even the low‐brow has probably heard or read the name Joseph Addison, though it may convey nothing to him except the fact that it has an English and not a foreign sound. -
New Editions 2012
January – February 2013 Volume 2, Number 5 New Editions 2012: Reviews and Listings of Important Prints and Editions from Around the World • New Section: <100 Faye Hirsch on Nicole Eisenman • Wade Guyton OS at the Whitney • Zarina: Paper Like Skin • Superstorm Sandy • News History. Analysis. Criticism. Reviews. News. Art in Print. In print and online. www.artinprint.org Subscribe to Art in Print. January – February 2013 In This Issue Volume 2, Number 5 Editor-in-Chief Susan Tallman 2 Susan Tallman On Visibility Associate Publisher New Editions 2012 Index 3 Julie Bernatz Managing Editor Faye Hirsch 4 Annkathrin Murray Nicole Eisenman’s Year of Printing Prodigiously Associate Editor Amelia Ishmael New Editions 2012 Reviews A–Z 10 Design Director <100 42 Skip Langer Design Associate Exhibition Reviews Raymond Hayen Charles Schultz 44 Wade Guyton OS M. Brian Tichenor & Raun Thorp 46 Zarina: Paper Like Skin New Editions Listings 48 News of the Print World 58 Superstorm Sandy 62 Contributors 68 Membership Subscription Form 70 Cover Image: Rirkrit Tiravanija, I Am Busy (2012), 100% cotton towel. Published by WOW (Works on Whatever), New York, NY. Photo: James Ewing, courtesy Art Production Fund. This page: Barbara Takenaga, detail of Day for Night, State I (2012), aquatint, sugar lift, spit bite and white ground with hand coloring by the artist. Printed and published by Wingate Studio, Hinsdale, NH. Art in Print 3500 N. Lake Shore Drive Suite 10A Chicago, IL 60657-1927 www.artinprint.org [email protected] No part of this periodical may be published without the written consent of the publisher. -
A4 Web Map 26-1-12:Layout 1
King’s Cross Start St Pancras MAP KEY Eurostar Main Starting Point Euston Original Tour 1 St Pancras T1 English commentary/live guides Interchange Point City Sightseeing Tour (colour denotes route) Start T2 W o Language commentaries plus Kids Club REGENT’S PARK Euston Rd b 3 u Underground Station r n P Madame Tussauds l Museum Tour Russell Sq TM T4 Main Line Station Gower St Language commentaries plus Kids Club q l S “A TOUR DE FORCE!” The Times, London To t el ★ River Cruise Piers ss Gt Portland St tenham Ct Rd Ru Baker St T3 Loop Line Gt Portland St B S s e o Liverpool St Location of Attraction Marylebone Rd P re M d u ark C o fo t Telecom n r h Stansted Station Connector t d a T5 Portla a m Museum Tower g P Express u l p of London e to S Aldgate East Original London t n e nd Pl t Capital Connector R London Wall ga T6 t o Holborn s Visitor Centre S w p i o Aldgate Marylebone High St British h Ho t l is und S Museum el Bank of sdi igh s B tch H Gloucester Pl s England te Baker St u ga Marylebone Broadcasting House R St Holborn ld d t ford A R a Ox e re New K n i Royal Courts St Paul’s Cathedral n o G g of Justice b Mansion House Swiss RE Tower s e w l Tottenham (The Gherkin) y a Court Rd M r y a Lud gat i St St e H n M d t ill r e o xfo Fle Fenchurch St Monument r ld O i C e O C an n s Jam h on St Tower Hill t h Blackfriars S a r d es St i e Oxford Circus n Aldwyc Temple l a s Edgware Rd Tower Hil g r n Reg Paddington P d ve s St The Monument me G A ha per T y Covent Garden Start x St ent Up r e d t r Hamleys u C en s fo N km Norfolk -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Post-Conquest Medieval
Medieval 12 Post-Conquest Medieval Edited by Stephen Rippon and Bob Croft from contributions by Oliver Creighton, Bob Croft and Stephen Rippon 12.1 Introduction economic transformations reflected, for example, in Note The preparation of this assessment has been the emergence, virtual desertion and then revival of an hampered by a lack of information and input from some urban hierarchy, the post-Conquest Medieval period parts of the region. This will be apparent from the differing was one of relative social, political and economic levels of detail afforded to some areas and topics, and the continuity. Most of the key character defining features almost complete absence of Dorset and Wiltshire from the of the region – the foundations of its urban hier- discussion. archy, its settlement patterns and field systems, its The period covered by this review runs from the industries and its communication systems – actually Norman Conquest in 1066 through to the Dissolu- have their origins in the pre-Conquest period, and tion of the monasteries in the 16th century, and unlike the 11th to 13th centuries simply saw a continua- the pre-Conquest period is rich in both archaeology tion of these developments rather than anything radi- (including a continuous ceramic sequence across the cally new: new towns were created and monas- region) and documentary sources. Like every region teries founded, settlement and field systems spread of England, the South West is rich in Medieval archae- out into the more marginal environments, industrial ology preserved within the fabric of today’s historic production expanded and communication systems landscape, as extensive relict landscapes in areas of were improved, but all of these developments were the countryside that are no longer used as inten- built on pre-Conquest foundations (with the excep- sively as they were in the past, and buried beneath tion of urbanisation in the far south-west). -
Revival After the Great War Rebuild, Remember, Repair, Reform
Revival after the Great War Rebuild, Remember, Repair, Reform Edited by Luc Verpoest, Leen Engelen, Rajesh Heynickx, Jan Schmidt, Pieter Uyttenhove, and Pieter Verstraete LEUVEN UNIVERSITY PRESS Published with the support of the KU Leuven Fund for Fair Open Access, the City of Leuven and LUCA School of Arts Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © 2020 Selection and editorial matter: Luc Verpoest, Leen Engelen, Rajesh Heynickx, Jan Schmidt, Pieter Uyttenhove, and Pieter Verstraete © 2020 Individual chapters: The respective authors This book is published under a Creative Commons Attribution Non-Commercial Non- Derivative 4.0 International Licence. The license allows you to share, copy, distribute, and transmit the work for personal and non-commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: Luc Verpoest, Leen Engelen, Rajesh Heynickx, Jan Schmidt, Pieter Uyttenhove, and Pieter Verstraete (eds.). Revival after the Great War: Rebuild, Remember, Repair, Reform. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) Further details about Creative Commons licenses are available at http://creativecommons.org/licenses/ ISBN 978 94 6270 250 9 (Paperback) ISBN 978 94 6166 354 2 (ePDF) ISBN 978 94 6166 355 9 (ePUB) https://doi.org/10.11116/9789461663542 D/2020/1869/60 NUR: 648 Layout: Friedemann Vervoort Cover design: Anton Lecock Cover illustration: A family -
New HOHO Map.Jpg
Hop-on Hop-off timetable from 5th 2019 Mondays to Fridays Saturdays, Sundays except Public Holidays & Public Holidays STOP Route Stop and Attractions First Last Last First Last Last No. Bus Loop Bus Bus Loop Bus 1 Victoria, Buckingham Palace Road, Stop 8. 09:00 17:00 22:02 09:00 17:00 22:02 GTVC, Victoria Coach Station, Victoria Place, Shops and Restaurants 2 Buckingham Gate, Tourist bus stop. 08:05 17:11 18:37 08:05 17:11 18:3 Buckingham Palace, Queen's Gallery and Royal Mews. 3 Parliament Street, stop C, HM Treasury.. 09:0 18:0 :8 09:0 18:0 :8 Parliament Square, Downing Street and The Cenotaph. 4 Whitehall, Tourist stop, Horse Guards Parade. 09:5 18:5 :3 09: 18:5 :3 Horse Guards, Banqueting House and Trafalgar Square. 5 Piccadilly Circus, Piccadilly, bus stop S 10:8 1:8 :8 10:8 1:8 :8 Piccadilly Circus, Eros, Trocadero and Soho. 6 Piccadilly, Tourist stop, Green Park Station. 0:1 1: :5 0:2 1:3 :3 Green Park, The Ritz and Buckingham Palace. 7 Piccadilly, Tourist stop, at Hyde Park Corner. 1: : 0:5 : 1:7 Bomber Command Memorial, Hard Pock Café and Mayfair. 8 Knightsbridge, Lanesborough Hotel. Stop 13. : 1: : : 1: : Hyde Park Corner, Wellington Museum and Wellington Arch. 9 Knightsbridge, At Scotch House, Stop KE. :7 1:7 :8 : : : Harrods 10 Kensington Gore, Royal Albert Hall, Stop K3. 1: 17: 2: 1: 17: : Royal Albert Hall and Albert Memorial. 11 Kensington Road, Palace Gate, bus stop no. 11150. -
200 2 Willow Road 157 10 Downing Street 35 Abbey Road Studios 118
200 index 2 Willow Road 157 Fifty-Five 136 10 Downing Street 35 Freedom Bar 73 Guanabara 73 A Icebar 112 Abbey Road Studios 118 KOKO 137 Accessoires 75, 91, 101, 113, 129, 138, Mandarin Bar 90 Ministry of Sound 63 147, 162 Oliver’s Jazz Bar 155 Admiralty Arch 29 Portobello Star 100 Aéroports Princess Louise 83 London Gatwick Airport 171 Proud Camden 137 London Heathrow Airport 170 Purl 120 Afternoon tea 110 Salt Whisky Bar 112 Albert Memorial 88 She Soho 73 Alimentation 84, 101, 147 Shochu Lounge 83 Ambassades de Kensington Palace Simmon’s 83 Gardens 98 The Commercial Tavern 146 Antiquités 162 The Craft Beer Co. 73 Apsley House 103 The Dublin Castle 137 ArcelorMittal Orbit 166 The George Inn 63 Argent 186 The Mayor of Scaredy Cat Town 147 Artisanat 162 The Underworld 137 Auberges de jeunesse 176 Up the Creek Comedy Club 155 Vagabond 84 B Battersea Park 127 Berwick Street 68 Bank of England Museum 44 Big Ben 36 Banques 186 Bloomsbury 76 Banqueting House 34 Bond Street 108 Barbican Centre 51 Boris Bikes 185 Bars et boîtes de nuit 187 Borough Market 61 Admiral Duncan 73 Boxpark 144 Bassoon 39 Brick Lane 142 Blue Bar 90 British Library 77 BrewDog 136 Bunga Bunga 129 British Museum 80 Callooh Callay 146 Buckingham Palace 29 Cargo 146 Bus à impériale 184 Churchill Arms 100 Duke of Hamilton 162 C fabric 51 Cadeaux 39, 121, 155 http://www.guidesulysse.com/catalogue/FicheProduit.aspx?isbn=9782765826774 201 Cadogan Hall 91 Guy Fawkes Night 197 Camden Market 135 London Fashion Week 194, 196 Camden Town 130 London Film Festival 196 Cenotaph, The 35 London Marathon 194 Centres commerciaux 51, 63 London Restaurant Festival 196 Charles Dickens Museum 81 New Year’s Day Parade 194 Cheesegrater 40 New Year’s Eve Fireworks 197 Chelsea 122 Notting Hill Carnival 196 Pearly Harvest Festival 196 Chelsea Flower Show 195 Six Nations Rugby Championship 194 Chelsea Physic Garden 126 St. -
10.0 Heritage Conservation
Heritage Conservation 10.0 HERITAGE CONSERVATION Objectives to preserve and enhance Exeter s historic environment to safeguard Exeter s archaeological heritage 10.1 Exeter is fortunate in having a rich and varied heritage of buildings and townscape which has grown from Roman origins and has benefited from periods of prosperity, particularly during the 16th, 17th and early 18th Centuries. Despite the destruction of a quarter of the City Centre during the Second World War, there remains much which is worthy of preservation and enhancement. 10.2 The relationship between growth and conservation will continue to be one of the most important issues facing Exeter in the future. The quality and character of the built environment is of prime importance, not only to residents but also in attracting new commercial and industrial investment to the City and in the development of Exeter as a centre for tourism. If not properly managed, rapid growth could result in damage to those qualities which form the basis of Exeter s attraction. The task facing the Council is to balance the need for economic growth with protection of the historic environment. 10.3 This Review sets out the Council s commitment to the conservation and improvement of Exeter s distinctive character by protecting the townscape (see Section 13: Design Guidance), controlling the alteration and use of historic buildings, ensuring that buildings are particularly well designed in conservation areas, protecting historic parks and gardens, preserving and enhancing important archaeological remains and improving historical and archaeological interpretation. Strategic Guidance 10.4 The Government (Planning Policy Guidance Note 15: Planning and the Historic Environment) considers that the preservation and enhancement of the historic built environment and sustainable economic growth are complementary objectives. -
William Peckitt's Great West Window at Exeter Cathedral
WILLIAM PECKITT’S GREAT WEST WINDOW AT EXETER CATHEDRAL C S Atkinson A thesis submitted to the University of Plymouth In partial fulfilment for the degree of MASTER OF PHILOSOPHY October 2011 i Copyright This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. All photographs are by the author, unless otherwise stated All quotations, pictures and images have been utilised under the Fair Dealing for review principle of the UK Copyright, Design and Patents Act 1988. Additionally, every attempt has been made to identify and obtain direct permission to use pictures and images that are not my own property. ii Abstract This thesis examines the Great West Window at Exeter Cathedral designed by William Peckitt of York (1731-95). Peckitt was arguably the most important glass designer of the eighteenth century and undertook prestigious commissions at York, Oxford and elsewhere. In 1764 he was contracted by the Dean of Exeter, Jeremiah Milles, to supply glass to complete the restoration of the Cathedral’s glazing and to make the new window, which has often been considered to be his masterpiece. Peckitt’s Great West Window is no longer extant (although portions of it have been salvaged), having been replaced in 1904 with a window, designed by Messrs Burlison and Grylls, which was itself destroyed by enemy action in 1942. The Burlison and Grylls window was more in keeping with the Gothic revival aesthetic typical of the later nineteenth century and its proponents had argued forcefully that Peckitt’s Great West Window was an aberration that needed to be removed. -
the Castle of Our City
Pictured: Part of the castle Rougemont - The castle of our city Tucked away in the gardens of Rougemont and Northernhay lies a castle with an interesting history and a beautiful view, as STEPHEN ROBERTS discovers 24 exeterlife exeter.greatbritishlife.co.uk HERITAGE he last time my wife and I stayed in Exeter, we were strategically placed in a hotel near Exeter Central Station, overlooked by the picturesque Tgardens that contain Rougemont Castle, so called because of the red sandstone from which it was constructed. On our final day in the city, we followed breakfast and a walk to get a paper with an exploration of the gardens. We were rewarded with lots of unexpected treasures, from the simple delights of spring flowers coming up, to spectacular views over the city and fascinating ruins. Rougemont Castle, just to confuse, is also known as Exeter Castle. There was a Roman fort here apparently, which the British called ‘Caer Wisc’, and there was Above: The last convicted ‘witches’ in England were tried at Rougemont before being hanged in Heavitree also a Saxon castle, sacked by the ever-turbulent Danes, but what we see and swarmed through the city. to the interior of the castle. Until then the today is positively Norman. Built into the The city and its castle did not play a castle had remained Exeter’s most closely highest northern corner of the Roman city major part in the English Civil War. The guarded secret. walls, its construction in around 1068 was Parliamentarians authorised a spend of Today the main feature that remains of in response to a local rebellion against £300 to fortify the city and repair the the castle is the large early Norman William the Conqueror. -
NEWSLETTER 32 COVER PAGE.Indd
DEVON BUILDINGS GROUP NEWSLETTER NUMBER 32 Autumn 2014 DEVON BUILDINGS GROUP NEWSLETTER NUMBER 32, AUTUMN 2014 Contents SECRETARY’S REPORT 2012-2013 Peter Child .......................................................................................................3 TREASURER’S REPORT 2012-2013 Lyn Auty ..........................................................................................................7 THE WALRONDS Jo Cox ...........................................................................................................10 PLYMOUTH’S 19TH CENTURY CHURCHES Peter Child .....................................................................................................14 STOP PRESS: ST SIMON’S, MOUNT GOULD Peter Child .....................................................................................................15 THE SHARPHAM STAIRCASE Bill Harvey .....................................................................................................17 THE ORIGINS AND EARLY YEARS OF THE EXETER DIOCESAN ARCHITECTURAL SOCIETY (1837-47) Martin Cherry ................................................................................................24 THE CURIOUS CASE OF A HARE AND A CONEY John R L Thorp ...............................................................................................39 A BARN AT CADBURY AND THE PULLEY QUESTION Peter Child .....................................................................................................40 SPOT THE DIFFERENCE: STONEMAN AND BOWKER Jo Cox ...........................................................................................................43