All, Our Principal Source of Revenue and Our Most Effective Way of Telling the World What We're About
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
A Cast of Thousands
:: 3Dgate.com - Your Source For All That Is 3D :: 1/23/02 10:36 AM A Cast of Thousands ILM Reveals Six Techniques for Creating Artificial Crowds. by Chris Tome On the day Star Wars Episode One: The Phantom Menace opened at movie theaters, many companies in California's Silicon Valley gave their employees the day off. Even banks and insurance companies, it seems, fell under All images © Lucasfilm Ltd & TM. All rights reserved. Digital George Lucas' spell. work by ILM. One organization that might not have so been happy was the Screen Actors Guild. After all, it's not easy to get digital actors to pay their yearly dues. And make no mistake about it, The Phantom Menace is chock full of non-union thespians. The movie swarms with them—from humanoids to droids to alien swamp creatures. Notwithstanding prominent CG life forms such as Jar Jar Binks and Boss Nass (the subject of last month's in-depth character study), most of the film's artificial actors appear in crowd scenes. Concocted by the ingenious team at Industrial Light & Magic (ILM), these sequences present an utterly convincing cast of thousands, even when the actual number of flesh-and-blood actors onscreen is no more than a dozen, and sometimes none at all. How did they pull it off? In more ways than you can shake a light saber at. Some didn't even involve computers, such as the attentive audience of painted Q-Tips that fill the stadium bleachers during the pod race on the planet Tattooine. Digital technology did fill the stadium grounds and aisles, however, where a throng of animated human and alien figures was emitted by a Maya-based particle system that calculated their paths on the fly using artificial intelligence. -
25 Years of Ars Electronica
Literature: Winners in the film section – Computer Animation – Visual Effects Literature: Literature : Literature: Literature (2) : Literature: Literature (2) : Blick, Stimme und (k)ein Körper – Der Einsatz 1987: John Lasseter, Mario Canali, Rolf Herken Cyber Society – Mythos und Realität der Maschinen, Medien, Performances – Theater an Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Gary Hill / Selected Works Soundcultures – Über elektronische und digitale Kunst als Sendung – Von der Telegrafie zum der elektronischen Medien im Theater und in 1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right) Informationsgesellschaft / Achim Bühl der Schnittstelle zu digitalen Welten / Kunst und Video / Bettina Gruber, Maria Vedder Intermedialität – Das System Peter Greenaway Musik / Ed. Marcus S. Kleiner, A. Szepanski 25 years of ars electronica Internet / Dieter Daniels VideoKunst / Gerda Lampalzer interaktiven Installationen / Mona Sarkis Tausend Welten – Die Auflösung der Gesellschaft Martina Leeker (Ed.) Yvonne Spielmann Resonanzen – Aspekte der Klangkunst / 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, Interferenzen IV (on radio art) Liveness / Philip Auslander im digitalen Zeitalter / Uwe Jean Heuser Perform or else – from discipline to performance Videokunst in Deutschland 1963 – 1982 Arquitecturanimación / F. Massad, A.G. Yeste Ed. Bernd Schulz John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, TRANSIT #2 -
Garrett Smith, John Scheele and David Morin Ron Burdett, Bill
Downloaded at SMPTE Member on 2013-10-11 from IP 108.23.17.102 @ SMPTE All Rights Reserved 2013, 122:46-53. doi: 10.5594/j18314 located on the World Wide Web at: SMPTE Mot. Imag. J Garrett Smith, John Scheele and David Morin http://journal.smpte.org/content/122/6/46.citation The online version of this article, along with updated information and services, is Curtis Clark, David Reisner, David Stump, Ron Garcia, Lou Levinson, Al Barton, Ron Burdett, Bill Feightner, Gary Demos, Don Eklund, Eric Rodli, Steve Schklair, Report from the American Society of Cinematographers Technology Committee Report from the American Society of Cinematographers Technology Committee By: Curtis Clark, ASC; David Reisner; David sion in the color grading. Even though many current projectors Stump, ASC; Ron Garcia, ASC; Lou Levinson; and monitors display only 10 bits, preserving 16-bit wide-gamut Al Barton; Ron Burdett; Bill Feightner; Gary color in the ACES master effectively preserves the creative con- Demos; Don Eklund; Eric Rodli; Steve Schklair; tent for future display devices that will be able to display great- Garrett Smith; John Scheele; David Morin er bit-depth images containing significantly improved contrast, along with higher resolution and increased image brightness. (Affiliations (as requested): David Reisner, D-Cinema Consulting) Another crucial advance regarding the importance of 4K is the abil- ASC Technology Committee Officers ity (and need) to differentiate the effect of grater spatial resolution Chair: Curtis Clark, ASC from image sharpness. -
Download This
2280 NPS Form 10-900 ^ Ktl*-1^^**—-~~ | |DMB No. 1024-0018 (Oct. 1990) United States Department of the Interior National Park Service Sb |3 National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property___________________________________________________ historic name Fox Fullerton Theatre Complex____________________________ other names/site number Chapman's Alician Court Theatre; Chapman Theatre; Mission Court Theatre; Universal Mission Court Theatre; Fox Mission Theatre; Fox Fullerton Theatre; Firestone Tire and Rubber Building; Roy J. Lyon Firestone Service Station____________________________ 2. Location street & number 500-512 North Harbor Boulevard Fullerton NA D not for publication city or town Fullerton ____________________ ___NA O vicinity state California________ code CA county Orange_ code 059_ zip code 92832 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this E nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Pla meets the proc idural and professional requirements set forth in 36 CFR Part 60. -
SIGGRAPH 2007 Computer Animation Festival Final Report 3/26/2008
SIGGRAPH 2007 Computer Animation Festival Final Report 3/26/2008 SIGGRAPH 2007 Computer Animation Festival Final Report Paul Debevec USC Institute for Creative Technologies SIGGRAPH 2007 Computer Animation Festival Chair [email protected] Last Update: March 26, 2008 This document presents the final report for the SIGGRAPH 2007 Computer Animation Festival. It provides relevant information about decisions made and work executed for the various aspects of putting on the show, and suggestions for improvements for future years. If you have any questions about this report – especially if you are in the process of organizing a SIGGRAPH Computer Animation Festival or similar event yourself – please feel free to contact me at [email protected]. Paul Debevec, USC ICT Page 1 SIGGRAPH 2007 Computer Animation Festival Final Report 3/26/2008 Contents Chairing a successful SIGGRAPH Computer Animation Festival was enormously rewarding but a huge amount of work. It required recruiting a skilled and dedicated CAF committee and anticipating, planning, and executing hundreds of tasks efficiently and effectively. This document describes the most significant tasks with an eye toward helping future CAF chairs learn from both the successes and lessons learned from putting on the SIGGRAPH 2007 Computer Animation Festival. The organization is as follows: Writing the Call for Participation ....................................................................................... 4 Setting the submission deadline..................................................................................... -
Transcript (Reprinted with Permission PBS.Com) Narrator: It Was The
Transcript (reprinted with permission PBS.com) Narrator: It was the golden age of silent film and the most famous actress, the most adored woman in the world was America's Sweetheart, Mary Pickford. Eileen Whitfield, Biographer: Mary Pickford was the first modern celebrity, the first celebrity to be created through moving images. Tino Balio, Film Historian: She invented acting for film. Eileen Whitfield: She was the first person to get out there and show everyone how to do it. Narrator: In a fairytale romance, she married Hollywood's leading man Douglas Fairbanks. Together they invented the myth of Hollywood come true. With Charlie Chaplin, she and Fairbanks began United Artists and changed movie history. Tino Balio: She was a woman in a man's world and she played the game of business and beat the moguls at their own game. Scott Eyman, Biographer: She set the parameters for movie stardom. And she also was the first to pay the price for movie stardom. And it's a terrible price. Narrator: In a handful of years she lost it all. The fans forgot her, forgot the glow of her image, and the magical presence of the world's first superstar. She began as plain Gladys Smith. At fifteen she dreamed of stardom, of glamour, of a career on the Broadway stage. Jeanine Basinger, Film Historian: She wanted to better herself. So her sights were set on working for the great and famous impresario, David Belasco. Robert Cushman, Film Historian: She began to haunt David Belasco's office. She would go everyday, wait all day, only to be told to come back tomorrow. -
United Artists and the Founding of the Hollywood Blockbuster Model
Chapman University Chapman University Digital Commons Film Studies (MA) Theses Dissertations and Theses Spring 4-15-2019 Stardom, Spectacle, Show, and Salability: United Artists and the Founding of the Hollywood Blockbuster Model Jessica Johnson Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/film_studies_theses Part of the Other Film and Media Studies Commons Recommended Citation Johnson, Jessica. "Stardom, Spectacle, Show, and Salability: United Artists and the Founding of the Hollywood Blockbuster Model." Master's thesis, Chapman University, 2019. https://doi.org/10.36837/ chapman.000051 This Thesis is brought to you for free and open access by the Dissertations and Theses at Chapman University Digital Commons. It has been accepted for inclusion in Film Studies (MA) Theses by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Stardom, Spectacle, Show, and Salability: United Artists and the Founding of the Hollywood Blockbuster Model A Thesis by Jessica J. Johnson Chapman University Orange, California Dodge College of Film and Media Arts Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies May 2019 Committee in charge: Emily Carman, Ph.D., Chair Luci Marzola, Ph.D. Dawn Fratini, CPhil, MFA Stardom, Spectacle, Show, and Salability: United Artists and the Founding of the Hollywood Blockbuster Model Copyright © 2019 by Jessica J. Johnson iii ACKNOWLEDGEMENTS I would first like to express my deepest appreciation to my thesis advisor Dr. Emily Carman, whose tremendous knowledge and passion for Hollywood history was nothing less than true inspiration. -
The President Speaks Visiting Artists Program
( ACADEM Y OF MOTION PICTURE ARTS AND SCIENCES WI NTE R, J 979 THE PRESIDENT SPEAKS an audio tape of his work there ment Award, and Burton Lee Harry, which will be made available upon recipient of the Dramatic Achieve With th is edition, the Academy Bul request to students and teachers ment Award. letin takes on a new look and a new of film. Winners received $1,000 and a name. Unlike its predecessor, the Sim ilarly, director Jeremy Kagan trophy, plus the opportunity to have Academy Interim Report will be just visited the University of Arizona at their films included in the compi what the title implies: a report on Tucson, where he conducted cast lation film that the Bell System will all of the Academy's activities for the ing and directing workshops which present on college and university preceding several months, in this in were videotaped and gave other campuses. stance from July through December, specialized lectures based on his 1978. It is designed to keep the More than 300 films were entered film work. He was there two-and-a membership and others apprized of in the 1979 competition. Work is half da)(s and hosted the premiere the Academy's functions, progress already underway on the Sixth An college screening of our Student and growth. nual Student Film Awards. Entry Film Awards compilation film. We, of course, do much more forms and rules have been distrib than award Oscars for film achieve uted to universities and colleges ment. In addition to our much STUDENT FILM AWARDS throughout the country. -
25 Years of Ars Electronica
Literature: Winners in the film section – Computer Animation – Visual Effects Literature: Literature : Literature: Literature (2) : Literature: Literature (2) : Blick, Stimme und (k)ein Körper – Der Einsatz 1987: John Lasseter, Mario Canali, Rolf Herken Cyber Society – Mythos und Realität der Maschinen, Medien, Performances – Theater an Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Gary Hill / Selected Works Soundcultures – Über elektronische und digitale Kunst als Sendung – Von der Telegrafie zum der elektronischen Medien im Theater und in 1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right) Informationsgesellschaft / Achim Bühl der Schnittstelle zu digitalen Welten / Kunst und Video / Bettina Gruber, Maria Vedder Intermedialität – Das System Peter Greenaway Musik / Ed. Marcus S. Kleiner, A. Szepanski 25 years of ars electronica Internet / Dieter Daniels VideoKunst / Gerda Lampalzer interaktiven Installationen / Mona Sarkis Tausend Welten – Die Auflösung der Gesellschaft Martina Leeker (Ed.) Yvonne Spielmann Resonanzen – Aspekte der Klangkunst / 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, Interferenzen IV (on radio art) Liveness / Philip Auslander im digitalen Zeitalter / Uwe Jean Heuser Perform or else – from discipline to performance Videokunst in Deutschland 1963 – 1982 Arquitecturanimación / F. Massad, A.G. Yeste Ed. Bernd Schulz John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, TRANSIT #2 -
25 Jahre Ars Electronica
Literatur: Preisträger in der Filmsparte – Computeranimation – visual effects Literatur: Literatur : Literatur: Literatur (2) : Literatur: Literatur (2) : Blick, Stimme und (k)ein Körper – Der Einsatz 1987: John Lasseter, Mario Canali, Rolf Herken Cyber society – Mythos und Realität der Maschinen, Medien, Performances – Theater an Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Gary Hill / Selected Works Soundcultures – Über elektronische und digitale Kunst als Sendung – Von der Telegrafie zum der elektronischen Medien im Theater und in 1988: John Lasseter, Peter Weibel, Mario Canali u. Anerkennungen s.r. Informationsgesellschaft / Achim Bühl der Schnittstelle zu digitalen Welten / Kunst und Video / Bettina Gruber, Maria Vedder Intermedialität – Das System Peter Greenaway Musik / Hg. Marcus S. Kleiner, A. Szepanski 25 Jahre ars electronica Internet / Dieter Daniels VideoKunst / Gerda Lampalzer interaktiven Installationen / Mona Sarkis Tausend Welten – Die Auflösung der Gesellschaft Martina Leeker (Hg.) Yvonne Spielmann Resonanzen – Aspekte der Klangkunst / 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, Interferenzen IV (zur Radiokunst) Liveness / Philip Auslander im digitalen Zeitalter / Uwe Jean Heuser Perform or else – from discipline to performance Videokunst in Deutschland 1963 – 1982 Arquitecturanimación / F. Massad, A.G. Yeste Hg. Bernd Schulz John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, TRANSIT #2 (zur Radiokunst) -
Read Ebook {PDF EPUB} Mary Pickford Rediscovered by Kevin Brownlow Mary Pickford Rediscovered by Kevin Brownlow
Read Ebook {PDF EPUB} Mary Pickford Rediscovered by Kevin Brownlow Mary Pickford Rediscovered by Kevin Brownlow. "Mary Pickford Rediscovered: Rare Pictures of a Hollywood Legend" by Kevin Brownlow (Henry N. Abrams, Inc., 1999, 256 pages.) Anytime a Kevin Brownlow book is published, there's a "buzz" among silent film enthusiasts, and there's plenty of reason for it with this new book. First of all, it's a beautiful book - 9 1/4" x 12", slick, glossy, high quality paper, and photographs reproduced in the same high quality manner as they were in Hollywood, The Pioneers . The contents - a brief forward by the Academy of Motion Picture Arts and Sciences - a lengthy introduction (about 16 pages) by Robert Cushman who is curator of the Academy's photographic stills archive - How the Mary Pickford Collection Came to the Academy Library by Cushman - The Search for Mary Pickford by Brownlow which is an absorbing personal account of his early experiences in "finding" Mary Pickford - and finally something silent film collectors have needed for a long time. a film by film rundown with commentaries, and who better to do those commentaries than Brownlow. Don't be mislead by the title - this is NOT just a picture book. Yes, it has 232 pictures, but it also has plenty of great text, too. This book is everything a Mary Pickford fan could want and certainly won't disappoint. Rediscovered Lost Girl of the Week: Presenting Mary Pickford. Kevin Brownlow was a guest at the University of Antwerp last week. He gave a charming and inspiring talk about his career in silent film at Cinema Zuid. -
Full Members of the British Academy of Film and Television Arts (Updated 12 September 2011)
Full Members of the British Academy of Film and Television Arts (updated 12 September 2011) Roberta Aarons Allison Abbate Jeff Abberley Peter Abbey Paul Abbott Steve Abbott Bassem Abdallah Brian Abel Ian Abercrombie Andrew Ableson David Abraham Eric Abraham Georgina Abrahams Bruce Abrahams Joe Abrams Jenny Abramsky Farah Abushwesha Huda Abuzeid Larissa Acaster Juliet Ace Roy Ackerman Steve Ackhurst Joss Ackland Barry Ackroyd Norma Acland Catherine Adair Richard Adams Ross Adams Mark Adams Gordon Adams Benetta Adamson Sharon Adcock Madeline Addy Henry Adeane Adam Adler David Adler Melanie Adorian Tony Ageh Phil Agland Joss Agnew Steen Agro Jenny Agutter Sanjiv Ahuja Pippa Ailion Lucy Ainsworth-Taylor Christopher Aird Dawn Airey Amer Ait-Haddi Tony Aitken Rory Aitken Eleanor Aitken Mike Aiton Abby Ajayi Jovan Ajder Niyi Akeju Zara Akester Colin Akester Nassreen Akhtar Adewale Akinnuoye-Agbaje Andy Akinwolere John Akomfrah Basi Akpabio Timothy Alban Francesco Alberico Philip Alberstat Sydell Albert Justin Albert Simon Albury Julian Alcantara Susan Alcott Jane Aldous Mark Aldridge Nuala Alen-Buckley John Alexander Eva Alexander Darrell Alexander Jon Alexander Matthew Alexander Arnna Alexander Adam Alexander Rob Alexander Michael Algar Barber Ali Rosie Alison Luke Alkin Foz Allan Graham Allan Britt Allcroft Shane Allen Joe Allen Ged Allen Tony Allen Kenton Allen James Allen Katherine Allen Robbie Allen Ioan Allen James Allen Belinda Allen Angela Allen Peter Allen Richard Allen-Turner Lynn Alleway Rebecca Alleway Anthony Alleyne Waheed Alli