British Architect Will Alsop Dies Aged 70

Total Page:16

File Type:pdf, Size:1020Kb

British Architect Will Alsop Dies Aged 70 Submitted By WA Contents British Architect Will Alsop Dies Aged 70 United Kingdom - May 14, 2018 - 00:10 470 Views Acclaimed British architect Will Alsop, the architect best known with his modernist, avant-garde, futuristic and colourful forms, has died at the age of 70 following a short illness on Saturday, as reported by The Guardian newspaper. Alsop's firm aLL Design confirmed the news on Sunday. The world-renowned architect was always known with his pictorial, playful and colourful designs. The architect was also described "as one of the architecture's famous maverick" as his architecture are being both praiseworthy and desperate. The Peckham Library, located in the south-east of London, is one of his best-known buildings, who won the RIBA's Stirling Prize in 2000. One of Alsop's Toronto stations at Finch West. Image © Wade Zimmerman "It is with great sadness that I must inform you that on Saturday Will passed away after a short illness. On behalf of the studio we send our condolences to Sheila, Will's wife, and to his three children, Ollie, Piers and Nancy. Our thoughts are with them," said Marcos Rosello, Co-Founder, aLL Design, in a statement published in aLL Design's website. "Will has inspired generations and impacted many lives through his work. It is a comfort to know that due to the nature of Will's work and character, he will continue to inspire and bring great joy. He had an exceptional ability to recognise particular strengths in individuals which he would draw out and nurture. His design ethos, essentially to 'make life better', is evident in the architecture of his buildings and their surrounding communities." "We will miss him greatly," continued Rosello. Peckham Library, 2000, in the south-east of London. Image © MIMOA The Sharp Centre for Design, Ontario College of Art & Design in Toronto, Canada - the Cardiff Bay Visitor Centre in Cardiff, Wales and the Public in West Bromwich, West Midlands, UK are only a few of Alsop's projects built and well-known in UK and other countries. Will Alsop was born in Northampton in England on 12 December 1947. He studied at Canterbury School of Architecture and then at London's Architectural Association under the influence of Archigram and Peter Cook. He worked for four years at the studio of Cedric Price, and Alsop had a profound influence from Price's mentoring and personality on his outlook on architecture and life. Sharp Centre for Design in Toronto. Image © Richard Johnson In 1971, when he was still a student, Alsop took part in the Centre Pompidou competition in Paris, won by Renzo Piano and Richard Rogers, and made second place overall. He was considered one of the greatest contemporary British architects along with the likes of Norman Foster and Richard Rogers. He has been awarded the Stirling Prize and has applied his bold, colourful approach to award-winning projects internationally across all sectors. In June 2009 the well-known American publication Fast Company put Will Alsop in first place among the ten greatest architects universally known for their creative, innovative approach. Will Alsop’s Information Pod in Cardiff Bay. Image courtesy of Architen Landrell Alsop is described as "an ardent supporter of freedom of individual expression, just as much as he opposes stylistic trends". His experimentally anti-academic approach and his optimistic enthusiasm today represent an important point of reference for the new generations. Alsop, often described as the "bad boy" of British architecture, because of his controversial nature and his playful, witty approach to the profession, announced his retirement from architecture in order to spend his time painting and teaching at the age of 62 in summer 2009. Chips apartment building in Manchester, Palestra. Image courtesy of wikipedia Shortly after, Alsop joined the International design colossus RMJM as International Principal of Europe, and that he was going to take the helm of the RMJM flagship European office in London as International Design Principal, renaming it “Will Alsop at RMJM”. This umpteenth change in his roller-coaster career (as author Tom Porter described it) represented a fundamental new step which also enabled him to fulfil another of his dreams: connected to his new office in Battersea he established Testbed1, a “space with no agenda” dedicated to the arts, to act as a catalyst for creative and experimental activities. The Testbed1 committee is formed by Will Alsop himself, artist Bruce McLean, David Gothard, former creative director of Riverside Studios, Kevin Cassandro and critic and author Mel Gooding. Alsop has won many awards internationally, including the coveted Stirling Prize in 2000 for the Peckham Library, London, a "pop" library shaped like an upside down “L”, a building which was able to completely change the atmosphere of one of the most deprived districts of London, starting a process of regeneration of the whole area. The Royal Fine Art Commission Building of the Year Special Award for the Fawood Children’s Centre, London, a nursery conceived as a modifiable and assemblable space, where children may enjoy the greatest sense of freedom, which was shortlisted for the Stirling Prize in 2005. Gao Yang is a prestigious site, prominently located along the Huangpu River, to the north of the Bund in central Shanghai. Image courtesy of aLL Design In 2011, Will Alsop founded his own firm called aLL Design based in London. aLL Design has also offices in Doha and China. The Gao Yang building in Shanghai was completed, and some new ones have recently been proposed such as a 1,400,000 sq.m area in Chongqing, China, aiming to transform the city “ambiance” into a model for the 21st century, combining romanticism, history and state-of-the-art buildings. Haikou master plan, also in China. Image courtesy of aLL Design Alsop's Haikou master plan, also in China, develops a vision for a futuristic city created along an iconic strip at ground, first and second level and implements a sustainable strategy as one of the most fundamental design criteria. Will Alsop's design principle is based on a unique approach that is both a vehicle and a symbol of social change and renewal. His philosophy ranges from the design of individual buildings to embracing broader principles of urbanism and city development. By rejecting the hegemony of an acceptable style, he has made the whole process of architecture one of increasing fluidity and transparency, bringing a fresh breeze of renewal into the approach to the discipline. The Public, an exhibition space in West Bromwich. Image courtesy of wikipedia Alsop has held many academic posts around the world. He is currently a Professor at the Technical University of Vienna and in 2009 was appointed Distinguished Visiting Practitioner by the Ryerson University, Toronto. For several years he was a tutor of sculpture at the Central St Martin’s College of Art & Design in London and was Visiting Professor at institutions including the University of Hanover, the Royal Melbourne Institute of Technology and the San Francisco Institute of Art. Will Alsop recently spoke to World Architecture Community in an exclusive interview at World Architecture Festival in Berlin, and he discussed recent contemporary architectural scene from different perspectives as well as his latest projects in different geographies. Top image: Will Alsop © Malcolm Crowther - Malcolm Crowther, CC BY-SA 3.0 > via aLL Design Other Readers Also Found These Interesting... Didi Contractor: A Self- MAPA Architects Completes Landscape Hotel In Uruguay's Taught Architect Who Builds Wild Nature In Mud, Bamboo & Stone May 11, 2018 • 13136 May 2, 2018 • 5658 Snøhetta's New Sinuous-Roof Planetarium Is Inspired South Outdoor Festival 2018 From Astronomy's Basics Held In Vuno, Himare May 3, 2018 • 2193 May 10, 2018 • 2159 Jean Nouvel's National Send Your Entries To WA Awards 28th Cycle Until May 31, Museum Of Qatar 2018 Photographed By Iwan Baan Before Its Completion May 2, 2018 • 1953 Apr 30, 2018 • 1938 Founded in 2006, World Architecture Community provides a unique environment for architects, academics and students around the Globe to meet, share and compete. Get Started Sections Social Media About WAC Contact Us Sign Up or Sign In News Twitter About General & Editorial Edit Your Settings Projects Instagram WA Awards 10+5+X Public Relations & Advertising Upload Your Projects WA Awards Pinterest Media Kit Website & Technical Membership Benets WA Materials LinkedIn Advertisement Your Prole Page Urbanism Tumblr Country Pages Members Vimeo Tutorials WA Awards 10+5+X Fairs & Trade Shows Facebook About Videos Feedly How to Participate Books Flipboard Winners Google+ RSS Copyright © 2006 - 2018 World Architecture Community. All rights reserved. WA Privacy Policy WA Member Agreement.
Recommended publications
  • Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower by KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO
    Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower BY KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO We were just getting used to the idea of seeing a sensuous Zaha Hadid building on the corporate-modernist boulevard that is Manhattan’s Park Avenue, but looks like we’ll have to keep dreaming. An invited competition to design a new Park Avenue office building for L&L Holdings and Lemen Brothers Holdings pitted starchitect against starchitect (with a shortlist including Hadid and Rem Koolhaas’s firm OMA). In the end, Lord Norman Foster came out victorious. “Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context,” said Norman Foster in a statement, according to The Architects’ Newspaper. Foster described the building as “for the city and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.” The winning design (pictured left) is a three-tiered, 625,000-square-foot tower. With sky-high landscaped terraces, flexible floor plates, a sheltered street-level plaza, and LEED certification, the building does seem to reiterate some of the same principles seen in the Lever House and Seagram Building, Park Avenue’s current office tower icons, but with markedly updated standards. Only time will tell if Foster’s building can achieve the same timelessness as its mid-century predecessors, a feat that challenged a slew of architects as Park Avenue cultivated its corporate identity in the 1950s and 60s.
    [Show full text]
  • The Future of Architecture at the Royal Academy of Arts Is Transformed by Major Gift from the Dorfman Foundation
    THE FUTURE OF ARCHITECTURE AT THE ROYAL ACADEMY OF ARTS IS TRANSFORMED BY MAJOR GIFT FROM THE DORFMAN FOUNDATION The Royal Academy of Arts today announced a generous gift from the Dorfman Foundation which will significantly transform the future of architecture at the Royal Academy. As the RA prepares to celebrate its 250th anniversary in 2018, the support from the Dorfman Foundation will enable the RA to launch two new international architecture awards, together with the restoration of the majestic Senate Rooms in Burlington Gardens to house a new architecture space and cafe. Coupled with the Royal Academy’s new commitment to host a yearly architecture exhibition, the gift will realise the RA’s mission to garner a wider appreciation and understanding of architecture, bringing to the fore its vital relationship to culture and society. The annual international awards will encompass the Royal Academy Architecture Prize, honouring an inspiring and enduring contribution to the culture of architecture and the Royal Academy Dorfman Award that champions new talent in architecture. The awards will be nominated and awarded by distinguished architects and artists, alongside international curators and critics. The inaugural jury will be chaired by the architect and Royal Academician Louisa Hutton. The Royal Academy Architecture Prize winner and the shortlist for the Royal Academy Dorfman Award will be announced in January 2018. In May 2018 a week-long public celebration will include the announcement of the winner of the Royal Academy Dorfman Award and also include an address by the recipient of the Royal Academy Architecture Prize. Collectively the awards will demonstrate and heighten the RA’s role as a global advocate of architecture.
    [Show full text]
  • The Imaginative Engineer
    GREAT ACHIEVEMENTS notable structural engineers He used these materials to express the ideas within the architecture. The Imaginative Engineer Peter and his team combined advanced structural analysis tech- Peter Rice (1935-1992) niques with investigations of materials By Lorraine Lin, Ph.D., P.E. and Bruce Danziger, S.E. to develop structural systems appropri- ® Peter Rice’s approach to structural engineering expands our under- ate for each material. He believed that standing of the engineer’s role. Peter contributed to the design of build- materials should be detailed to express ings considered icons of structural achievement today. These include their true nature. the Pompidou Center and the “greenhouses” at La Villette in Paris, the “I have noticed over the years that Pavilion of the Future for the 1992 World’s Expo in Seville, Lloyd’s of the most effective use of materials is Greenhouses at LaVillette, London and the Sydney Op- often achieved when they are being Paris. Materials: Tempered era House. Many of his col- explored and used for the first time. Glass and Cables. Architect: laborators, such as architects The designer does not feel inhibited by Adrien Fainsilber. (©ARUP) Renzo Piano, Richard Rogers precedent. In any of these structures, and I.M. Pei, areCopyright today re- there is a simple honesty which goes straight to the heart of the nowned in their field partially physical characteristics of the material and expresses them in as the result of their collabo- an uninhibited way.” ration with Peter. An Engineer Imagines, Peter Rice Peter was a humanist and these beliefs are clearly pres- The design team for the Pompidou Center, which included Peter ent in his work.
    [Show full text]
  • You Make It Amazing: the Rhetoric of Art and Urban Regeneration in the Case of the Public
    Journal of Visual Literacy, 2012 Volume 32, Number 1, 51-72 You Make it Amazing: The Rhetoric of Art and Urban Regeneration in the Case of The Public Kelly Norris Martin Rochester Institute of Technology Rochester, NY Victoria J. Gallagher North Carolina State University Raleigh, NC Abstract Arts councils and departments of culture tell policy makers that the arts are not only valuable in themselves, but for their contribution to the economy, urban regeneration and social inclusion. However, there is significant debate as to whether public art produced under social arts policy can deliver on expectations. This essay examines a recent, controversial urban regeneration project, West Bromwich’s The Public designed by Will Alsop, in order to assess its visual, symbolic, and material resources. The analysis reveals that, while the gallery functions, at least partially, to construct a shared public experience of West Midland and its culture, it is an experience encapsulated within and aesthetically made over by The Public such that The Public becomes a replacement scene, thereby undermining the community and at least some of its goals. Keywords: urban regeneration, material iconicity, public art, visual rhetoric, The Public 52 You Make it Amazing: The Rhetoric of Art and Urban Regeneration in the Case of The Public Arts councils and departments of culture, in both the U.S. and Europe tell policy makers that the arts are not only valuable in themselves, but also make significant contributions to the economy, urban regeneration and social inclusion. As a report by the secretariat of the International Federation of Arts Councils and Culture Agencies (IFACCA) puts it, “Sprinkle a little cultural fairy dust on a rundown area and its chances of revival will multiply—or so the argument goes.” However, both artists and policy makers debate whether public art produced under social arts policy can deliver on expectations.
    [Show full text]
  • Today's News - Tuesday, November 20, 2007 in Santa Monica, a Humble Parking Garage Is Humble No More
    Home Yesterday's News Calendar Contact Us Subscribe Today's News - Tuesday, November 20, 2007 In Santa Monica, a humble parking garage is humble no more. -- Karachi builds - without architects creates a "doom-and-gloom scenario." -- Planning Havana in a post-Castro Cuba. -- Sarasota school board presented with 5 proposals to save Rudolph's Riverview High School (they might still go for demolition). -- The saga of 3XN's Liverpool museum rift continues. -- Pinewood Studios plan includes a downtown New York - and 2,000 green homes. -- Campbell on the lessons Harvard can learn from Cincinnati campus: should Allston campus be a "world's fair" of starchitects? -- NYT HQ: Ouroussoff gives (mostly) thumbs-up to his own new digs. -- Hume on Edmonton's efforts to rise above anonymity. -- Farrelly on Seidler's glamorous new aquatic center: "the most delicious indoor swimming experience in town" (if only she could find the front door). -- Ground Zero memorial: Arad on dealing with "an imbroglio of politicians, architects, public officials and interest groups." -- A crematorium in India "shows that architecture can help give places of death and mourning a quiet dignity" (unless you work there). -- Kennicott on D.C.'s new home for Shakespeare: "refreshing to see architecture that is unafraid of the random dangers of urban life in the 21st century." -- Richard Rogers continues to wage "war against the Prince of Wales, architectural conservatism and cities gone to the dogs."-- Cramer's call for traditional design to be brought back into mainstream architectural education. -- King digs up Polk's 19th century pokes at San Francisco (some things never change).
    [Show full text]
  • Foster Plans New Beijing HQ As Base for China Expansion
    FRIDAY August 12 2011 Issue 1977 £2.90 Making a splash bdonline.co.uk Zaha Hadid’s Aquatics Centre may be late to the party “One would think that one was in a but arrives with a flourish P.12 subterranean city, that’s how heavy is the atmosphere, how profound is A special bond the darkness!” Eric Parry is drawn to Fritz Höger’s Hamburg brick masterpiece P.16 BUILDING DESIGN ARCHITECTS’ FAVOURITE WEEKLY INSIDE NEWS ANALYSIS Architecture Foster plans new Beijing HQ and the riots Urban planning expert Wouter Vanstiphout looks at what this week’s violence could mean as base for China expansion for UK city development. P.3 NEWS Firm’s office will neighbour Ai Weiwei gallery and promote Chinese art and architecture Alsop’s latest incarnation Ellis Woodman galleries, it will have a café. It will “There is an Bank Headquarters in Hangzhou should take the plunge. “If you are host exhibitions by young artists awareness of and a scheme designed in collab- immersed in those places instead The name of Will Alsop’s latest Foster & Partners is designing its and architects in China. It will the fragility oration with Thomas Heather- of reading about them in the press venture, with ex RMJM principal own headquarters building in have an apartment for an artist in of being overly wick for the upmarket Bund dis- you do get a very different experi- Scott Lawrie, will be registered China as the firm looks to expand residence. dependent trict of Shanghai. ence.” in the next few weeks. P.5 the amount of business it carries “It will also be a centre for our- on one place” Foster said the firm was eyeing The company’s 2011 results will out in the country.
    [Show full text]
  • Local Plans and Urban Design
    The Public Realm and Urban Design: Practice and Implementation REDEVELOPMENT IN BIRMINGHAM seeking to establish itself as a major The establishment of the new Department European centre. of Planning and Architecture at There they forged a new approach to the LOCAL PLANS Birmingham City Council in 1990 was one development of central Birmingham, an manifestation of the Council's commitment approach that should turn the city around to Urban Design. It followed closely on from being a place for cars to becoming a AND URBAN the Birmingham Urban Design Study place for people. The central issue was the (BUDS) completed by Francis Tibbalds in Inner Ring Road. This dual carriageway DESIGN April 1990 which, itself, was a follow-up to circuit with its grade-separated junctions LDR's Open Space and Pedestrian and pedestrian subways had proved to be a Framework report of 1989. The creation of "concrete collar" around the central core of Centenary Square is the first product of this the city. Land and property values inside Les Sparks new approach to development in the collar soared, whilst outside it there was Birmingham. severe dereliction and lack of investment. For many years Birmingham had been Movement across the Inner Ring Road, associated with the now discredited either on foot or by car was severely methods of redevelopment practised in the impeded, and the long dark and dangerous 1960's and 70's. Renowned for pursuing pedestrian subways are simply intolerable. its objectives with a singular vigour, The American consultant. Don Birmingham built more residential tower Hilderbrandt of LDR, was at Highbury and blocks than any other city outside London, was subsequently commissioned by the completed its motorway style Inner Ring City Council to develop his ideas for the Road and ruthlessly swept away large areas Inner Ring Road.
    [Show full text]
  • Andrew Donaldson 31.7.8
    raiaduluxlondon studytour12may 16may2008repo rtandrewdonald sonarchitectmar s h a l l j u l y 2 0 0 8 contents 2 introduction 3 grandad’s joint 4 chalk & layers 4 field technology 5 doctor evil 5 terror & sport 6 noble plastic 7 the orphanage 7 models & guitars 9 riot by the canals 10 chalk & layers continued 11 competition machines 11 inspirational compromise 12 suck em’ in, suck em’ ‘round 13 rich kids 14 everybody loves richard 14 outcomes 15 conclusion 16 2 introduction I have recently returned from the inaugural RAIA Dulux London Study Tour, as 1 of 5 emerging architects to tour contemporary buildings and architects studios around London. It was a fantastic and irreplaceable gift to experience Herzog & De Mueron’s Laban Dance Centre and Tate Modern; Norman Foster’s Swiss Re tower and Council House; and David Adjaye’s IDEA Store and Rivington Place to name but a few. A good university imbues the theory of great space, and the making of great space comes slowly over time in practice, but architecture is a visceral art at its most transcendental. Therefore experience beyond the image to the actual site of such architecture is fundamental to the development of any aspiring architect. The added and unexpected highlight to the tour was the eye-opening experience of visiting diverse studios of London’s world famous architects. The scared creatures working in Zaha Hadid’s paperless, model-less ex- elementary school sweatshop and Norman Foster’s plan for World-Fosterisation with his 100 0 or so minions contrasted vividly with the exquisite creativity of David Chipperfield’s model based studio, the sublime output of ideas by small office youngsters Carmody Groarke, and the palpable philanthropy of Richard Rogers and his extended architectural family.
    [Show full text]
  • Biography of the HONORABLE RICHARD DEAN ROGERS Senior United States District Judge by Homer E. Socolofsky
    r Biography of THE HONORABLE RICHARD DEAN ROGERS Senior United States District Judge r By Homer E. Socolofsky 1 1 Copyright © 1995 by The United States District Court, Kansas District This biography is made available for research purposes. All rights to the biography, including the right to publish, are reserved to the United States District Court, District of Kansas. No part of the biography may be quoted for publication without the permission of the Court. Requests for permission to quote for publication should be addressed to the Clerk of the Court, United States District Court, District of Kansas, and should include identification of the specific passages to be quoted, anticipated use of the passages, and identification of the user. ff^ It is recommended that this biography be cited as follows: Richard DeanDean Rogers, Rogers, "Biography "Biography of the of Honorable the Honorable Richard RichardDean Rogers, Dean Senior Rogers, United Senior States United States "1 District Judge,*Judge," aa historyhistory prepared 1994-1995 by Homer Socolofsky, United States District Court, DistrictT C i a + T »of i # Kansas, * + 1995. A f l T o n e o o 1 Q O R - > Printed in U.SA. by Mennonite Press, Inc., Newton, Kansas 67114 'v.r The Honorable Richard Dean Rogers | in m ftp) PI TTie United States District Court gratefully ^1 acknowledges the contributions of the Kansas Federal Bar jpt v. W\ spp ifS 1*1 53} p The Honorable Richard Dean Rogers - r r r r r The Honorable Richard Dean Rogers vii ipfy ij$B| Preface wi legal terms and procedure in extended tape- 1B^ last December, inviting me to write recorded sessions.
    [Show full text]
  • Charles-Bernard Gagnon Architecte Et Directeur Principal | Cargo Architecture | OAQ, MRAIC, OAIF
    Charles-Bernard Gagnon Architecte et Directeur PrinciPAl | cArgo Architecture | OAQ, MRAIC, OAIF JDhm, Saint-Augustin de Desmaures, 2018 muSt QueBec + le cinQuième ÉtAge , 2012 + 2018 riVerVieWS, Résidence privée en bord de falaise, construction 2019 Charles-Bernard figure aux tableaux de l’Ordre des Architectes du Québec et l’Ordre des COllABORAtIOn / peRFORMAnCe / CRéAtIVIté Architectes d’Ile-de-France à Paris. Il cumule 20 années d’expérience à la conception et Charles-Bernard incarne et transmet, à travers une construction de projets de tous genres sur deux continents. Fondateur de son bureau pratique pro-active de l’architecture, un esprit du d’architecture à Québec, il dirige ce dernier avec une équipe de cinq professionnels design fonctionnaliste à l’échelle humaine et adapté talentueux aux habiletés complémentaires qui s’animent à la création d’espaces et de au contexte bâti (ou naturel), avec une forte intention bâtiments innovants sur plusieurs points : créativité, solutions techniques performantes de créer une valeur ajoutée pour les occupants et leurs et de mises en oeuvre stratégiques pour mener à terme chaque projet. environnements. parcouRs pROFessIOnnel Depuis 2013 Directeur Principal CARGO Architecture Inc. QuÉBec 2008 – 2013 Directeur Principal CGBWSTUDIO (Charles-Bernard Gagnon Building Workshop Inc.) QuÉBec 2006 – 2008 Directeur Principal Charles-Bernard Gagnon Building Workshop Inc. toronto 2003 – 2008 Chargé de projets Diamond and Schmitt Architects toronto 2000 – 2003 Project Architect Richard Rogers Partnership
    [Show full text]
  • Architects Do Not Make Buildings; We Make Drawings. Our Drawings Can
    Instructors: Josh Uhl ([email protected]), Danil Nagy ([email protected]), Bika Rebek ([email protected]), Lexi Tsien ([email protected]) “Drawing, whether done by hand or using sophisticated computer software, can be either descriptive or prescriptive. If descriptive drawings can be subjective (impressionist, expressionist, and so forth) or objective (“technical” or “analytical”), prescriptive drawings are intended to be operative; they are manifestos of sorts. They are devices for thinking as well as for presenting positions.” ‐ Bernard Tschumi, Operative Drawing, The Activist Drawing Architects do not make buildings; we make drawings. Our drawings can be prescriptive when they are generated to convey a particular set of formal relationships, and they can be descriptive when they act as tools used to interrogate adjacencies and spatial conditions. In either case, a well‐crafted drawing becomes a feedback loop for the architect, allowing one to interrogate their design, respond to the drawing, and further their proposal. Architecture’s history of projection‐based representation developed a certain level of stasis in its evolution over the last half a century. However, recent shifts to a ‘paperless’ architecture continue to have a profound impact on the field of architecture and its modes of representation and analysis. Beyond severing the longstanding relationship of the line to paper, the extraction of the vector to a virtual realm is accompanied by a simultaneous influx of data. Tools like Building Information Modeling and other parametric based modes of practice have saturated our methods of representation with a significant amount of information. With this new data saturation, the position of the architectural drawing is in flux.
    [Show full text]
  • Gezeichnete Welten Alvin Boyarsky Und Die Architectural Association Drawing Ambience Alvin Boyarsky and the Architectural Association
    Press release Berlin, 22.05.2017 Gezeichnete Welten Alvin Boyarsky und die Architectural Association Drawing Ambience Alvin Boyarsky and the Architectural Association Tchoban Foundation. Museum for Architectural Drawing Christinenstraße 18a, 10119 Berlin Exhibition opening: 7th July 2017, 19.00 Press tour: 7th July 2017, 18.00 Symposium: 7th July 2017, 16.30 Campus Aedes, further information: www.ancb.de Duration: 8th July 2017 – 24th September 2017 Opening times: Mon–Fri 14:00–19:00, Sat–Sun 13:00–17:00 Tickets: 5 EUR, Reductions: 3 EUR “We create a very rich compost for students to develop and grow from and we fight the battle with the drawings on the wall.” Alvin Boyarsky, 1983 The exhibition Drawing Ambience: Alvin Boyarsky and the Architectural Association presents some 50 masterworks of contemporary architectural drawings made by celebrated architects and assembled by the long-term chairman of the Architectural Association School of Architecture (AA) in London, Alvin Boyarsky. The exhibition has already been on view at the Mildred Lane Kemper Art Museum of Washington University in St. Louis, Museum of Art, Rhode Island School of Design in Providence, and at the Cooper Union in New York and is now coming to Berlin. The second half of the 20th century was a period characterised by accelerated mobility and an international exchange of ideas. This Zeitgeist can be sensed in the presented works, most of which were made in the 1980s. This was a time during which the international orientation of the Architectural Association School of Architecture, accompanied by a growing interest in hand drawing, gave a fresh impetus to the search for a new architectural language.
    [Show full text]