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The Glasgow School of Art Oration for Andy Bow Andy Bow Sir Norman
The Glasgow School of Art Oration for Andy Bow Andy Bow Sir Norman Foster once said, “As an architect you design for the present, with an awareness of the past and for a future which is essentially unknown.” Andy Bow is a senior partner in Foster and Partners, arguably the world’s most consistently innovative post war architectural practice. Since its inception in 1963, the practice has won an unprecedented number of international awards and competitions. Its output ranges from city masterplans to door handles; from yachts and bridges to light fittings. Few practices have embraced the uncertainties of the future so positively and with such confidence. Andy Bow has always displayed the key qualities of the very best Mac graduate; a sense of adventure and unbounded energy, a predisposition to collaboration, a passion for drawing, a generous spirit and the ability to remain close to both local roots and international horizons. These were all in evidence when, shortly after graduating and in collaboration with his long-standing friends and current Mac tutors Ian Alexander and Henry McKeown, they won the prestigious Manhattan Waterfront Competition. Chancellor, Andy Bow was born in 1961 in Edinburgh. He attended George Watson’s College, Telford College of Further Education and the Mackintosh School of Architecture at the Glasgow School of Art. Like myself, he chose to mix practice and education by joining the Mac’s part time course; a heady mixture of daytime office responsibilities and evening classes. When he eventually became a full time student, his studio design reviews quickly attracted attention. The potent mixture of his astonishing drawings and memorable exchanges with staff, particularly professors Andy McMillan and the late Isi Metzstein became must –see events for his fellow students. -
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower by KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower BY KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO We were just getting used to the idea of seeing a sensuous Zaha Hadid building on the corporate-modernist boulevard that is Manhattan’s Park Avenue, but looks like we’ll have to keep dreaming. An invited competition to design a new Park Avenue office building for L&L Holdings and Lemen Brothers Holdings pitted starchitect against starchitect (with a shortlist including Hadid and Rem Koolhaas’s firm OMA). In the end, Lord Norman Foster came out victorious. “Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context,” said Norman Foster in a statement, according to The Architects’ Newspaper. Foster described the building as “for the city and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.” The winning design (pictured left) is a three-tiered, 625,000-square-foot tower. With sky-high landscaped terraces, flexible floor plates, a sheltered street-level plaza, and LEED certification, the building does seem to reiterate some of the same principles seen in the Lever House and Seagram Building, Park Avenue’s current office tower icons, but with markedly updated standards. Only time will tell if Foster’s building can achieve the same timelessness as its mid-century predecessors, a feat that challenged a slew of architects as Park Avenue cultivated its corporate identity in the 1950s and 60s. -
The Imaginative Engineer
GREAT ACHIEVEMENTS notable structural engineers He used these materials to express the ideas within the architecture. The Imaginative Engineer Peter and his team combined advanced structural analysis tech- Peter Rice (1935-1992) niques with investigations of materials By Lorraine Lin, Ph.D., P.E. and Bruce Danziger, S.E. to develop structural systems appropri- ® Peter Rice’s approach to structural engineering expands our under- ate for each material. He believed that standing of the engineer’s role. Peter contributed to the design of build- materials should be detailed to express ings considered icons of structural achievement today. These include their true nature. the Pompidou Center and the “greenhouses” at La Villette in Paris, the “I have noticed over the years that Pavilion of the Future for the 1992 World’s Expo in Seville, Lloyd’s of the most effective use of materials is Greenhouses at LaVillette, London and the Sydney Op- often achieved when they are being Paris. Materials: Tempered era House. Many of his col- explored and used for the first time. Glass and Cables. Architect: laborators, such as architects The designer does not feel inhibited by Adrien Fainsilber. (©ARUP) Renzo Piano, Richard Rogers precedent. In any of these structures, and I.M. Pei, areCopyright today re- there is a simple honesty which goes straight to the heart of the nowned in their field partially physical characteristics of the material and expresses them in as the result of their collabo- an uninhibited way.” ration with Peter. An Engineer Imagines, Peter Rice Peter was a humanist and these beliefs are clearly pres- The design team for the Pompidou Center, which included Peter ent in his work. -
Today's News - Tuesday, November 20, 2007 in Santa Monica, a Humble Parking Garage Is Humble No More
Home Yesterday's News Calendar Contact Us Subscribe Today's News - Tuesday, November 20, 2007 In Santa Monica, a humble parking garage is humble no more. -- Karachi builds - without architects creates a "doom-and-gloom scenario." -- Planning Havana in a post-Castro Cuba. -- Sarasota school board presented with 5 proposals to save Rudolph's Riverview High School (they might still go for demolition). -- The saga of 3XN's Liverpool museum rift continues. -- Pinewood Studios plan includes a downtown New York - and 2,000 green homes. -- Campbell on the lessons Harvard can learn from Cincinnati campus: should Allston campus be a "world's fair" of starchitects? -- NYT HQ: Ouroussoff gives (mostly) thumbs-up to his own new digs. -- Hume on Edmonton's efforts to rise above anonymity. -- Farrelly on Seidler's glamorous new aquatic center: "the most delicious indoor swimming experience in town" (if only she could find the front door). -- Ground Zero memorial: Arad on dealing with "an imbroglio of politicians, architects, public officials and interest groups." -- A crematorium in India "shows that architecture can help give places of death and mourning a quiet dignity" (unless you work there). -- Kennicott on D.C.'s new home for Shakespeare: "refreshing to see architecture that is unafraid of the random dangers of urban life in the 21st century." -- Richard Rogers continues to wage "war against the Prince of Wales, architectural conservatism and cities gone to the dogs."-- Cramer's call for traditional design to be brought back into mainstream architectural education. -- King digs up Polk's 19th century pokes at San Francisco (some things never change). -
ATINER's Conference Paper Series ARC2017-2353
ATINER CONFERENCE PAPER SERIES No: LNG2014-1176 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series ARC2017-2353 Manipulated Traces: Architectural Post- Productions’ Contemporary Techniques Fabio Sorriga PhD Student Sapienza University of Rome Italy Ruggero Lenci Tutor-Architectural Design Professor Sapienza University of Rome Italy 1 ATINER CONFERENCE PAPER SERIES No: ARC2017-2353 An Introduction to ATINER's Conference Paper Series Conference papers are research/policy papers written and presented by academics at one of ATINER‟s academic events. ATINER‟s association started to publish this conference paper series in 2012. All published conference papers go through an initial peer review aiming at disseminating and improving the ideas expressed in each work. Authors welcome comments. Dr. Gregory T. Papanikos President Athens Institute for Education and Research This paper should be cited as follows: Sorriga, F. and Lenci, R. (2018). "Manipulated Traces: Architectural Post- Productions’ Contemporary Techniques", Athens: ATINER'S Conference Paper Series, No: ARC2017-2353. Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN: 2241-2891 17/09/2018 2 ATINER CONFERENCE PAPER SERIES No: ARC2017-2353 Manipulated Traces: Architectural Post-Productions’ Contemporary Techniques Fabio Sorriga Ruggero Lenci Abstract Interventions on existing buildings are increasing every day. The actions do not only affect buildings to be preserved for their history or importance, but also “Tiers-Paysage”: in other words, abandoned or marginal residual places and buildings become objects of interest. -
Andrew Donaldson 31.7.8
raiaduluxlondon studytour12may 16may2008repo rtandrewdonald sonarchitectmar s h a l l j u l y 2 0 0 8 contents 2 introduction 3 grandad’s joint 4 chalk & layers 4 field technology 5 doctor evil 5 terror & sport 6 noble plastic 7 the orphanage 7 models & guitars 9 riot by the canals 10 chalk & layers continued 11 competition machines 11 inspirational compromise 12 suck em’ in, suck em’ ‘round 13 rich kids 14 everybody loves richard 14 outcomes 15 conclusion 16 2 introduction I have recently returned from the inaugural RAIA Dulux London Study Tour, as 1 of 5 emerging architects to tour contemporary buildings and architects studios around London. It was a fantastic and irreplaceable gift to experience Herzog & De Mueron’s Laban Dance Centre and Tate Modern; Norman Foster’s Swiss Re tower and Council House; and David Adjaye’s IDEA Store and Rivington Place to name but a few. A good university imbues the theory of great space, and the making of great space comes slowly over time in practice, but architecture is a visceral art at its most transcendental. Therefore experience beyond the image to the actual site of such architecture is fundamental to the development of any aspiring architect. The added and unexpected highlight to the tour was the eye-opening experience of visiting diverse studios of London’s world famous architects. The scared creatures working in Zaha Hadid’s paperless, model-less ex- elementary school sweatshop and Norman Foster’s plan for World-Fosterisation with his 100 0 or so minions contrasted vividly with the exquisite creativity of David Chipperfield’s model based studio, the sublime output of ideas by small office youngsters Carmody Groarke, and the palpable philanthropy of Richard Rogers and his extended architectural family. -
Biography of the HONORABLE RICHARD DEAN ROGERS Senior United States District Judge by Homer E. Socolofsky
r Biography of THE HONORABLE RICHARD DEAN ROGERS Senior United States District Judge r By Homer E. Socolofsky 1 1 Copyright © 1995 by The United States District Court, Kansas District This biography is made available for research purposes. All rights to the biography, including the right to publish, are reserved to the United States District Court, District of Kansas. No part of the biography may be quoted for publication without the permission of the Court. Requests for permission to quote for publication should be addressed to the Clerk of the Court, United States District Court, District of Kansas, and should include identification of the specific passages to be quoted, anticipated use of the passages, and identification of the user. ff^ It is recommended that this biography be cited as follows: Richard DeanDean Rogers, Rogers, "Biography "Biography of the of Honorable the Honorable Richard RichardDean Rogers, Dean Senior Rogers, United Senior States United States "1 District Judge,*Judge," aa historyhistory prepared 1994-1995 by Homer Socolofsky, United States District Court, DistrictT C i a + T »of i # Kansas, * + 1995. A f l T o n e o o 1 Q O R - > Printed in U.SA. by Mennonite Press, Inc., Newton, Kansas 67114 'v.r The Honorable Richard Dean Rogers | in m ftp) PI TTie United States District Court gratefully ^1 acknowledges the contributions of the Kansas Federal Bar jpt v. W\ spp ifS 1*1 53} p The Honorable Richard Dean Rogers - r r r r r The Honorable Richard Dean Rogers vii ipfy ij$B| Preface wi legal terms and procedure in extended tape- 1B^ last December, inviting me to write recorded sessions. -
Early Sustainable Architecture in Hanging
Review articles • Oorsigartikels Christo Vosloo Prof. Christo Vosloo, Graduate School of Architecture, Faculty of Art, Design & Architecture, Published by the UFS University of Johannesburg, http://journals.ufs.ac.za/index.php/as P.O. Box 524, Auckland © Creative Commons With Attribution (CC-BY) Park, 2006, Johannesburg, How to cite: Vosloo, C. 2020. Early sustainable architecture South Africa. in hanging skyscrapers – A comparison of two financial office buildings. Acta Structilia, 27(1), pp. 144-177. Phone: +27 (0) 11 559 1105, E-mail: <[email protected]> ORCID: https://orcid. EARLY SUSTAINABLE org/0000-0002-2212-1968 ARCHITECTURE IN HANGING SKYSCRAPERS DOI: http://dx.doi. org/10.18820/24150487/as27i1.6 – A COMPARISON OF TWO ISSN: 1023-0564 FINANCIAL OFFICE BUILDINGS e-ISSN: 2415-0487 Acta Structilia 2020 27(1): 144-177 Peer reviewed and revised March 2020 Published June 2020 *The authors declared no conflict of interest for the article or title ABSTRACT Reuse, or the ability to continue using an item or building beyond the initial function, is a key concept in the literature on sustainability. This implies that a building should be designed in a way that will allow it to be repurposed when changing circumstances require changes in its layout or function; being energy efficient and environmentally sensitive is not enough. The building also needs to be financially viable and the people whose lives are impacted by it should wish to have it retained. As far as flexibility of high-rise or skyscraper buildings is concerned, the structural system and layout are some, but not the only aspects that are of particular importance in this regard. -
Conservation Management Plan for the National Theatre Haworth Tompkins
Conservation Management Plan For The National Theatre Final Draft December 2008 Haworth Tompkins Conservation Management Plan for the National Theatre Final Draft - December 2008 Haworth Tompkins Ltd 19-20 Great Sutton Street London EC1V 0DR Front Cover: Haworth Tompkins Ltd 2008 Theatre Square entrance, winter - HTL 2008 Foreword When, in December 2007, Time Out magazine celebrated the National Theatre as one of the seven wonders of London, a significant moment in the rising popularity of the building had occurred. Over the decades since its opening in 1976, Denys Lasdun’s building, listed Grade II* in 1994. has come to be seen as a London landmark, and a favourite of theatre-goers. The building has served the NT company well. The innovations of its founders and architect – the ampleness of the foyers, the idea that theatre doesn’t start or finish with the rise and fall of the curtain – have been triumphantly borne out. With its Southbank neighbours to the west of Waterloo Bridge, the NT was an early inhabitant of an area that, thirty years later, has become one of the world’s major cultural quarters. The river walk from the Eye to the Design Museum now teems with life - and, as they pass the National, we do our best to encourage them in. The Travelex £10 seasons and now Sunday opening bear out the theatre’s 1976 slogan, “The New National Theatre is Yours”. Greatly helped by the Arts Council, the NT has looked after the building, with a major refurbishment in the nineties, and a yearly spend of some £2million on fabric, infrastructure and equipment. -
The Work of Foster and Partners Specialist Modelling Group
The Work of Foster and Partners Specialist Modelling Group Brady Peters and Xavier DeKestellier Foster and Partners Architects and Designers Riverside Three 22 Hester Road London, UK SW11 4AN Abstract The following paper is a brief introduction to Foster and Partners and the work of its Specialist Modelling Group (SMG). The SMG was formed in 1997 and has been involved in over 100 projects. The SMG expertise encompasses architecture, art, math and geometry, environmental analysis, geography, programming and computation, urban planning, and rapid prototyping. The SMG brief is to carry out project-driven research and development. The group consults in the area of project workflow, advanced three-dimensional modelling techniques, and the creation of custom digital tools. The specialists in the team are a new breed of architectural designer, requiring an education based in design, math, geometry, computing, and analysis. 1. Foster and Partners Foster and Partners is an international studio for architecture, planning and design led by Norman Foster and a group of Senior Partners. Norman Foster's philosophy of integration can be seen in the way the practice's London design studio works; it is essentially one large open space, shared equally by everyone, and free of subdivisions to encourage good communication between the many people who come together there. The practice's work ranges in scale from the largest construction project on the planet, Beijing International airport to its smallest commission, a range of door furniture. The scope of its work includes masterplans for cities, the design of buildings, interior and product design, graphics and exhibitions. These can be found throughout the world, from Britain, Europe and Scandinavia to the United States, Hong Kong, Japan, China, Malaysia, Saudi Arabia and Australia. -
Buildings for the Performing Arts This Page Intentionally Left Blank Buildings for the Performing Arts a Design and Development Guide
Buildings for the Performing Arts This page intentionally left blank Buildings for the Performing Arts A design and development guide Second Edition Ian Appleton AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Architectural Architectural Press is an imprint of Elsevier Press Architectural Press is an imprint of Elsevier Ltd Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Road, Burlington, MA 01803 First published 1996 Reprinted 1997 Second edition 2008 Copyright © 2008 Ian Appleton. Published by Elsevier Limited. All rights reserved The right of Ian Appleton to be identified as the author of this work ha been asseted in accordance with the copyright, Designs and Patents Act 1988 No part of this publication may be reproduced stored in a retrieval system or transmitted in any form or by any means electronic, mechincal, photocopying, recording or otherwise without the prior written permission of the publisher Permission may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone (ϩ44) (0) 1865 843830; fax (ϩ44) (0) 1865 853333; email: [email protected]. Alternatively you can submit your request online by visiting the Elsevier web site at http://elsevier.com/locate/ permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons to property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein. Becuse or rapid advances in the medical sciences, in particular, independent verification of diagnoses and drug dosages should be made. -
Today's News - Wednesday, October 17, 2007 an Impressive Shortlist for Post-2012 Olympics Master Plan
Home Yesterday's News Calendar Contact Us Subscribe Today's News - Wednesday, October 17, 2007 An impressive shortlist for post-2012 Olympics master plan. -- PlaNYC2030 should take lessons from London re: setting efficiency standards on commercial property. -- Architects' refusal to embrace technological innovations invites their extinction. -- Why aren't all buildings architectural (and sustainable) gems? -- Architecture as crime-prevention strategy: make the criminals fearful. -- It's thumbs-up for Chipperfield's re-design of Turner Contemporary. -- Goldberger is tickled by Alsop's wit. -- On Meier's "restless imagination" and "demiurgic aura." -- On student housing and the drive for quality. -- In Sarasota, a pioneer project in retirement living gets ready for major makeover. -- Edinburgh's Music Box ready to hit the high notes. -- China's Tongji University is determined to be the champion in clean technology. -- Will it be Powell Buff or London Fog for Guggenheim's restored façade? -- Sir Basil Spence: a retrospective and a reassessment of his reputation. -- Battle of Ideas Festival launches next week. -- How to photograph a green building. -- We couldn't resist: a slide show of Levittown through the years. To subscribe to the free daily newsletter click here Olympic shortlist announced for legacy masterplan: Six make shortlist for for post-2012 regeneration of Lower Lea Valley and Olympic Park -- EDAW/Allies Morrison/McDowell + Benedetti/Caruso St John/Haworth Tompkins/Maccreanor Lavington/Panter Hudspith/S333/etc.; Arup/Fletcher