Proposed Evacuation Links at Height in the World Trade Center Design Entries
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The Glasgow School of Art Oration for Andy Bow Andy Bow Sir Norman
The Glasgow School of Art Oration for Andy Bow Andy Bow Sir Norman Foster once said, “As an architect you design for the present, with an awareness of the past and for a future which is essentially unknown.” Andy Bow is a senior partner in Foster and Partners, arguably the world’s most consistently innovative post war architectural practice. Since its inception in 1963, the practice has won an unprecedented number of international awards and competitions. Its output ranges from city masterplans to door handles; from yachts and bridges to light fittings. Few practices have embraced the uncertainties of the future so positively and with such confidence. Andy Bow has always displayed the key qualities of the very best Mac graduate; a sense of adventure and unbounded energy, a predisposition to collaboration, a passion for drawing, a generous spirit and the ability to remain close to both local roots and international horizons. These were all in evidence when, shortly after graduating and in collaboration with his long-standing friends and current Mac tutors Ian Alexander and Henry McKeown, they won the prestigious Manhattan Waterfront Competition. Chancellor, Andy Bow was born in 1961 in Edinburgh. He attended George Watson’s College, Telford College of Further Education and the Mackintosh School of Architecture at the Glasgow School of Art. Like myself, he chose to mix practice and education by joining the Mac’s part time course; a heady mixture of daytime office responsibilities and evening classes. When he eventually became a full time student, his studio design reviews quickly attracted attention. The potent mixture of his astonishing drawings and memorable exchanges with staff, particularly professors Andy McMillan and the late Isi Metzstein became must –see events for his fellow students. -
SMITH HOUSE Sean Corriveau ARCH 211 Architect Richard Meier
SMITH HOUSE Sean Corriveau ARCH 211 Architect Richard Meier Location Darien, Connecticut Date 1965 to 1967 timeline Building Type house Construction System vertical wood siding Climate temperate Context suburban Style Modern Notes Simple forms and materials for a reserved modern sculptural expression. http://www.greatbuildings.com/buildings/Smith_House.html Frampton, Kenneth. Richard Meier and the City in Miniature . New York: St. http://richardmeirer.com Martin’s press 1990. P23 Jodidio, Philip. An Richard Meier . Printed in Germany: Jodidio, Philip. An Richard Meier . Printed in Prestel, 1995. P54 Germany: Prestel, 1995. P55 SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in http://richardmeirer.com Germany: Prestel, 1995. P53 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P51 SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P50 SMITH HOUSE Sean Corriveau ARCH 211 Frampton, Kenneth. Richard Meier and the City in Miniature . New York: St. Martin’s press 1990. P23 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 Jodidio, Philip. An Richard Meier . Printed in Germany: Prestel, 1995. P53 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com http://richardmeirer.com SMITH HOUSE Sean Corriveau ARCH 211 Hejduk, John. Buildings and Projects 1966-1976 . New York: Prestel,Oxford Universtiy press 1978. P26 SMITH HOUSE Sean Corriveau ARCH 211 Hejduk, John. Buildings and Projects 1966- 1976 . New York: Prestel,Oxford Universtiy press 1978. P25 SMITH HOUSE Sean Corriveau ARCH 211 http://richardmeirer.com Hejduk, John. -
High Museum of Art
About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections. -
Preliminary Community Board #1 Committee Meeting Agendas February 2003
PRELIMINARY COMMUNITY BOARD #1 COMMITTEE MEETING AGENDAS FEBRUARY 2003 2/6 TRIBECA COMMITTEE - 6:00 PM – ROOM 709 1) Mitchell Lama housing buyout regulations – Report 2) Proposed plans for the new park at Canal, Varick and Light Streets - Presentation 2/10 WTC REDEVELOPMENT COMMITTEE – 5:30 PM – ROOM 709 1) Proposed transit center at Broadway/Fulton Streets – Presentation by the MTA 2) 7 World Trade Center – Presentation of new building (Tentative) 2/11 SEAPORT/CIVIC CENTER COMMITTEE - 5:30 PM - ROOM 709 1) Review of proposed street fairs for 2003 – Discussion 2) Seaport Rezoning – Update 3) NYU Downtown Hospital parking lot site – Update 4) Drumgoole Square – Update 2/11 FINANCIAL DISTRICT COMMITTEE – 6:00 PM- ROOM 501 1) Review of proposed street fairs for 2003 – Discussion 2/12 EXECUTIVE COMMITTEE - 5:30 PM – ROOM 709 1) Community recreation center, selection of an operator – Continued discussion and resolution 2) Street fairs in CB #1- Discussion 2/20 LANDMARKS COMMITTEE – 6:00 PM – ROOM 709 1) Agenda to be determined 2/24 QUALITY OF LIFE COMMITTEE – 5:30 PM – ROOM 709 1) 74 Leonard, The Knitting Factory, update on improvements made to address community complaints – Presentation by Scott Long 2) 313 Church Street, liquor license application for Zenana Inc – Resolution 3) 55 Liberty Street, liquor license application for Liberty Knights, LLC – Resolution 4) 301 Church Street, liquor license application for Bread in Tribeca, LLC – Resolution 5) 130 Duane Street, liquor license application for HHMP Church Street, LLC – Resolution 6) -
Pritzker Prize to Doshi, Designer for Humanity in Search of a Win-Win
03.19.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS Pritzker Prize to Doshi, Designer for Humanity The 2018 Pritzker Prize, universally considered the highest honor for an architect, will be conferred this year on the 90-year- old Balkrishna Doshi, the first Indian so honored. The citation from the Pritzker jury recognizes his particular strengths by stating that he “has always created architecture that is serious, never flashy or a follower of trends.” The never-flashy-or-trendy message is another indication from these arbiters of design that our infatuation with exotic three-dimensional configurations initiated by Frank Gehry and Zaha Hadid – and emulated by numerous others – may have run its course. FULL STORY ON PAGE 3… In Search of a Win-Win: The Value Engineering Process When most design professionals hear the term value engineering, a dreaded sinking feeling deep in the pit of their stomach ensues. Both the design firm and the contractor are at a disadvantage in preserving the look and design intent of the project, keeping construction costs to a minimum, and delivering the entire package on time. officeinsight contributorPeter Carey searches for solutions that make it all possible. FULL STORY ON PAGE 14… Concurrents – Environmental Psychology: Swedish Death Cleaning First, Chunking Second Swedish death cleaning has replaced hygge as the hottest Scandinavian life management tool in the U.S. Margareta CITED: Magnussen’s system for de-cluttering, detailed in her book, The “OUR FATE ONLY SEEMS Gentle Art of Swedish Death Cleaning: How to Make Your Loved HORRIBLE WHEN WE PLACE Ines’ Lives Easier and Your Own Life More Pleasant, is a little IT IN CONTRAST WITH more straightforward than Marie Kondo’s more sentimental tact, SOMETHING THAT WOULD SEEM PREFERABLE.” described in The Life-Changing Magic of Tidying Up. -
Pratt Manhattan Gallery and Van Alen Institute to Present an Exhibition That Examines the Worldwide Phenomenon of Urban Declin
MEDIA CONTACTS Pratt Manhattan Gallery Pratt Manhattan Gallery Mara McGinnis Tel: 718.636.3471 and Van Alen Institute to Email: [email protected] Van Alen Institute present an exhibition that Antoine Vigne, Blue Medium, Inc. Tel: 212.675.1800 examines the worldwide Email: [email protected] Project Office Shrinking Cities phenomenon of urban Astrid Herbold Eisenacher Strasse 74 Berlin, D-10823 decline and possibilities Tel: +49 (30) 81 82 19 06 Email: [email protected] of creative intervention Shrinking Cities, International Research NEW YORK, N.Y., November 15, 2006 —While December 8, 2006 – January 21, 2007 international urban discourse focuses exclusively on the Opening Reception: growing megalopolises, zones of shrinkage have been 5:30 – 7:30 PM, Thursday, December 7 forming and are generally ignored. Shrinking Cities, a Van Alen Institute four year project of the German Federal Cultural 30 West 22nd Street, 6th floor Foundation, has investigated the worldwide phenomenon New York, NY 10010 212.924.7000 of urban shrinkage by focusing on four urban regions: Detroit (USA), Halle/Leipzig (Germany), Manchester/ Shrinking Cities, Interventions Liverpool (U.K.), and Ivanovo (Russia). December 8, 2006 – February 17, 2007 Opening Reception: The project included two phases, during which a network of 6:30 – 8:30 PM, Thursday, December 7 more than 200 artists, architects, academics, and local initiatives Gallery: Monday – Friday, 10 AM – 6 PM approached the question, “How can we grasp urban decline and Pratt Manhattan Gallery what do we do with shrinking cities?” The results have been 144 West 14th Street, 2nd floor presented in two exhibitions, several books, digital publications, New York, NY 10011 and numerous public events. -
The Politics of Planning the World's Most Visible Urban Redevelopment Project
The Politics of Planning the World's Most Visible Urban Redevelopment Project Lynne B. Sagalyn THREE YEARS after the terrorist attack of September 11,2001, plans for four key elements in rebuilding the World Trade Center (WC) site had been adopted: restoring the historic streetscape, creating a new public transportation gate- way, building an iconic skyscraper, and fashioning the 9/11 memorial. Despite this progress, however, what ultimately emerges from this heavily argued deci- sionmakmg process will depend on numerous design decisions, financial calls, and technical executions of conceptual plans-or indeed, the rebuilding plan may be redefined without regard to plans adopted through 2004. These imple- mentation decisions will determine whether new cultural attractions revitalize lower Manhattan and whether costly new transportation investments link it more directly with Long Island's commuters. These decisions will determine whether planned open spaces come about, and market forces will determine how many office towers rise on the site. In other words, a vision has been stated, but it will take at least a decade to weave its fabric. It has been a formidable challenge for a city known for its intense and frac- tious development politics to get this far. This chapter reviews the emotionally charged planning for the redevelopment of the WTC site between September 2001 and the end of 2004. Though we do not yet know how these plans will be reahzed, we can nonetheless examine how the initial plans emerged-or were extracted-from competing ambitions, contentious turf battles, intense architectural fights, and seemingly unresolvable design conflicts. World's Most Visible Urban Redevelopment Project 25 24 Contentious City ( rebuilding the site. -
March 2010 for on Line Alumni Notes
Alumni Notes – March 2010 news items collected over the past year 1946 I.M. Pei, MArch, received the Royal Institute of British Architects’ prestigious Royal Gold Medal, one of the industry’s most lauded awards given in recognition of an architect’s lifetime work. Pei Cobb Freed & Partners was named one of six architecture teams that will compete to design the National Museum of African American History and Culture on the Mall in the shadow of the Washington Monument. 1954 Maki & Associates, the firm of Fumihiko Maki, MArch, presented at the Icon track of The Design Conference in Mumbai, hosted by 361˚: The Degree of Difference. Maki’s new design for the MIT Media Lab was featured in an article in the Boston Sunday Globe by Robert Campbell, MArch ’67. Maki recently spoke at the GSD in conversation with Mark Mulligan, GSD Adjunct Associate Professor of Architecture. 1957 Frank Gehry, DES, and his houses are the subject of a new book, Frank Gehry: The Houses, by Mildred Friedman. This is the first title devoted exclusively to the residential works of Gehry. In December 2009, the Signature Theatre Company announced that it raised $41 million of the $60 million goal for its new theater designed by Gehry. The City of New York is contributing $25 million to the fulfillment of the project. Gehry also designed a unique clubhouse for the Saadiyat Beach Golf Club, the only beachfront golf course in the Persian Gulf. Gehry appeared in September at the GSD in a public conversation with Joe Brown as part of the Design Firm Leadership Conference. -
Congratulations to the 2019 AIA New York State Design & Honor Award
Congratulations to the 2019 AIA New York State Design & Honor Award Winners! The 2019 AIA New York State Design & Honor Award recipients were recognized at a luncheon held on December 6, 2019 in White Plains, NY. Annually since 1968, AIA New York State’s Annual Design Awards celebrate local, national and international projects that achieve architectural excellence designed by architects throughout New York State. Twenty five projects were recognized for Citation, Merit and Honor Awards in the following categories: Adaptive Reuse/Historic Preservation, Commercial/Industrial, Institutional, Interiors, International, Pro Bono Projects, Residential, Sole Practitioner, Unbuilt and Urban Planning/Design. The Design Awards Jury, including Jury Chair Chris Dawson, AIA of Chris Dawson Architect; Jen Zaborney of Best Space; Joseph Biondo, FAIA of Spillman Farmer Architects; and Peter Bohlin, FAIA of Bohlin Cywinski Jackson, had the challenge of choosing a handful of winners out of almost three hundred submissions. Out of the 25 award recipients, the jury also selected one project considered to be the “Best of the Best.” This year’s Mark Vincent Kruse, AIA, 2019 AIANYS President recipient is The Statue of Liberty Museum, designed presents the "Best of the Best" Award to Brandon Massey, AIA of FXCollaborative for the Statue of by FXCollaborative. Liberty Museum. The jury members stated, “Great architecture has the potential to disappear from public sight when the line between building and landscape are blurred. The Statue of Liberty Museum is conceived with great purpose and resolve and elevates itself to much more than a history museum.” AIA New York State’s Annual Honor Awards celebrate emerging professionals, architects, firms and educators throughout New York State that have contributed significantly to the profession of F. -
Early Sustainable Architecture in Hanging
Review articles • Oorsigartikels Christo Vosloo Prof. Christo Vosloo, Graduate School of Architecture, Faculty of Art, Design & Architecture, Published by the UFS University of Johannesburg, http://journals.ufs.ac.za/index.php/as P.O. Box 524, Auckland © Creative Commons With Attribution (CC-BY) Park, 2006, Johannesburg, How to cite: Vosloo, C. 2020. Early sustainable architecture South Africa. in hanging skyscrapers – A comparison of two financial office buildings. Acta Structilia, 27(1), pp. 144-177. Phone: +27 (0) 11 559 1105, E-mail: <[email protected]> ORCID: https://orcid. EARLY SUSTAINABLE org/0000-0002-2212-1968 ARCHITECTURE IN HANGING SKYSCRAPERS DOI: http://dx.doi. org/10.18820/24150487/as27i1.6 – A COMPARISON OF TWO ISSN: 1023-0564 FINANCIAL OFFICE BUILDINGS e-ISSN: 2415-0487 Acta Structilia 2020 27(1): 144-177 Peer reviewed and revised March 2020 Published June 2020 *The authors declared no conflict of interest for the article or title ABSTRACT Reuse, or the ability to continue using an item or building beyond the initial function, is a key concept in the literature on sustainability. This implies that a building should be designed in a way that will allow it to be repurposed when changing circumstances require changes in its layout or function; being energy efficient and environmentally sensitive is not enough. The building also needs to be financially viable and the people whose lives are impacted by it should wish to have it retained. As far as flexibility of high-rise or skyscraper buildings is concerned, the structural system and layout are some, but not the only aspects that are of particular importance in this regard. -
New York — 24 September 2019
ÁLVARO SIZA Curated by Guta Moura Guedes New York — 24 September 2019 PRESS KIT A Bench For a Tower The First Stone programme is offering a bench made of Portuguese Estremoz marble, designed by Álvaro Siza, for his Tower in New York. The presentation of the bench is on the 24th of September at the sales gallery of the building in Manhattan and includes a presentation by the architect. After several projects developed and presented in Venice, Milan, Weil am Rhein, São Paulo, London, Lisbon and New York, the First Stone programme returns to this iconic North-American city - this time to present Hell’s Kitchen Bench, designed by the Pritzker Prize winning architect Álvaro Siza, specifically for the lobby of his new tower on the island of Manhattan. Hell’s Kitchen Bench is a large-scale streamlined bench, created for one of the most striking new residential projects in New York city: 611 West 56th Street, the first building by Álavro Siza, one of the greatest architects of our time, on American soil. This bench, also designed by the Architect, was commissioned within the scope of the First Stone programme, which has become a cornerstone for the promotion of Portuguese stone and its industry throughout the world. The bench is a gift from the First Stone programme and will be permanently installed within the lobby of this skyscraper. Its presentation to the press and a select group of guests will occur in New York on Tuesday the 24th of September around 4:30 pm, and will include the participation of Álvaro Siza. -
The Work of Foster and Partners Specialist Modelling Group
The Work of Foster and Partners Specialist Modelling Group Brady Peters and Xavier DeKestellier Foster and Partners Architects and Designers Riverside Three 22 Hester Road London, UK SW11 4AN Abstract The following paper is a brief introduction to Foster and Partners and the work of its Specialist Modelling Group (SMG). The SMG was formed in 1997 and has been involved in over 100 projects. The SMG expertise encompasses architecture, art, math and geometry, environmental analysis, geography, programming and computation, urban planning, and rapid prototyping. The SMG brief is to carry out project-driven research and development. The group consults in the area of project workflow, advanced three-dimensional modelling techniques, and the creation of custom digital tools. The specialists in the team are a new breed of architectural designer, requiring an education based in design, math, geometry, computing, and analysis. 1. Foster and Partners Foster and Partners is an international studio for architecture, planning and design led by Norman Foster and a group of Senior Partners. Norman Foster's philosophy of integration can be seen in the way the practice's London design studio works; it is essentially one large open space, shared equally by everyone, and free of subdivisions to encourage good communication between the many people who come together there. The practice's work ranges in scale from the largest construction project on the planet, Beijing International airport to its smallest commission, a range of door furniture. The scope of its work includes masterplans for cities, the design of buildings, interior and product design, graphics and exhibitions. These can be found throughout the world, from Britain, Europe and Scandinavia to the United States, Hong Kong, Japan, China, Malaysia, Saudi Arabia and Australia.