The Imaginative Engineer
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Renzo Piano Building Workshop
Renzo Piano Building Workshop Renzo Piano Antonio Belvedere Founding Partner, Chairman Partner-director In charge of the V-A-C Cultural Space, Moscow Company Profile Renzo Piano was born in Genoa in 1937 Born in 1969, Antonio Belvedere graduated into a family of builders. in architecture from the University of The Renzo Piano Building Workshop While studying at Politecnico of Milan Florence. He joined RPBW’s Paris (RPBW) is an international architectural University, he worked in the office of office in 1999, working on phase three practice with offices in Paris and Genoa. Franco Albini. of the Fiat Lingotto factory conversion In 1971, he set up the “Piano & Rogers” project, particularly on the design of the The Workshop is led by eight partner- office in London together with Richard Polytechnic and the Pinacoteca Agnelli. directors, including the founder and Pritzker Rogers, with whom he won the competition He was subsequently lead architect on Prize laureate, architect Renzo Piano, and for the Centre Pompidou. He subsequently the masterplan for Columbia University’s 3 partners. The company permanently moved to Paris. Manhattanville development in New York. employs nearly 130 people. Our 90- From the early 1970s to the 1990s, he Following promotion to Associate in 2004, plus architects are from all around the worked with the engineer Peter Rice, he worked on the masterplan for the ex- world, each selected for their experience, sharing the Atelier Piano & Rice from 1977 Falck area in Milan. enthusiasm and calibre. to 1981. He became a Partner in 2011. Recently The company’s staff has the expertise to In 1981, the “Renzo Piano Building completed projects include the Valletta City provide full architectural design services, Workshop” was established, with 150 staff Gate in Malta. -
Peter Rice (1935-1992) and Richard Rogers (1933)
Module 8 HISTORY OF ARCHITECTURE PETER RICE (1935-1992) AND RICHARD ROGERS (1933) Peter Rice was one of the most imaginative and gifted structural engineers of the late 20th century. He was much loved by the architects with whom he collaborated, and together they achieved some of the most technically ingenious buildings of the period. He was born in Dundalk, Ireland, in 1935 and studied engineering at Queens University in Belfast and Imperial College London. In 1956, he joined the engineering practice of Ove Arup and Partners, which he collaborated with for 30 years. His first major project was working on the Sydney Opera House (designed by Jørn Utzon) when he was only 28. It was this project which gave him the experience of working on a large and complex project – a knowledge he would put to good use in his future career. Rice worked closely on major projects with architects such as Norman Foster, Ian Ritchie, Kenzo Tange and Renzo Piano. Piano said of him, “Peter Rice is one of those engineers who has greatly contributed to architecture, reaffirming the deep creative inter-connection between humanism and science, between art and technology.” The long list of significant buildings for which his rigorous approach created poetic results includes a series studies of structural forms and the possibilities of various materials – concrete at Lloyd’s of London (designed by Richard Rogers), glass at Les Serres at La Villette in Paris, ferro-cement and iron at the Menil Collection Museum in Houston (designed by Renzo Piano), and stone at the Pabellón del Futuro, Expo ’92 in Sevilla, Spain, to name a few. -
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower by KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO
Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower BY KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO We were just getting used to the idea of seeing a sensuous Zaha Hadid building on the corporate-modernist boulevard that is Manhattan’s Park Avenue, but looks like we’ll have to keep dreaming. An invited competition to design a new Park Avenue office building for L&L Holdings and Lemen Brothers Holdings pitted starchitect against starchitect (with a shortlist including Hadid and Rem Koolhaas’s firm OMA). In the end, Lord Norman Foster came out victorious. “Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context,” said Norman Foster in a statement, according to The Architects’ Newspaper. Foster described the building as “for the city and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.” The winning design (pictured left) is a three-tiered, 625,000-square-foot tower. With sky-high landscaped terraces, flexible floor plates, a sheltered street-level plaza, and LEED certification, the building does seem to reiterate some of the same principles seen in the Lever House and Seagram Building, Park Avenue’s current office tower icons, but with markedly updated standards. Only time will tell if Foster’s building can achieve the same timelessness as its mid-century predecessors, a feat that challenged a slew of architects as Park Avenue cultivated its corporate identity in the 1950s and 60s. -
The Pritzker Architecture Prize1998[1]. RENZO PIANO 2
Photo by M. Denancé Reconstruction of the Atelier Brancusi, Paris, France — 1997 Photo by C. Richters Photo by M. Denancé The Beyeler Foundation Museum Basel, Switzerland 1997 Ushibuka Bridge linking three islands of the Amakusa Archipelago, Japan — 1997 Photo by Paul Hester The Menil Collection Museum Houston, Texas — 1987 Photo by Paul Hester Drawing illustrating the roof system of “leaves” for adjusting the amount of light admitted to the galleries. Photo by Hickey Robertson The Cy Twombly Gallery at the Menil Collection Museum Houston, Texas — 1995 Photo by Hickey Robertson THE ARCHITECTURE OF RENZO PIANO — A T RIUMPH OF CONTINUING CREATIVITY BY COLIN AMERY AUTHOR AND ARCHITECTURAL CRITIC, THE FINANCIAL TIMES SPECIAL ADVISOR TO THE WORLD MONUMENTS FUND It was modern architecture itself that was honored at the White House in Washington, D.C. on June 17, 1998. The twentieth anniversary of the Pritzker Prize and the presentation of the prestigious award to Renzo Piano made for an extraordinary event. Piano’s quiet character and almost solemn, bearded appearance brought an atmosphere of serious, contemporary creativity to the glamorous event. The great gardens and the classical salons of the White House were filled with the flower of the world’s architectural talent including the majority of the laureates of the previous twenty years. But perhaps the most significant aspect of the splendid event was the opportunity it gave for an overview of the recent past of architecture at the very heart of the capital of the world’s most powerful country. It was rather as though King Louis XIV had invited all the greatest creative architects of the day to a grand dinner at Versailles. -
Today's News - Tuesday, November 20, 2007 in Santa Monica, a Humble Parking Garage Is Humble No More
Home Yesterday's News Calendar Contact Us Subscribe Today's News - Tuesday, November 20, 2007 In Santa Monica, a humble parking garage is humble no more. -- Karachi builds - without architects creates a "doom-and-gloom scenario." -- Planning Havana in a post-Castro Cuba. -- Sarasota school board presented with 5 proposals to save Rudolph's Riverview High School (they might still go for demolition). -- The saga of 3XN's Liverpool museum rift continues. -- Pinewood Studios plan includes a downtown New York - and 2,000 green homes. -- Campbell on the lessons Harvard can learn from Cincinnati campus: should Allston campus be a "world's fair" of starchitects? -- NYT HQ: Ouroussoff gives (mostly) thumbs-up to his own new digs. -- Hume on Edmonton's efforts to rise above anonymity. -- Farrelly on Seidler's glamorous new aquatic center: "the most delicious indoor swimming experience in town" (if only she could find the front door). -- Ground Zero memorial: Arad on dealing with "an imbroglio of politicians, architects, public officials and interest groups." -- A crematorium in India "shows that architecture can help give places of death and mourning a quiet dignity" (unless you work there). -- Kennicott on D.C.'s new home for Shakespeare: "refreshing to see architecture that is unafraid of the random dangers of urban life in the 21st century." -- Richard Rogers continues to wage "war against the Prince of Wales, architectural conservatism and cities gone to the dogs."-- Cramer's call for traditional design to be brought back into mainstream architectural education. -- King digs up Polk's 19th century pokes at San Francisco (some things never change). -
Renzo Piano 1998 Laureate Essay
Renzo Piano 1998 Laureate Essay The Architecture of Renzo Piano—A Triumph of Continuing Creativity By Colin Amery Author and Architectural Critic, The Financial Times Special Advisor to the World Monuments Fund It was modern architecture itself that was honored at the White House in Washington, D.C. on June 17, 1998. The twentieth anniversary of the Pritzker Prize and the presentation of the prestigious award to Renzo Piano made for an extraordinary event. Piano’s quiet character and almost solemn, bearded appearance brought an atmosphere of serious, contemporary creativity to the glamorous event. The great gardens and the classical salons of the White House were filled with the flower of the world’s architectural talent including the majority of the laureates of the previous twenty years. But perhaps the most significant aspect of the splendid event was the opportunity it gave for an overview of the recent past of architecture at the very heart of the capital of the world’s most powerful country. It was rather as though King Louis XIV had invited all the greatest creative architects of the day to a grand dinner at Versailles. In Imperial Washington the entire globe gathered to pay tribute to the very art of architecture itself. Renzo Piano was not overwhelmed by the brilliance of the occasion, on the contrary he seized his opportunity to tell the world about the nature of his work. In his own words, he firmly explained that architecture is a serious business being both art and a service. Those are perhaps two of the best words to describe Renzo Piano’s work. -
The Things They've Done : a Book About the Careers of Selected Graduates
The Things They've Done A book about the careers of selected graduates ot the Rice University School of Architecture Wm. T. Cannady, FAIA Architecture at Rice For over four decades, Architecture at Rice has been the official publication series of the Rice University School of Architecture. Each publication in the series documents the work and research of the school or derives from its events and activities. Christopher Hight, Series Editor RECENT PUBLICATIONS 42 Live Work: The Collaboration Between the Rice Building Workshop and Project Row Houses in Houston, Texas Nonya Grenader and Danny Samuels 41 SOFTSPACE: From a Representation of Form to a Simulation of Space Sean tally and Jessica Young, editors 40 Row: Trajectories through the Shotgun House David Brown and William Williams, editors 39 Excluded Middle: Toward a Reflective Architecture and Urbanism Edward Dimendberg 38 Wrapper: 40 Possible City Surfaces for the Museum of Jurassic Technology Robert Mangurian and Mary-Ann Ray 37 Pandemonium: The Rise of Predatory Locales in the Postwar World Branden Hookway, edited and presented by Sanford Kwinter and Bruce Mau 36 Buildings Carios Jimenez 35 Citta Apperta - Open City Luciano Rigolin 34 Ladders Albert Pope 33 Stanley Saitowitz i'licnaei Bell, editor 26 Rem Koolhaas: Conversations with Students Second Editior Sanford Kwinter, editor 22 Louis Kahn: Conversations with Students Second Edition Peter Papademitriou, editor 11 I I I I I IIII I I fo fD[\jO(iE^ uibn/^:j I I I I li I I I I I II I I III e ? I I I The Things They've DoVie Wm. -
Steel and Beyond
Metals, Machines and Modernity Crystal Palace, london, Joa&p/1 Paxton, t85t. Paradigm lor mau -prochx'ed 1, l teml bY lldlng. 6 One day'" OIIlput. Ford Mo!or Company, H ~hl.nd Pari< , Michigan, 1\1 14. 7 The building industry is currently undergoing the The decades following the construction of most rapid and radical transformation it has e)(pe· the Crystal Palace saw the deyelopment of econom rJenced in over a century. This change is in large ical steel smelting methods. The conditions were measure being led by the exploitation of new design, thus created for the steellrame - made 01 standard fabrication and assembly processes which make components that were mass-produced in widely possible the realization of buildings and structures dispersed factories and brought together for rapid that would not have been technically or economi dry assembly on site - t o become the paradigm cally feasible even ten years ago. The dogma of for the systems buildings that would dominate the mass production that dominated the 20th century. 20th century. The intrOduction of steel was impor epitomized by the universal steel section, is being tant, not only because it was shaped by industrial challenged by the liberating potential of computer processes of production, but also for its inherent aided design and manufacture, with profound impli material attributes. For the first time, architects and cations for the conceptualization and construction engineers had at their disposal a very strong mate of built form. rial with enormous capacity in tension as well as The last period of comparably fundamental compression. -
Andrew Donaldson 31.7.8
raiaduluxlondon studytour12may 16may2008repo rtandrewdonald sonarchitectmar s h a l l j u l y 2 0 0 8 contents 2 introduction 3 grandad’s joint 4 chalk & layers 4 field technology 5 doctor evil 5 terror & sport 6 noble plastic 7 the orphanage 7 models & guitars 9 riot by the canals 10 chalk & layers continued 11 competition machines 11 inspirational compromise 12 suck em’ in, suck em’ ‘round 13 rich kids 14 everybody loves richard 14 outcomes 15 conclusion 16 2 introduction I have recently returned from the inaugural RAIA Dulux London Study Tour, as 1 of 5 emerging architects to tour contemporary buildings and architects studios around London. It was a fantastic and irreplaceable gift to experience Herzog & De Mueron’s Laban Dance Centre and Tate Modern; Norman Foster’s Swiss Re tower and Council House; and David Adjaye’s IDEA Store and Rivington Place to name but a few. A good university imbues the theory of great space, and the making of great space comes slowly over time in practice, but architecture is a visceral art at its most transcendental. Therefore experience beyond the image to the actual site of such architecture is fundamental to the development of any aspiring architect. The added and unexpected highlight to the tour was the eye-opening experience of visiting diverse studios of London’s world famous architects. The scared creatures working in Zaha Hadid’s paperless, model-less ex- elementary school sweatshop and Norman Foster’s plan for World-Fosterisation with his 100 0 or so minions contrasted vividly with the exquisite creativity of David Chipperfield’s model based studio, the sublime output of ideas by small office youngsters Carmody Groarke, and the palpable philanthropy of Richard Rogers and his extended architectural family. -
Biography of the HONORABLE RICHARD DEAN ROGERS Senior United States District Judge by Homer E. Socolofsky
r Biography of THE HONORABLE RICHARD DEAN ROGERS Senior United States District Judge r By Homer E. Socolofsky 1 1 Copyright © 1995 by The United States District Court, Kansas District This biography is made available for research purposes. All rights to the biography, including the right to publish, are reserved to the United States District Court, District of Kansas. No part of the biography may be quoted for publication without the permission of the Court. Requests for permission to quote for publication should be addressed to the Clerk of the Court, United States District Court, District of Kansas, and should include identification of the specific passages to be quoted, anticipated use of the passages, and identification of the user. ff^ It is recommended that this biography be cited as follows: Richard DeanDean Rogers, Rogers, "Biography "Biography of the of Honorable the Honorable Richard RichardDean Rogers, Dean Senior Rogers, United Senior States United States "1 District Judge,*Judge," aa historyhistory prepared 1994-1995 by Homer Socolofsky, United States District Court, DistrictT C i a + T »of i # Kansas, * + 1995. A f l T o n e o o 1 Q O R - > Printed in U.SA. by Mennonite Press, Inc., Newton, Kansas 67114 'v.r The Honorable Richard Dean Rogers | in m ftp) PI TTie United States District Court gratefully ^1 acknowledges the contributions of the Kansas Federal Bar jpt v. W\ spp ifS 1*1 53} p The Honorable Richard Dean Rogers - r r r r r The Honorable Richard Dean Rogers vii ipfy ij$B| Preface wi legal terms and procedure in extended tape- 1B^ last December, inviting me to write recorded sessions. -
The Arup Journal
THE ARUP JOURNAL 25TH YEAR SPRING 1990 THEARUP Foreword Povl Ahm JOURNAL Chairman Ove Arup Partnership Vol.25 No.1 Spring 1990 Editor: David J. Brown Published by Art Editor: Ove Arup Partnership Desmond Wyeth FCSD 13 Fitzroy Street, Deputy Editor: London W1 P 680 Caroline Lucas Contents Foreword, The Arup Journal is now beginning its 25th year. It is difficult to believe, since by Povl Ahm 2 it seems only yesterday that Peter Dunican wrote his 'personal view' on the occasion of 10 years of the Journal. At least it seems only yesterday to me. Structural engineering: To some of our younger members it may seem like an eternity. some social and political implications, Sadly, Peter is not here to help to celebrate the birthday of what was so by Peter Dunican 3 definitely his baby. His love for communication and his commitment to this publication was essential for the creation of The Arup Journal in the first Stansted Airport Terminal: instance, and for its continued existence and growth over most of its life. the structure, Fortunately, he has not been alone in this effort. Rosemary Devine saw The by Jack Zunz, Martin Manning, Arup Journal through its first difficult years. Then Peter Haggett took over as David Kaye and Chris Jofeh 7 Editor in September 1968 and managed the difficult task of not only Liffey Valley Bridge, maintaining the high standard that had been set from the beginning, but in by Bill Smyth and John Higgins 16 fact developing and improving it through almost 20 years in charge. -
Charles-Bernard Gagnon Architecte Et Directeur Principal | Cargo Architecture | OAQ, MRAIC, OAIF
Charles-Bernard Gagnon Architecte et Directeur PrinciPAl | cArgo Architecture | OAQ, MRAIC, OAIF JDhm, Saint-Augustin de Desmaures, 2018 muSt QueBec + le cinQuième ÉtAge , 2012 + 2018 riVerVieWS, Résidence privée en bord de falaise, construction 2019 Charles-Bernard figure aux tableaux de l’Ordre des Architectes du Québec et l’Ordre des COllABORAtIOn / peRFORMAnCe / CRéAtIVIté Architectes d’Ile-de-France à Paris. Il cumule 20 années d’expérience à la conception et Charles-Bernard incarne et transmet, à travers une construction de projets de tous genres sur deux continents. Fondateur de son bureau pratique pro-active de l’architecture, un esprit du d’architecture à Québec, il dirige ce dernier avec une équipe de cinq professionnels design fonctionnaliste à l’échelle humaine et adapté talentueux aux habiletés complémentaires qui s’animent à la création d’espaces et de au contexte bâti (ou naturel), avec une forte intention bâtiments innovants sur plusieurs points : créativité, solutions techniques performantes de créer une valeur ajoutée pour les occupants et leurs et de mises en oeuvre stratégiques pour mener à terme chaque projet. environnements. parcouRs pROFessIOnnel Depuis 2013 Directeur Principal CARGO Architecture Inc. QuÉBec 2008 – 2013 Directeur Principal CGBWSTUDIO (Charles-Bernard Gagnon Building Workshop Inc.) QuÉBec 2006 – 2008 Directeur Principal Charles-Bernard Gagnon Building Workshop Inc. toronto 2003 – 2008 Chargé de projets Diamond and Schmitt Architects toronto 2000 – 2003 Project Architect Richard Rogers Partnership