Charles-Bernard Gagnon Architecte Et Directeur Principal | Cargo Architecture | OAQ, MRAIC, OAIF

Total Page:16

File Type:pdf, Size:1020Kb

Charles-Bernard Gagnon Architecte Et Directeur Principal | Cargo Architecture | OAQ, MRAIC, OAIF Charles-Bernard Gagnon Architecte et Directeur PrinciPAl | cArgo Architecture | OAQ, MRAIC, OAIF JDhm, Saint-Augustin de Desmaures, 2018 muSt QueBec + le cinQuième ÉtAge , 2012 + 2018 riVerVieWS, Résidence privée en bord de falaise, construction 2019 Charles-Bernard figure aux tableaux de l’Ordre des Architectes du Québec et l’Ordre des COllABORAtIOn / peRFORMAnCe / CRéAtIVIté Architectes d’Ile-de-France à Paris. Il cumule 20 années d’expérience à la conception et Charles-Bernard incarne et transmet, à travers une construction de projets de tous genres sur deux continents. Fondateur de son bureau pratique pro-active de l’architecture, un esprit du d’architecture à Québec, il dirige ce dernier avec une équipe de cinq professionnels design fonctionnaliste à l’échelle humaine et adapté talentueux aux habiletés complémentaires qui s’animent à la création d’espaces et de au contexte bâti (ou naturel), avec une forte intention bâtiments innovants sur plusieurs points : créativité, solutions techniques performantes de créer une valeur ajoutée pour les occupants et leurs et de mises en oeuvre stratégiques pour mener à terme chaque projet. environnements. parcouRs pROFessIOnnel Depuis 2013 Directeur Principal CARGO Architecture Inc. QuÉBec 2008 – 2013 Directeur Principal CGBWSTUDIO (Charles-Bernard Gagnon Building Workshop Inc.) QuÉBec 2006 – 2008 Directeur Principal Charles-Bernard Gagnon Building Workshop Inc. toronto 2003 – 2008 Chargé de projets Diamond and Schmitt Architects toronto 2000 – 2003 Project Architect Richard Rogers Partnership lonDreS, grAnDe-BretAgne 1997 – 2000 Architectural Assistant Wilkinson Eyre Architects lonDreS, grAnDe-BretAgne 1997 Architectural Assistant Alsop & Störmer lonDreS, grAnDe-BretAgne 1996 – 1997 Architectural Assistant Richard Horden Architecture lonDreS, grAnDe-BretAgne 1995 Architectural Assistant Brookes Stacey Randall Fursdon Architects lonDreS, grAnDe-BretAgne FORMAtIOn ACAdéMIQue 1993 – 1997 École d’Architecture Paris-la-Villette 3e, 4e et 6e années PAriS, FrAnce 1995 – 1996 Oxford Brookes University - School of Architecture 5e année oXForD, grAnDe-BretAgne 1990 – 1993 École d’Architecture de Grenoble 1e et 2e années grenoBle, FrAnce séleCtIOn de pROjets RéAlIsés / en déVelOppeMent aveC CARGO ARChIteCtuRe (Anciennement cgWBSTUDio) 2019 Vallée Bras-du-nord - Développement des installations d’acceuil - St-Raymond, QC en DÉVeloPPement 2019 Ernest-Gagnon Developpement - Edifice de 150 logements CAPRIET - Québec, QC en DÉVeloPPement 2019 Villa du Cap - Résidence sur la falaise - Québec, QC en DÉVeloPPement 2019 Henri VI - Édifice à logement de 6 étages - Québec, QC en DÉVeloPPement 2019 Incubateur St-Raymond - Bâtiment industriel à loyers modiques - St-Raymond, QC en DÉVeloPPement 2019 Oikoslopolis - Siège social de Oikos Construction - Québec, QC, comPlÉtÉ 2019 2019 Étude sur l’aménagement du Palais de Justice de Québec, QC, en DÉVeloPPement 2018 240 Dalhousie -Aménagement locatif de MPO Pêche et Ocean Canada, Québec, QC, comPlÉtÉ 2019 à usages mixtes, esquisse, 2013 Tour nith 2018 FlatDoheny- Design intérieur d’un condominium à West Hollywood, Californie, USA, comPlÉtÉ 2019 É 2018 Villa sur Mer - Résidence au bord de mer, Carleton-sur-mer, Gaspésie, QC, comPlÉtÉ 2019 2018 M&M+++ Beach House, Résidence familiale, Venice Beach, Californie, USA, en conStruction le z tour 2018 Charpente Montmorency, Usine en structure de bois, Saint-Raymond, QC. comPlÉtÉ 2019 2018 BOHO House, Résidence familiale au coeur de Toronto, ON, en conStruction 2017 Le Campe, Refuge locatif, Charlevois, QC, comPlÉtÉ 2018 2017 Villa Dubois, Résidence familiale, Sutton, QC, en conSTRUCTION 2016 JDHM Siège Social- Bureaux et centre d’opération - Québec, QC, comPlÉtÉ 2018 2016 Vista Adirondack - Lakeside residence, guest house - Lake Placid, NY , en conSTRUCTION Conception et documents pour construction, en collaboration avec Hanpeter & Associates - Architects, Achitecte local 2016 Lofts Royale Oikos - Logements, intégration patrimoniale - Québec, QC en conSTRUCTION 2015 Riverview - Résidence privée en bord de falaise - Saint-Augustin-de-Desmaures, QC, comPlÉtÉ 2019 Bureau de location et gym, 2010 Bureau 2015 Design Expo - Transformation d’un édifice commercial en showroom - Québec, QC, comPlÉtÉ 2018 2015 Blue Houses Project - Maisons de ville - Salt Lake City, Utah en DÉVeloPPement illon Conception et documents pour construction, en collaboration avec Nichols Naylor Architect et Shawn Poor, Architect - Achitectes locaux A PAV l 2015 Villa Nueva Project - Micro-appartements - Salt Lake City, Utah en DÉVeloPPement 2015 Plaza IA - Aménagement et mobilier urbain - Québec, QC , comPlÉtÉ 2016 2015 Réaménagement de bureaux corporatifs d’avocats, 3 étages - Québec, QC, 2016 2015 Réaménagement des laboratoires du Pavillon Paul-Comptois de l’U. Laval, Québec, QC, 2016 Conception et documents pour construction, en consortium avec Amiot-Bergeron Architecture et Design urbain. 2015 Pavillon de l’École du Parc de la Chaumière Québec, QC, 2015 Surveillance de chantier, en consortium avec Amiot-Bergeron Architecture et Design urbain. 2015 Hôtel de l’aéroport - Étudés préconceptuelles de faisabilité - Montréal, QC 2014 Villa Boréale - Résidence de tourisme - Charlevoix, QC, 2015 séleCtIOn de pROjets RéAlIsés aveC dIAMOnd sChMItt ARChIteCts InC. uoit Y, r 2006 - 08 Centre for Manufacturing Technology - Sheridan College - Brampton, ON A r B li Coordination générale du design et supervision de chantier 2004 - 05 Computer Science and Engineering Building - University of Michigan, USA emic Chargé de projets, DSAI de projets, Chargé AD Coordination du design c A 2004 Academic Library - University Of Ontario - Institute of Technology - Oshawa, ON Design de l’enveloppe et coordination 2003 - 04 Four Season’s Centre for the Performing Arts - Toronto, ON Conception des façades de verre séleCtIOn de pROjets RéAlIsés aveC ROGeRs stIRk HarbouR + PartneRs (richArD rogerS PArtnerShiP) engineering D n A 2002 - 03 Tower Bridge House - Bureaux corporatifs - St Katharine’s Docks - Londres, UK S Conception des façades de verre cience S 2000 - 02 Chiswick Park - Campus d’édifices à usage mixtes - Londres, UK DSAI de projets, Chargé uter ing - P Conception générale, plans, détails d’exécution, enveloppe du bâtiment, design D uil intérieur, surveillance générale. com B séleCtIOn de pROjets RéAlIsés aveC WIlkInsOn eyRe archIteCts 1998 - 2000 San Francisco Oakland Bay Bridge East Span Replacement - California, USA ork W Y o Conception d’un nouveau pont J 1998 - 99 Gatwick Airport Bridge (Pier 6 Connector) - Gatwick, UK Conception, esquisses, détails et soumissions rk - en PA 1997 - 98 Gateshead Millennium Footbridge - Newcastle, UK ick Conception des détails de la passerelle SW chi RSH + P de projet, Architecte pRIx & RéCOMpenses 2019 Le Campe, Refuge locatif, Charlevois, QC, OIKOS Construction- Prix Nobilis 2018 Plaza IA - Aménagement et mobilier urbain - Affichage - Les Mérites de l’Architecture de la Ville de Québec 2017 Pavillon Tours De La Pointe - Détails architecturaux - CECOBOIS Prix D’excellence 2015 le PAVillon DeS TOURS De lA Pointe - Prix du Jury - Les Mérites de l’Architecture de la Ville de Québec 2013 le cinQuième ÉtAge - Design intérieur - Prix d’Excellence CECOBOIS (Centre d’Expertise sur la Construction Commerciale en Bois) 2010 lA mAiSon De SArAh - Construction neuve, basse densité - Les Mérites de l’Architecture de la Ville de Québec 2007 Award for the Best Monumental Stair of 2007 in the United States of America NOMMA (National Ornamental & Miscellaneous Metals Association) University of Michigan, Ann Arbor, USA – Concepteur au projet avec l’équipe de Diamond and Schmitt Architects 2005 Sustainable Concrete Construction – Ontario Concrete Award / Sheridan College - Brampton, Canada Concepteur senior, coordination générale du projet avec Diamond and Schmitt Architects 2002 British Construction Industry Award Winner: Construction Industry Best Innovative Project / Chiswick Park Project Concepteur au projet réalisé avec l’équipe de Richard Rogers Partnership - Londres, UK 2002 Winner of Best Architectural Project – Stirling Prize 2002 / Millennium Footbridge, RIBA Concepteur au projet avec l’équipe des ponts et passerelles chez Wilkinson Eyre Architects - Gateshead, UK 1999 Royal Designer for Industry (RDI) Summer school scholarship - Bath, UK 1998 AKZO Nobel Woodcare Architectural Competition for Innovation in Wood Design / Awarded project - Bristol, UK ACtIVItés pROFessIOnnelles 2015 Membre du jury officiel - Concours d’architecture pour le théâtre du Diamant de Robert Lepage, Québec, Canada 2008 Invité spécial, révision des projets à la maitrise - Faculté de l’Aménagement, Université Laval, Québec 2006 - 07 Adjunct Professor, studio de Philip Beesley, School of Architecture - University of Waterloo, Canada 2007 Inventeur - Dépôt de brevet US-CAN Patent Offices - ’WIND POWER GENERATION SYSTEM’, Canada 2000 - 03 Enseignant invité, studio ‘Théories et Pratiques‘ - ENSA, Paris-Val de Seine, Paris, France 2000 - 03 Project Architect - Richard Rogers Partnership, Londres, Grande Bretagne 1997 - 2000 Architectural Assistant - Wilkinson Eyre Architects, Londres, Grande Bretagne 1997 Architectural Assistant - Alsop & Störmer, Londres, Grande Bretagne 1996 Architectural Assistant - Richard Horden Architecture, Londres, Grande Bretagne 1995 Architectural Assistant - Brookes Stacey Randall Fursdon Architects, Londres, Grande Bretagne.
Recommended publications
  • Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower by KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO
    Foster + Partners Bests Zaha Hadid and OMA in Competition to Build Park Avenue Office Tower BY KELLY CHAN | APRIL 3, 2012 | BLOUIN ART INFO We were just getting used to the idea of seeing a sensuous Zaha Hadid building on the corporate-modernist boulevard that is Manhattan’s Park Avenue, but looks like we’ll have to keep dreaming. An invited competition to design a new Park Avenue office building for L&L Holdings and Lemen Brothers Holdings pitted starchitect against starchitect (with a shortlist including Hadid and Rem Koolhaas’s firm OMA). In the end, Lord Norman Foster came out victorious. “Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context,” said Norman Foster in a statement, according to The Architects’ Newspaper. Foster described the building as “for the city and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.” The winning design (pictured left) is a three-tiered, 625,000-square-foot tower. With sky-high landscaped terraces, flexible floor plates, a sheltered street-level plaza, and LEED certification, the building does seem to reiterate some of the same principles seen in the Lever House and Seagram Building, Park Avenue’s current office tower icons, but with markedly updated standards. Only time will tell if Foster’s building can achieve the same timelessness as its mid-century predecessors, a feat that challenged a slew of architects as Park Avenue cultivated its corporate identity in the 1950s and 60s.
    [Show full text]
  • The Imaginative Engineer
    GREAT ACHIEVEMENTS notable structural engineers He used these materials to express the ideas within the architecture. The Imaginative Engineer Peter and his team combined advanced structural analysis tech- Peter Rice (1935-1992) niques with investigations of materials By Lorraine Lin, Ph.D., P.E. and Bruce Danziger, S.E. to develop structural systems appropri- ® Peter Rice’s approach to structural engineering expands our under- ate for each material. He believed that standing of the engineer’s role. Peter contributed to the design of build- materials should be detailed to express ings considered icons of structural achievement today. These include their true nature. the Pompidou Center and the “greenhouses” at La Villette in Paris, the “I have noticed over the years that Pavilion of the Future for the 1992 World’s Expo in Seville, Lloyd’s of the most effective use of materials is Greenhouses at LaVillette, London and the Sydney Op- often achieved when they are being Paris. Materials: Tempered era House. Many of his col- explored and used for the first time. Glass and Cables. Architect: laborators, such as architects The designer does not feel inhibited by Adrien Fainsilber. (©ARUP) Renzo Piano, Richard Rogers precedent. In any of these structures, and I.M. Pei, areCopyright today re- there is a simple honesty which goes straight to the heart of the nowned in their field partially physical characteristics of the material and expresses them in as the result of their collabo- an uninhibited way.” ration with Peter. An Engineer Imagines, Peter Rice Peter was a humanist and these beliefs are clearly pres- The design team for the Pompidou Center, which included Peter ent in his work.
    [Show full text]
  • Today's News - Tuesday, November 20, 2007 in Santa Monica, a Humble Parking Garage Is Humble No More
    Home Yesterday's News Calendar Contact Us Subscribe Today's News - Tuesday, November 20, 2007 In Santa Monica, a humble parking garage is humble no more. -- Karachi builds - without architects creates a "doom-and-gloom scenario." -- Planning Havana in a post-Castro Cuba. -- Sarasota school board presented with 5 proposals to save Rudolph's Riverview High School (they might still go for demolition). -- The saga of 3XN's Liverpool museum rift continues. -- Pinewood Studios plan includes a downtown New York - and 2,000 green homes. -- Campbell on the lessons Harvard can learn from Cincinnati campus: should Allston campus be a "world's fair" of starchitects? -- NYT HQ: Ouroussoff gives (mostly) thumbs-up to his own new digs. -- Hume on Edmonton's efforts to rise above anonymity. -- Farrelly on Seidler's glamorous new aquatic center: "the most delicious indoor swimming experience in town" (if only she could find the front door). -- Ground Zero memorial: Arad on dealing with "an imbroglio of politicians, architects, public officials and interest groups." -- A crematorium in India "shows that architecture can help give places of death and mourning a quiet dignity" (unless you work there). -- Kennicott on D.C.'s new home for Shakespeare: "refreshing to see architecture that is unafraid of the random dangers of urban life in the 21st century." -- Richard Rogers continues to wage "war against the Prince of Wales, architectural conservatism and cities gone to the dogs."-- Cramer's call for traditional design to be brought back into mainstream architectural education. -- King digs up Polk's 19th century pokes at San Francisco (some things never change).
    [Show full text]
  • Andrew Donaldson 31.7.8
    raiaduluxlondon studytour12may 16may2008repo rtandrewdonald sonarchitectmar s h a l l j u l y 2 0 0 8 contents 2 introduction 3 grandad’s joint 4 chalk & layers 4 field technology 5 doctor evil 5 terror & sport 6 noble plastic 7 the orphanage 7 models & guitars 9 riot by the canals 10 chalk & layers continued 11 competition machines 11 inspirational compromise 12 suck em’ in, suck em’ ‘round 13 rich kids 14 everybody loves richard 14 outcomes 15 conclusion 16 2 introduction I have recently returned from the inaugural RAIA Dulux London Study Tour, as 1 of 5 emerging architects to tour contemporary buildings and architects studios around London. It was a fantastic and irreplaceable gift to experience Herzog & De Mueron’s Laban Dance Centre and Tate Modern; Norman Foster’s Swiss Re tower and Council House; and David Adjaye’s IDEA Store and Rivington Place to name but a few. A good university imbues the theory of great space, and the making of great space comes slowly over time in practice, but architecture is a visceral art at its most transcendental. Therefore experience beyond the image to the actual site of such architecture is fundamental to the development of any aspiring architect. The added and unexpected highlight to the tour was the eye-opening experience of visiting diverse studios of London’s world famous architects. The scared creatures working in Zaha Hadid’s paperless, model-less ex- elementary school sweatshop and Norman Foster’s plan for World-Fosterisation with his 100 0 or so minions contrasted vividly with the exquisite creativity of David Chipperfield’s model based studio, the sublime output of ideas by small office youngsters Carmody Groarke, and the palpable philanthropy of Richard Rogers and his extended architectural family.
    [Show full text]
  • Biography of the HONORABLE RICHARD DEAN ROGERS Senior United States District Judge by Homer E. Socolofsky
    r Biography of THE HONORABLE RICHARD DEAN ROGERS Senior United States District Judge r By Homer E. Socolofsky 1 1 Copyright © 1995 by The United States District Court, Kansas District This biography is made available for research purposes. All rights to the biography, including the right to publish, are reserved to the United States District Court, District of Kansas. No part of the biography may be quoted for publication without the permission of the Court. Requests for permission to quote for publication should be addressed to the Clerk of the Court, United States District Court, District of Kansas, and should include identification of the specific passages to be quoted, anticipated use of the passages, and identification of the user. ff^ It is recommended that this biography be cited as follows: Richard DeanDean Rogers, Rogers, "Biography "Biography of the of Honorable the Honorable Richard RichardDean Rogers, Dean Senior Rogers, United Senior States United States "1 District Judge,*Judge," aa historyhistory prepared 1994-1995 by Homer Socolofsky, United States District Court, DistrictT C i a + T »of i # Kansas, * + 1995. A f l T o n e o o 1 Q O R - > Printed in U.SA. by Mennonite Press, Inc., Newton, Kansas 67114 'v.r The Honorable Richard Dean Rogers | in m ftp) PI TTie United States District Court gratefully ^1 acknowledges the contributions of the Kansas Federal Bar jpt v. W\ spp ifS 1*1 53} p The Honorable Richard Dean Rogers - r r r r r The Honorable Richard Dean Rogers vii ipfy ij$B| Preface wi legal terms and procedure in extended tape- 1B^ last December, inviting me to write recorded sessions.
    [Show full text]
  • Architects Do Not Make Buildings; We Make Drawings. Our Drawings Can
    Instructors: Josh Uhl ([email protected]), Danil Nagy ([email protected]), Bika Rebek ([email protected]), Lexi Tsien ([email protected]) “Drawing, whether done by hand or using sophisticated computer software, can be either descriptive or prescriptive. If descriptive drawings can be subjective (impressionist, expressionist, and so forth) or objective (“technical” or “analytical”), prescriptive drawings are intended to be operative; they are manifestos of sorts. They are devices for thinking as well as for presenting positions.” ‐ Bernard Tschumi, Operative Drawing, The Activist Drawing Architects do not make buildings; we make drawings. Our drawings can be prescriptive when they are generated to convey a particular set of formal relationships, and they can be descriptive when they act as tools used to interrogate adjacencies and spatial conditions. In either case, a well‐crafted drawing becomes a feedback loop for the architect, allowing one to interrogate their design, respond to the drawing, and further their proposal. Architecture’s history of projection‐based representation developed a certain level of stasis in its evolution over the last half a century. However, recent shifts to a ‘paperless’ architecture continue to have a profound impact on the field of architecture and its modes of representation and analysis. Beyond severing the longstanding relationship of the line to paper, the extraction of the vector to a virtual realm is accompanied by a simultaneous influx of data. Tools like Building Information Modeling and other parametric based modes of practice have saturated our methods of representation with a significant amount of information. With this new data saturation, the position of the architectural drawing is in flux.
    [Show full text]
  • Richard Rogers Partnership 1. Architect Basics
    Richard Rogers Partnership 1. Architect Basics: Richard Rogers Partnership Thames Wharf Rainville Road London W6 9HA United Kingdom Tel +44 (0) 20 7385 1235 Fax +44 (0) 20 7385 8409 General enquiries [email protected] Student enquiries [email protected] 1.1 His works reject the classical past, 2. History: while enthusiastically embracing a tech- nological future with its accompanying aesthetic. Although he places emphasis Born: July 23, 1933 in Florence, Italy on technology, he believes that it cannot be an end in itself, but must attempt to solve existing social and ecological Richard Rogers’ father studied medicine and hoped that Richard would pursue a career problems. in dentistry. Richard’s mother was interested in modern design and encouraged her son’s interest in the visual arts. A cousin, Ernesto Rogers, was one of Italy’s prominent architects. As war broke out in Europe, the Rogers family moved back to England where Richard Rogers attended public schools. He was dyslexic and did not do well. Rogers had a run in with the law, entered the National Service, became inspired by the work of his relative, Ernesto Rogers, and ultimately decided to enter London’s Architectural Association school. 3. Education: 1.2 Rogers was born Architectural Association School of Architecture in London, Yale University, M.Arch in Florence, Italy. 1954-59 4. Background: Richard Rogers is one of the most prestigious architects in the world today. With an astounding list of awards, he has sculpted our notions of what architecture is. He then proceeded to attend the Architectural Association School of Architecture in London, before graduating from Yale with his masters in architecture in 1959.
    [Show full text]
  • Richard Rogers 3 February 2016, Paris
    Richard Rogers Urban Land Institute Europe Conference 3 February 2016, Paris Masaccio (1425), Florence A place for all people Centre Pompidou, Paris A place for all people Pienza, the Ideal City The US Green Council fi ndings show that draughty accommodation in a dense urban centre is more effi cient than that of an eco-home in a greenfi eld location. Nice, France Urban Sprawl New town in the city Hafencity, Hamburg Former docks • KCAP masterplan • 12,000 homes • 45,000 jobs • Cultural centre • Public space Barcelona - brownfi eld land Barcelona - detail Barcelona - regeneration New town in the city New town in the country Notting Hill Milton Keynes Barcelona Compact vs. poor Source: New Climate Economy, LSE Cities London - City East Height and density Urban development Potential for 2026 growth Population 1986 2006 2012 2026 Sprawling City Compact City Population using public transport London’s town centres and high street network Recognised town centres Existing extensive high street network Emerging high streets and high streets for growing We need to intensify our town centres and high street networks Canning Town Urban Renaissance Strategy for Grand Paris Where people live Berlin’s peak density (21.700pp/km2) is far lower than NY’s (53,000pp/km2) but across the metropolitan region Berlin’s average density is slightly higher. The eff ect of car parking in cities Torre BBVA Bancomer, Mexico The Leadenhall Building, London 3000 car parking spaces 10 car parking spaces Relation between density and energy effi ciency Source: Urban Age, LSE Cities The Urban Renaissance Copenhagen Streets for people.
    [Show full text]
  • Richard Rogers, Architect Behind Pompidou Center, Wins Pritzker Page 1 of 3 Richard Rogers, Architect Behind Pompidou Center, Wi
    Richard Rogers, architect behind Pompidou Center, wins Pritzker - Print Version - Interna... Page 1 of 3 Richard Rogers, architect behind Pompidou Center, wins Pritzker By Robin Pogrebin Wednesday, March 28, 2007 NEW YORK: Three decades after his Pompidou Center in Paris turned the architecture world upside down and brought him global fame, the British architect Richard Rogers has been named the 2007 winner of the Pritzker Prize, the profession's highest honor. In the citation accompanying its decision, to be announced Thursday, the Pritzker jury saluted Rogers for his "unique interpretation of the Modern Movement's fascination with the building as machine, an interest in architectural clarity and transparency, the integration of public and private spaces, and a commitment to flexible floor plans that respond to the ever-changing demands of users." In a telephone interview from London, the architect, 73, said he did not see the award as overdue. "It's not when it comes, it's the gift that matters," Rogers said. (Renzo Piano, his co-architect on the Pompidou Center, received the Pritzker in 1998.) The award - a $100,000 grant and a bronze medallion - is to be presented to Rogers on June 4 at the Banqueting House in London. Rogers earned a reputation as a high-tech iconoclast with the 1977 completion of the Pompidou Center, with its exposed skeleton of brightly colored tubes for mechanical systems. The Pompidou "revolutionized museums," the Pritzker jury said, "transforming what had once been elite monuments into popular places of social and cultural exchange, woven into the heart of the city." Similarly, his 1986 Lloyd's office building in the heart of London's financial district features an inside-out design, with a soaring atrium surrounded by external escalators and elevators.
    [Show full text]
  • Richard Rogers
    Richard Rogers Architecture of the Future Bearbeitet von Kenneth Powell, Robert Torday 1. Auflage 2005. Taschenbuch. 520 S. Paperback ISBN 978 3 7643 7049 7 Format (B x L): 24 x 22 cm Weitere Fachgebiete > Kunst, Architektur, Design > Architektur: Allgemeines > Architekten & Architekturbüros schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Introduction Kenneth Powell Clockwise from Top Left: For more than quarter of a century, Richard Rogers House of Lords in 1996 as a Labour life peer, taking Lloyd’s of London; Centre has been one of the undisputed leaders of British the title Lord Rogers of Riverside, Richard Rogers has Pompidou, Paris; Barajas Airport, Madrid; and Antwerp architecture and a major figure on the international never abandoned the radical convictions that drove Law Courts. architectural scene. He remains an inspirational figure, him, for example, as a young man, to campaign not only for those who work with him – his architecture for the abolition of nuclear weapons. He believes is about teamwork – but for the architectural profession that architecture is a social art and that architects, more widely and for many who believe that a better though they cannot transform society through their environment is the way to a healthier society. professional labours alone, have a responsibility to Rogers achieved world renown with the Centre work for a better world for all.
    [Show full text]
  • Richard Rogers Tatiana Vozvyshayeva1,*
    Advances in Social Science, Education and Humanities Research, volume 471 Proceedings of the 2nd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2020) The Master's Creed: Richard Rogers Tatiana Vozvyshayeva1,* 1Scientific Research Institute of Theory and History of Architecture and Urban Planning (NIITIAG), Branch of the Federal State Budget Institution “Central Scientific-Research and Project Institute of the Construction Ministry of Russia”, Moscow, Russia *Corresponding author. E-mail: [email protected] ABSTRACT The article is dedicated to the works of Richard Rogers and the architectural company he is leading — Rogers Stirk Harbour+Partners (RSHP, the UK). The numerous and diverse projects of this company always carry the master’s signature approach. They are easily recognizable by their rationality and abundance of color and light. Each of the company’s works is characterized by the dedication to the professional and ethical principles formulated by Rogers early in his creative career, which are shared and consistently developed by a team of his like-minded associates. The analysis of the most outstanding of the company’s building constructed in the recent years, such as Leadenhall in London (2014), allows us to speak of the time-tested professional creed of the master, whose contribution to the development of architecture is highly appreciated by the global professional community. Keywords: architect Richard Rogers, Rogers Stirk Harbour+Partners (RSHP), High-tech architecture, Leadenhall building to make architecture for its own sake. He is considered I. INTRODUCTION the founder of the hi-tech style, but unlike Frank Lloyd Richard Rogers’s buildings are easily recognizable Wright or Richard Meier, he has not created his own regardless of scale and purpose.
    [Show full text]
  • Morgan Jenkins
    MORGAN JENKINS _Contents _Projects _Projects [Cont] 01:Data Mont Duic - Unknown Deer Moat Tunnel - Josef Pleskot 02: Context Barcelona Pavilion - Mies an der Rohe Prague Castle Renovations - Jose Plecnik 03/04: Barcelona MACPA - Richard Meier Dancing House - Frank O. Gehry 05/06: London Mercat del Born - Unknown Unit Development - Safer Hajek Architekti 07/08: Prague Parc de la Ciutadella - Unknown Villa Rothmayer - Jose Plecnik /Otto Rothmayer 09: Postscript Barcelona Olympic Village Church of the Most Sacred Heart of Our Lord _People Parc Diagonal Mar - EMBT - Jose Plecnik Morgan Jenkins [Nielsen Jenkins] Forum - Herzog & de Meuron et al _Practices Louisa Gee [Partners Hill] Sagrada Familia - Antoni Gaudi Bofill taller de Arquitectura Clare Scorpo [Clare Scorpo Architects] Walden 7 - Bofill Arquitectura EMBT Imogene Tudor [Sam Crawford Architects] Bofill taller de Arquitectura - Bofill Arquitectura Office of Architecture Barcelona - OAB Carlos Ferrater Alberto Quinzon [CHROFI] Mercat de Santa Caterina - EMBT Studio Octopi Katelin Butler [Architecture Media] Estudio EMBT - EMBT Zaha Hadid Architects Mat Henson [Dulux] Gardunya Square - Estudio Carme Pinos AL_A - Amanda Levete Architects Phil White [Dulux] Office of Architecture Barcelona - OAB Wilkinson Eyre Jamie Penrose [AIA] Foster and Partners Jennifer Cunich [AIA] Silchester Estate - Haworth Tompkins ARCHIP Caitlin Buttress [AIA] Walmer Yard - Peter Salter Schindler Seko Architects Design Museum - John Pawson/RMJM/OMA FAM Architekti _Cities Tate Modern - Herzog & de Meuron Barcelona 19.05.2017 - 23.05.2017 20 Fenchurch St - Rafael Vinoli London 23.05.2017 - 27.05.2017 Lloyd’s of London - Richard Rogers Prague 27.05.2017 - 31.05.2017 122 Leadenhall - Rogers, Stirk, Harbour & Partners 30 St Mary Axe - Norman Foster Faraday House - dRMM Thames Pool - Studio Octopi City Passageways - Architect(s) Unknown DULUX STUDY TOUR_POST TOUR REPORT 01_DATA DATE : 19.05.2017 - 31.05.2017 MORGAN JENKINS First a project.
    [Show full text]