Educating Architects
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SPEAKER BIOS | in SPEAKING ORDER Greg Fairlie Broadcaster Dubai One Presenter, Broadcaster, Multi Tasked Video Journalist &
SPEAKER BIOS | IN SPEAKING ORDER Greg Fairlie Broadcaster Dubai One Presenter, Broadcaster, Multi tasked Video Journalist & Business Communications Expert with a wealth of experience in the UK, Australia, Europe & MENA region. Bringing a warm, personable, informative and friendly approach to presenting, interviewing and drawing out the best of people in many diverse fields. Fully experienced in a live studio environment and on location. Specialties: Facilitating business programming for both TV and Radio stations. Managing teams within a broadcast unit. Presenting, producing, directing, filming and editing live and recorded TV & Radio content. Experience of anchoring in a live environment. Specialist in media training and presentation on-air delivery. Moderator at events. Magazine and newspaper features writer. Voice Over artist and Voice imaging. Experienced in using AVID inews, Final Cut Pro X, Adobe Premiere, audio editing software including soundtrack pro and Twisted Wave. His Excellency Hani Al Hamli Secretary General Dubai Economic Council (DEC) H.E. Hani Rashid Al Hamli is the Secretary General of the Dubai Economic Council (DEC) since 2006. The Council envisioned acting as the strategic partner for the Government of Dubai in economic-decision making. It provides policy recommendations and initiatives that enhance the sustainable economic development in the Emirate of Dubai. Prior to his service at DEC, Mr. Al Hamli held a number of senior positions in various government and private entities in Dubai such as the Executive Council-Government of Dubai, Dubai Chamber of Commerce and Industry, Investment & Development Authority, and Emirates Bank Group. Under his management of the DEC Secretariat, Mr. Al Hamli has realized many achievements for the DEC, notably the establishment of Dubai Competitiveness Center (DCC) in 2008, and the DEC has embraced the stated center from 2008-2013. -
The Future of Architecture at the Royal Academy of Arts Is Transformed by Major Gift from the Dorfman Foundation
THE FUTURE OF ARCHITECTURE AT THE ROYAL ACADEMY OF ARTS IS TRANSFORMED BY MAJOR GIFT FROM THE DORFMAN FOUNDATION The Royal Academy of Arts today announced a generous gift from the Dorfman Foundation which will significantly transform the future of architecture at the Royal Academy. As the RA prepares to celebrate its 250th anniversary in 2018, the support from the Dorfman Foundation will enable the RA to launch two new international architecture awards, together with the restoration of the majestic Senate Rooms in Burlington Gardens to house a new architecture space and cafe. Coupled with the Royal Academy’s new commitment to host a yearly architecture exhibition, the gift will realise the RA’s mission to garner a wider appreciation and understanding of architecture, bringing to the fore its vital relationship to culture and society. The annual international awards will encompass the Royal Academy Architecture Prize, honouring an inspiring and enduring contribution to the culture of architecture and the Royal Academy Dorfman Award that champions new talent in architecture. The awards will be nominated and awarded by distinguished architects and artists, alongside international curators and critics. The inaugural jury will be chaired by the architect and Royal Academician Louisa Hutton. The Royal Academy Architecture Prize winner and the shortlist for the Royal Academy Dorfman Award will be announced in January 2018. In May 2018 a week-long public celebration will include the announcement of the winner of the Royal Academy Dorfman Award and also include an address by the recipient of the Royal Academy Architecture Prize. Collectively the awards will demonstrate and heighten the RA’s role as a global advocate of architecture. -
You Make It Amazing: the Rhetoric of Art and Urban Regeneration in the Case of the Public
Journal of Visual Literacy, 2012 Volume 32, Number 1, 51-72 You Make it Amazing: The Rhetoric of Art and Urban Regeneration in the Case of The Public Kelly Norris Martin Rochester Institute of Technology Rochester, NY Victoria J. Gallagher North Carolina State University Raleigh, NC Abstract Arts councils and departments of culture tell policy makers that the arts are not only valuable in themselves, but for their contribution to the economy, urban regeneration and social inclusion. However, there is significant debate as to whether public art produced under social arts policy can deliver on expectations. This essay examines a recent, controversial urban regeneration project, West Bromwich’s The Public designed by Will Alsop, in order to assess its visual, symbolic, and material resources. The analysis reveals that, while the gallery functions, at least partially, to construct a shared public experience of West Midland and its culture, it is an experience encapsulated within and aesthetically made over by The Public such that The Public becomes a replacement scene, thereby undermining the community and at least some of its goals. Keywords: urban regeneration, material iconicity, public art, visual rhetoric, The Public 52 You Make it Amazing: The Rhetoric of Art and Urban Regeneration in the Case of The Public Arts councils and departments of culture, in both the U.S. and Europe tell policy makers that the arts are not only valuable in themselves, but also make significant contributions to the economy, urban regeneration and social inclusion. As a report by the secretariat of the International Federation of Arts Councils and Culture Agencies (IFACCA) puts it, “Sprinkle a little cultural fairy dust on a rundown area and its chances of revival will multiply—or so the argument goes.” However, both artists and policy makers debate whether public art produced under social arts policy can deliver on expectations. -
Foster Plans New Beijing HQ As Base for China Expansion
FRIDAY August 12 2011 Issue 1977 £2.90 Making a splash bdonline.co.uk Zaha Hadid’s Aquatics Centre may be late to the party “One would think that one was in a but arrives with a flourish P.12 subterranean city, that’s how heavy is the atmosphere, how profound is A special bond the darkness!” Eric Parry is drawn to Fritz Höger’s Hamburg brick masterpiece P.16 BUILDING DESIGN ARCHITECTS’ FAVOURITE WEEKLY INSIDE NEWS ANALYSIS Architecture Foster plans new Beijing HQ and the riots Urban planning expert Wouter Vanstiphout looks at what this week’s violence could mean as base for China expansion for UK city development. P.3 NEWS Firm’s office will neighbour Ai Weiwei gallery and promote Chinese art and architecture Alsop’s latest incarnation Ellis Woodman galleries, it will have a café. It will “There is an Bank Headquarters in Hangzhou should take the plunge. “If you are host exhibitions by young artists awareness of and a scheme designed in collab- immersed in those places instead The name of Will Alsop’s latest Foster & Partners is designing its and architects in China. It will the fragility oration with Thomas Heather- of reading about them in the press venture, with ex RMJM principal own headquarters building in have an apartment for an artist in of being overly wick for the upmarket Bund dis- you do get a very different experi- Scott Lawrie, will be registered China as the firm looks to expand residence. dependent trict of Shanghai. ence.” in the next few weeks. P.5 the amount of business it carries “It will also be a centre for our- on one place” Foster said the firm was eyeing The company’s 2011 results will out in the country. -
Local Plans and Urban Design
The Public Realm and Urban Design: Practice and Implementation REDEVELOPMENT IN BIRMINGHAM seeking to establish itself as a major The establishment of the new Department European centre. of Planning and Architecture at There they forged a new approach to the LOCAL PLANS Birmingham City Council in 1990 was one development of central Birmingham, an manifestation of the Council's commitment approach that should turn the city around to Urban Design. It followed closely on from being a place for cars to becoming a AND URBAN the Birmingham Urban Design Study place for people. The central issue was the (BUDS) completed by Francis Tibbalds in Inner Ring Road. This dual carriageway DESIGN April 1990 which, itself, was a follow-up to circuit with its grade-separated junctions LDR's Open Space and Pedestrian and pedestrian subways had proved to be a Framework report of 1989. The creation of "concrete collar" around the central core of Centenary Square is the first product of this the city. Land and property values inside Les Sparks new approach to development in the collar soared, whilst outside it there was Birmingham. severe dereliction and lack of investment. For many years Birmingham had been Movement across the Inner Ring Road, associated with the now discredited either on foot or by car was severely methods of redevelopment practised in the impeded, and the long dark and dangerous 1960's and 70's. Renowned for pursuing pedestrian subways are simply intolerable. its objectives with a singular vigour, The American consultant. Don Birmingham built more residential tower Hilderbrandt of LDR, was at Highbury and blocks than any other city outside London, was subsequently commissioned by the completed its motorway style Inner Ring City Council to develop his ideas for the Road and ruthlessly swept away large areas Inner Ring Road. -
Akaa2007 Final 01-65:Akdn 2007
AKAA2007_FINAL_130-192:AKDN 2007 24/7/07 16:02 Page 181 180 AKAA2007_FINAL_130-192:AKDN 2007 24/7/07 16:02 Page 182 Aga Khan Award for Architecture Aga Khan Award for Architecture Retrospective 1977 – 2007 Over the past 30 years, the Aga Khan Award has recognised outstanding architectural achievements in some 32 countries. It has held seminars, conferences and exhibitions to explore and discuss the crucial issues of the built environment, and published the proceedings to bring these subjects to a wider audience. It has brought together the architectural community and policy-makers to celebrate the prize-winning projects of 10 award cycles in important historical and architectural settings, and has invited the leading thinkers and practitioners of the day to frame the discourse 10 th on architectural excellence within the context of successive master juries and steering committees. Cycle 1st Cycle 6th Cycle Award Award Ceremony Ceremony Pakistan 1980 Indonesia 1995 2nd Cycle 7th Cycle Award Award Ceremony Ceremony Turkey 1983 Spain 1998 3rd Cycle 8th Cycle Award Award Ceremony Ceremony Morocco 1986 Syria 2001 4th Cycle 9th Cycle Award Award Ceremony Ceremony Egypt 1989 India 2004 Building for Change With an introduction by Homi K. Bhabha 5th Cycle Samir Kassir Square Beirut Lebanon 10th Cycle Award Rehabilitation of the City of Shibam Yemen Award Ceremony Central Market Koudougou Burkina Faso Ceremony 182 183 Uzbekistan 1992 University of Technology Petronas Bandar Seri Iskandar Malaysia Malaysia 2007 Restoration of the Amiriya Complex -
Architecture Program Report for 2012 NAAB Visit for Continuing Accreditation
Harvard Graduate School of Design Department of Architecture Architecture Program Report for 2012 NAAB Visit for Continuing Accreditation Master of Architecture Undergraduate degree outside of Architecture + 105 graduate credit hours Related pre-professional degree + 75 graduate credit hours Year of the Previous Visit: 2006 Current Term of Accreditation: At the July 2006 meeting of the National Architectural Accrediting Board (NAAB), the board reviewed the Visiting Team Report for the Harvard University Department of Architecture. As a result, the professional architecture program: Master of Architecture was formally granted a six-year term of accreditation. The accreditation term is effective January 1, 2006. The program is scheduled for its next accreditation visit in 2012. Submitted to: The National Architectural Accrediting Board Date: 14 September 2011 Harvard Graduate School of Design Architecture Program Report September 2011 Program Administrator: Jen Swartout Phone: 617.496.1234 Email: [email protected] Chief administrator for the academic unit in which the program is located (e.g., dean or department chair): Preston Scott Cohen, Chair, Department of Architecture Phone: 617.496.5826 Email: [email protected] Chief Academic Officer of the Institution: Mohsen Mostafavi, Dean Phone: 617.495.4364 Email: [email protected] President of the Institution: Drew Faust Phone: 617.495.1502 Email: [email protected] Individual submitting the Architecture Program Report: Mark Mulligan, Director, Master in Architecture Degree Program Adjunct Associate Professor of Architecture Phone: 617.496.4412 Email: [email protected] Name of individual to whom questions should be directed: Jen Swartout, Program Coordinator Phone: 617.496.1234 Email: [email protected] 2 Harvard Graduate School of Design Architecture Program Report September 2011 Table of Contents Section Page Part One. -
PULSATION in ARCHITECTURE Eric Goldemberg
JR0235_ BR Full color, revolutionary work on digital architecture NEW! PULSATION IN ARCHITECTURE Eric Goldemberg Pulsation in Architecture makes a very strong case, as the title suggests, for not only movement in archi- tecture—whirling, swirling, curling and more—but for a movement in architecture as well. Eric Goldemberg’s se- lection of architects and their works captures a constel- lation of architectural ideas hurtling along the vector of digital innovation like proton beams in the Large Hadron Collider. While many of these designers are quite well known in their own right, Goldemberg’s compilation suggests greater global affinities than might otherwise be supposed. —Terence Riley, Architect Retail Price: $89.95 Special Promotional Price: $79.95 when Ordered Direct from J. Ross Publishing Order online at WWW.JROSSPUB.COM or call 954-727-9333 ext.2 pulsation in architecture Pulsation in Architecture highlights the role of digital de- sign as the catalyst for a new spatial sensibility related to rhythmic perception. It proposes a novel critical reception of computational architecture based on the ability of digi- tal design to move beyond mere instrumentality, and to engage with core aspects of the discipline: the generative engine of digital architecture reinvigorates a discourse of part-to-whole relationships through the lens of rhythmic affect. There is a paradigm shift in spatial perception due to the intense use of computational techniques and the capacity to morph massive amounts of data in spatial patterns; rhythm plays a pivotal role in the articulation of the topology of buildings, generating the atmospheric character that induces moods and throbbing sensations in space. -
Gezeichnete Welten Alvin Boyarsky Und Die Architectural Association Drawing Ambience Alvin Boyarsky and the Architectural Association
Press release Berlin, 22.05.2017 Gezeichnete Welten Alvin Boyarsky und die Architectural Association Drawing Ambience Alvin Boyarsky and the Architectural Association Tchoban Foundation. Museum for Architectural Drawing Christinenstraße 18a, 10119 Berlin Exhibition opening: 7th July 2017, 19.00 Press tour: 7th July 2017, 18.00 Symposium: 7th July 2017, 16.30 Campus Aedes, further information: www.ancb.de Duration: 8th July 2017 – 24th September 2017 Opening times: Mon–Fri 14:00–19:00, Sat–Sun 13:00–17:00 Tickets: 5 EUR, Reductions: 3 EUR “We create a very rich compost for students to develop and grow from and we fight the battle with the drawings on the wall.” Alvin Boyarsky, 1983 The exhibition Drawing Ambience: Alvin Boyarsky and the Architectural Association presents some 50 masterworks of contemporary architectural drawings made by celebrated architects and assembled by the long-term chairman of the Architectural Association School of Architecture (AA) in London, Alvin Boyarsky. The exhibition has already been on view at the Mildred Lane Kemper Art Museum of Washington University in St. Louis, Museum of Art, Rhode Island School of Design in Providence, and at the Cooper Union in New York and is now coming to Berlin. The second half of the 20th century was a period characterised by accelerated mobility and an international exchange of ideas. This Zeitgeist can be sensed in the presented works, most of which were made in the 1980s. This was a time during which the international orientation of the Architectural Association School of Architecture, accompanied by a growing interest in hand drawing, gave a fresh impetus to the search for a new architectural language. -
Company Profile 2020
COMPANY PROFILE 2020 AN MISSION & VISION In each of its products, Pugnale combines uncompromising Pugnale has distinguished itself since its birth for unique connotations craftsmanship with design. of Italian style by designing eyewear collections with an extremely The strong know-how in the use of technologies, quality materials glamorous character and an unmistakable style. from Italy, Japan or Germany, and the unique and precise finishes, Research and technological knowledge combined with the innovative HANDCRAFTED are the absolute protagonists of every creation. use of techniques and materials are the foundations for creating The brand takes inspiration from our prestigious Italian background: excellence in the Made in Italy premium eyewear sector. our artistic and cultural heritage. Pugnale identifies itself in the market of independent eyewear Pugnale’s collections tell the charm and emotion of a bygone while manufacturers because it focuses more on sales topics, on product being interpreted in an extremely contemporary way. highlights, on the transfer of emotions and passions rather than on Pugnale knows it has a mission, to transfer all the know-how of the traditional commercial sales techniques. Italian production tradition of high quality to the world, enriching it It is precisely the concept of craftsmanship, exclusivity combined TECHNOLOGICAL with design and research contents to be able to satisfy the needs of with high quality that induces our ideal customers to choose and a sophisticated public attentive to values. appreciate our products. The deepest mission of Pugnale is therefore to recover the high The ambition to see our creations worn by an audience that loves to value of the craftsmanship belonging to the first eyewear factories stand out with personality and creativity. -
Andrew Jennings, MAD-Crit
Andrew Jennings Selected Essays at UIC 2014-2017 Contents Arch 531: Architectural History and Theory I with Robert Somol 1. An Essay on Michael Maltzan (2014) 7. Projective History: excerpt from a take-home exam (2014) Arch 520: Designing Criticism with Sam Jacob 11. Koralewsky’s Lock (2014) 15. Mrs. Buttersworth (2014) 19. Metropolitan Correctional Center (2014) Arch 532: Architectural History and Theory II with Penelope Dean 25. Eliot Noyes and the Punch Card Aesthetic (2014) 31. Robie, Ford, and the Total Work of Art (2014) Arch 585: Architectural Visions of the City with Alexander Eisenschmidt 37. Speed and Interior (2015) Arch 586: Architectural Theory and History IV with Zehra Ahmed 43. Who Flies Where, When and How (2016) Arch 520: Living Labor and Generic Architecture with Francesco Marullo 53. Hobohemia and the Tower City of the Sanctuary (2016) Arch 566: Idiosyncratic Architecture with Paul Andersen 65. An Idiosyncratic Manifesto (2016-2017) Art 520: Artists Who Write Objects with Patrick Durgin 72. Statement on Making Statements (2017) 81. Shades of meaning in Institutional Critique and Meta-Art (2017) Arch 520: Mind is a State of Landscape with Fosco Lucarelli 97. Pools of Condensation (co-authored with Jimmy Carter) (2017) Arch 589: MAD-Crit Seminar with Bob Somol, Alexander Eisenschmidt, Julia Capomaggi, and Francesco Marullo 105. Review: Facing Value (2017) 111. Push/Pull Practice (2017) Preface This preface is mostly for anyone who may come across this booklet outside the context of the University of Illinois at Chicago School of Architecture (UIC SoA) required annual portfolio submission and find it strange that essays about syrup, airports, prisons, being lost at sea, and a handful of houses would appear all in one place. -
REVOLUTIONS in PARALLEL: the RISE and FALL of DRAWING in ARCHITECTURAL DESIGN by Kristina M. Luce a Dissertation Submitted in Pa
REVOLUTIONS IN PARALLEL: THE RISE AND FALL OF DRAWING IN ARCHITECTURAL DESIGN by Kristina M. Luce A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Architecture) in The University of Michigan 2009 Doctoral Committee: Professor Daniel Alan Herwitz, Co-Chair Associate Professor Malcolm McCullough, Co-Chair Professor Celeste A. Brusati Associate Professor Lydia M. Soo © Kristina M. Luce ____________________________ 2009 ACKNOWLEDGEMENTS The dissertation is more of a collaborative effort then an individual one. I am certainly responsible for the words on these pages, and I am, of course, solely responsible for any errors, but the thinking I cannot claim as mine alone. In this brief moment when one can acknowledge the contributions so generously provided by others, I find myself overwhelmed by the size of my indebtedness and by my gratitude for all scholars who brave criticism, and even ridicule, to share their thinking. One simply cannot make a contribution to any field without the first being inspired by the work that has come before, and the works of James Ackerman, James Elkins, Hans Belting, Mario Carpo, Wolfgang Lefèvre, Herbert Simon and John Harwood, among many others, were of enormous help in forming my own thoughts. More personally, this dissertation would not have the shape it does today had Greg Lynn, Neil Thelen, Evan Douglis and Richard Sarrach not given generously of their time, energy and expertise to share their thinking with me through a series of interviews. In some cases their words have found a place within my own, but they all have helped shape my understanding of the current state of design and practice within architecture.