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CV FIU Aug 2017
Patel, Alpesh Kantilal 2-Sep-17 CURRICULUM VITAE ALPESH KANTILAL PATEL DEPARTMENT OF ART AND ART HISTORY EDUCATION PhD University of Manchester Art History and Visual Studies Apr 2009 Manchester, England BA Yale University History of Art (with distinction) Sep 1997 New Haven, Connecticut FULL-TIME ACADEMIC EXPERIENCE Florida International University Associate Professor (with tenure), Aug 2017− Miami, Florida Contemporary Art and Theory Assistant Professor, Aug 2011− Contemporary Art and Theory Jul 2017 Affiliate Faculty, Jun 2013− Center for Women’s and Gender Studies present Affiliate Faculty, Aug 2014− African and African Diaspora Program present Other academic affiliations Cranbrook Academy of Art Critical Studies Fellow Sep−Dec Bloomfield Hills, Michigan 2016 University of Fine Arts Fulbright Scholar Jun−Aug Poznań, Poland 2016 Adam Mickiewicz University Fulbright Scholar, Fall 2015 Poznań, Poland Art History Department New York University Visiting Scholar, Sep 2010− New York City Center for Gender and Sexuality May 2011 NONACADEMIC EXPERIENCE New Museum of Executive Assistant, Director’s Office Jan 2002− Contemporary Art May 2005 Clinica Estetico and Assistant to Film Producer Ed Saxon Sep 2000− Magnet Entertainment Dec 2001 Patel, Alpesh Kantilal 2-Sep-17 Whitney Museum Special Projects Coordinator, Jan−Aug of American Art Director’s Office 2000 Whitney Museum Catalog Coordinator Jun 1999− of American Art (Film/Video Section), Jan 2000 2000 Biennial Exhibition Whitney Museum Curatorial Research Assistant, Dec 1998− of American Art “The American Century: Art and Culture, May 1999 1950−2000” Exhibition/Catalog RoseLee Goldberg Research Assistant for Author’s Sep 1998− Books: Laurie Anderson (Abrams, Mar 1999 2000) and Performance Art: Live (part-time Art since 1960 (Abrams, 1998) from Jan) Jack Tilton Gallery Codirector Jun-Aug 1998 From Sep 1997 to Sep 1998: Winter 1998 (part-time): Photography Traffic Coordinator, Photonica Winter 1998 (part-time): Curatorial Intern, Solomon R. -
Historic England Annual Report & Accounts 2018-2019
Historic England We are the public body that helps people care for, enjoy and celebrate England’s spectacular historic environment. HistoricEngland.org.uk 2018/2019 @HistoricEngland Historic England historicengland If you would like this document in a different Annual Report & Accounts format, please contact our customer services department: Tel: 0370 333 0607 Email: [email protected] Annual Report & Accounts 2018 / 2019 CCS0519323894 978-1-5286-1342-2 HC 2247 Historic England Annual Report & Accounts 2018 / 2019 Presented to Parliament pursuant to paragraph 13(4) of Schedule 3 to the National Heritage Act 1983. Ordered by the House of Commons to be printed on 15 July 2019. HC 2247 © Historic England 2019 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as Historic England copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to us at: Customer Services Historic England The Engine House Fire Fly Avenue Swindon SN2 2EH Telephone: 0370 333 0607 Textphone: 0800 015 0516 Email: [email protected] This publication is available at www.gov.uk/government/publications and from the Historic England website at www.historicengland.org.uk/about/what-we-do/annual-reports-and-accounts/. ISBN 978-1-5286-1342-2 Printed in the UK by Park Communications Limited, an EMAS certified company, on paper containing 100% recycled fibre content approved by the Forest Stewardship Council® The cover and section illustrations celebrate the Grade I listed Shrewsbury Flaxmill Maltings, the world’s first iron-framed building. -
Anya Gallaccio
Anya Gallaccio 1963 Born in Paisley, Scotland Lives and works in London, UK Education 1985-1988 Goldsmiths’ College, University of London, UK 1984-1985 Kingston Polytechnic, London, UK Residencies and awards 2004 Headlands Center for the Arts, Sansalitos, California, US 2003 Nominee for the Turner Prize, Tate Britain, London, UK 2002 1871 Fellowship, Rothermere American Institute, Oxford, UK San Francisco Art Institute, California, US 1999 Paul Hamlyn Award for Visual Artists, Paul Hamlyn Foundation Award, London, UK 1999 Kanazawa College of Art, JP 1998 Sargeant Fellowship, The British School at Rome, IT 1997 Jan-March Art Pace, International Artist-In-Residence Programme, Foundation for Contemporary Art, San Antonio Texas, US Solo Exhibitions 2015 Lehmann Maupin, New York, US 2014 Stroke, Jupiter Artland, Edinburgh, UK SNAP, Art at the Aldeburgh Festival, Suffolk, UK Blum&Poe, Los Angeles, US 2013 This much is true, Artpace, San Antonio, Texas, US Creation/destruction, The Holden Gallery, Manchester, UK 2012 Red on Green, Jupiter Artland, Edinburgh, UK 2011 Highway, Annet Gelink Gallery, Amsterdam, NL Where is Where it’s at, Thomas Dane Gallery, London, UK 2010 Unknown Exhibition, The Eastshire Museums in Scotland including the Dick Institiute, the Baird Institute and the Doon Valley Museum, Kilmarnock, UK 2009 Inaugural Exhibition, Blum & Poe Gallery, Los Angeles, CA, US Lehmann Maupin Gallery, New York, US 2008 Comfort and Conversation, Annet Gelink Gallery, Amsterdam, NL That Open Space Within, Camden Arts Center, London, UK Kinsale -
Museums & Art Galleries Survival Strategies
museums & art galleries survival strategies A guide for reducing operating costs and improving sustainability museums & art galleries Survival Strategies sur vival Contents strategies A guide for reducing operating costs and improving sustainability including Foreword 2 A five-step plan for institutions plus 205 initiatives to help get you Introduction 3 started Museums, Galleries and Energy Benefits of Change Survival strategies for museums & art galleries 4 Legislation Environmental Control and Collections Care Standards Five simple steps – A survival strategy for your institution 9 Step #1 Determine your baseline and appropriate level of refurbishment 10 Step #2 Review your building maintenance, housekeeping and energy purchasing 14 Sustainability makes good sense for museums. Step #3 Establish your targets and goals 18 A sustainable business is one that will survive and Step #4 Select your optimal upgrade initiatives 22 continue to benefit society. Vanessa Trevelyan, 2010 President of Museums Association Head of Norfolk Museums & Archaeology Service Step #5 Make your survival strategy happen 50 Further information 54 Renaissance in the Regions Environmental Sustainability Initiatives 58 Acknowledgements and Contacts 60 Cover © Scott Frances 1 Foreword Introduction The UK sustainable development strategy The Green Museums programme in the Our Green Museums programme has Museums, Galleries and Benefits of Change “aims to enable all people throughout the North West is part of a nationwide fabric focussed on empowering members of staff world to satisfy their basic needs and enjoy of initiatives and projects developed and at all levels to bring about organisational Energy Improving energy efficiency and acting Meet the needs a better quality of life without compromising supported through Renaissance in the change. -
826 INDEX 1066 Country Walk 195 AA La Ronde
© Lonely Planet Publications 826 Index 1066 Country Walk 195 animals 85-7, see also birds, individual Cecil Higgins Art Gallery 266 ABBREVIATIONS animals Cheltenham Art Gallery & Museum A ACT Australian Capital books 86 256 A La RondeTerritory 378 internet resources 85 City Museum & Art Gallery 332 abbeys,NSW see New churches South & cathedrals Wales aquariums Dali Universe 127 Abbotsbury,NT Northern 311 Territory Aquarium of the Lakes 709 FACT 680 accommodationQld Queensland 787-90, 791, see Blue Planet Aquarium 674 Ferens Art Gallery 616 alsoSA individualSouth locations Australia Blue Reef Aquarium (Newquay) Graves Gallery 590 activitiesTas 790-2,Tasmania see also individual 401 Guildhall Art Gallery 123 activitiesVic Victoria Blue Reef Aquarium (Portsmouth) Hayward Gallery 127 AintreeWA FestivalWestern 683 Australia INDEX 286 Hereford Museum & Art Gallery 563 air travel Brighton Sea Life Centre 207 Hove Museum & Art Gallery 207 airlines 804 Deep, The 615 Ikon Gallery 534 airports 803-4 London Aquarium 127 Institute of Contemporary Art 118 tickets 804 National Marine Aquarium 384 Keswick Museum & Art Gallery 726 to/from England 803-5 National Sea Life Centre 534 Kettle’s Yard 433 within England 806 Oceanarium 299 Lady Lever Art Gallery 689 Albert Dock 680-1 Sea Life Centre & Marine Laing Art Gallery 749 Aldeburgh 453-5 Sanctuary 638 Leeds Art Gallery 594-5 Alfred the Great 37 archaeological sites, see also Roman Lowry 660 statues 239, 279 sites Manchester Art Gallery 658 All Souls College 228-9 Avebury 326-9, 327, 9 Mercer Art Gallery -
The Democratic Image Online Projects Exhibitions Workshops Commissions Events 2 About Look 07
THE DEMOCRATIC IMAGE ONLINE PROJECTS EXHIBITIONS WORKSHOPS COMMISSIONS EVENTS 2 ABOUT LOOK 07 LOOK 07 WAS CONCEIVED BY REDEYE AND IS A PROGRAMME OF ACTIVITIES CONCERNED WITH THE REVOLUTION IN PHOTOGRAPHY. AS CAMERA OWNERSHIP IS SKYROCKETING WORLDWIDE, LOOK 07 DESCRIBES WHAT PEOPLE ARE SAYING WITH THIS NEW LANGUAGE; WHO’S MAKING THE MOST INTERESTING PICTURES NOW; WHO’S LOOKING AT THEM; HOW THE PUBLIC IS USING PHOTOGRAPHY AS A NEW MEANS OF EXPRESSION AND THE PLACE OF THE PROFESSIONAL PHOTOGRAPHER IN ALL THIS. LOOK 07 IS… A SYMPOSIUM WORKSHOPS The Democratic Image Symposium investigates the Look 07 brings together photographers, artists and revolution in photography with some of the world’s non-professionals for exciting projects that will be top speakers on the subject. exhibited in galleries and online. ONLINE WORK COMMISSIONS Look 07’s online gallery, Flickr gallery and blog New work commissioned from a broad range of keep the conversation going. photographers and artists will make its mark upon the city. It will also lead to an open competition. EXHIBITIONS A large number of new, lens-based exhibitions will EVENTS span Greater Manchester, many tying in with the An engaging mix of gallery talks and special symposium’s theme of The Democratic Image. events celebrate different aspects of photography. WHO’S SUPPORTING LOOK 07? Look 07 gratefully acknowledges the support of the We would also like to thank our media partners, Arts Council of England, the Association of Greater The Associated Press and Metro newspaper, and Manchester Authorities, Manchester City Council, our new media supporter, Manchester Digital the Paul Hamlyn Foundation and Redeye – The Development Agency with funds from the ERDF. -
Volunteering for Wellbeing Final Report 2013 – 2016 Social Return
Inspiring Futures: Volunteering for Wellbeing Final Report 2013 – 2016 Social Return on Investment A Heritage Lottery Fund Project delivered by IWM North and Manchester Museum 2013 - 2016 In partnership with Museum of Science and Industry, People’s History Museum, National Trust: Dunham Massey, Manchester City Galleries, Ordsall Hall, Manchester Jewish Museum, Whitworth Art Gallery, National Football Museum If | Volunteering for Wellbeing | About IWM North and Manchester Museum IWM North IWM North has established itself as a key cultural player in the North. The museum is a learning experience where imaginative exhibitions, programmes and projects are combined to promote public understanding of the causes, course and consequence of war and conflict involving the UK and Commonwealth since 1900. Manchester Museum Manchester Museum is dedicated to inspiring visitors of all ages to learn about the natural world and human cultures, past and present. Tracing its roots as far back as 1821, the museum has grown to become one of the UK’s great regional museums and its largest university museum. Inspiring Futures: Volunteering for Wellbeing Final Report 2013 – 2016 Social Return on Investment If | Volunteering for Wellbeing | Final Report 2013 – 2016 | Social Return on Investment CONTENTSContents About IWM North and Manchester Museum 03 Introduction by lead partners 05 Executive Summary 06 The Report Section 1 | Evaluation, aims and objectives 11 Section 2 | How if works - process inputs 16 Section 3 | What was achieved - Longitudinal outcomes 23 -
CV—Alpesh K. Patel/ Page 1 of 6
ALPESH KANTILAL PATEL CURRICULUM VITAE EDUCATION UNIVERSITY OF MANCHESTER, Manchester, England PhD in ART HISTORY AND VISUAL STUDIES, April 2009 Dissertation: “Queer Desi Visual Culture across the Brown Atlantic (US/UK)” MPHIL in DRAMA/SCREEN STUDIES (upgraded to PHD in 2006) YALE UNIVERSITY, New Haven, Connecticut BA in HISTORY OF ART with distinction in major, September 1997 ACADEMIC POSITIONS FLORIDA INTERNATIONAL UNIVERSITY, Miami, FL Assistant Professor of Contemporary Art and Theory, August 2011-present Director, Master in Fine Arts in Visual Arts, July 2012-present NEW YORK UNIVERSITY, New York, NY, Fall 2010-Spring 2011 Visiting Scholar, Center for Study of Gender and Sexuality FELLOWSHIPS, SCHOLARSHIPS, BURSARIES, STUDENTSHIPS, GRANTS, AND OTHER HONORS NATIONAL ENDOWMENT OF ARTS SUMMER INSTITUTE: Re-envisioning American Art History: Asian American Art, Research, and Teaching at Asian/Pacific/American Institute at New York University, July 2012 CITY OF MIAMI BEACH CULTURAL ARTS COUNCIL, Junior Anchor Grant to develop year-round programming for Miami Beach Urban Studios (MBUS), October 2012. $30,000 with matching grant FLORIDA INTERNATIONAL UNIVERSITY, Office of Engaged Creativity Grant, 2011-12 COLLEGE ART ASSOCIATION (CAA), Professional Development Fellowship, finalist, 2008 HIGHER EDUCATION FUNDING COUNCIL FOR ENGLAND (HEFCE), Overseas Research Studentship, 2006-8 UNIVERSITY OF MANCHESTER SCHOOL OF ARTS, HISTORIES AND CULTURES Skills Awareness for Graduate Education (SAGE) grant, to fund organization of postgraduate conference, -
News Release Embargoed Until 5Pm on Wednesday 11 October 2017
News release Embargoed until 5pm on Wednesday 11 October 2017 Alistair Hudson appointed as new Director for Manchester Art Gallery and The University of Manchester’s Whitworth The University of Manchester and Manchester City Council have today announced that Alistair Hudson, currently Director of the Middlesbrough Institute of Modern Art (mima), will be the new Director of Manchester Art Gallery and the Whitworth. Alistair will take up his role in the New Year. He succeeds Maria Balshaw at the Whitworth and Manchester Art Gallery following her appointment as Director of Tate earlier this year. He brings with him a wealth of experience at the forefront of the culture sector and a strong record of championing art as a tool for social change and education. During the last three years as Director at mima, he set out the institution’s vision as a ‘Useful Museum’, successfully engaging its local communities and responding to the town’s industrial heritage, as well as placing it amongst the most prestigious galleries in the UK. Alistair began his career at the Anthony d’Offay Gallery, London (1994-2000), before joining The Government Art Collection (2000-04) where, as Projects Curator, he devised a public art strategy for the new Home Office building with Liam Gillick. As Deputy Director of Grizedale Arts (2004-14) in the Lake District, he helped the institution gain critical acclaim for its radical approaches to working with artists and communities, based on the idea that art should be useful and not just an object of contemplation. Outside of these roles he is also Chair of Culture Forum North, an open network of partnerships between Higher Education and the cultural sector across the North and co-director of the Asociación de Arte Útil with Tania Bruguera. -
Board Meeting 5:30 – 7:30 Tuesday 17Th March 2020 Healthwatch Office, Mile End Hospital
Board Meeting 5:30 – 7:30 Tuesday 17th March 2020 Healthwatch Office, Mile End Hospital Agenda Time 1 Welcome, introductions and apologies 5:30-5:35 2 Minutes and actions from meeting of 21st January 2020 5:35-5:45 Governance 3 Healthwatch contract review and commissioning update – Filuck Miah 5:45-6:00 4 Healthwatch England Quality Assurance Framework – see attached 6:00-6:15 Impact Impact of 2019/20 • Urgent Care – community insights on how to shift demand and better meet needs. • Health and Wellbeing Strategy and LTP engagement- what really 5 makes people healthier? Looking at Inequalities report to Prof 6:15-6:45 Marmot if it looks interesting and try and get him, or someone from his team, to the AGM. • Young Influencers – co-designing services. • Community Insights system roll out across WEL. Engagement Raising our profile • All providers on THT Joint Directory to have Healthwatch feedback link – widget. • Annual Report and award application (template released – attached) • AGM - promote inequalities work and impact data walls. Development of 2020/2021 Priorities 6 6:45-7:15 Need to wait for Health and Wellbeing Strategy evidence, Trends Analysis and stakeholder input. Potential areas: • Vulnerable Adults • Vulnerable Young People • Inequalities • Eastern European (with WEL) • Gypsy and Traveller Community AOB 10 7:15-7:30 1 Next meeting: 5:30 – 7:30 Tuesday 21st April 2020 Venue TBC Minutes Board Meeting Meeting 21st January 2020 Board Members: David Burbidge (DB), Karen Bollan (KB), Randal Smith (RS), Kate Melvin (KM), Myra Garrett (MG), Iain MacLeoid (IM), Fathimah Rofe (FR). Observers: Gilbert Eruchacu (GE), Ashton McGregor (AM). -
Marshall Aid Commemoration Commission Annual Report 2018
Marshall Aid Commemoration Commission Year ending 30 September 2018 65 th A nnu al R ep ort A Non-Departmental Public Body of 1 Sixty Fifth Annual Report of the Marshall Aid Commemoration Commission for the year ending 30 September 2018 Presented to Parliament by the Secretary of State for Foreign and Commonwealth Affairs pursuant to section 2(6) of Marshall Aid Commemoration Act 1953 A Non-Departmental Public Body of March 2019 Sixty Fifth Annual Report: Marshall Aid Commemoration Commission ©Marshall Aid Commemoration Commission copyright 2019 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as Marshall Aid Commemoration Commission copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to us at [email protected]. This publication is available at https://www.gov.uk/government/publications ISBN 978-1-5286-1097-1 CCS0319729920 03/19 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Office 4 Sixty Fifth Annual Report: Marshall Aid Commemoration Commission Contents Welcome from Mr Christopher Fisher, Commission Chair 6 Commission Membership and Meetings 8 Scholars -
Gaskell Society Newsletters Index of Authors and Subjects
GASKELL SOCIETY NEWSLETTERS INDEX OF AUTHORS AND SUBJECTS. Aber. Pen y Bryn. Lindsay, Jean. Elizabeth and William’s Honeymoon in Aber, September 1832. [illus.] No.25 March 1998. Adlington Hall, Cheshire. Yarrow, Philip J. The Gaskell Society’s outing – 8 October 1989. No.9 March 1990. Alfrick Court, Worcestershire, [home of Marianne Holland]. Alston, Jean. Gaskell study tour to Worcester, Bromyard and surrounding areas-20 to 22 May 2014. [illus.] No.58. Autumn 2014. Allan, Janet. The Gaskells’ bequests. No.32. Autumn 2001. The Gaskells’ shawls. No.33. Spring 2002. Allan, Robin. Elizabeth Gaskell and Rome. No.55. Spring 2013. Alps. Lingard, Christine. Primitive, cheap and bracing: the Gaskells in the Alps. No.58. Autumn 2014. Alston, Jean. Gaskell-Nightingale tour, 30 May 2012. No.54. Autumn 2012. Gaskell study tour to Worcester, Bromyard and surrounding areas-20 to 22 May 2014. No.58. Autumn 2014. Marianne and her family in Worcestershire. No.59. Spring 2015. Tour in Scottish Lowlands, 7-11 July 2008. [illus.] No.46. Autumn 2008. Una Box, who died 14 November 2010, aged 71 years, [obituary]. No.51. Spring 2011. Visit to Ashbourne, Alstonefield and the Hope House Costume Museum, [Derbyshire]. 5th July 2006. No.42. Autumn 2006. Alstonefield, Derbyshire. Alston, Jean. Visit to Ashbourne, Alstonefield and the Hope House Costume Museum, 5th July 2006. No.42. Autumn 2006. American Civil War. Smith, Muriel. Elizabeth Gaskell and the American Civil War. No.36. Autumn 2003. Andreansky, Maria. Luce, Stella. Maria Andreansky 1910-2011 [obituary]. [illus.] No.53. Spring 2012. Anne Hathaway’s Cottage see Stratford-upon-Avon.