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Guidestar February, 2008 Highlights: at the February 1 Meeting
Houston Astronomical Society GuideStar February, 2008 Highlights: At the February 1 meeting... February's Total Lunar Eclipse ..................5 It's Fiorella! ..................................................6 The Hyades Star Cluster ...........................10 Recent Missions Minutes of the January Meeting ...............12 Space Place - No Mars Rock Unturned ...14 and Results in Solar Physics HAS Web Page: http://www.AstronomyHouston.org Gary Kilper See the GuideStar's Monthly Calendar Gary is a 4th year graduate student at Rice of Events to confirm dates and times University. of all events for the month, and check the Web Page for any last minute The closest star to us is the Sun. If we changes. understand how the Sun works we can understand a lot about how stars work. Not only that, our Sun is the source of heat, light, and energy for all of us on planet Earth. Schedule of meeting activities: All meetings are at the University of Houston Science and Research building. See the inside back cover for a map to the location. Novice meeting: .............................. 7:00 p.m. "Catching very thin moons" Don Pearce Site orientation meeting: ................. 7:00 p.m. Classroom 121 General meeting: ............................ 8:00 p.m. Room 117 See last page for a map and more information. GuideStar, Vol 26, #2 February, 2008 The Houston Astronomical Society Table of Contents The Houston Astronomical Society is a non-profit corporation organized under section 501 (C) 3 of the Internal Revenue Code. The Society was 3 ............February/March Calendar formed for education and scientific purposes. All contributions and gifts Web site are deductible for federal income tax purposes. -
CLIMATE EXTREMES Science Uncovers Secrets Hidden Within Natural Disasters CONTENTS
ARTS SCIENCES EDUCATION FLORIDA INTERNATIONAL UNIVERSITY 2017 CLIMATE EXTREMES Science uncovers secrets hidden within natural disasters CONTENTS Scientists advance forecasting to give people more time to prepare for approaching storms Alumna fights cyber criminals for Comcast Music legend Sam Moore looks to change the Three women narrative on soul are shaping Mother, researcher, the future cancer fighter: one of STEM professor proves she’s a survivor Students advance World’s deepest coral research, conservation Selective mutism program helps nursery could help restore of Florida Everglades children find their brave voice threatened coral reefs Mike Heithaus, Dean FROM THE DEAN William Anderson, Vice Dean Ady Arguelles, Executive Director of Development Maricel Cigales, On the first day of the fall semester, I stood atop the Stocker AstroScience Center to marvel Associate Dean Maureen Donnelly, Associate Dean at the Great American Solar Eclipse. In the chaos that is the first day of classes, it was a rare Valerie Johnsen, Executive Director of Academic Support and Analysis chance to pause. I was fortunate that my family was able to join me and the many others on Hector Junco, Executive Director of Finance and Operations campus who took time out of the day to look up. Suzanna Rose, Associate Dean Jeremy Rowan, Assistant Dean From the observation deck of Stocker, I also had that rare Laura Dinehart, Executive Director, bird’s-eye-view of campus. There were several thousand students, School of Education and Human Development faculty and staff doing exactly what we were. Pausing. Watching. Evelyn Gaiser, Executive Director, From rooftops, sitting in the grass, standing along walkways, School of Environment, Arts and Society from the windows of buildings, and all those joining us at the Walter Van Hamme, Executive Director, School of Integrated Science and Humanity astroscience center. -
Colonial Relations in Action in the Celebrity Big Brother Household
POPPADOMS , PRINCESSES , AND PRIVILEGE : (N EO )C OLONIAL RACISM IN THE CELEBRITY BIG BROTHER HOUSEHOLD DAMIEN W. RIGGS Writing on the topic of “celebrity colonialism” requires consideration of how colonialism continues to be reconfigured. More specifically, examinations of the “colonial” in “celebrity colonialism” must pay specific attention to the ways in which ongoing acts of empire (and the racial hierarchies they evoke) enact neo-colonialisms that assume a guise of inclusiveness, but which perpetuate colonial hierarchies. Importantly, however, it is necessary to recognise the existence of postcolonial challenges to neo-colonialisms that may occur in the celebrity sphere. The 2007 UK series of Celebrity Big Brother provides an opportunity to examine these various functions of celebrity colonialism as they played out between British and Indian housemates. Usha Zacharius and Jane Arthurs neatly summarise the events that occurred as follows: In January 2007, the UK reality show, Celebrity Big Brother , became the center of a political controversy when Jade Goody, a previous winner of Big Brother , and two other [British] contestants were accused of racial bullying of Shilpa Shetty, Bollywood film star and winner of the 2007 show. Goody and others coined ethnocentric and racist neologisms to describe Shetty’s cooking, her eating habits, and her nationality which resulted in the show attracting thousands of viewer complaints. The whole issue took on political dimensions in both India and Britain when Keith Vaz, a Labour MP of Indian origin, tabled a motion in the House of Commons criticizing the show’s racism, and Indian commerce minister Kamal Nath and others brought up the issue with visiting British chancellor Gordon Brown. -
Adjudication of Ofcom Content Sanctions Committee
Ofcom Content Sanctions Committee Consideration of sanction against Channel Four Television Corporation in respect of its service Channel 4. 1 For Breaches of the Ofcom Broadcasting Code: • Rule 2.3 – Broadcasters must when applying generally accepted standards ensure that material which may cause offence is justified by the context; and • Rule 1.3 – Children must also be protected by appropriate scheduling from unsuitable material. On 15, 17, 18, 19 January 2007 Decision To direct Channel Four (and S4C) to broadcast a statement of Ofcom’s findings in a form determined by Ofcom immediately before the start of the broadcast of the first programme of the eighth series of Big Brother on Channel 4; immediately before the start of the broadcast of the first re- versioned programme of the eighth series of Big Brother on Channel 4; and immediately before the start of the broadcast of the programme in which the first eviction from the eighth series of Big Brother occurs on Channel 4. 1 This sanction also applies to Sianel Pedwar Cymru (“S4C”) which transmits Channel 4’s (Celebrity) Big Brother series on its service. 1 Contents Section Page 1 Summary 3 2 Background 6 3 Legal Framework 8 4 Issues raised with Channel Four and Channel Four’s Response 12 5 Ofcom’s Adjudication: Introduction 36 6 Not In Breach 42 7 Resolved 55 8 In Breach 57 9 Sanctions Decision 66 2 1 Summary 1.1 On the basis detailed in the Decision, under powers delegated from the Ofcom Board to Ofcom’s Content Sanctions Committee (“the Committee”), the Committee has decided to impose a statutory sanction on Channel Four (and S4C) in light of the serious nature of the failure by Channel Four to ensure compliance with Ofcom’s Broadcasting Code. -
The Democratic Image Online Projects Exhibitions Workshops Commissions Events 2 About Look 07
THE DEMOCRATIC IMAGE ONLINE PROJECTS EXHIBITIONS WORKSHOPS COMMISSIONS EVENTS 2 ABOUT LOOK 07 LOOK 07 WAS CONCEIVED BY REDEYE AND IS A PROGRAMME OF ACTIVITIES CONCERNED WITH THE REVOLUTION IN PHOTOGRAPHY. AS CAMERA OWNERSHIP IS SKYROCKETING WORLDWIDE, LOOK 07 DESCRIBES WHAT PEOPLE ARE SAYING WITH THIS NEW LANGUAGE; WHO’S MAKING THE MOST INTERESTING PICTURES NOW; WHO’S LOOKING AT THEM; HOW THE PUBLIC IS USING PHOTOGRAPHY AS A NEW MEANS OF EXPRESSION AND THE PLACE OF THE PROFESSIONAL PHOTOGRAPHER IN ALL THIS. LOOK 07 IS… A SYMPOSIUM WORKSHOPS The Democratic Image Symposium investigates the Look 07 brings together photographers, artists and revolution in photography with some of the world’s non-professionals for exciting projects that will be top speakers on the subject. exhibited in galleries and online. ONLINE WORK COMMISSIONS Look 07’s online gallery, Flickr gallery and blog New work commissioned from a broad range of keep the conversation going. photographers and artists will make its mark upon the city. It will also lead to an open competition. EXHIBITIONS A large number of new, lens-based exhibitions will EVENTS span Greater Manchester, many tying in with the An engaging mix of gallery talks and special symposium’s theme of The Democratic Image. events celebrate different aspects of photography. WHO’S SUPPORTING LOOK 07? Look 07 gratefully acknowledges the support of the We would also like to thank our media partners, Arts Council of England, the Association of Greater The Associated Press and Metro newspaper, and Manchester Authorities, Manchester City Council, our new media supporter, Manchester Digital the Paul Hamlyn Foundation and Redeye – The Development Agency with funds from the ERDF. -
CV—Alpesh K. Patel/ Page 1 of 6
ALPESH KANTILAL PATEL CURRICULUM VITAE EDUCATION UNIVERSITY OF MANCHESTER, Manchester, England PhD in ART HISTORY AND VISUAL STUDIES, April 2009 Dissertation: “Queer Desi Visual Culture across the Brown Atlantic (US/UK)” MPHIL in DRAMA/SCREEN STUDIES (upgraded to PHD in 2006) YALE UNIVERSITY, New Haven, Connecticut BA in HISTORY OF ART with distinction in major, September 1997 ACADEMIC POSITIONS FLORIDA INTERNATIONAL UNIVERSITY, Miami, FL Assistant Professor of Contemporary Art and Theory, August 2011-present Director, Master in Fine Arts in Visual Arts, July 2012-present NEW YORK UNIVERSITY, New York, NY, Fall 2010-Spring 2011 Visiting Scholar, Center for Study of Gender and Sexuality FELLOWSHIPS, SCHOLARSHIPS, BURSARIES, STUDENTSHIPS, GRANTS, AND OTHER HONORS NATIONAL ENDOWMENT OF ARTS SUMMER INSTITUTE: Re-envisioning American Art History: Asian American Art, Research, and Teaching at Asian/Pacific/American Institute at New York University, July 2012 CITY OF MIAMI BEACH CULTURAL ARTS COUNCIL, Junior Anchor Grant to develop year-round programming for Miami Beach Urban Studios (MBUS), October 2012. $30,000 with matching grant FLORIDA INTERNATIONAL UNIVERSITY, Office of Engaged Creativity Grant, 2011-12 COLLEGE ART ASSOCIATION (CAA), Professional Development Fellowship, finalist, 2008 HIGHER EDUCATION FUNDING COUNCIL FOR ENGLAND (HEFCE), Overseas Research Studentship, 2006-8 UNIVERSITY OF MANCHESTER SCHOOL OF ARTS, HISTORIES AND CULTURES Skills Awareness for Graduate Education (SAGE) grant, to fund organization of postgraduate conference, -
Thurs 25 March Additional Programme Information 090310
From the Margins to the Core? Conference Additional Programme Information Day 2 - Thursday 25 March 2010 Connecting or Competing Equalities? 09.30-09.50 Title: Diversity and cultural policy This presentation will suggest how contemporary concerns with diversity and difference present particular challenges for mainstream art historical and curatorial practice. It will locate Dr Leon Wainwright’s own practice, which overlaps historical research, collaborations with museums and galleries, and curatorial work. Briefly, he will set out the broader intellectual background on which the concept of ‘margins and core’ has emerged in the academy, and suggest why opportunities for exploring transnationalism may also become the site of ‘competing equalities’. The examples for this range from the institutional life in Britain of World Art Studies, and two exhibitions in Liverpool in 2010. Chair: Dr Jo Littler, Senior Lecturer in Media and Cultural Studies at Middlesex University As well as being the Senior Lecturer in Media and Cultural Studies at Middlesex University, Jo Littler is co-editor, with Roshi Naidoo, of The Politics of Heritage: The Legacies of Race (Routledge 2005), author of Radical Consumption? Shopping for change in contemporary culture (Open University Press, 2009) and an associate editor of Soundings. Speaker: Dr Leon Wainwright, Senior Lecturer in History, Art & Design, Manchester Metropolitan University Leon Wainwright is Senior Lecturer in the History of Art and Design at Manchester Metropolitan University, Visiting Fellow at the Yale Center for British Art, a member of the editorial board of the journal Third Text, and Guest Curator, with Reyahn King, of Aubrey Williams Atlantic Fire (Walker Art Gallery, Liverpool, 2010). -
Building Key Key P
T S BAR ING S D TREET N L EE E R I G F K R IC I D W 35 Cordingley Lecture Theatre A RD A F 147 Building key A Key 86 Core Technology Facility Manchester Piccadilly Bus 78 Academy Station stop B 42 Cosmo Rodewald ERRY S cluster 63 Alan Gilbert 47 Coupland Building 3 83 Grove House 16 Manchester 53 Roscoe Building 81 The Manchester 32 Access Summit Concert Hall T Campus buildings Learning Commons 31 Crawford House 29 Harold Hankins Building Interdisciplinary Biocentre 45 Rutherford Building Incubator Building Disability Resource 01 Council Chamber cluster 46 Alan Turing Building 33 Crawford House Lecture 74 Holy Name Church 44 Manchester Museum cluster 14 The Mill Centre (Sackville Street) 01 Sackville Street Building University residences Theatres 76 AQA 80 Horniman House cluster 65 Mansfield Cooper Building 67 Samuel Alexander Building 37 University Place 37 Accommodation Office 51 Council Chamber cluster (Whitworth Building) 3 10 36 Arthur Lewis Building 867 Denmark Building 35 Humanities Bridgeford 42 Martin Harris Centre for 56 Schunck Building 38 Waterloo Place 31 Accounting and Finance A cluster cluster Principal car parks 6 15 P 68 Council Chamber 75 AV Hill Building T 41 Dental School and Hospital Street Music and Drama 11 Weston Hall 01 Aerospace Research E 54 Schuster Building (Students’ Union) E 30 Devonshire House AD 40 Information Technology 25 Materials Science Centre Centre (UMARI) 73 Avila House RC ChaplaTinRcy RO 59 Simon Building 84 Whitworth Art PC clusters S SON cluster 31 Counselling Service 2 G 70 Dover Street BuildWinAg -
How to Write a Press Release
How to Write a Press Release Published by All About Audiences 2010 This useful guide explains what you should include on a press release to ensure it grabs the attention of the recipient. It includes a generic template you can use, along with two annotated examples of a press release and photo opportunity. The Audience Agency is a not-for-profit organisation created out of the merger between All About Audiences and Audiences London Plus in 2012. © The Audience Agency 2012 Example Press Releases Generic template YOUR ORGANISATION’S LOGO PRESS RELEASE Date of issue YOUR TITLE SHOULD ATTRACT ATTENTION AND MAKE IT CLEAR WHAT THE PRESS RELEASE IS ABOUT The first paragraph should summarise what, where, who and when. Subsequent paragraphs should give more detail about your story. The second last paragraph could be a quote from someone relevant to support the press release. The last paragraph can be used to reinforce any key points or provide any additional information not important enough to go at the beginning. ENDS For further information and images contact : Provide the name, email and telephone number of the person the media should contact for more information. Notes to Editors : This section is not essential, but you may find it useful to provide more general information, such as a description of what your organisation does. 17 March 2011 Comment [c1]: This is the date the press release was PRESS RELEASE FOR IMMEDIATE RELEASE issued to the media. Comment [c2]: This states The Evolutionist: A Darwin Extravaganza at The Manchester Museum that it is a press release – making its purpose clear. -
The Dynamics of Race, Class and Gender in the UK Big Brother Jade-Shilpa Row
CORE Metadata, citation and similar papers at core.ac.uk Provided by Goldsmiths Research Online !∀ # ∃ %& ∋ ∋ ( )∗ + # , ∀ −./. !∀ # ∃ %& ∋ ∋ ( )∗ 0 ( 1 2 ∀ # ,3 ∀ ∗∀44 ∗ 45/.64 # ∗∗ , # 3 # 7 8 ∗ 3 ∗ ∗∗ + # ∗ ∃ ∗ ∃ ∗∗ ∃ 3 %& ∗ ∗ ∃ # ∗∗ , # ∗ 3 ∗∗ ∗ # ∗ ∃ ∗ ∃ ∃ 9 ∗ # : ; ∗ ∃# # 3 ∗3 ∗ ∃ ∗ 4 ∗∀44 ∗ ) # 9 # ∀ 3) ∗ < Language, Power and Reality TV: the dynamics of race, class and gender in the UK Big Brother Jade-Shilpa row Rosalyn George, Goldsmiths, University of London, [email protected] Heather Mendick, Goldsmiths, University of London, [email protected] Abstract: Reality TV is often presented as an unproblematic social phenomenon which is consumed and digested by an unthinking and unsophisticated general public. We, however, argue that Reality TV is both a pervasive and important cultural form, and as such it is vital that researchers and teachers engage with it. We return to the controversial UK Big Brother 2007 arguments involving Jade Goody and Shilpa Shetty. We explore how the dynamics of class, gender and race played out in this case. Using this example, we look at how celebrity culture, ideas of truth and dominant discourses of White working-class culture position both the housemates and their audiences. We further argue that the coverage of the event foreclosed any discussions of White middle-class racism by drawing on discourses that denigrate the White working-class. In this paper we argue that Reality TV is an important social phenomenon as evidenced by the amount of controversy and debate that this genre generates. It is also a site of pleasure for both of us writing this paper and provides us with an intermingling of emotional pleasure and academic challenge. -
Valuing Older People (VOP) – Culture Champions Scheme Evaluation
Valuing Older People (VOP) – Culture Champions Scheme Evaluation 1. Introduction The Audience Agency was asked by the Valuing Older People (VOP) team to undertake the evaluation of the VOP Culture Champions scheme. This report illustrates the results from the evaluation. It introduces the scheme and the context within which it was developed. It reviews the role of the Culture Champions and their networks. It then moves onto a review of the events that have been organised as part of the scheme and the impact these have had on the success of the scheme itself. This evaluation will then review the scheme’s impact in terms of: • Encouraging older people in Manchester to engage with culture • Developing suitable provision at the cultural organisations involved in the scheme • Offering personal development opportunities for the Culture Champions Finally, the evaluation reviews improvements and development for the scheme suggested by the Culture Champions themselves. 1.1 Methodology We used three key methodologies to collect perspectives from stakeholders and participants in the project. • Surveys. We sent each Culture Champion a paper survey to fill in at home. With each paper survey we included a pre-stamped envelope for them to return the surveys free of cost. We sent all key contacts at participating cultural organisations a brief survey by email. At each Cultural Tour we asked all Culture Champions to fill in a survey at the end of the tour. • 1-2-1 interviews We conducted 1-2-1 interviews over the phone with a random sample of Culture Champions. • Focus group The VOPCO working group commissioned Big Art People to deliver a focus group with Culture Champions. -
Vita Student at First Street Manchester Aspect Pack
Vita Student at First Street Manchester Aspect Pack To Be Used In Conjunction With The Brochure & Floorplans Introduction ‘Vita at First Street occupies a prime position within a £500m master-planned regeneration project in the heart of Manchester city centre’ The aim of this document is to give greater understanding of the location immediately surrounding a specific development. It includes various photographs taken of and around the plot and shows features that are important to potential investors and a greater level of detail that can’t be gained from a map alone. Each slide has a photo and a map which shows specifically what is being illustrated by identifying the plot and the direction of the photo. Map Key The plot for Vita at First Street The beginning of the green arrow on each map shows the point at which the photo was taken and the arrow head shows the direction in which it was taken . First Street Aerial View First Street North Plot Map Plot 1 – 4* Hotel (208 Rooms) Plot 2 – Cultural building – theatres, gallery, Plot 1A – Retail, food & beverage cinema (Cornerhouse & Library Plot 3 – Multi-storey car park Theatre Company) Plot 3A – Retail, food & beverage First Street North 3D Modelling VITA Plot 1 – 4* Hotel (208 Rooms) Plot 2 – Cultural building – theatres, gallery, Plot 1A – Retail, food & beverage cinema (Cornerhouse & Library Plot 3 – Multi-storey car park Theatre Company) Plot 3A – Retail, food & beverage First Street North 3D Modelling No1 FIRST STREET PLOT 1 VITA PLOT 2 PLOT 3 VITA Plot 1 – 4* Hotel (208 Rooms) Plot 2 – Cultural building – theatres, gallery, Plot 1A – Retail, food & beverage cinema (Cornerhouse & Library Plot 3 – Multi-storey car park Theatre Company) Plot 3A – Retail, food & beverage Main Entrance to Vita at First Street Photo showing the Vita at First Street plot taken from the same aspect as the main render used in the brochure.