Language, Power and Reality TV: the Dynamics of Race, Class and Gender in the UK Big Brother Jade-Shilpa Row
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The Big Brother House Is Watching You Ed Hollis, Edinburgh College of Art, Edinburgh, UK Andy Milligan, Duncan of Jordanstone College of Art & Design, UK
Big Brother House The Big Brother House is Watching You Ed Hollis, Edinburgh College of Art, Edinburgh, UK Andy Milligan, Duncan of Jordanstone College of Art & Design, UK Abstract: The transitory celebrities who compete in Big Brother occupy the arena of their competition agog and open mouthed, for while Big Brother is, apparently, about the contestants, the real star of the reality show is the House in which it takes place. The Big Brother House is a place of mirrors concealing hidden eyes, disembodied voices and multiple voyeurs. Rather than granted refuge in this house, its occupants are exposed in a crazy cottage where Orwell meets vaudeville; and prison cells or luxuriant dens appear overnight installed by mischievous pixies. The BB House is the antithesis of Bachelard’s vertically ordered Oneiric Axis of nightmarish cellar, formal, domestic ‘middle kingdom’, and the dream space of the attic. The Big Brother house is horizontally layered but fabricated, (to build and to lie). The Big Brother House is a model in extremis of what contemporary domestic interior has become. Like a Foucaulvian heterotopia it is an hermetic, apparently complete model of occupancy. Indeed there is no exterior to this house, which is both closed-off and opened-up through live digital streaming, RSS feeds, and text updates. As such the BB House reveals surrealist tendencies: the mirrors are evocative of Magritte; the windows are for the voyeur not external vista; the BB occupants and the TV viewers are passive idle loafers. In this respect, the Big Brother House reflects the spectacular model homes that have adorned expos from the Great to the Ideal Home exhibitions, from Peter and Alison Smithson’s House of the Future (1956) to Archigram’s 1990 Automated House (1967). -
CV FIU Aug 2017
Patel, Alpesh Kantilal 2-Sep-17 CURRICULUM VITAE ALPESH KANTILAL PATEL DEPARTMENT OF ART AND ART HISTORY EDUCATION PhD University of Manchester Art History and Visual Studies Apr 2009 Manchester, England BA Yale University History of Art (with distinction) Sep 1997 New Haven, Connecticut FULL-TIME ACADEMIC EXPERIENCE Florida International University Associate Professor (with tenure), Aug 2017− Miami, Florida Contemporary Art and Theory Assistant Professor, Aug 2011− Contemporary Art and Theory Jul 2017 Affiliate Faculty, Jun 2013− Center for Women’s and Gender Studies present Affiliate Faculty, Aug 2014− African and African Diaspora Program present Other academic affiliations Cranbrook Academy of Art Critical Studies Fellow Sep−Dec Bloomfield Hills, Michigan 2016 University of Fine Arts Fulbright Scholar Jun−Aug Poznań, Poland 2016 Adam Mickiewicz University Fulbright Scholar, Fall 2015 Poznań, Poland Art History Department New York University Visiting Scholar, Sep 2010− New York City Center for Gender and Sexuality May 2011 NONACADEMIC EXPERIENCE New Museum of Executive Assistant, Director’s Office Jan 2002− Contemporary Art May 2005 Clinica Estetico and Assistant to Film Producer Ed Saxon Sep 2000− Magnet Entertainment Dec 2001 Patel, Alpesh Kantilal 2-Sep-17 Whitney Museum Special Projects Coordinator, Jan−Aug of American Art Director’s Office 2000 Whitney Museum Catalog Coordinator Jun 1999− of American Art (Film/Video Section), Jan 2000 2000 Biennial Exhibition Whitney Museum Curatorial Research Assistant, Dec 1998− of American Art “The American Century: Art and Culture, May 1999 1950−2000” Exhibition/Catalog RoseLee Goldberg Research Assistant for Author’s Sep 1998− Books: Laurie Anderson (Abrams, Mar 1999 2000) and Performance Art: Live (part-time Art since 1960 (Abrams, 1998) from Jan) Jack Tilton Gallery Codirector Jun-Aug 1998 From Sep 1997 to Sep 1998: Winter 1998 (part-time): Photography Traffic Coordinator, Photonica Winter 1998 (part-time): Curatorial Intern, Solomon R. -
Broadcast and on Demand Bulletin Issue Number
Ofcom Broadcast and On Demand Bulletin Issue number 312 12 September 2016 1 Ofcom Broadcast and On Demand Bulletin 312 12 September 2016 Contents Introduction 3 Broadcast Standards cases In Breach I Spit on Your Grave Horror Channel, 28 March 2016, 22:45 5 Zing Jukebox Live Zing, 21 June 2016, 16:30 9 Desi Street TV99, 5 March 2016, 10:00 12 Not in Breach Love Island 30 June 2016, ITV2, 21:00 21 Broadcast Licence Conditions cases In Breach Retention and production of recordings Top Pop, 13 March 2016 27 Broadcast Fairness and Privacy cases Not Upheld Complaint by Ms G on behalf of her son (a minor) Channel 4 News, Channel 4, 6 January 2016 29 Complaint by Miss Lauren Reis The House of Hypochondriacs, Channel 4, 24 November 2015 43 Tables of cases Investigations Not in Breach 75 Complaints assessed, not investigated 76 Complaints outside of remit 85 Investigations List 87 2 Ofcom Broadcast and On Demand Bulletin 312 12 September 2016 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. Ofcom must include these standards in a code, codes or rules. These are listed below. The Broadcast and On Demand Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and rules below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. -
Colonial Relations in Action in the Celebrity Big Brother Household
POPPADOMS , PRINCESSES , AND PRIVILEGE : (N EO )C OLONIAL RACISM IN THE CELEBRITY BIG BROTHER HOUSEHOLD DAMIEN W. RIGGS Writing on the topic of “celebrity colonialism” requires consideration of how colonialism continues to be reconfigured. More specifically, examinations of the “colonial” in “celebrity colonialism” must pay specific attention to the ways in which ongoing acts of empire (and the racial hierarchies they evoke) enact neo-colonialisms that assume a guise of inclusiveness, but which perpetuate colonial hierarchies. Importantly, however, it is necessary to recognise the existence of postcolonial challenges to neo-colonialisms that may occur in the celebrity sphere. The 2007 UK series of Celebrity Big Brother provides an opportunity to examine these various functions of celebrity colonialism as they played out between British and Indian housemates. Usha Zacharius and Jane Arthurs neatly summarise the events that occurred as follows: In January 2007, the UK reality show, Celebrity Big Brother , became the center of a political controversy when Jade Goody, a previous winner of Big Brother , and two other [British] contestants were accused of racial bullying of Shilpa Shetty, Bollywood film star and winner of the 2007 show. Goody and others coined ethnocentric and racist neologisms to describe Shetty’s cooking, her eating habits, and her nationality which resulted in the show attracting thousands of viewer complaints. The whole issue took on political dimensions in both India and Britain when Keith Vaz, a Labour MP of Indian origin, tabled a motion in the House of Commons criticizing the show’s racism, and Indian commerce minister Kamal Nath and others brought up the issue with visiting British chancellor Gordon Brown. -
Big Brother As Ritual Event
CORE Metadata, citation and similar papers at core.ac.uk Provided by LSE Research Online Nick Couldry Playing for celebrity: Big Brother as ritual event Article (Accepted version) (Refereed) Original citation: Couldry, Nick (2002) Playing for celebrity: Big Brother as ritual event. Television & new media, 3 (3), pp. 283-293. DOI: 10.1177/152747640200300304 © 2002 SAGE Publications Ltd This version available at: http://eprints.lse.ac.uk/17652/ Available in LSE Research Online: September 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. PLAYING FOR CELEBRITY: BIG BROTHER AS RITUAL EVENT NICK COULDRY Although Big Brother in the UK is now two series old, with a third series planned for 2002, there is a special reason for concentrating, as I do here, on the first Big Brother series broadcast in the UK by Channel Four (July-September, 2000, hereafter ‘BBUK1’). -
Scholars Publishing Table of Contents
SUB Hamburg A/542119 Celebrity Colonialism: Fame, Power and Representation in Colonial and Postcolonial Cultures Edited by Robert Clarke CAMBRIDGE SCHOLARS PUBLISHING TABLE OF CONTENTS Acknowledgements ix The Idea of Celebrity Colonialism: An Introduction 1 Robert Clarke Part One: Celebrities and the Colonial Moment Missionaries and Celebrity within the Transatlantic World: The Ojibwa of Upper Canada, 1830-1860 15 Cecilia Morgan Colonial Celebrities in Popular Culture: Heroes of the British and French Empires, 1850-1914 37 Berny Sebe The Sacred Celebrity Body: Swami Vivekananda's American Tours 55 Julie F. Codell Sigmund's Asian Fan-Club? The Freud Franchise and Independence of Mind in India and Japan 73 Christopher Harding Part Two: Celebrity, Travel and Benevolence Dying for Our Sins: Christian Salvation Rhetoric in Celebrity Colonialism /. 91 Spring-Serenity Duvall Celebrity Culture and the Rise of Narcissistic Interventionism 107 Philip Hammond The White Woman's Burden: Media Framing of Celebrity Transnational Adoptions 123 Hilde Van den Bulck vi Table of Contents Our Man in India: William Dalrymple as Traveller and Public Intellectual 141 Rebecca Dorgelo Part Three: Celebrities and Subalternity Salman Rushdie: The Postcolonial Writer as Global Brand 159 Wenche Ommundsen Shah Rukh Khan: Bollywood Superstar and Icon of the Postcolonial Nation 173 Shakuntala Rao Resisting the Ethical Violence of Coercive Aboriginality: David Gulpilil 189 Felicity Collins Poppadoms, Princesses and Privilege: (Neo)Colonial Racism in the Celebrity Big Brother Household 209 Damien W. Riggs Kledi Kadiu: Italian National Cinema and Postcolonial Stardom 225 Derek Duncan Crocodile Tears: The Life and Death of Steve Irwin 239 Graham Huggan Part Four: Celebrities and Africa Celebrity Colonialism and Conservation in Africa 255 Dan Brockington and Katherine Scholfield Representing Africa? Photography, Celebrity and Vanity Fair 275 Carol Magee Mandela: Constructing Global Celebrity as a Political Tool 291 P. -
Adjudication of Ofcom Content Sanctions Committee
Ofcom Content Sanctions Committee Consideration of sanction against Channel Four Television Corporation in respect of its service Channel 4. 1 For Breaches of the Ofcom Broadcasting Code: • Rule 2.3 – Broadcasters must when applying generally accepted standards ensure that material which may cause offence is justified by the context; and • Rule 1.3 – Children must also be protected by appropriate scheduling from unsuitable material. On 15, 17, 18, 19 January 2007 Decision To direct Channel Four (and S4C) to broadcast a statement of Ofcom’s findings in a form determined by Ofcom immediately before the start of the broadcast of the first programme of the eighth series of Big Brother on Channel 4; immediately before the start of the broadcast of the first re- versioned programme of the eighth series of Big Brother on Channel 4; and immediately before the start of the broadcast of the programme in which the first eviction from the eighth series of Big Brother occurs on Channel 4. 1 This sanction also applies to Sianel Pedwar Cymru (“S4C”) which transmits Channel 4’s (Celebrity) Big Brother series on its service. 1 Contents Section Page 1 Summary 3 2 Background 6 3 Legal Framework 8 4 Issues raised with Channel Four and Channel Four’s Response 12 5 Ofcom’s Adjudication: Introduction 36 6 Not In Breach 42 7 Resolved 55 8 In Breach 57 9 Sanctions Decision 66 2 1 Summary 1.1 On the basis detailed in the Decision, under powers delegated from the Ofcom Board to Ofcom’s Content Sanctions Committee (“the Committee”), the Committee has decided to impose a statutory sanction on Channel Four (and S4C) in light of the serious nature of the failure by Channel Four to ensure compliance with Ofcom’s Broadcasting Code. -
Danielle Lloyd Forced to Defend 'Intense' Cosmetic Treatment | Daily Mail Online
Danielle Lloyd forced to defend 'intense' cosmetic treatment | Daily Mail Online Cookie Policy Feedback Like 3.9M Follow DailyMail Thursday, May 5th 2016 10AM 14°C 1PM 17°C 5-Day Forecast Home News U.S. Sport TV&Showbiz Australia Femail Health Science Money Video Travel Fashion Finder Latest Headlines TV&Showbiz U.S. Showbiz Headlines Arts Pictures Showbiz Boards Login 'It's not actually lipo': Danielle Lloyd forced Site Web to defend 'intense' cosmetic treatment after Like Follow Daily Mail Celeb @DailyMailCeleb bragging about getting her body summer- Follow ready Daily Mail Celeb By BECKY FREETH FOR MAILONLINE +1 Daily Mail Celeb PUBLISHED: 16:41, 20 January 2015 | UPDATED: 18:12, 20 January 2015 34 89 DON'T MISS shares View comments 'Ahh to be a Size 6 again': Gogglebox star Danielle Lloyd's Instagram followers voiced their concern on Tuesday, when the slender starlet posted Scarlett Moffatt shares a picture of her receiving what she said was intense 'lipo treatment'. a throwback of 'a very skinny minnie me' after Users who thought she was having the cosmetic procedure 'liposuction' - which removes body fat - vowing to overhaul her were quickly corrected by the glamour model in her defence. lifestyle The 31-year-old, who claimed she was 'getting ready for summer' in the initial Instagram snap, insisted it was a skin-tightening procedure known as a 'radio frequency treatment'. Chrissy Teigen reveals her incredible Scroll down for video post-baby body as she cuddles little Luna in sweet photos shared by her mother Relishing motherhood -
Big Brother Nigeria Returns for Third Edition
It’s BACK!!! Big Brother Nigeria returns for third edition November 2017 MultiChoice Nigeria has announced the return of Africa’s biggest reality television show, Big Brother Nigeria, for a third edition proudly sponsored by Payporte, Nigeria’s leading online store. The return of Big Brother Nigeria follows the critical success of the second edition which saw aspiring hip-hop artiste Efe Ejeba winning the coveted N25 million prize money and SUV after almost three months of drama, intrigue, betrayal and entertainment in the Big Brother house. Speaking on Big Brother Nigeria’s return, the Regional Director, M-Net West Africa, Wangi Mba-Uzoukwu said: “Around the globe, the Big Brother format remains one of the most popular genres of entertainment and this is also the case in Nigeria. The edition of Big Brother Nigeria was one of the most successful reality shows not just in Nigeria, but around the continent with a record number of votes and many of the housemates going on to pursue careers in entertainment. We are delighted to have the show return for a third edition and cannot wait for our audiences to once again tune in to experience all of the exciting entertainment that the show is sure to provide. Speaking further on the show’s return, the Managing Director, MultiChoice Nigeria, Mr. John Ugbe said: “At MultiChoice we take pride in providing the best entertainment available to viewers not just in Nigeria, but across Africa. The last Big Brother Nigeria was a tremendous success and prompted multiple queries about the show’s return. -
Playing for Celebrity: Big Brother As Ritual Event
Nick Couldry Playing for celebrity: Big Brother as ritual event Article (Accepted version) (Refereed) Original citation: Couldry, Nick (2002) Playing for celebrity: Big Brother as ritual event. Television & new media, 3 (3), pp. 283-293. DOI: 10.1177/152747640200300304 © 2002 SAGE Publications Ltd This version available at: http://eprints.lse.ac.uk/17652/ Available in LSE Research Online: September 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. PLAYING FOR CELEBRITY: BIG BROTHER AS RITUAL EVENT NICK COULDRY Although Big Brother in the UK is now two series old, with a third series planned for 2002, there is a special reason for concentrating, as I do here, on the first Big Brother series broadcast in the UK by Channel Four (July-September, 2000, hereafter ‘BBUK1’). I want to think about Big Brother not as production or text, but as event stretched across multiple sites, an ‘instant condensation’ (Maffesoli, 1993: xv) of participation which was also an insistent representation of participation, in short, a media event. -
The Nigerian State and the Problematic of Nigeria's Big Brother Role in Nigeria's Foreign Intervention Missions
International Journal of Innovative Research in Education, Technology & Social Strategies p-ISSN: 2465-7298 | e-ISSN: 2467-8163 IJIRETSS Volume 6, Number 1 March, 2019 The Nigerian State and the Problematic of Nigeria's Big Brother Role in Nigeria's Foreign Intervention Missions Ugwu, Dave Ude Institute of Public Policy and Administration, IPPA University of Calabar – Nigeria A b s t r a c t igeria's foreign or external intervention policy is an important aspect of Nigerian's external relations whose primary focus is on the African Ncontinent. Within Nigeria's foreign intervention outreach, Nigeria relates as a Regional Power within the West African Sub-Region and as a Big Brother Nation and as a 'Giant of Africa' within the African continent. The reasons for this pride of place are arguably fascinating. Although Nigeria also has several external relations with the rest of the world, its role as a Big Brother Nation in Africa consist in an attachment to ensuring several fundamental objectives, chief among them of which are those of the following, namely, the political independence of African states from colonialism, the unity and mutual coexistence of African states, the political stability of the continent and the socio-economic and political progress of Africa. Achievement of these external objectives and missions has historically been an uphill task, and in consequences, some of the challenges or problematic of Big Brother Nigeria in leading the rest of Africa towards these objectives have been those of the following: the problematic of intelligence, strategic inefficiency, corruption, political and economic instability, and the dwindling image of the country in the global community. -
What's on Kettering
WHAT’S ON Spring /Summer 2020 KETTERING WWW.LIGHTHOUSETHEATRE.CO.UK WELCOME! ... to our Spring 2020 brochure packed full of fantastic entertainment for you to enjoy! There’s something for everyone, to suit all ages and tastes – live music, comedy, ballet, dance, drama and much more can be found in these pages, and don’t forget to check in on the theatre website for regular updates to our programme. We look forward to seeing you at the Lighthouse in 2020! 10% OFF WITH LEISURE PASS! Kettering Borough Council’s Leisure Pass scheme is free to join and offers discounts in the cost of services across the borough, including 10% off Lighthouse shows. For information visit www.kettering.gov.uk BOOKING Online: www.lighthousetheatre.co.uk Box Office: 01536 414141 For terms and conditions see page 8. AT-A-GLANCE A diary listing of shows can be found on pages 36/37. MASQUE THEATRE The Masque Theatre at the Latimer Arts College in Barton Seagrave has a great selection of shows on offer. Visit www.masquekettering.co.uk for regular updates December 2019 The information in this brochure was correct at the time of going to print, but may be subject to change. Supported by 1 FREE PARKING FOR 600 CARS EASY TO REACH The theatre is centrally located in the heart of England near J8 of the A14, and benefits from an excellent transport network. Kettering train station is a short walk or taxi ride away. The Lighthouse Theatre Kettering Conference Centre Thurston Drive • Kettering • NN15 6PB GPS ref: 52.39N 0.74W BECOME A FRIEND ..