Museums & Art Galleries Survival Strategies
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The Green Museum
the Green museum the Green museum ' A Primer on Environmental Practice Sarah S. Brophy and Elizabeth Wylie A Division of ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham • New York • Toronto • Plymouth, UK ALTAMIRA PRESS A division of Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200 Lanham, MD 20706 www.altamirapress.com Estover Road Plymouth PL6 7PY United Kingdom Copyright © 2008 by AltaMira Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Brophy, Sarah S., 1961– The green museum : a primer on environmental practice / Sarah S. Brophy and Elizabeth Wylie. p. cm. ISBN-13: 978-0-7591-1164-6 (cloth : alk. paper) ISBN-10: 0-7591-1164-2 (cloth : alk. paper) ISBN-13: 978-0-7591-1165-3 (pbk. : alk. paper) ISBN-10: 0-7591-1165-0 (pbk. : alk. paper) ISBN 13: 978-07591-1225-4 (electronic) ISBN 10: 0-7591-1225-8 (electronic) 1. Museums—Environmental aspects—Handbooks, manuals, etc. 2. Sustainable design—Handbooks, manuals, etc. 3. Environmentalism—Handbooks, manuals, etc. 4. Museum techniques—Handbooks, manuals, etc. 5. Museums—Management— Handbooks, manuals, etc. I.Wylie, Elizabeth. II. Title. AM7.B765 2008 069—dc22 2008008230 Printed in the United States of America ™ °° The paper used in this publication meets the minimum requirements of Ameri- can National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48–1992. -
Volunteering for Wellbeing Final Report 2013 – 2016 Social Return
Inspiring Futures: Volunteering for Wellbeing Final Report 2013 – 2016 Social Return on Investment A Heritage Lottery Fund Project delivered by IWM North and Manchester Museum 2013 - 2016 In partnership with Museum of Science and Industry, People’s History Museum, National Trust: Dunham Massey, Manchester City Galleries, Ordsall Hall, Manchester Jewish Museum, Whitworth Art Gallery, National Football Museum If | Volunteering for Wellbeing | About IWM North and Manchester Museum IWM North IWM North has established itself as a key cultural player in the North. The museum is a learning experience where imaginative exhibitions, programmes and projects are combined to promote public understanding of the causes, course and consequence of war and conflict involving the UK and Commonwealth since 1900. Manchester Museum Manchester Museum is dedicated to inspiring visitors of all ages to learn about the natural world and human cultures, past and present. Tracing its roots as far back as 1821, the museum has grown to become one of the UK’s great regional museums and its largest university museum. Inspiring Futures: Volunteering for Wellbeing Final Report 2013 – 2016 Social Return on Investment If | Volunteering for Wellbeing | Final Report 2013 – 2016 | Social Return on Investment CONTENTSContents About IWM North and Manchester Museum 03 Introduction by lead partners 05 Executive Summary 06 The Report Section 1 | Evaluation, aims and objectives 11 Section 2 | How if works - process inputs 16 Section 3 | What was achieved - Longitudinal outcomes 23 -
News Release Embargoed Until 5Pm on Wednesday 11 October 2017
News release Embargoed until 5pm on Wednesday 11 October 2017 Alistair Hudson appointed as new Director for Manchester Art Gallery and The University of Manchester’s Whitworth The University of Manchester and Manchester City Council have today announced that Alistair Hudson, currently Director of the Middlesbrough Institute of Modern Art (mima), will be the new Director of Manchester Art Gallery and the Whitworth. Alistair will take up his role in the New Year. He succeeds Maria Balshaw at the Whitworth and Manchester Art Gallery following her appointment as Director of Tate earlier this year. He brings with him a wealth of experience at the forefront of the culture sector and a strong record of championing art as a tool for social change and education. During the last three years as Director at mima, he set out the institution’s vision as a ‘Useful Museum’, successfully engaging its local communities and responding to the town’s industrial heritage, as well as placing it amongst the most prestigious galleries in the UK. Alistair began his career at the Anthony d’Offay Gallery, London (1994-2000), before joining The Government Art Collection (2000-04) where, as Projects Curator, he devised a public art strategy for the new Home Office building with Liam Gillick. As Deputy Director of Grizedale Arts (2004-14) in the Lake District, he helped the institution gain critical acclaim for its radical approaches to working with artists and communities, based on the idea that art should be useful and not just an object of contemplation. Outside of these roles he is also Chair of Culture Forum North, an open network of partnerships between Higher Education and the cultural sector across the North and co-director of the Asociación de Arte Útil with Tania Bruguera. -
Gaskell Society Newsletters Index of Authors and Subjects
GASKELL SOCIETY NEWSLETTERS INDEX OF AUTHORS AND SUBJECTS. Aber. Pen y Bryn. Lindsay, Jean. Elizabeth and William’s Honeymoon in Aber, September 1832. [illus.] No.25 March 1998. Adlington Hall, Cheshire. Yarrow, Philip J. The Gaskell Society’s outing – 8 October 1989. No.9 March 1990. Alfrick Court, Worcestershire, [home of Marianne Holland]. Alston, Jean. Gaskell study tour to Worcester, Bromyard and surrounding areas-20 to 22 May 2014. [illus.] No.58. Autumn 2014. Allan, Janet. The Gaskells’ bequests. No.32. Autumn 2001. The Gaskells’ shawls. No.33. Spring 2002. Allan, Robin. Elizabeth Gaskell and Rome. No.55. Spring 2013. Alps. Lingard, Christine. Primitive, cheap and bracing: the Gaskells in the Alps. No.58. Autumn 2014. Alston, Jean. Gaskell-Nightingale tour, 30 May 2012. No.54. Autumn 2012. Gaskell study tour to Worcester, Bromyard and surrounding areas-20 to 22 May 2014. No.58. Autumn 2014. Marianne and her family in Worcestershire. No.59. Spring 2015. Tour in Scottish Lowlands, 7-11 July 2008. [illus.] No.46. Autumn 2008. Una Box, who died 14 November 2010, aged 71 years, [obituary]. No.51. Spring 2011. Visit to Ashbourne, Alstonefield and the Hope House Costume Museum, [Derbyshire]. 5th July 2006. No.42. Autumn 2006. Alstonefield, Derbyshire. Alston, Jean. Visit to Ashbourne, Alstonefield and the Hope House Costume Museum, 5th July 2006. No.42. Autumn 2006. American Civil War. Smith, Muriel. Elizabeth Gaskell and the American Civil War. No.36. Autumn 2003. Andreansky, Maria. Luce, Stella. Maria Andreansky 1910-2011 [obituary]. [illus.] No.53. Spring 2012. Anne Hathaway’s Cottage see Stratford-upon-Avon. -
Perspectives March 2019 V4.Qxp Layout 1 12/03/2019 16:19 Page 1
6410_FOW Perspectives March 2019 v4.qxp_Layout 1 12/03/2019 16:19 Page 1 NEWSLETTER OF THE FRIENDS OF THE WHITWORTH, UNIVERSITY OF MANCHESTER. ISSUE 45. SPRING 2019. Friends’ Perspective 11th April 2019, save the date for our showcase event! Full details on page 2. Manchester epicentre of all ills in the world Joy for Ever: How to use art to change the world and its price in the market Full story on page 4. Work by Barry Finan, YES I WANNT TO DO TRRICKSSERRS and ‘Bending’ in Coronation Park series by Raqs Media Collective WWW.FRIENDSOFTHEWHITWORTH.ORG.UK 6410_FOW Perspectives March 2019 v4.qxp_Layout 1 12/03/2019 16:19 Page 2 Friends’ Perspective WE ARE ‘LEGENDARY’ April 11th at the Gallery! It is 85 years since the original Friends met at Sir Thomas These are just a Barlow’s house to set up the Friends of the Whitworth Society. few of the During this time the Friends have survived a World War, many changes to their role and have raised money for the Gallery to artists who will help acquire more than 1000 works of art. be at the Gallery on April 11. hen Director Alistair Hudson arrived at • A drop-in Look Club - we don’t just look - ou sometimes see Rachel working in the Wthe Gallery in February 2018 he we talk and learn YCafé in the Trees. She has also been a described the Friends of the Whitworth as practising graphic designer, community artist • Meet Director Alistair Hudson and hear his ‘legendary’ and we are very proud to stand up and workshop leader for more than 25 years. -
Communities and Equalities Scrutiny Committee – 10 October 2019
Manchester City Council Report for Information Report to: Communities and Equalities Scrutiny Committee – 10 October 2019 Subject: Manchester Art Gallery’s Update Report of: Director of Manchester Art Gallery and the Strategic Director of Neighbourhoods Summary This report details Manchester Art Gallery’s programme, reach and social impact during 2018/19 and 2019/20 within the context of our strategic plan. Recommendations The Committee is recommended to approve the contents of the report. Wards Affected: All Manchester Strategy outcomes Summary of the contribution to the strategy A thriving and sustainable city: We provide support for the creative economy supporting a diverse and through our public programme, training and distinctive economy that creates development opportunities for young people, and jobs and opportunities contribute to economic growth and prosperity of Manchester by championing creativity, supporting creative industries, and through cultural tourism. A highly skilled city: world class We develop and nurture skills within our workforce and home grown talent sustaining and support the development of skills and creativity the city’s economic success of Manchester residents through our programme of events, workshops, activities and exhibitions. A progressive and equitable city: The gallery aims to support individuals, families and making a positive contribution by communities achieve best outcomes through a unlocking the potential of our programme that brings people together, communities encourages creative decision-making, and delivers public projects that generate social capital. A liveable and low carbon city: a We will continue to make Manchester Art Gallery destination of choice to live, visit, (including Platt Hall and Queen’s Park) a green and work sustainable organisation, and attract a diverse population to our public programme from within and outside the city to promote and celebrate Manchester as a city with a strong, healthy culture and environment. -
Ruskin Unleashed: Towards a Revised Political Economy of Art Or Joy for Ever: How to Use Art to Change the World (And Its Price Beyond the Market)
Ruskin unleashed: towards a revised political economy of art or Joy for ever: How to use art to change the world (and its price beyond the market) Alistair Hudson Figure 1 The Whitworth, University of Manchester, with advertisements for its exhibition ‘Joy for ever: How to use art to change the world (and its price in the market)’ held from 29 March to 9 June 2019. Photo: author Joy for ever: How to use art to change the world (and its price in the market) was an exhibition held at the Whitworth, University of Manchester, from 29 March to 9 June 2019 (fig. 1). It was held to coincide with the 200th anniversary of the birth of John Ruskin, the British artist, writer, commentator and educationalist, who was the principal voice campaigning throughout the nineteenth century against the ills of an increasingly industrial and dehumanising world. The exhibition also marked the beginning of a new chapter in the history of the Whitworth in a post-Postindustrial era of ecological, political, financial and social crisis. The institution is now seeking to evolve as a museum that is relevant Journal of Art Historiography Number 22 June 2020 Alistair Hudson Ruskin unleashed … or … How to use art to change the world and useful in our context and one that takes an active role in society, promoting art as a tool for social change. With this goal in mind, our aim is to reconnect with our founders’ intentions, to create an institute, art gallery and park that can help realise the full potential of the city and its residents. -
Environment and Resource Sustainability in Museums
Foresight Research Report: Environment and Resource Sustainability in Museums Document Overview The following research report is designed to provide an overview of key strategic issues relevant to the future of California communities and museums. We hope that this report will be of interest to California museum professionals working to improve service to their community and to plan for the future. From the Spring of 2012 to the Summer of 2013, a team of museum professionals participating in the California Association of Museum’s Leaders of the Future: Museum Professionals Developing Strategic Foresight training project conducted their own secondary (desktop) research on current conditions, trends, and plans for a baseline forecast that postulates the most expected future for museums in the domain of the environment and sustainability. A group of members of the California Association of Museum’s Foresight Committee completed this report. The authors of this report include: Megan Conn, Development Manager, Turtle Bay Exploration Park (team leader) Leslie Matamoros, Museum Assistant, Museum of History and Art, Ontario Steve Windhager, Executive Director, Santa Barbara Botanical Gardens (LF team leader) Lisa Eriksen, Principal, Lisa Eriksen Consulting Members of CAM’s Green Museums Initiative Committee advised on this report and commend the Foresight Committee for including the issues addressed here in their work. This report is the first phase in the development of a baseline forecast and is intended to define the idea of “Environment and Resource Sustainability in Museums,” explore the most pressing issues and possible futures that may result from these circumstances, and create a framework upon which a baseline forecast could be presented. -
Arts Research School of Arts, Languages and Cultures
ISSUE #4 | JANUARY 2015 ARTS RESEARCH SCHOOL OF ARTS, LANGUAGES AND CULTURES OUTPUTS IN FOCUS: WHEN POETRY MET THE INTERNET Dr Heather Inwood (Chinese Studies) examines the changing situation of modern poetry in the People’s Republic of China since the turn of the millennium. PAGE 5 > IN THIS ISSUE: PAGE FROM THE EDITOR: PROFESSOR STEVE HUTCHINGS 2 RESEARCH AT LARGE: ERECTING THE GREAT DOLMEN OF PROJECTS OF THE MOMENT: BRITAIN AND IRELAND 8 EVOLUTION OF THE MAMMALS: A HISTORICAL PERSPECTIVE 3 NEW GENERATION THINKERS: INVESTIGATING INFANT INTERACTIONS LEARNING THROUGH RESEARCH IN ACROSS CULTURES 4 LINGUISTICS & ENGLISH LANGUAGE 9 POETRY AND POPULARITY IN THE VICTORIAN ERA 10 OUTPUTS IN FOCUS: WHEN POETRY MET THE INTERNET 5 CIDRAL: BRECHT: A LITERARY LIFE 6 PARTING WORDS: JACKIE STACEY 11 THE INCOMING CIDRAL DIRECTOR LOOKS AHEAD… 11 RESEARCH AT LARGE: ELIZABETH GASKELL’S HOUSE 7 RECENT PUBLICATIONS 12 ARTS RESEARCH SCHOOL OF ARTS, LANGUAGES AND CULTURES FROM THE EDITOR FROM THE EDITOR We do not set out to achieve a single focus for each fundamental issues issue of ArtsResearch. Nonetheless, it struck me when underpinning science’s editing the features you are about to read that they relationship with the each, in some way, locate themselves at one or more humanities? To take just of the multiple interfaces between science and the a few examples from humanities. Several adopt humanities perspectives on the pages that follow, scientific or technological knowledge (Chris Manias; it would be interesting Colin Richards). Others explore encounters between to know the extent to the arts and technological advances (Heather Inwood; which archaeologists, Clara Dawson). -
In Urbis Launched a Campaign to Find 'Best in Manchester' in Fashion, Visual Arts and Music
Catapult 07: Recent Graduate work from Manchester Metropolitan University and The University of Salford. 29 October 2007 – February 2008 at Urbis, Manchester. Urbis is set to reveal new talent from Manchester’s up and coming artists with a dynamic exhibition that will showcase over 70 pieces of some of the strongest and most innovative works to emerge from this year’s graduates from Manchester Metropolitan University and The University of Salford. From 29th October, Catapult 07 will exhibit the final work from students studying a huge array of Art and Design courses, including subjects such as Interactive Arts, Fashion, 3D Design, Textiles and Product Design. The range of subjects studied by Manchester’s artists makes for a fascinating exhibition with a rich variety of subjects. It also created difficult decisions for Urbis’ staff and University Alumni who trawled the graduate art shows selecting original and imaginative work to make up Catapult 07. The standards were incredibly high and this year’s exhibition is set to be a great showcase of Manchester’s rising artists. Head of Creative Programmes at Urbis, Pollyanna Clayton-Stamm, stated, “I am overwhelmed by the standard, variety and professionalism of the work submitted by the students this year. The quality is exceptional and we are really excited about pulling together a show which promises to have such great depth, from animation to architecture and product design and jewellery to interactive gaming!” The scope of the exhibition is vast with exhibits including the Bog Standard Gallery, a portable toilet made in to a gallery of toilet signs from around the world by artist, Melanie Warner. -
Green Archives: Applications of Green Construction to Archival Facilities Sarah Kim University of Texas at Austin
The Primary Source Volume 28 | Issue 1 Article 3 2009 Green Archives: Applications of Green Construction to Archival Facilities Sarah Kim University of Texas at Austin Follow this and additional works at: https://aquila.usm.edu/theprimarysource Part of the Archival Science Commons Recommended Citation Kim, Sarah (2009) "Green Archives: Applications of Green Construction to Archival Facilities," The Primary Source: Vol. 28 : Iss. 1 , Article 3. DOI: 10.18785/ps.2801.03 Available at: https://aquila.usm.edu/theprimarysource/vol28/iss1/3 This Article is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in The rP imary Source by an authorized editor of The Aquila Digital Community. For more information, please contact [email protected]. Green Archives: Applications of Green Construction to Archival Facilities Sarah Kim, Doctoral student, School of Information, The University of Texas at Austin Introduction The primary mission of archives as cultural and administrative institutions is to preserve and make available society's collective memories captured in archival materials for future generations. The development and long-term operation of archives in a sustainable manner are critical to accomplish this mission. Applying green or sustainable construction to archival facilities is one way to increase the sustainability of archives. Green construction methods provide various environmental, social and economic benefits to improve the serviceability of a building during its lifetime after the construction is completed at the site. The Building Services Research and Information Association (BSRIA) defines sustainable construction as "the creation and responsible management of a healthy built environment based on resource efficient and ecological principles." Applying green construction to buildings means more than adding a couple of green elements to save on energy bills. -
Matthew Darbyshire
Press Release MANCHESTER ART GALLERY TO PRESENT THE IMITATION GAME AN EXHIBITION OF WORK BY EIGHT INTERNATIONAL ARTISTS EXPLORING MACHINES AND THE IMITATION OF LIFE 13 FEBRUARY 2016 – 5 JUNE 2016 (L) Mari Velonaki, Fish-Bird, 2003-present. Courtesy the artist (R) James Capper, TELESTEP, 2015. Courtesy the artist, Hannah Barry Gallery, London and Paul Kasmin Gallery, New York SHOW TO INCLUDE VIDEO, SCULPTURE, PERFORMANCE AND INSTALLATION WORK BY ED ATKINS, JAMES CAPPER, PAUL GRANJON, TOVE KJELLMARK, LYNN HERSHMAN LEESON, DAVID LINK, MARI VELONAKI AND YU-CHEN WANG CURATED BY CLARE GANNAWAY The Imitation Game 13 February 2016 – 5 June 2016 Press view: 12 February 2016 I propose to consider the question, “Can machines think?... Are there imaginable digital computers that would do well in the imitation game?” Alan Turing, Computing Machinery and Intelligence, 1950 In February 2016, Manchester Art Gallery will present The Imitation Game, an exhibition by eight international contemporary artists who explore the theme of machines and the imitation of life. The exhibition will include work by artists Ed Atkins, James Capper, Paul Granjon, Tove Kjellmark, Lynn Hershman Leeson, David Link, Mari Velonaki and Yu-Chen Wang. With a title inspired by Alan Turing’s ‘Turing Test’, devised to test a computer’s ability to imitate human thought, introduced in an article while he was working at The University of Manchester, The Imitation Game will include three new commissions and works never before seen in the UK. Manchester has a rich history of computer science, as the birthplace of the industrial machine- age, where the world’s first stored-program computer was developed.