Communities and Equalities Scrutiny Committee – 10 October 2019
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Museums & Art Galleries Survival Strategies
museums & art galleries survival strategies A guide for reducing operating costs and improving sustainability museums & art galleries Survival Strategies sur vival Contents strategies A guide for reducing operating costs and improving sustainability including Foreword 2 A five-step plan for institutions plus 205 initiatives to help get you Introduction 3 started Museums, Galleries and Energy Benefits of Change Survival strategies for museums & art galleries 4 Legislation Environmental Control and Collections Care Standards Five simple steps – A survival strategy for your institution 9 Step #1 Determine your baseline and appropriate level of refurbishment 10 Step #2 Review your building maintenance, housekeeping and energy purchasing 14 Sustainability makes good sense for museums. Step #3 Establish your targets and goals 18 A sustainable business is one that will survive and Step #4 Select your optimal upgrade initiatives 22 continue to benefit society. Vanessa Trevelyan, 2010 President of Museums Association Head of Norfolk Museums & Archaeology Service Step #5 Make your survival strategy happen 50 Further information 54 Renaissance in the Regions Environmental Sustainability Initiatives 58 Acknowledgements and Contacts 60 Cover © Scott Frances 1 Foreword Introduction The UK sustainable development strategy The Green Museums programme in the Our Green Museums programme has Museums, Galleries and Benefits of Change “aims to enable all people throughout the North West is part of a nationwide fabric focussed on empowering members of staff world to satisfy their basic needs and enjoy of initiatives and projects developed and at all levels to bring about organisational Energy Improving energy efficiency and acting Meet the needs a better quality of life without compromising supported through Renaissance in the change. -
Volunteering for Wellbeing Final Report 2013 – 2016 Social Return
Inspiring Futures: Volunteering for Wellbeing Final Report 2013 – 2016 Social Return on Investment A Heritage Lottery Fund Project delivered by IWM North and Manchester Museum 2013 - 2016 In partnership with Museum of Science and Industry, People’s History Museum, National Trust: Dunham Massey, Manchester City Galleries, Ordsall Hall, Manchester Jewish Museum, Whitworth Art Gallery, National Football Museum If | Volunteering for Wellbeing | About IWM North and Manchester Museum IWM North IWM North has established itself as a key cultural player in the North. The museum is a learning experience where imaginative exhibitions, programmes and projects are combined to promote public understanding of the causes, course and consequence of war and conflict involving the UK and Commonwealth since 1900. Manchester Museum Manchester Museum is dedicated to inspiring visitors of all ages to learn about the natural world and human cultures, past and present. Tracing its roots as far back as 1821, the museum has grown to become one of the UK’s great regional museums and its largest university museum. Inspiring Futures: Volunteering for Wellbeing Final Report 2013 – 2016 Social Return on Investment If | Volunteering for Wellbeing | Final Report 2013 – 2016 | Social Return on Investment CONTENTSContents About IWM North and Manchester Museum 03 Introduction by lead partners 05 Executive Summary 06 The Report Section 1 | Evaluation, aims and objectives 11 Section 2 | How if works - process inputs 16 Section 3 | What was achieved - Longitudinal outcomes 23 -
CV—Alpesh K. Patel/ Page 1 of 6
ALPESH KANTILAL PATEL CURRICULUM VITAE EDUCATION UNIVERSITY OF MANCHESTER, Manchester, England PhD in ART HISTORY AND VISUAL STUDIES, April 2009 Dissertation: “Queer Desi Visual Culture across the Brown Atlantic (US/UK)” MPHIL in DRAMA/SCREEN STUDIES (upgraded to PHD in 2006) YALE UNIVERSITY, New Haven, Connecticut BA in HISTORY OF ART with distinction in major, September 1997 ACADEMIC POSITIONS FLORIDA INTERNATIONAL UNIVERSITY, Miami, FL Assistant Professor of Contemporary Art and Theory, August 2011-present Director, Master in Fine Arts in Visual Arts, July 2012-present NEW YORK UNIVERSITY, New York, NY, Fall 2010-Spring 2011 Visiting Scholar, Center for Study of Gender and Sexuality FELLOWSHIPS, SCHOLARSHIPS, BURSARIES, STUDENTSHIPS, GRANTS, AND OTHER HONORS NATIONAL ENDOWMENT OF ARTS SUMMER INSTITUTE: Re-envisioning American Art History: Asian American Art, Research, and Teaching at Asian/Pacific/American Institute at New York University, July 2012 CITY OF MIAMI BEACH CULTURAL ARTS COUNCIL, Junior Anchor Grant to develop year-round programming for Miami Beach Urban Studios (MBUS), October 2012. $30,000 with matching grant FLORIDA INTERNATIONAL UNIVERSITY, Office of Engaged Creativity Grant, 2011-12 COLLEGE ART ASSOCIATION (CAA), Professional Development Fellowship, finalist, 2008 HIGHER EDUCATION FUNDING COUNCIL FOR ENGLAND (HEFCE), Overseas Research Studentship, 2006-8 UNIVERSITY OF MANCHESTER SCHOOL OF ARTS, HISTORIES AND CULTURES Skills Awareness for Graduate Education (SAGE) grant, to fund organization of postgraduate conference, -
News Release Embargoed Until 5Pm on Wednesday 11 October 2017
News release Embargoed until 5pm on Wednesday 11 October 2017 Alistair Hudson appointed as new Director for Manchester Art Gallery and The University of Manchester’s Whitworth The University of Manchester and Manchester City Council have today announced that Alistair Hudson, currently Director of the Middlesbrough Institute of Modern Art (mima), will be the new Director of Manchester Art Gallery and the Whitworth. Alistair will take up his role in the New Year. He succeeds Maria Balshaw at the Whitworth and Manchester Art Gallery following her appointment as Director of Tate earlier this year. He brings with him a wealth of experience at the forefront of the culture sector and a strong record of championing art as a tool for social change and education. During the last three years as Director at mima, he set out the institution’s vision as a ‘Useful Museum’, successfully engaging its local communities and responding to the town’s industrial heritage, as well as placing it amongst the most prestigious galleries in the UK. Alistair began his career at the Anthony d’Offay Gallery, London (1994-2000), before joining The Government Art Collection (2000-04) where, as Projects Curator, he devised a public art strategy for the new Home Office building with Liam Gillick. As Deputy Director of Grizedale Arts (2004-14) in the Lake District, he helped the institution gain critical acclaim for its radical approaches to working with artists and communities, based on the idea that art should be useful and not just an object of contemplation. Outside of these roles he is also Chair of Culture Forum North, an open network of partnerships between Higher Education and the cultural sector across the North and co-director of the Asociación de Arte Útil with Tania Bruguera. -
2001: University of Manchester
CLASSICAL ASSOCIATION ANNUAL CONFERENCE THE UNIVERSITY OF MANCHESTER WEDNESDAY 18 APRIL - SATURDAY 21 APRIL 2001 CA 2001 CONFERENCE INFORMATION The CA Conference in 2001 will be hosted by the University of Manchester, and will form part of the celebrations of the 150th anniversary of the University, which was originally founded as Owens College in 1851 and became the first of England’s great civic universities. Programme CA 2001 offers a programme of exceptional variety. Several panels will focus on the theme of ‘setting the agenda for the twenty-first century’, as advertised in the Call for Papers: ‘Computers and the Classicist’; ‘Classics without Greek and Latin: the future for teaching and research’; ‘Shifting Boundaries: Classics and other disciplines’; ‘Plato after Plato’; ‘Personal Identity’; ‘Fragments’; ‘Ancient Ideas of Freedom’. In addition panels will be offered on: § Semiotics and Greek Literature § The History of Classics § Poetic Identity § Ancient Music § Old Age § Folklore § Romanisation and Other Interactions § Ancient Religion § Late Ovid § Greek Tragedy As you can see from the enclosed programme, our three plenary sessions with distinguished guest speakers will also address some of the highlighted themes. They include the Presidential Address by Professor T.P. Wiseman. In addition, this year, there will be a performance of Lyric Poetry in Greek and Latin. A welcoming reception will be held on Wednesday, 18 April, in the newly refurbished galleries of the Manchester Museum. The main Conference Centre, where all other scheduled events will take place, is at Hulme Hall, Oxford Place, Victoria Park, Manchester M14 5RL. Accommodation for delegates will be on site at Hulme Hall and, if needed, at nearby Dalton Ellis Hall. -
Gaskell Society Newsletters Index of Authors and Subjects
GASKELL SOCIETY NEWSLETTERS INDEX OF AUTHORS AND SUBJECTS. Aber. Pen y Bryn. Lindsay, Jean. Elizabeth and William’s Honeymoon in Aber, September 1832. [illus.] No.25 March 1998. Adlington Hall, Cheshire. Yarrow, Philip J. The Gaskell Society’s outing – 8 October 1989. No.9 March 1990. Alfrick Court, Worcestershire, [home of Marianne Holland]. Alston, Jean. Gaskell study tour to Worcester, Bromyard and surrounding areas-20 to 22 May 2014. [illus.] No.58. Autumn 2014. Allan, Janet. The Gaskells’ bequests. No.32. Autumn 2001. The Gaskells’ shawls. No.33. Spring 2002. Allan, Robin. Elizabeth Gaskell and Rome. No.55. Spring 2013. Alps. Lingard, Christine. Primitive, cheap and bracing: the Gaskells in the Alps. No.58. Autumn 2014. Alston, Jean. Gaskell-Nightingale tour, 30 May 2012. No.54. Autumn 2012. Gaskell study tour to Worcester, Bromyard and surrounding areas-20 to 22 May 2014. No.58. Autumn 2014. Marianne and her family in Worcestershire. No.59. Spring 2015. Tour in Scottish Lowlands, 7-11 July 2008. [illus.] No.46. Autumn 2008. Una Box, who died 14 November 2010, aged 71 years, [obituary]. No.51. Spring 2011. Visit to Ashbourne, Alstonefield and the Hope House Costume Museum, [Derbyshire]. 5th July 2006. No.42. Autumn 2006. Alstonefield, Derbyshire. Alston, Jean. Visit to Ashbourne, Alstonefield and the Hope House Costume Museum, 5th July 2006. No.42. Autumn 2006. American Civil War. Smith, Muriel. Elizabeth Gaskell and the American Civil War. No.36. Autumn 2003. Andreansky, Maria. Luce, Stella. Maria Andreansky 1910-2011 [obituary]. [illus.] No.53. Spring 2012. Anne Hathaway’s Cottage see Stratford-upon-Avon. -
How to Write a Press Release
How to Write a Press Release Published by All About Audiences 2010 This useful guide explains what you should include on a press release to ensure it grabs the attention of the recipient. It includes a generic template you can use, along with two annotated examples of a press release and photo opportunity. The Audience Agency is a not-for-profit organisation created out of the merger between All About Audiences and Audiences London Plus in 2012. © The Audience Agency 2012 Example Press Releases Generic template YOUR ORGANISATION’S LOGO PRESS RELEASE Date of issue YOUR TITLE SHOULD ATTRACT ATTENTION AND MAKE IT CLEAR WHAT THE PRESS RELEASE IS ABOUT The first paragraph should summarise what, where, who and when. Subsequent paragraphs should give more detail about your story. The second last paragraph could be a quote from someone relevant to support the press release. The last paragraph can be used to reinforce any key points or provide any additional information not important enough to go at the beginning. ENDS For further information and images contact : Provide the name, email and telephone number of the person the media should contact for more information. Notes to Editors : This section is not essential, but you may find it useful to provide more general information, such as a description of what your organisation does. 17 March 2011 Comment [c1]: This is the date the press release was PRESS RELEASE FOR IMMEDIATE RELEASE issued to the media. Comment [c2]: This states The Evolutionist: A Darwin Extravaganza at The Manchester Museum that it is a press release – making its purpose clear. -
Perspectives March 2019 V4.Qxp Layout 1 12/03/2019 16:19 Page 1
6410_FOW Perspectives March 2019 v4.qxp_Layout 1 12/03/2019 16:19 Page 1 NEWSLETTER OF THE FRIENDS OF THE WHITWORTH, UNIVERSITY OF MANCHESTER. ISSUE 45. SPRING 2019. Friends’ Perspective 11th April 2019, save the date for our showcase event! Full details on page 2. Manchester epicentre of all ills in the world Joy for Ever: How to use art to change the world and its price in the market Full story on page 4. Work by Barry Finan, YES I WANNT TO DO TRRICKSSERRS and ‘Bending’ in Coronation Park series by Raqs Media Collective WWW.FRIENDSOFTHEWHITWORTH.ORG.UK 6410_FOW Perspectives March 2019 v4.qxp_Layout 1 12/03/2019 16:19 Page 2 Friends’ Perspective WE ARE ‘LEGENDARY’ April 11th at the Gallery! It is 85 years since the original Friends met at Sir Thomas These are just a Barlow’s house to set up the Friends of the Whitworth Society. few of the During this time the Friends have survived a World War, many changes to their role and have raised money for the Gallery to artists who will help acquire more than 1000 works of art. be at the Gallery on April 11. hen Director Alistair Hudson arrived at • A drop-in Look Club - we don’t just look - ou sometimes see Rachel working in the Wthe Gallery in February 2018 he we talk and learn YCafé in the Trees. She has also been a described the Friends of the Whitworth as practising graphic designer, community artist • Meet Director Alistair Hudson and hear his ‘legendary’ and we are very proud to stand up and workshop leader for more than 25 years. -
Ruskin Unleashed: Towards a Revised Political Economy of Art Or Joy for Ever: How to Use Art to Change the World (And Its Price Beyond the Market)
Ruskin unleashed: towards a revised political economy of art or Joy for ever: How to use art to change the world (and its price beyond the market) Alistair Hudson Figure 1 The Whitworth, University of Manchester, with advertisements for its exhibition ‘Joy for ever: How to use art to change the world (and its price in the market)’ held from 29 March to 9 June 2019. Photo: author Joy for ever: How to use art to change the world (and its price in the market) was an exhibition held at the Whitworth, University of Manchester, from 29 March to 9 June 2019 (fig. 1). It was held to coincide with the 200th anniversary of the birth of John Ruskin, the British artist, writer, commentator and educationalist, who was the principal voice campaigning throughout the nineteenth century against the ills of an increasingly industrial and dehumanising world. The exhibition also marked the beginning of a new chapter in the history of the Whitworth in a post-Postindustrial era of ecological, political, financial and social crisis. The institution is now seeking to evolve as a museum that is relevant Journal of Art Historiography Number 22 June 2020 Alistair Hudson Ruskin unleashed … or … How to use art to change the world and useful in our context and one that takes an active role in society, promoting art as a tool for social change. With this goal in mind, our aim is to reconnect with our founders’ intentions, to create an institute, art gallery and park that can help realise the full potential of the city and its residents. -
A History of the University of Manchester Since 1951
Pullan2004jkt 10/2/03 2:43 PM Page 1 University ofManchester A history ofthe HIS IS THE SECOND VOLUME of a history of the University of Manchester since 1951. It spans seventeen critical years in T which public funding was contracting, student grants were diminishing, instructions from the government and the University Grants Commission were multiplying, and universities feared for their reputation in the public eye. It provides a frank account of the University’s struggle against these difficulties and its efforts to prove the value of university education to society and the economy. This volume describes and analyses not only academic developments and changes in the structure and finances of the University, but the opinions and social and political lives of the staff and their students as well. It also examines the controversies of the 1970s and 1980s over such issues as feminism, free speech, ethical investment, academic freedom and the quest for efficient management. The author draws on official records, staff and student newspapers, and personal interviews with people who experienced the University in very 1973–90 different ways. With its wide range of academic interests and large student population, the University of Manchester was the biggest unitary university in the country, and its history illustrates the problems faced by almost all British universities. The book will appeal to past and present staff of the University and its alumni, and to anyone interested in the debates surrounding higher with MicheleAbendstern Brian Pullan education in the late twentieth century. A history of the University of Manchester 1951–73 by Brian Pullan with Michele Abendstern is also available from Manchester University Press. -
Museology Postgraduate Brochure 2013
MUSEOLOGY POSTGRADUATE BROCHURE 2013 SCHOOL OF ARTS, LANGUAGES AND CULTURES MUSEOLOGY THE FACTS • Proud history in the study of museology with forward-thinking postgraduate programmes • Diverse, interdisciplinary subject area drawing on expertise from across the University • Pioneering teaching informed by the latest research • Strong working relationships with museums and galleries locally, throughout Britain and abroad • Dedicated skills training tailored to your career needs • £650 million investment in university facilities for research and study • 4 million books in one of the UK’s best-resourced university libraries • Nationally acclaimed University Careers Service with postgraduate support • Exciting and diverse environment in one of the best student cities in the world www.manchester.ac.uk/alc CONTENTS OUR UNIVERSITY 2 “The University of Manchester MUSEOLOGY AT MANCHESTER 4 provides an enjoyable, dynamic TAUGHT COURSE 6 and exciting working environment, full of enthusiastic people, and TEACHING STAFF 10 with a positive attitude towards PROFESSIONAL research and postgraduate study.” DEVELOPMENT PROGRAMMES 10 SCHOOL CONTACT DETAILS 11 Annette Allen, postgraduate student 2012 SCHOOL OF ARTS, LANGUAGES AND CULTURES 12 FIND OUT MORE ONLINE 14 1 MUSEOLOGY OUR UNIVERSITY Making things happen At Manchester, we are proud of both our academic excellence and a pervasive ‘can-do’ attitude of staff and students that turns enthusiasm into achievement and ground-breaking theory into cutting-edge practice. With research that is internationally -
Portraits from Our Past
M1634 History & Heritage 2016.indd 1 15/07/2016 10:32 Medics, Mechanics and Manchester Charting the history of the University Joseph Jordan’s Pine Street Marsden Street Manchester Mechanics’ School of Anatomy Medical School Medical School Institution (1814) (1824) (1829) (1824) Royal School of Chatham Street Owens Medicine and Surgery Medical School College (1836) (1850) (1851) Victoria University (1880) Victoria University of Manchester Technical School Manchester (1883) (1903) Manchester Municipal College of Technology (1918) Manchester College of Science and Technology (1956) University of Manchester Institute of Science and Technology (1966) e University of Manchester (2004) M1634 History & Heritage 2016.indd 2 15/07/2016 10:32 Contents Roots of the University 2 The University of Manchester coat of arms 8 Historic buildings of the University 10 Manchester pioneers 24 Nobel laureates 30 About University History and Heritage 34 History and heritage map 36 The city of Manchester helped shape the modern world. For over two centuries, industry, business and science have been central to its development. The University of Manchester, from its origins in workers’ education, medical schools and Owens College, has been a major part of that history. he University was the first and most Original plans for eminent of the civic universities, the Christie Library T furthering the frontiers of knowledge but included a bridge also contributing to the well-being of its region. linking it to the The many Nobel Prize winners in the sciences and John Owens Building. economics who have worked or studied here are complemented by outstanding achievements in the arts, social sciences, medicine, engineering, computing and radio astronomy.