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Ancient Rome’S Most Exclu- Fare of the Roman Forum Gladiatorial Amphitheatre Sive Neighbourhood
56 ©Lonely Planet Publications Pty Ltd A n c i e n t R o m e COLOSSEUM | FORUMS | CAMPIDOGLIO | PIAZZA VENEZIA | BOCCA DELLA VERITÀ & FORUM BOARIUM Five Top Experiences 1 Getting your first 2 Exploring the haunting 4 Walking up Via Sacra, glimpse of the Colosseum ruins of the Palatino (p 60 ), the once grand thorough- (p 58 ). Rome’s towering ancient Rome’s most exclu- fare of the Roman Forum gladiatorial amphitheatre sive neighbourhood. (p 63 ). is both an architectural 3 Coming face to face 5 Surveying the city masterpiece, the blueprint with centuries of awe- spread out beneath you for much modern stadium inspiring art at the historic from atop Il Vittoriano design, and a stark, spine- Capitoline Museums (p67 ). (p 69 ) tingling reminder of the brutality of ancient times. 000000000000000000 000000000000000000 000000000000000000o 000000000000000000Piazza Traian e 0200m 000000000000000000Venezia oro # 00.1miles 000000000000000000ia F 000000000000000000V 000000000000000000arco 000000000000000000M V ri 000000000000000000i San nga d Imperial i V Zi V000000000000000000ia #æ a egli # ia 0000000000000000005 Forums T Via d V00000000000000000000000000 V or 000000000 000000000000000000ia 00000000 ä# d 000000000000a i e n 000000000000000000d 00000000 Via a d 000000000oni 000 i e 000000000000000000'A 00000000 A e 000000Via L 000000 00000000000000000000000000 dei F ' S 000000000000 r le C ccina 000000000000000000a 00000000 a Ba e 000000000000 000000000000000000c 00000000 s o Vi i P s nt r 000000000000000000o 00000000 ori n o p e iet a e'M 00000000000000000000000000 -
Rodolfo Lanciani, the Ruins and Excavations of Ancient Rome, 1897, P
10/29/2010 1 Primus Adventus ad Romam Urbem Aeternam Your First Visit to Rome The Eternal City 2 Accessimus in Urbe AeternA! • Welcome, traveler! Avoiding the travails of the road, you arrived by ship at the port of Ostia; from there, you’ve had a short journey up the Via Ostiensis into Roma herself. What do you see there? 3 Quam pulchra est urbs aeterna! • What is there to see in Rome? • What are some monuments you have heard of? • How old are the buildings in Rome? • How long would it take you to see everything important? 4 Map of Roma 5 The Roman Forum • “According to the Roman legend, Romulus and Tatius, after the mediation of the Sabine women, met on the very spot where the battle had been fought, and made peace and an alliance. The spot, a low, damp, grassy field, exposed to the floods of the river Spinon, took the name of “Comitium” from the verb coire, to assemble. It is possible that, in consequence of the alliance, a road connecting the Sabine and the Roman settlements was made across these swamps; it became afterwards the Sacra Via…. 6 The Roman Forum • “…Tullus Hostilius, the third king, built a stone inclosure on the Comitium, for the meeting of the Senators, named from him Curia Hostilia; then came the state prison built by Ancus Marcius in one of the quarries (the Tullianum). The Tarquin [kings] drained the land, gave the Forum a regular (trapezoidal) shape, divided the space around its borders into building- lots, and sold them to private speculators for shops and houses, the fronts of which were to be lined with porticoes.” --Rodolfo Lanciani, The Ruins and Excavations of Ancient Rome, 1897, p. -
A Study of the Pantheon Through Time Caitlin Williams
Union College Union | Digital Works Honors Theses Student Work 6-2018 A Study of the Pantheon Through Time Caitlin Williams Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Classical Archaeology and Art History Commons Recommended Citation Williams, Caitlin, "A Study of the Pantheon Through Time" (2018). Honors Theses. 1689. https://digitalworks.union.edu/theses/1689 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. A Study of the Pantheon Through Time By Caitlin Williams * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Department of Classics UNION COLLEGE June, 2018 ABSTRACT WILLIAMS, CAITLIN A Study of the Pantheon Through Time. Department of Classics, June, 2018. ADVISOR: Hans-Friedrich Mueller. I analyze the Pantheon, one of the most well-preserVed buildings from antiquity, through time. I start with Agrippa's Pantheon, the original Pantheon that is no longer standing, which was built in 27 or 25 BC. What did it look like originally under Augustus? Why was it built? We then shift to the Pantheon that stands today, Hadrian-Trajan's Pantheon, which was completed around AD 125-128, and represents an example of an architectural reVolution. Was it eVen a temple? We also look at the Pantheon's conversion to a church, which helps explain why it is so well preserVed. -
Under the Influence of Art: the Effect of the Statues of Horatius Cocles and Cloelia on Valerius
Under the Influence of Art: The Effect of the Statues of Horatius Cocles and Cloelia on Valerius Maximus’ Facta et Dicta Memorabilia In his work, Facta et Dicta Memorabilia, Valerius Maximus stated in the praefatio of his chapter “De Fortitudine” that he will discuss the great deeds of Romulus, but cannot do so without bringing up one example first; someone whose similarly great deeds helped save Rome (3.2.1-2). This great man is Horatius Cocles. Valerius Maximus noted that he must next talk about another hero, Cloelia, after Horatius Cocles because they fight the same enemy, at the same time, at the same place, and both perform facta memorabilia to save Rome (3.2.2-3). Valerius Maximus mentioned Horatius Cocles and Cloelia together, as if they are a joined pair that cannot be separated. Yet there is another legendary figure, Mucius Scaevola, who also fights the same enemy, at the same time, and also performs facta memorabilia to save Rome. It is strange both that Valerius Maximus seemed compelled to unite Cloelia with the mention of Horatius Cocles, and also that he did not include Mucius Scaevola. Instead, Scaevola’s story is at the beginning of the next chapter (3.3.1). Traditionally these three heroes, Horatius Cocles, Cloelia, and Mucius Scaevola, were mentioned together by historians such as Livy and Dionysius of Halicarnassus, whose works predate Valerius Maximus’ (Ab Urbe Condita 2.10-13, Roman Antiquities 5.23-35). Valerius Maximus was able to split up the triad, despite the tradition, without receiving flack because it had already been done by Virgil in the Aeneid, where he described the dual images of Cocles and Cloelia on Aeneas’ shield, but Scaevola is absent (8.646-651). -
De Ornanda Instruendaque Urbe Anne Truetzel
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2011 De Ornanda Instruendaque Urbe Anne Truetzel Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Truetzel, Anne, "De Ornanda Instruendaque Urbe" (2011). All Theses and Dissertations (ETDs). 527. https://openscholarship.wustl.edu/etd/527 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of Classics De Ornanda Instruendaque Urbe: Julius Caesar’s Influence on the Topography of the Comitium-Rostra-Curia Complex by Anne E. Truetzel A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts August 2011 Saint Louis, Missouri ~ Acknowledgments~ I would like to take this opportunity to thank the Classics department at Washington University in St. Louis. The two years that I have spent in this program have been both challenging and rewarding. I thank both the faculty and my fellow graduate students for allowing me to be a part of this community. I now graduate feeling well- prepared for the further graduate study ahead of me. There are many people without whom this project in particular could not have been completed. First and foremost, I thank Professor Susan Rotroff for her guidance and support throughout this process; her insightful comments and suggestions, brilliant ideas and unfailing patience have been invaluable. -
Front Matter
Cambridge University Press 978-1-107-02320-8 - Campus Martius: The Field of Mars in the Life of Ancient Rome Paul W. Jacobs II and Diane Atnally Conlin Frontmatter More information CAMPUS MARTIUS A mosquito-infested and swampy plain lying north of the city walls, Rome’s Campus Martius, or Field of Mars, was used for much of the Roman Republic as a military training ground and as a site for celebratory rituals and the occasional political assembly. Initially punctuated with temples vowed by victorious generals, during the imperial era it became filled with extraordinary baths, theaters, porticoes, aqueducts, and other structures – many of which were architectural firsts for the capital. This book explores the myriad factors that contributed to the transformation of the Campus Martius from an occasionally visited space to a crowded center of daily activity. It presents a case study of the repurposing of urban landscape in the Roman world and explores how existing topographical features that fit well with the republic’s needs ultimately attracted architecture that forever transformed those features but still resonated with the area’s original military and ceremonial traditions. Paul W. Jacobs II is an independent scholar who focuses on ancient Rome and its topographical development. A graduate of Harvard College and the University of Virginia Law School, and a litigator by training, Jacobs has practiced and published in the area of voting rights, where knowledge of demographics, mapmaking, and geography is essential. He has spent extensive time in Rome and has studied the ancient city and its development for decades. Diane Atnally Conlin is Associate Professor of Classics at the University of Colorado, Boulder. -
To What Conjugation Do Compounds
2015 TSJCL Certamen Intermediate Division, Round 1 TU # 1: To what conjugation do compounds of the Latin verb d, dare belong? THIRD B1: What compound of d means 'give back'? REDD B2: What compound of d means 'hand over'? TRAD TU # 2: What is the nominative singular form of the noun whose accusative singular form is tempus? TEMPUS B1: For what type of nouns in Latin are the nominative and accusative forms always the same? NEUTER B2: What declensions have no neuter nouns? 1ST AND 5TH TU # 3: What in ancient Rome was the cursus honrum? A SEQUENCE OF POLITICAL/ELECTED OFFICES B1: What traditionally was the first office of the cursus? QUAESTOR B2: What office in the cursus came after consul? CENSOR TU # 4: What would you find out by listening to the rustling of the oak leaves at Dodona? YOUR FUTURE/FORTUNE B1: What deity would be telling you this information by way of the leaves? ZEUS B2: Where would you have to go to have the Pythia tell your future? DELPHI TU # 5: Listen carefully to the following passage, which I will read twice. Then answer in Latin the question that follows: "In for sunt mult homins. Sacerdots in templ precs offerunt. Serv togās et tunicās emunt. Pistrs panem vendunt. Lber inter s ludunt. Mercātrs sellās ostendunt. Fūrs pecuniam petunt. Mlits per omns ambulant et pacem servant." (repeat) Question: Qu cibum habent? PISTRS B1: Qu pecuniam habent? SERV B2: Qu nn labrant? LBER (score check) TU # 6: Where, since the second century AD, has been the best place to go in Rome to see relief carvings depicting people from the Roman province of Dacia? TRAJAN'S COLUMN B1: What country now occupies the land once called Dacia? ROMANIA B2: Name a building that Trajan built near his column. -
Temples with Transverse Cellae in Republican and Early Imperial Italy
BABesch 82 (2007, 333-346. doi: 10.2143/BAB.82.2.2020781) Forms of Cult? Temples with transverse cellae in Republican and early Imperial Italy Benjamin D. Rous Abstract This article presents an analysis of a particular temple type that first appeared during the Late Republic, the temple with transverse cella. In the past this particular cella-form has been interpreted as a solution to spatial constraints. In more recent times it has been argued that the cult associated with the temple was the decisive factor in the adoption of the transverse cella. Neither theory, when considered in isolation, can fully and con- vincingly explain the particular forms of both Republican and Imperial temples. Rather, it can be argued that a combination of pragmatic and above all aesthetic considerations has played a major role in the particular archi- tecture of these temples.* INTRODUCTION archaeological evidence, even though the remains of the building itself have never been excavated. In the fourth book of his famous treatise on archi- Furthermore, this is one of the temples actually tecture, Vitruvius mentions a specific temple-type, mentioned by Vitruvius in his treatise. In yet an- whose basic characteristic is that all the features other case, the temple of Aesculapius in the Latin normally found on the short side of the temple colony of Fregellae, although construction activi- have been transferred to the long side. What this ties have destroyed virtually the entire temple basically means is that the pronaos still constitutes building, a reconstruction of a transverse cella the front part of the temple, but instead of being nevertheless seems likely on the basis of the scant longitudinally developed, the cella is rotated 90º remains we do have. -
The Basilica of Maxentius
STRUCTURAL APPRAISAL OF A ROMAN CONCRETE VAULTED MONUMENT: THE BASILICA OF MAXENTIUS A. Albuerne1 and M.S. Williams2 1 Dr Alejandra Albuerne Arup Advanced Technology and Research 13 Fitzroy Street London W1T 4BQ UK Tel: +44 20 7755 4446 [email protected] 2 Prof. Martin S. Williams (corresponding author) University of Oxford Department of Engineering Science Parks Road Oxford OX1 3PJ UK Tel: +44 1865 273102 [email protected] RUNNING HEAD: Basilica of Maxentius Page 1 ABSTRACT The Basilica of Maxentius, the largest vaulted space built by the Romans, comprised three naves, the outer ones covered by barrel vaults and the central, highest one by cross vaults. It was built on a sloping site, resulting in a possible structural vulnerability at its taller, western end. Two naves collapsed in the Middle Ages, leaving only the barrel vaults of the north nave. We describe surveys and analyses aimed at creating an accurate record of the current state of the structure, and reconstructing and analysing the original structure. Key features include distortions of the barrel vaults around windows and rotation of the west wall due to the thrust from the adjacent vault. Thrust line analysis results in a very low safety factor for the west façade. The geometry of the collapsed cross vaults was reconstructed from the remains using solid modelling and digital photogrammetry, and thrust line analysis confirmed that it was stable under gravity loads. A survey of the foundations and earlier structures under the collapsed south-west corner revealed horizontal slip and diagonal cracking in columns and walls; this is strong evidence that the site has been subject to seismic loading which may have caused the partial collapse. -
Waters of Rome Journal
THE CLOACA MAXIMA AND THE MONUMENTAL MANIPULATION OF WATER IN ARCHAIC ROME John N. N. Hopkins [email protected] Introduction cholars generally conceive of the Cloaca Maxima as a Smassive drain flushing away Rome’s unappealing waste. This is primarily due to the historiographic popularity of Imperial Rome, when the Cloaca was, in fact, a sewer. By the time Frontinus assumed the post of curator aquarum in 97 AD, its concrete and masonry tunnels channeled Rome’s refuse beneath the Fora and around the hills, and stood among extensive drainage networks in the valleys of the Circus Maximus, Campus Martius and Transtiberim (Figs. 1 & 2).1 Built on seven hundred years of evolving hydraulic engineering and architecture, it was acclaimed in the first century as a work “for which the new magnificence of these days has scarcely been able to produce a match.”2 The Cloaca did not, however, always serve the city in this manner. Archaeological and literary evidence suggests that in the sixth century BC, the last three kings of Rome produced a structure that was entirely different from the one historians knew under the Empire. What is more, evidence suggests these kings built it to serve entirely different purposes. The Cloaca began as a monumental, open-air, fresh-water canal (Figs. 3 & 4). This canal guided streams through the newly leveled, paved, open space that would become the Forum Romanum. In this article, I reassess this earliest phase of the Cloaca Maxima when it served a vital role in changing the physical space of central Rome and came to signify the power of the Romans who built it. -
Caecilia Et Verus in Foro Romano Instructor Manual
Caecilia et Verus in Foro Romano Instructor Manual Frances R. Spielhagen Illustrations by Christopher Tice Photographs with related history, cultural context, and discussion of the illustrations by Thomas Milton Kemnitz Royal Fireworks Press Unionville, New York Author’s Notes Fabulae Caeciliae is not a traditional Latin curriculum, focused on grammatical structures and translation. Instead, this curriculum fosters language learning because it is based on two critically important pedagogical principles: language immersion and literacy development. Understanding the philosophy that undergirds this pedagogy is important. First and foremost, the text is structured to immerse readers in the language in the same way that beginning readers encounter their own language. Through simple sentences coupled with illustrations and photographs, readers can make sense of the story one sentence at a time. The gradual release of forms and the planned repetition of those forms build a scaffold of understanding as patterns emerge and vocabulary is absorbed. Readers can understand the content in the narrative without “translating” it into their own language, but ultimately the meaning becomes clear. Consequently, the structure of the text and the suggestions in this instructor manual rely on proven literacy-based experiences and strategies. Rather than regarding the text as something to be dissected (i.e., translated), readers experience the text as a story to be understood through the combination of words and illustrations. The explanations and exercises -
Mausoleum the Mausoleum of Augustus
Pollak 1 Andrew Pollak Dr. Kondratieff Ancient City: Augustan Rome 11/14/2011 Augustus: Mausoleum The Mausoleum of Augustus was finished in 28 BCE. It was a marvel of the world and Rome. It demonstrated to the Romans that Augustus was a Roman through and through, and would be a Roman even after he died, unlike Antony who was to be entombed in Alexandria. Augustus, the master of propaganda, had figured out on his first try how to make both a monument to honor himself and Rome herself. The Mausoleum of Augustus was the first example of Augustus’ new Post-Civil War “authentic Roman” persona. Symbolically, the Mausoleum was built by “Augustus” and not by “Octavian.” Today only the interior walls of the Mausoleum exist, therefore we must rely on the ancient sources to explicate exactly what it looked like from the outside. Strabo describes the Mausoleum as “a great mound near the river on a lofty foundation of white marble, thickly covered with ever-green trees to the very summit. Now on top is a bronze image of Augustus Caesar.” 1 From that description, one can imagine that above the Mausoleum's tall white base, because of the trees, there was a thick plot of soil ascending to the top; however, because no one can truly know how the Mausoleum looked any reconstructions are purely conjecture. (See Fig. 1-3) There is some clue as to the outside decoration of the Mausoleum from both ancient authors and modern excavations. Suetonius writes that in Augustus' will, Augustus left instructions for 1 Strab.