Journal of Film Music 4.2 (2011) 171-175 ISSN (print) 1087-7142 doi:10.1558/jfm.v4i2.171 ISSN (online) 1758-860X REVIEWS Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical Oxford and New York: Oxford University Press, 2010. [xxii, 298 p. ISBN: 9780195111101. $27.95 (hardcover)] Broadway Legacies. Illustrations, appendices, index, and songs, shows, and films index. MELissA UrsuLA DAWN GOLdsmiTH Elms College, Chicopee, Massachusetts
[email protected] orothy Fields (1905–74), whose work interested in the business), her initial work as a lyricist straddled stage and screen, had a for Mills Music as well as for Cotton Club revues (for D tremendously successful career as a lyricist example, Blackberries, which opened on September 29, and librettist. Fields grew up in a famous American 1929), and her lifelong concurrent work for Broadway theatre family: Her father was Lew Fields, a comedian, musicals and films. According to Greenspan, Fields actor, producer, and theater manager, and half of the was a lyricist for “more than four hundred songs, famous Weber and Fields duo of vaudeville. As the mostly distributed in nineteen Broadway shows and youngest member of her family, Dorothy spent most more than thirty films, as well as librettos for nine of her childhood years living with both her father’s musicals” (pp. 223-24). Close partnerships included, celebrity as a leading Broadway producer as well as among others, composers Jimmy McHugh, Jerome with his success in the business (p. xii). Greenspan Kern, Arthur Schwartz, Albert Hague, and Cy explains that, in the Fields house, “she grew up in an Coleman.