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ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation. -
The Culture of Literature and Language in Medieval and Renaissance Scotland
The Culture of Literature and Language in Medieval and Renaissance Scotland 15th International Conference on Medieval and Renaissance Scottish Literature and Language (ICMRSLL) University of Glasgow, Scotland, 25-28 July 2017 Draft list of speakers and abstracts Plenary Lectures: Prof. Alessandra Petrina (Università degli Studi di Padova), ‘From the Margins’ Prof. John J. McGavin (University of Southampton), ‘“Things Indifferent”? Performativity and Calderwood’s History of the Kirk’ Plenary Debate: ‘Literary Culture in Medieval and Renaissance Scotland: Perspectives and Patterns’ Speakers: Prof. Sally Mapstone (Principal and Vice-Chancellor of the University of St Andrews) and Prof. Roger Mason (University of St Andrews and President of the Scottish History Society) Plenary abstracts: Prof. Alessandra Petrina: ‘From the margins’ Sixteenth-century Scottish literature suffers from the superimposition of a European periodization that sorts ill with its historical circumstances, and from the centripetal force of the neighbouring Tudor culture. Thus, in the perception of literary historians, it is often reduced to a marginal phenomenon, that draws its force solely from its powers of receptivity and imitation. Yet, as Philip Sidney writes in his Apology for Poetry, imitation can be transformed into creative appropriation: ‘the diligent imitators of Tully and Demosthenes (most worthy to be imitated) did not so much keep Nizolian paper-books of their figures and phrases, as by attentive translation (as it were) devour them whole, and made them wholly theirs’. The often lamented marginal position of Scottish early modern literature was also the key to its insatiable exploration of continental models and its development of forms that had long exhausted their vitality in Italy or France. -
Spinning Scotland Abstr
1 ABSTRACTS FOR SPINNING SCOTLAND CONFERENCE GLASGOW UNIVERSITY - 13 th SEPTEMBER 2008 2 PANEL 1: ISLAND POETRY – ON THE FRINGE? Iain MacDonald – Linden J Bicket – Emma Dymock 9.30 – 11am Iain MacDonald The Very Heart of Beyond: Gaelic Nationalism and the Work of Fionn Mac Colla. The work of Fionn Mac Colla (Thomas Douglas Macdonald) examines the development of religious ideas and politics on Scottish society. He was primarily concerned with the representation of Scottish Gaelic and the cultural implications for Scotland with the erosion and re-establishment of Gaelic culture and identity in the industrialising modern era. These themes are most comprehensively explored in his best-known works, The Albannach (1932) and And The Cock Crew (1945) J.L. Broom's claim that MacColla's obsession with Calvinism's influence over Scotland had 'reached such proportions as to have distorted his artistic priorities' has influenced attitudes and encouraged lazy critical reception of the writer. It is my contention that MacColla's contribution to the developing 'Scottish Literary Renaissance' of the 1920s and 30s can be described as major, even if, at times, deserved critical reception has been thwarted. Mac Colla's work is primarily concerned with Scottish Gaelic culture, and its history. Although his fictional work concentrates on Gaelic communities in the central Highlands, Mac Colla spent 20 years living and teaching in the Hebrides. In this paper I will demonstrate that Mac Colla's work and themes are interwoven with his own experiences of the Gaelic community. I will also examine the title of this panel with reference to Fionn Mac Colla. -
Professor RDS Jack MA, Phd, Dlitt, FRSE
Professor R.D.S. Jack MA, PhD, DLitt, F.R.S.E., F.E.A.: Publications “Scottish Sonneteer and Welsh Metaphysical” in Studies in Scottish Literature 3 (1966): 240–7. “James VI and Renaissance Poetic Theory” in English 16 (1967): 208–11. “Montgomerie and the Pirates” in Studies in Scottish Literature 5 (1967): 133–36. “Drummond of Hawthornden: The Major Scottish Sources” in Studies in Scottish Literature 6 (1968): 36–46. “Imitation in the Scottish Sonnet” in Comparative Literature 20 (1968): 313–28. “The Lyrics of Alexander Montgomerie” in Review of English Studies 20 (1969): 168–81. “The Poetry of Alexander Craig” in Forum for Modern Language Studies 5 (1969): 377–84. With Ian Campbell (eds). Jamie the Saxt: A Historical Comedy; by Robert McLellan. London: Calder and Boyars, 1970. “William Fowler and Italian Literature” in Modern Language Review 65 (1970): 481– 92. “Sir William Mure and the Covenant” in Records of Scottish Church History Society 17 (1970): 1–14. “Dunbar and Lydgate” in Studies in Scottish Literature 8 (1971): 215–27. The Italian Influence on Scottish Literature. Edinburgh: Edinburgh University Press, 1972. Scottish Prose 1550–1700. London: Calder and Boyars, 1972. “Scott and Italy” in Bell, Alan (ed.) Scott, Bicentenary Essays. Edinburgh: Scottish Academic Press, 1973. 283–99. “The French Influence on Scottish Literature at the Court of King James VI” in Scottish Studies 2 (1974): 44–55. “Arthur’s Pilgrimage: A Study of Golagros and Gawane” in Studies in Scottish Literature 12 (1974): 1–20. “The Thre Prestis of Peblis and the Growth of Humanism in Scotland” in Review of English Studies 26 (1975): 257–70. -
Journal of Irish and Scottish Studies Migrating Minds
Journal of Irish and Scottish Studies Volume 5: Issue 1 Migrating Minds AHRC Centre for Irish and Scottish Studies, University of Aberdeen JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 5, Issue 1 Autumn 2011 Migrating Minds Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative ISSN 1753-2396 Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne Journal of Irish and Scottish Studies General Editor: Cairns Craig Issue Editor: Paul Shanks Associate Editor: Michael Brown Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Ian Campbell Ross, Trinity College, Dublin Graham Walker, Queen’s University, Belfast International Advisory Board: Don Akenson, Queen’s University, Kingston Tom Brooking, University of Otago Keith Dixon, Université Lumière Lyon 2 Marjorie Howes, Boston College H. Gustav Klaus, University of Rostock Peter Kuch, University of Otago Graeme Morton, University of Guelph Brad Patterson, Victoria University, Wellington Matthew Wickman, Brigham Young David Wilson, University of Toronto The Journal of Irish and Scottish Studies is a peer reviewed journal published twice yearly in autumn and spring by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. -
SCOTTISH TEXT SOCIETY Old Series
SCOTTISH TEXT SOCIETY Old Series Skeat, W.W. ed., The kingis quiar: together with A ballad of good counsel: by King James I of Scotland, Scottish Text Society, Old Series, 1 (1884) Small, J. ed., The poems of William Dunbar. Vol. I, Scottish Text Society, Old Series, 2 (1883) Gregor, W. ed., Ane treatise callit The court of Venus, deuidit into four buikis. Newlie compylit be Iohne Rolland in Dalkeith, 1575, Scottish Text Society, Old Series, 3 (1884) Small, J. ed., The poems of William Dunbar. Vol. II, Scottish Text Society, Old Series, 4 (1893) Cody, E.G. ed., The historie of Scotland wrytten first in Latin by the most reuerend and worthy Jhone Leslie, Bishop of Rosse, and translated in Scottish by Father James Dalrymple, religious in the Scottis Cloister of Regensburg, the zeare of God, 1596. Vol. I, Scottish Text Society, Old Series, 5 (1888) Moir, J. ed., The actis and deisis of the illustere and vailzeand campioun Schir William Wallace, knicht of Ellerslie. By Henry the Minstrel, commonly known ad Blind Harry. Vol. I, Scottish Text Society, Old Series, 6 (1889) Moir, J. ed., The actis and deisis of the illustere and vailzeand campioun Schir William Wallace, knicht of Ellerslie. By Henry the Minstrel, commonly known ad Blind Harry. Vol. II, Scottish Text Society, Old Series, 7 (1889) McNeill, G.P. ed., Sir Tristrem, Scottish Text Society, Old Series, 8 (1886) Cranstoun, J. ed., The Poems of Alexander Montgomerie. Vol. I, Scottish Text Society, Old Series, 9 (1887) Cranstoun, J. ed., The Poems of Alexander Montgomerie. Vol. -
Imagining Scotland
Imagining Scotland National Self-Depiction in Sir Walter Scott's Waverley , Lewis Grassic Gibbon's Sunset Song , Irvine Welsh's Trainspotting and Alasdair Gray's Lanark Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV (Sprach- und Literaturwissenschaften) der Universität Regensburg vorgelegt von Christian Kucznierz Mühlfeldstr. 12 93083 Obertraubling 2008 Regensburg 2009 Erstgutachter: Prof. Dr. Rainer Emig Zweitgutachter: PD Dr. Anne-Julia Zwierlein Acknowledgements In the six years it took to finish this study, I was working simultaneously on my professional career outside of the university. It was Prof. Dr. Rainer Emig's constant encouragement which helped me not to lose sight of the aim I was pursuing in all those years. I would like to thank him for giving me the chance to start my dissertation, for his support, his valuable advice and the fact that I could call on him at any time. Furthermore, I would like to thank PD Dr. Anne-Julia Zwierlein, who on rather short notice agreed to supervise my work, and whose ideas helped to give my thesis the necessary final touches. I would also like to thank my wife, Sandra, and my family, who have been patient enough to understand that my weekends, holidays and evenings after work were mostly busy – and that my mind much too often strayed from important issues. Without their support and understanding, this thesis would never have come into existence. Obertraubling, 2009 Table of Contents page 1. How does Scotland imagine itself? 5 2. Imagi-Nation: Literature and Self-Depiction 8 2.1. The Printed Word, Community and Identity 9 2.2. -
Journal of Irish and Scottish Studies Cultural Exchange: from Medieval
Journal of Irish and Scottish Studies Volume 1: Issue 1 Cultural Exchange: from Medieval to Modernity AHRC Centre for Irish and Scottish Studies JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 1, Issue 1 Cultural Exchange: Medieval to Modern Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative and The Stout Research Centre Irish-Scottish Studies Programme Victoria University of Wellington ISSN 1753-2396 Journal of Irish and Scottish Studies Issue Editor: Cairns Craig Associate Editors: Stephen Dornan, Michael Gardiner, Rosalyn Trigger Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Michael Brown, University of Aberdeen Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Brad Patterson, Victoria University of Wellington Ian Campbell Ross, Trinity College, Dublin The Journal of Irish and Scottish Studies is a peer reviewed journal, published twice yearly in September and March, by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. An electronic reviews section is available on the AHRC Centre’s website: http://www.abdn.ac.uk/riiss/ahrc- centre.shtml Editorial correspondence, including manuscripts for submission, should be addressed to The Editors,Journal of Irish and Scottish Studies, AHRC Centre for Irish and Scottish Studies, Humanity Manse, 19 College Bounds, University of Aberdeen, AB24 3UG or emailed to [email protected] Subscriptions and business correspondence should be address to The Administrator. -
Let's Put Scotland on the Map Molly Wright
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Graduate English Association New Voices English Department Conferences Conference 2007 9-2007 Canonicity and National Identity: Let's put Scotland on the Map Molly Wright Follow this and additional works at: http://scholarworks.gsu.edu/english_conf_newvoice_2007 Part of the English Language and Literature Commons Recommended Citation Wright, Molly, "Canonicity and National Identity: Let's put Scotland on the Map" (2007). Graduate English Association New Voices Conference 2007. Paper 9. http://scholarworks.gsu.edu/english_conf_newvoice_2007/9 This Conference Proceeding is brought to you for free and open access by the English Department Conferences at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Graduate English Association New Voices Conference 2007 by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Wright, Molly University of Alabama 2007 New Voices Conference September 27-29 Graduate English Association English Department, Georgia State University Atlanta, Georgia Canonicity and National Identity: Let’s put Scotland on the Map Where is Scotland on the map of literary studies? This is a timely question for scholars to address. Recently, for example, some Scottish literature scholars have written a petition to the Modern Language Association to expand its current Scottish Literature Discussion Group into a Division on Scottish Literature at the MLA. The petition states that recent Scottish literary scholarship has “(a) recognised the wealth and distinctiveness of the Scottish literary tradition, and (b) sought to redress the anglo-centric bias of earlier treatments of Scottish writing…” (Corbett et al 1). -
Drunkenness and Ambition in Early Seventeenth-Century Scottish Literature," Studies in Scottish Literature: Vol
Studies in Scottish Literature Volume 35 | Issue 1 Article 12 2007 Drunkenness and Ambition in Early Seventeenth- Century Scottish Literature Sally Mapstone St. Hilda's College, Oxford Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Mapstone, Sally (2007) "Drunkenness and Ambition in Early Seventeenth-Century Scottish Literature," Studies in Scottish Literature: Vol. 35: Iss. 1, 131–155. Available at: https://scholarcommons.sc.edu/ssl/vol35/iss1/12 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Sally Mapstone Drunkenness and Ambition in Early Seventeenth-Century Scottish Literature Among the voluminous papers of William Drummond of Hawthomden, not, however with the majority of them in the National Library of Scotland, but in a manuscript identified about thirty years ago and presently in Dundee Uni versity Library, 1 is a small and succinct record kept by the author of significant events and moments in his life; it is entitled "MEMORIALLS." One aspect of this record puzzled Drummond's bibliographer and editor, R. H. MacDonald. This was Drummond's idiosyncratic use of the term "fatall." Drummond first employs this in the "Memorialls" to describe something that happened when he was twenty-five: "Tusday the 21 of Agust [sic] 1610 about Noone by the Death of my father began to be fatall to mee the 25 of my age" (Poems, p. -
Van Heijnsbergen, T. (2013) Coteries, Commendatory Verse and Jacobean Poetics: William Fowler's Triumphs of Petrarke and Its Castalian Circles
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Enlighten: Publications Van Heijnsbergen, T. (2013) Coteries, commendatory verse and Jacobean poetics: William Fowler's triumphs of Petrarke and its Castalian circles. In: Parkinson, D.J. (ed.) James VI and I, Literature and Scotland: Tides of Change, 1567-1625. Peeters Publishers, Leuven, Belgium, pp. 45- 63. ISBN 9789042926912 Copyright © 2013 Peeters Publishers A copy can be downloaded for personal non-commercial research or study, without prior permission or charge Content must not be changed in any way or reproduced in any format or medium without the formal permission of the copyright holder(s) When referring to this work, full bibliographic details must be given http://eprints.gla.ac.uk/69695/ Deposited on: 23 September 2013 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk James VI and I, Literature and Scotland Tides of Change, 1567-1625 EDITED BY David J. Parkinson PEETERS LEUVEN - PARIS - WALPOLE, MA 2013 CONTENTS Plates vii Abbreviations vii Note on Orthography, Dates and Currency vii Preface and Acknowledgements ix Introduction David J. Parkinson xi Contributors xv Shifts and Continuities in the Scottish Royal Court, 1580-1603 Amy L. Juhala 1 Italian Influences at the Court of James VI: The Case of William Fowler Alessandra Petrina 27 Coteries, Commendatory Verse and Jacobean Poetics: William Fowler's Trivmphs of Petrarke and its Castalian Circles Theo van Heijnsbergen 45 The Maitland -
Scots Verse Translation and the Second-Generation Scottish Renaissance
Sanderson, Stewart (2016) Our own language: Scots verse translation and the second-generation Scottish renaissance. PhD thesis https://theses.gla.ac.uk/7541/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Our Own Language: Scots Verse Translation and the Second-Generation Scottish Renaissance Stewart Sanderson Kepand na Sudroun bot our awyn langage Gavin Douglas, Eneados, Prologue 1.111 Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Critical Studies College of Arts University of Glasgow September 2015 Contents Acknowledgements ............................................................................................................................... 2 Abstract .................................................................................................................................................. 3 Introduction: Verse Translation and the Modern Scottish Renaissance ........................................