Professor RDS Jack MA, Phd, Dlitt, FRSE

Total Page:16

File Type:pdf, Size:1020Kb

Professor RDS Jack MA, Phd, Dlitt, FRSE Professor R.D.S. Jack MA, PhD, DLitt, F.R.S.E., F.E.A.: Publications “Scottish Sonneteer and Welsh Metaphysical” in Studies in Scottish Literature 3 (1966): 240–7. “James VI and Renaissance Poetic Theory” in English 16 (1967): 208–11. “Montgomerie and the Pirates” in Studies in Scottish Literature 5 (1967): 133–36. “Drummond of Hawthornden: The Major Scottish Sources” in Studies in Scottish Literature 6 (1968): 36–46. “Imitation in the Scottish Sonnet” in Comparative Literature 20 (1968): 313–28. “The Lyrics of Alexander Montgomerie” in Review of English Studies 20 (1969): 168–81. “The Poetry of Alexander Craig” in Forum for Modern Language Studies 5 (1969): 377–84. With Ian Campbell (eds). Jamie the Saxt: A Historical Comedy; by Robert McLellan. London: Calder and Boyars, 1970. “William Fowler and Italian Literature” in Modern Language Review 65 (1970): 481– 92. “Sir William Mure and the Covenant” in Records of Scottish Church History Society 17 (1970): 1–14. “Dunbar and Lydgate” in Studies in Scottish Literature 8 (1971): 215–27. The Italian Influence on Scottish Literature. Edinburgh: Edinburgh University Press, 1972. Scottish Prose 1550–1700. London: Calder and Boyars, 1972. “Scott and Italy” in Bell, Alan (ed.) Scott, Bicentenary Essays. Edinburgh: Scottish Academic Press, 1973. 283–99. “The French Influence on Scottish Literature at the Court of King James VI” in Scottish Studies 2 (1974): 44–55. “Arthur’s Pilgrimage: A Study of Golagros and Gawane” in Studies in Scottish Literature 12 (1974): 1–20. “The Thre Prestis of Peblis and the Growth of Humanism in Scotland” in Review of English Studies 26 (1975): 257–70. “Petrarch in English and Scottish Renaissance Literature” in Modern Language Review 71 (1976): 801–11. A Choice of Scottish Verse 1560–1660. London: Hodder and Stoughton, 1978. “Henryson’s ‘Taill of the Cok and the Jasp’ and Caxton’s Mirrour of the World” in Chaucer Review 13 (1978): 157–65. “Mary Queen of Scots – the Poetic Vision” in Scotia 3 (1979): 34–48. “The Prose of John Knox: A Re-assessment” in Prose Studies 4 (1981): 239–51. “Chaucer and The Freiris of Berwick” in Studies in Scottish Literature 17 (1981): 145–52. With Andrew Noble (eds). The Art of Robert Burns. London: Vision Press, 1982. “Burns and Bawdy” in Jack, R.D.S. and Andrew Noble (eds) The Art of Robert Burns. London: Vision Press, 1982. 98–126. 244 R.D.S. Jack “James VI: Poet and Patron” in Europaische Hofkultur im 16 und 17 Jahrhundert. Hamburg: Hauswedell, 1982. 179–85. “Robert Burns and the Idea of Freedom” in Scotia 6 (1982): 41–59. Sir Thomas Urquhart: “The Jewel”. Edinburgh: Scottish Academic Press, 1983. “Appearance and Reality in Humphry Clinker” in Bold, Alan (ed.) The Art of Tobias Smollett. London: Vision Press, 1983. 209–27. “William Drummond of Hawthornden” in University of Edinburgh Journal 31 (1983): 26–27. “The Theme of Fortune in the Verse of Alexander Montgomerie” in Scottish Literary Journal 10:2 (1983): 25–44. Alexander Montgomerie [Scottish Writers Series no. 7.]. Edinburgh: Scottish Academic Press, 1985. “The Land of Myth and Faery: J.M. Barrie’s dramatic version of The Little Minister” in Scotia 9 (1985): 1–16. Scotland’s Literary Debt to Italy. Edinburgh: Edinburgh University Press and Instituto Italiano di Cultura, 1986. With M.L. McLaughlin, and C. Whyte (eds). Leopardi: A Scottis Quair. Edinburgh: Edinburgh University Press, 1987. “Barrie as Journeyman Dramatist: A Study of Walker London” in Studies in Scottish Literature 22 (1987): 60–77. “From Novel to Drama: J.M. Barrie’s Quality Street” in Scottish Literary Journal 14:2 (1987): 48–61. The History of Scottish Literature, Volume 1, Origins to 1660. Aberdeen: Aberdeen University Press, 1988. “Pope’s Mediaeval Heroine: Eloisa to Abelard” in Nicholson, Colin (ed.) Alexander Pope. Aberdeen University Press, 1988. 206–19. Patterns of Divine Comedy: a study of Mediaeval English Drama. Cambridge: Boydell and Brewer, 1989. “The Range of Robert Burns’ Satires” in Peters, Ian and Thomas Stein (eds) Scholastic Midwifery. Tubingen: G. Narr, 1989. 256–69. “The First MS of Peter Pan” in Children’s Literature 18 (1990): 101–13. The Road to the Never Land: A Re-assessment of J.M. Barrie’s Dramatic Art. Aberdeen: Aberdeen University Press, 1991. “Art, Nature and Thrums” in Schwend, Joachim (ed.) Literatur im Kontext. Frankfurt: P. Lang, 1992. 155–64. “Lindsay’s Satyre and Kemp’s Satire” in Chapman 68 (1992): 81–86. “The Hunt for Mrs Lapraik” in Yale University Library Gazette 67 (1992): 6–12. “J.M. Barrie’s The House of Fear” in Studies in Scottish Literature 27 (1992): 1–46. With Kevin McGinley (eds). Of Lion and Unicorn: Essays on Anglo-Scottish Literary Relations in Honour of Prof. John MacQueen. Edinburgh: Quadriga, 1993. “Of Lion and Unicorn: Literary Traditions at War” in Jack, R.D.S. and Kevin McGinley (eds) Of Lion and Unicorn: Essays on Anglo-Scottish Literary Relations in Honour of Prof. John MacQueen. Edinburgh: Quadriga, 1993. 67– 99. .
Recommended publications
  • 620 Httpswwwopeneduopenlearncreate Cmid146877 2020-01-09 13-57-50 Rs6288 1..30
    OpenLearn Works Unit 13: Storytelling, comedy and popular culture by Donald Smith Copyright © 2019 The Open University 2 of 30 http://www.open.edu/openlearncreate/course/view.php?id=2705 Thursday 9 January 2020 Contents Introduction 4 13. Introductory handsel 5 13.1 The resilience of oral storytelling 8 13.2 Humorous folk tales in Scots 13 13.3. Music halls and the dominance of English 17 13.4 From Leonard to Bissett 21 13.5 What I have learned 28 Further Research 29 References 29 Acknowledgements 29 3 of 30 http://www.open.edu/openlearncreate/course/view.php?id=2705 Thursday 9 January 2020 Introduction Introduction Storytelling belongs first of all to an oral culture, which is not written down, remaining fluid, and relatively uncontrolled. When something is written down in a manuscript or a book, there is a standard against which other versions can be compared or corrected. Since the emergence of writing, political, social and religious institutions have privileged written records over oral memory and tradition. This has had a huge influence on the survival and evolution of the Scots language. Having lost its role as a contemporary written language in the 17th century, Scots continued to thrive as a spoken tung. This led to Scots often being associated with aspects of culture that were not sanctioned by authority, or explicitly dissident. To gie tung or ‘raise your voice’ could be seen as anti-authority, an expression of cultural resistance and human freedom. Consequently, people were told to curb or haud their tungs. And the forms of punishment administered by local courts included restraining the tongue, as for example with a Scold’s Bridle.
    [Show full text]
  • The Culture of Literature and Language in Medieval and Renaissance Scotland
    The Culture of Literature and Language in Medieval and Renaissance Scotland 15th International Conference on Medieval and Renaissance Scottish Literature and Language (ICMRSLL) University of Glasgow, Scotland, 25-28 July 2017 Draft list of speakers and abstracts Plenary Lectures: Prof. Alessandra Petrina (Università degli Studi di Padova), ‘From the Margins’ Prof. John J. McGavin (University of Southampton), ‘“Things Indifferent”? Performativity and Calderwood’s History of the Kirk’ Plenary Debate: ‘Literary Culture in Medieval and Renaissance Scotland: Perspectives and Patterns’ Speakers: Prof. Sally Mapstone (Principal and Vice-Chancellor of the University of St Andrews) and Prof. Roger Mason (University of St Andrews and President of the Scottish History Society) Plenary abstracts: Prof. Alessandra Petrina: ‘From the margins’ Sixteenth-century Scottish literature suffers from the superimposition of a European periodization that sorts ill with its historical circumstances, and from the centripetal force of the neighbouring Tudor culture. Thus, in the perception of literary historians, it is often reduced to a marginal phenomenon, that draws its force solely from its powers of receptivity and imitation. Yet, as Philip Sidney writes in his Apology for Poetry, imitation can be transformed into creative appropriation: ‘the diligent imitators of Tully and Demosthenes (most worthy to be imitated) did not so much keep Nizolian paper-books of their figures and phrases, as by attentive translation (as it were) devour them whole, and made them wholly theirs’. The often lamented marginal position of Scottish early modern literature was also the key to its insatiable exploration of continental models and its development of forms that had long exhausted their vitality in Italy or France.
    [Show full text]
  • Ayrshire & the Isles of Arran & Cumbrae
    2017-18 EXPLORE ayrshire & the isles of arran & cumbrae visitscotland.com WELCOME TO ayrshire & the isles of arran and cumbrae 1 Welcome to… Contents 2 Ayrshire and ayrshire island treasures & the isles of 4 Rich history 6 Outdoor wonders arran & 8 Cultural hotspots 10 Great days out cumbrae 12 Local flavours 14 Year of History, Heritage and Archaeology 2017 16 What’s on 18 Travel tips 20 VisitScotland iCentres 21 Quality assurance 22 Practical information 24 Places to visit listings 48 Display adverts 32 Leisure activities listings 36 Shopping listings Lochranza Castle, Isle of Arran 55 Display adverts 37 Food & drink listings Step into Ayrshire & the Isles of Arran and Cumbrae and you will take a 56 Display adverts magical ride into a region with all things that make Scotland so special. 40 Tours listings History springs to life round every corner, ancient castles cling to spectacular cliffs, and the rugged islands of Arran and Cumbrae 41 Transport listings promise unforgettable adventure. Tee off 57 Display adverts on some of the most renowned courses 41 Family fun listings in the world, sample delicious local food 42 Accommodation listings and drink, and don’t miss out on throwing 59 Display adverts yourself into our many exciting festivals. Events & festivals This is the birthplace of one of the world’s 58 Display adverts most beloved poets, Robert Burns. Come and breathe the same air, and walk over 64 Regional map the same glorious landscapes that inspired his beautiful poetry. What’s more, in 2017 we are celebrating our Year of History, Heritage and Archaeology, making this the perfect time to come and get a real feel for the characters, events, and traditions that Cover: Culzean Castle & Country Park, made this land so remarkable.
    [Show full text]
  • Spinning Scotland Abstr
    1 ABSTRACTS FOR SPINNING SCOTLAND CONFERENCE GLASGOW UNIVERSITY - 13 th SEPTEMBER 2008 2 PANEL 1: ISLAND POETRY – ON THE FRINGE? Iain MacDonald – Linden J Bicket – Emma Dymock 9.30 – 11am Iain MacDonald The Very Heart of Beyond: Gaelic Nationalism and the Work of Fionn Mac Colla. The work of Fionn Mac Colla (Thomas Douglas Macdonald) examines the development of religious ideas and politics on Scottish society. He was primarily concerned with the representation of Scottish Gaelic and the cultural implications for Scotland with the erosion and re-establishment of Gaelic culture and identity in the industrialising modern era. These themes are most comprehensively explored in his best-known works, The Albannach (1932) and And The Cock Crew (1945) J.L. Broom's claim that MacColla's obsession with Calvinism's influence over Scotland had 'reached such proportions as to have distorted his artistic priorities' has influenced attitudes and encouraged lazy critical reception of the writer. It is my contention that MacColla's contribution to the developing 'Scottish Literary Renaissance' of the 1920s and 30s can be described as major, even if, at times, deserved critical reception has been thwarted. Mac Colla's work is primarily concerned with Scottish Gaelic culture, and its history. Although his fictional work concentrates on Gaelic communities in the central Highlands, Mac Colla spent 20 years living and teaching in the Hebrides. In this paper I will demonstrate that Mac Colla's work and themes are interwoven with his own experiences of the Gaelic community. I will also examine the title of this panel with reference to Fionn Mac Colla.
    [Show full text]
  • Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre.
    [Show full text]
  • SCOTTISH TEXT SOCIETY Old Series
    SCOTTISH TEXT SOCIETY Old Series Skeat, W.W. ed., The kingis quiar: together with A ballad of good counsel: by King James I of Scotland, Scottish Text Society, Old Series, 1 (1884) Small, J. ed., The poems of William Dunbar. Vol. I, Scottish Text Society, Old Series, 2 (1883) Gregor, W. ed., Ane treatise callit The court of Venus, deuidit into four buikis. Newlie compylit be Iohne Rolland in Dalkeith, 1575, Scottish Text Society, Old Series, 3 (1884) Small, J. ed., The poems of William Dunbar. Vol. II, Scottish Text Society, Old Series, 4 (1893) Cody, E.G. ed., The historie of Scotland wrytten first in Latin by the most reuerend and worthy Jhone Leslie, Bishop of Rosse, and translated in Scottish by Father James Dalrymple, religious in the Scottis Cloister of Regensburg, the zeare of God, 1596. Vol. I, Scottish Text Society, Old Series, 5 (1888) Moir, J. ed., The actis and deisis of the illustere and vailzeand campioun Schir William Wallace, knicht of Ellerslie. By Henry the Minstrel, commonly known ad Blind Harry. Vol. I, Scottish Text Society, Old Series, 6 (1889) Moir, J. ed., The actis and deisis of the illustere and vailzeand campioun Schir William Wallace, knicht of Ellerslie. By Henry the Minstrel, commonly known ad Blind Harry. Vol. II, Scottish Text Society, Old Series, 7 (1889) McNeill, G.P. ed., Sir Tristrem, Scottish Text Society, Old Series, 8 (1886) Cranstoun, J. ed., The Poems of Alexander Montgomerie. Vol. I, Scottish Text Society, Old Series, 9 (1887) Cranstoun, J. ed., The Poems of Alexander Montgomerie. Vol.
    [Show full text]
  • Inventory Acc.13182 Edith Macarthur
    Acc.13182 October 2010 Inventory Acc.13182 Edith Macarthur National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Papers, circa 1942-2006, of Edith Macarthur, actor (b.1926). The collection includes scripts, photographs, press cuttings and other items of theatre and television memorabilia. Edith Macarthur’s stage career has taken her to most major producing theatres in Scotland, and to many in England. The variety of her range is demonstrated in the collection, from her early days with respected amateur company, the Ardrossan and Saltcoats Players, to acclaim with prestigious companies such as the Royal Lyceum, Citizens’, Gateway, Bristol Old Vic, Pitlochry Festival, Traverse and Royal Shakespeare. Leading roles in the canon of major plays by Arthur Miller, James Bridie, Anton Chekhov, Eugene O’Neill, Noel Coward and their like, and various acclaimed productions of ‘The Thrie Estaites’, established her stage reputation. Alongside runs a vein of comedy and variety, from the ‘Five Past Eight Shows’ of the 1950s at the Citizens’, to regularly playing Cinderella’s Fairy Godmother in pantomime during the 1980s and 1990s. There is also a considerable body of television work, from early series such as ‘The Borderers’ and ‘Sutherland’s Law’, and the renowned 1970s adaptation of ‘Sunset Song’, to the long-running Scottish Television soap, ‘High Road’. A milestone was the 1993 film ‘The Long Roads’ by John McGrath. At about this time Miss Macarthur was coming to the attention of less mainstream theatre-producers in Scotland.
    [Show full text]
  • Journal of Irish and Scottish Studies Cultural Exchange: from Medieval
    Journal of Irish and Scottish Studies Volume 1: Issue 1 Cultural Exchange: from Medieval to Modernity AHRC Centre for Irish and Scottish Studies JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 1, Issue 1 Cultural Exchange: Medieval to Modern Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative and The Stout Research Centre Irish-Scottish Studies Programme Victoria University of Wellington ISSN 1753-2396 Journal of Irish and Scottish Studies Issue Editor: Cairns Craig Associate Editors: Stephen Dornan, Michael Gardiner, Rosalyn Trigger Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Michael Brown, University of Aberdeen Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Brad Patterson, Victoria University of Wellington Ian Campbell Ross, Trinity College, Dublin The Journal of Irish and Scottish Studies is a peer reviewed journal, published twice yearly in September and March, by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. An electronic reviews section is available on the AHRC Centre’s website: http://www.abdn.ac.uk/riiss/ahrc- centre.shtml Editorial correspondence, including manuscripts for submission, should be addressed to The Editors,Journal of Irish and Scottish Studies, AHRC Centre for Irish and Scottish Studies, Humanity Manse, 19 College Bounds, University of Aberdeen, AB24 3UG or emailed to [email protected] Subscriptions and business correspondence should be address to The Administrator.
    [Show full text]
  • Finlay Scots Lawyers Stairsoc
    This is a publication of The Stair Society. This publication is licensed by John Finlay and The Stair Society under Creative Commons license CC-BY-NC-ND and may be freely shared for non-commercial purposes so long as the creators are credited. John Finlay, ‘Scots Lawyers, England, and the Union of 1707’, in: Stair Society 62 [Miscellany VII] (2015) 243-263 http://doi.org/10.36098/stairsoc/9781872517292.4 The Stair Society was founded in 1934 to encourage the study and advance the knowledge of the history of Scots Law, by the publication of original works, and by the reprinting and editing of works of rarity or importance. As a member of the Society, you will receive a copy of every volume published during your membership. Volumes are bound in hardcover and produced to a high quality. We also offer the opportunity to purchase past volumes in stock at substantially discounted prices; pre-publication access to material in press; and free access to the complete electronic versions of Stair Soci- ety publications on HeinOnline. Membership of the society is open to all with an interest in the history of Scots law, whether based in the UK or abroad. Indivi- dual members include practising lawyers, legal academics, law students and others. Corporate members include a wide range of academic and professional institutions, libraries and law firms. Membership rates are modest, and we offer concessionary rates for students, recently qualified and called solicitors and advocates, and those undertaking training for these qualifica- tions. Please visit: http://stairsociety.org/membership/apply SCOTS LAWYERS, ENGLAND, AND THE UNION OF 1707 JOHN FINLAY I Support from the legal profession in Scotland was important in securing parliamentary union in 1707.1 At this time, the membership of the Faculty of Advocates in Edinburgh was greater than it had ever been, therefore their support, and that of the judges in the Court of Session, was worth gaining.
    [Show full text]
  • Let's Put Scotland on the Map Molly Wright
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Graduate English Association New Voices English Department Conferences Conference 2007 9-2007 Canonicity and National Identity: Let's put Scotland on the Map Molly Wright Follow this and additional works at: http://scholarworks.gsu.edu/english_conf_newvoice_2007 Part of the English Language and Literature Commons Recommended Citation Wright, Molly, "Canonicity and National Identity: Let's put Scotland on the Map" (2007). Graduate English Association New Voices Conference 2007. Paper 9. http://scholarworks.gsu.edu/english_conf_newvoice_2007/9 This Conference Proceeding is brought to you for free and open access by the English Department Conferences at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Graduate English Association New Voices Conference 2007 by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Wright, Molly University of Alabama 2007 New Voices Conference September 27-29 Graduate English Association English Department, Georgia State University Atlanta, Georgia Canonicity and National Identity: Let’s put Scotland on the Map Where is Scotland on the map of literary studies? This is a timely question for scholars to address. Recently, for example, some Scottish literature scholars have written a petition to the Modern Language Association to expand its current Scottish Literature Discussion Group into a Division on Scottish Literature at the MLA. The petition states that recent Scottish literary scholarship has “(a) recognised the wealth and distinctiveness of the Scottish literary tradition, and (b) sought to redress the anglo-centric bias of earlier treatments of Scottish writing…” (Corbett et al 1).
    [Show full text]
  • Ayrshire, Its History and Historic Families
    suss ^1 HhIh Swam HSmoMBmhR Ksaessaa BMH HUB National Library of Scotland mini "B000052234* AYRSHIRE BY THE SAME AUTHOR The Kings of Carrick. A Historical Romance of the Kennedys of Ayrshire - - - - - - 5/- Historical Tales and Legends of Ayrshire - - 5/- The Lords of Cunningham. A Historical Romance of the Blood Feud of Eglinton and Glencairn - - 5/- Auld Ayr. A Study in Disappearing Men and Manners -------- Net 3/6 The Dule Tree of Cassillis - Net 3/6 Historic Ayrshire. A Collection of Historical Works treating of the County of Ayr. Two Volumes - Net 20/- Old Ayrshire Days - - - - - - Net 4/6 X AYRSHIRE Its History and Historic Families BY WILLIAM ROBERTSON VOLUME I Kilmarnock Dunlop & Drennan, "Standard" Office Ayr Stephen & Pollock 1908 CONTENTS OF VOLUME I PAGE Introduction - - i I. Early Ayrshire 3 II. In the Days of the Monasteries - 29 III. The Norse Vikings and the Battle of Largs - 45 IV. Sir William Wallace - - -57 V. Robert the Bruce ... 78 VI. Centuries on the Anvil - - - 109 VII. The Ayrshire Vendetta - - - 131 VIII. The Ayrshire Vendetta - 159 IX. The First Reformation - - - 196 X. From First Reformation to Restor- ation 218 XI. From Restoration to Highland Host 256 XII. From Highland Host to Revolution 274 XIII. Social March of the Shire—Three Hundred Years Ago - - - 300 XIV. Social March of the Shire—A Century Back 311 XV. Social March of the Shire—The Coming of the Locomotive Engine 352 XVI. The Secession in the County - - 371 Digitized by the Internet Archive in 2012 with funding from National Library of Scotland http://www.archive.org/details/ayrshireitshisv11908robe INTRODUCTION A work that purports to be historical may well be left to speak for itself.
    [Show full text]
  • Drunkenness and Ambition in Early Seventeenth-Century Scottish Literature," Studies in Scottish Literature: Vol
    Studies in Scottish Literature Volume 35 | Issue 1 Article 12 2007 Drunkenness and Ambition in Early Seventeenth- Century Scottish Literature Sally Mapstone St. Hilda's College, Oxford Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Mapstone, Sally (2007) "Drunkenness and Ambition in Early Seventeenth-Century Scottish Literature," Studies in Scottish Literature: Vol. 35: Iss. 1, 131–155. Available at: https://scholarcommons.sc.edu/ssl/vol35/iss1/12 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Sally Mapstone Drunkenness and Ambition in Early Seventeenth-Century Scottish Literature Among the voluminous papers of William Drummond of Hawthomden, not, however with the majority of them in the National Library of Scotland, but in a manuscript identified about thirty years ago and presently in Dundee Uni­ versity Library, 1 is a small and succinct record kept by the author of significant events and moments in his life; it is entitled "MEMORIALLS." One aspect of this record puzzled Drummond's bibliographer and editor, R. H. MacDonald. This was Drummond's idiosyncratic use of the term "fatall." Drummond first employs this in the "Memorialls" to describe something that happened when he was twenty-five: "Tusday the 21 of Agust [sic] 1610 about Noone by the Death of my father began to be fatall to mee the 25 of my age" (Poems, p.
    [Show full text]