DOCSLIB.ORG

ELLWOOD Tvrone Power

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ELLWOOD Tvrone Power March 19, 1942 PAGE 28 DETROIT EVENING TIMES (THOSE CHERRY 8800) Thursday, l»r Senior House when It dropped 1 from second place In the Rod mark, between 116-163 for 543 In Tops ( S point* to Scott, which moved Division of the Graphic Arts. Cliff the White section of the Gr&phir Mikiel's 1116 Seri«* vs. third. The Speneer was tops with 213-154 Arta. Ted carries a 169 average. riminiiift Day Into a dendlock for With seven weeks left of the on 235 in 1047. Kotarski had 1043* Hulda Otten leader* both lo*t 21. Carl Melcholr in 642. today Augie Bamberg 1030, John Gron- Rainbow Individual Classic Van Becelaere, the John Grots noted out Snm Ccr- j and hit 246 and “Van” Second also chanßed in by high tingle first place seems to rest among don 1024. Joe Paulua 1021 Betting 234 In 618. Ropers' Detroit Mail-, rone one pin for 1016. Columbus Railbirds on Favorites When Green. Brate the night when he tipped Fred Wolf. Harold Allen. Cy Steve Cruchon moving up xxhen Marv Lohr's of 2+5 UIS. Harold Ailta l«7«e ins in the Genial loop. Goralczyk and Charlie Kotarski.| I Vine* Mlklel National Champ and Challenger Roll in ABC Frank Miller’s 2il on the Ea*t Brownell xxas whitewashed by Bill Floyd Rich man 1047. Chart*# Katinlrf on 605 Vince Mikiel with 277-255 in 1116 Bamberg Joh« Oroadon Leads HUB, 1030. and Joe Zaboreky't H5-215 Bingham's.] AuKie Side Klein’s leadinc Samuel led the nineteenth round yester- ,1024. Joe Paulua 1021. Steve Cn ***2,a on the Went Side, in the estab- Lots of Material Thornton standing* By IIAKOLI) featured Walter Malow of Barnes 1 day followed by Harold Allen with 1019. Ernie Boe*t 1013. Ted JAgO. HAUL Malt Kurgan 994. Paul Scribner \ XX W I. " L. *r Kemba eireuit. lished a new second high, 243. | Minnesota’s average varsity 269 in 1078. This gave him the Waamund OVmpte 6% !• ffa ,T»b' > sz 3* ». Standlah 97*. WllUam Although Day of West Al- Wognlak §75. Jamaa 9*4. ClwTV* V .mna 57 J« I'liMt Tr hi* 39 42 Ned football squad numbers 65. while lead from Wolf whose hit was 914. Bld X» M Led by Abe Carl with 620 Union Krajena* Ml, l<oula Serlannl 945, R- C, Vnt*rpri*e '1 30 Dent" lis Win, national match game e»p- the freshmen outfit is usually cut Goralczyk had a had afternoon Archie Jankowaki 917, ;--h#l <a ;»j r>ii rv»tr*-'!* .in M swept Chope-Slevens to oust Ray Trd Neiach. Detroit Klertro ‘‘Tim’’ Miller 935. 54 h high 100. Floyd was Fred Wolf 914. Cy Qoralcayk hmidt «<< 41 Pal**# 2* champion, and Johnny Crimnuns. Gay’s Beecher, Peck & Lewis No. tnln, aiinttxx'lrhrcl -66, new down to wiih 925. Riohman third jn «J K<m«y 40 41 »«' Grand Detroit challenger, arc not sched- Hulda Ottcn of Got hr 1. 6H5, and uled in the American Rowling : Iranor Koopkc of Alcona«. 6n >, Gong its* tournament until April, \/ dd their names today to the li<t railbirds already arc placing Your Favorite I C cf high nene* score* in the wagers on their respective totals, THEATERS Q WIB \\ « reports trickling AV\ # *TMtS ITA* IDENTIFIES CCVOPERATIVE ¦? 1 ? ¦ tan O to T omen Major I^'acur. according I n W The Otten effort did not stop of Golumbus. O. Olympic from uinmng twice last Besides Inking the match cham- i h,n y Rd-Whlltler AR 8223 Mipprn—Harper al Lakewood AR. 4020 * —Woodrow Wilson at tilrndala * * irr—Harper PI- M47. pion. Day 10-year and rmntenae. 4k rivir nCTDfiIT DAYMAN open Vrldt, ROYAL cht at Hi 11wood by 2606 to 2597 still heads the . from “111/Isi- open 6 f>ee Dtnnerware. nAIMCn EXTRA! EXTRA! When Will 1 UAAIuAIx 0:30 Conrad Lorrttal <JI Jm 6vL Cont. 12.00 Noon. UVIL-UtllxUll Raymond In “SMILIN' THROt OH.” Plua Koopke fared bctlt-r as Al- average men in annual ABC THE l>l HT." with Greer Oaraon, Ann Sothern tn "I..ADX BI! GOOD." Geo. the United Nations Prepare for Counter- Young in "lilt: MEN IN HER IJFE." Mr*. *o34* IN I BogHri OK tn "SPtHYKs RUN •'PRIVATE SNUFFY SMITH/* to tourneys with Walter Pldgeon '*TORK PAY* OFF.'*i Raft, "INYIslßl.f. VI RIPER." H. Attack In the Pacific’ SEE M\RCH "Dead End" Kids oona swept Schmidt. 2703 2116. 204.23, a total of ¦ Al#o TIMES "FAR EAST COMMAND." WILD." Wait Disney'# "Pantry Pirate." i - with Victor Jorv, Kc*chelle Hudson 1-bltt# * Michigan. near Liverwola dr including games of 916-901. 63 ahead of Walter Ward of “Hog Tl AU/CAN—Clawson, Mteh. 1.1. CCMATr—#4I4 pins > In the Comedy^_ ULJlttjUix Ida ini —Har|*er at I-akrwood AR. 4020 *1 Al Eliott al Oliver JLIIAIC. Little Var- Cleveland, I- i I open 6 30. Lupino nnIULFXUIDpCD ULITLR11/CR—ML That Thar Peaky Agnes Kckstrom had 580 of En- who has 203.50. Crini- iniuc— Open A. M "I.ADIEn IN KKTIKfXIENT." "KISSES, open 0:15. Park Free. Jinxi Raok Night Volume No. 19 mint* in the Movie* Now. Plrat Detroit Doors 10:43 DAY,"I as <2366) nuns »s with 202.44. which is AUMI3 Tymne Power, Gene Tierney in ftlK BREAKFAST." wtlh Dennl# Morgan Kalkenberg, Buddy Roger# In "SING FOR "DR. KILDARE S XXEDDINCF Showing Friday, Saturday. Sunday and terprise's 24K4 Talace third " two ••SON UP H KV.” Plu# Jo* E. Brown in I VOI R si PPER. R Donlevy In "SOI TH with Ayres J'lu# ".Xlf.RtX ISLAND,", Monday. “PRIVATE SNIFFY SMITK.'* two. Kinney (2515) only pins shy of his 1931 to * Hmnlltun, at C anfield n ropped ’ rni ICrilM—AKfl |OK TAHITI." Time, 'far f ust 4 ontmand/ with Ray Middleton. Comedy. Newra. Betty Orable. ‘I WARE IP SC REAMINO.* tULlscUin op, n « 00. LADIES' NIGHT (2499» for two 1940 average. "* n.pjYcd Rainlnwv — ohn Rd. * v*ack nr. St. Jean. LK. 9198 Lynn Bari fn "XX E GO FAfiT." Plus UA7EI Dipt—J R Nine-Xllle at Phil*. TV. 4-840* CryiTP—#424 Mlrhlcan, near IJvemola fr IX'troit has only one other man IDMIPiI SOLDIER,’ Langford. n/XLLL lAAn CHINAWARK’ DRIDI C—Lin wood it with Ethel Heenan of Rainbow AUIuIIxAL y rrt parking. Coitnetic# I'ont ; •isXXING IT, France# FREE URIULL op*n 0:45 Margaret Lindsay/ JLII/11L Attend Dally Mat. “rire Young. LIFE.’ Klnf* match high on 559. Pen by (2425) in the first 10, Freddy Breekle in 3 Ix>retta Young in "THE Free. Loretta ’THE MEN IN HER Howard "TRAGEDY- AT MID- Flame-Blue Oven Olaaa Free John Howard, from P M rAIAMIAI—XXoodward-Nlhley. Park "FLYING CADETS," William Gargan. John In was 47 pins better than West De- sixth place with 201.35, a pin be- c m MEN IN HER LIFE.” Pill* James I tULUni/XL OPEN ALL NIGHT STAGE NIGHT.” K Morgan. ‘MORTAL sTORM.’ “TRAGEDY AT MIDNIGHT.” “FRECR- Gleason in "T.ANK.s A MILLION.** * iLER COMES HOME.’* Johnny Dowaa. (2378) but Adolph Chicago. BHOXVS: 3 30, t .45, 11 P. M John UirUT lKin PADIf—w.a>dward nt irr—tourteeulh at MrGraw troit on total yielded hind Carlson of in "TRAGEDY nlunLAlxU rAKA J Road-t base, Dearborn Howard. Margaret Lindsay lALALL (lift Night. S|nr|j—lord ’’ Joe Norris is seventeenth, 198.12' ALL)L9 HANG,”, Ymng Ladies’ Ronald CCI/|| I C—l4*l Grand Hirer Arena* t wo. open 6 15. Big Family Night. All AT MIDNIGHT. riu# "101 l AY' I .Loretta 'THE MEN IN HER Llff.V Colrnau tn "XIY I.IEE WITH CAROLINE." JbTILLG with King. RI.E HI.E,” Harry Lung.ton. Blggeet Show* at Loweet Plicae. Chene-Trombly (2465) Wall Reppenhagen ‘nineteenth, Irene Dunne, Robt. Montgomery Walter Wo<>lf "IBM TRCM Also Bradley In also won Seat# 10c at Midnight. Grace "HEIHIEAD." Todayj All Seat* 10c. Gene Autry. “UNDER 197 tn "UNFLNIMHKD BITIXKKI." Plu# Free. * 1 Entire New Show Start# I from Twenty Grand (2344) with 69; Cass C.rygier fifty-nintji, CAIAYIV—15633 Murk A*e. Park MrNlrhoi# EIP.STA STARS." Al*u "I COVER THE Penny — urp NED DAY A. ‘ I | "BIAINDIE." Singleton. Lake tULUni open UTILITY K,,rt ,'"rk Krr, * Dai DID!—Hamilton at 194 74; Joe Scribner sixtieth. 1 5 30. FREE uni 1 vu/nnn H lALIYILRl/XRR op< n 636 Adult* 28c, 1 WATERFRONT.” Claudette Colbert. Ted Reatha Coolman of Chene scor- Outer AND BREAKFAST SET. luck Koran In nULLITUJUD STARTING TOMORROW' Lewi*' Band. “IK E\ ERA BODY HAPPYT* 194 67, and Charles itrrn—h. XXarren at Dr. Nl. 172 V 1.1P5,”; Child lie. Free Parking free Dmnerware. ing 570. Kotarski, six- edge ALuLix Today. "ROAD At.l N I'." Plu.s “SEALED ,"THE FOXES," with Bette Davis Mart razor’s to decide the 15 open 5:43. Last Time# Gargan. LITTI.E Marx Bros, Tonv n, "RIG STORE."j ty-second, Bogart, Mary with William I and Herbert Marshall Also "RtIXfHAY MILLION," CUirrp—Gardw* (Tty. Ford at Middle Bell 194 59. high average bowlers that will Humphrey A#tor. 'MALTESE "TANKS A Ja«. Gleason.l OlL’trCiA KAl.t'ON.* Plus Ray Milland. Claudette TAYIAYIT—12027 C onanl IXX . 2-3013 * CLIPPER" w,th William Gargan and Open # 45. Wm Powell, Myrna represent the R. C. Mahon league Colt«ert. "Shi I.Alih ' Also Latest New#. tUnAIXI open 5.45 P. M. FREE Irene H*rv*y. —XXiMidwnrd and f.llzabelh Loy In “SHADOW OP THE THIN MAN/* With only three week* remain- PAIAL.tIj-jIAIIIVK CTITF WATER," Walter Huatoo.
Load more

Recommended publications
  • Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
    JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero.
    [Show full text]
  • “LA BOHEME” TODAY's NEIGHBORHOOD Programs of the Week
    NATIONAL SYMPHONY ORCHESTRA Those f HANS KINDLER. Conductor Lumberjacks Civic Bodies Yuletide Today, Dec. 27, 4 PM. Civic Problems, Song Constitution Hall Are Due a Surprise Qlbrtatmaa •y th» Amcialtd PfMi Plan Deserves Careful Reflects New ^rngram HOLLYWOOD. Highway Study; UNITED NATIONS 1 N. Y. Are. Presbyterian Church Choir U This stunt is going to be a great 125 Voices Citizens’ Associations Need Members surprise to the Placerville lumber- ENDS MOMENTOUS SESSION Charles Dana Director Era of Baeschler, if don’t read about it Hope Prices: «0c, $1.30, $1.80, $2.40 (tax jacks, they Jesse C. Suter 1 By Alice Eversmon BEARS WIN PRO GRID tncl.h Constitution Hall Box Office first. By opens 1 Master Plan Should Be All CHAMPIONSHIP pm_ It seems that Kirk Douglas, young Highway Studied by Not in many years will the Christ* Gordon R. on December 13 released stage actor who is now taking a Engineer Commissioner. Young with so WMAt/—Hourly Newscast mas celebration be attended Constitution Hall. I successful—shot at for publication the multimillion-dollar plan of highway and transit im- healthy—and much The carols sung at Monday, January 6, 8:30 P.M. movie recognition, partially financed provements for the District. The plan deserves the closest study by all rejoicing. C. C. CAPFELL PRESENTS his education at St. Lawrence Uni- business, civic *and professional groups as well as by individual public- this time, the hymns of the season, versity by working as a wrestler in spirited citizens. the great choral works of sacred im- Rosario and Antonio show.
    [Show full text]
  • Film Visti Nel 2014 (In Ordine Alfabetico)
    film visti nel 2014 (in ordine alfabetico) quelli con sfondo giallo mi sono piaciuti in particolar modo 21 Days Basil Dean 1940 Vivien Leigh, Leslie Banks, Laurence Olivier 3 Idiots Rajkumar Hirani 2009 Aamir Khan, Madhavan, Mona Singh, Kareena Kapoor 55 days in peking Nicholas Ray 1963 Charlton Heston, Ava Gardner, David Niven 9 songs Michael Winterbottom 2004 Kieran O'Brien, Margo Stilley, Huw Bunford | A Bronx Tale Robert De Niro 1993 Robert De Niro, Chazz Palminteri A Life at Stake Paul Guilfoyle 1954 Angela Lansbury, Keith Andes, Douglass Dumbrille A Serious Man Joel Coen 2009 Michael Stuhlbarg, Richard Kind, Sari Lennick A Tale Of Two Cities Ralph Thomas 1958 Dirk Bogarde, Dorothy Tutin, Cecil Parker A.T.M.: ¡¡A toda máquina!! Ismael Rodríguez 1951 Pedro Infante, Luis Aguilar, Aurora Segura After hours Martin Scorsese 1985 Griffin Dunne, Rosanna Arquette Alma gitana Chus Gutiérrez 1996 Amara Carmona, Pedro Alonso, Peret Amores Perros Aleja. Gonzalez Inarritu 1999 E. Echevarría, G. García Bernal, G. Toledo Ana y Los Lobos Carlos Saura 1973 G. Chaplin, F. Fernán Gómez, J. M. Prada And Then There Were None René Claire 1945 Barry Fitzgerald, Walter Huston, Louis Hayward Andalucía chica José Ulloa 1988 Antonio Molina, Mara Vador, Raquel Evans Another Man's Poison Irving Rapper 1951 Bette Davis, Gary Merrill, Emlyn Williams Asphalt Joe May 1929 Albert Steinrück, Else Heller, Gustav Fröhlich Aventurera Alberto Gout 1950 Ninón Sevilla, Tito Junco, Andrea Palma Awaara Raj Kapoor 1951 Prithviraj Kapoor, Nargis, Raj Kapoor, K.N. Singh Bajo
    [Show full text]
  • City of Palm Springs Citywide Historic Context Statement & Survey Findings
    121 THEME: COMMERCIAL DEVELOPMENT BETWEEN THE WARS (1919-1941) Commercial buildings in Palm Springs, c. 1925. Source: Los Angeles Public Library. In the years following World War I, Palm Springs was transformed from a health resort for respiratory patients into an exclusive winter resort for the wealthy. Several resort hotels were constructed in the 1920s and 1930s, cementing Palm Springs’ reputation as a first-class resort community. Commercial development during this period included facilities that catered to the tourist and seasonal community, along with a growing number of commercial establishments to serve the permanent residents. Throughout the inter-war years Palm Canyon Drive (until 1930, Main Avenue) remained the primary commercial thoroughfare in Palm Springs, growing north and, to a lesser degree, south from the village’s historic center at Tahquitz Canyon Way (formerly Spring Street). In an era when architecture was dominated by traditional styles, certain styles were considered appropriate for specific uses: Gothic, for example, was for churches, Beaux Arts and Classical was commonly used for business and civic buildings. In the desert environment of Palm Springs a simplified, rustic interpretation of the popular Spanish Colonial Revival style and traditional southwestern adobe, hacienda, and wood ranch vernacular types were believed to be the best styles and types, both for residences and commercial buildings. Palm Springs’ SCREENCHECK DRAFT– OCTOBER 13, 2015 City of Palm Springs Citywide Historic Context Statement & Survey Findings HISTORIC RESOURCES GROUP 122 Desert Inn was an example of this, and later the larger El Mirador Hotel reflected an even more elaborate use of Spanish-derived styles.
    [Show full text]
  • This Week's Movies
    C5 THE MESSENGER, Sunday, March 11, 2012 C5 THIS WEEK’S MOVIES Commando .. (1985, Action) A pioneer aviator experiments with Lafayette Escadrille .. Panic Room ... (2002, Sus- Step Brothers .. (2008, Comedy) A Arnold Schwarzenegger, Rae gliders in the 1800s. TCM≠ Mon. (1958, War) Tab Hunter, Etchika pense) Jodie Foster, Forest Whita- Will Ferrell, John C. Reilly. Two Abducted ... (2007, Drama) Dawn Chong. A war vet battles an 3:45 PM Choureau. An American volunteers ker. Thieves trap a woman and spoiled men become rivals when Sarah Wynter, Andrew Walker. A old foe to rescue his kidnapped The Game Plan .. (2007, Com- for the World War I French air her daughter in their apartment. their parents marry. FXI Tue. 7 prison warden’s wife learns about child. AMCÆ Wed. 11:30 AM, edy) Dwayne “The Rock” Johnson, force. TCM≠ Mon. 5:15 PM LIFE< Mon. 9 PM PM, Wed. 3 PM, Sat. 7 PM her kidnapper’s motives. LIFE< Thu. 8:30 AM Madison Pettis. A carefree football The Last Hurrah ... (1958, Paparazzi .. (2004, Suspense) The Story of G.I. Joe ... (1945, Sat. 9 PM Coraline ... (2009, Fantasy) player learns he has a daughter. Drama) Spencer Tracy, Jeffrey Cole Hauser, Robin Tunney. An War) Burgess Meredith, Robert Accepted .. (2006, Comedy) Voices of Dakota Fanning, Teri BRAVO¨ Sat. 8 PM, Sat. 10:30 Hunter. A political boss wages actor takes revenge on intrusive Mitchum. Syndicated columnist Justin Long, Jonah Hill. A college Hatcher. Animated. A girl discovers PM a final campaign to hold office. photographers. __ Sat. 1 PM Ernie Pyle covers World War II with reject and his friends create a fake a parallel world that closely mirrors Garfield Gets Real (2007, Com- TCM≠ Sat.
    [Show full text]
  • Robert C. Schmitt
    ROBERT C. SCHMITT Hawai'i in the Movies, 1898—1959, Part IV THIS RESEARCH NOTE further amends the lists of feature films made in or about Hawai'i previously published by the Hawaiian His- torical Society. In 1988, the Society issued a monograph describing 120 such motion pictures produced prior to statehood.1 Three years later an addendum listed twelve others, plus further details about three of the films previously cited.2 Three others were added in 1992.3 Here are twenty-six more that have come to the author's attention since then, plus new material on one noted earlier. 1933 Lucky Devils RKO Radio. 3 Feb. 1933; Hon., NA. Sound, b&w, 60, 64, or 70 min. Dir., Ralph Ince. With Bill Boyd, Dorothy Wilson, William Gargan. Adventure-drama about Hollywood stuntmen. Halfway through the picture, the hero marries and honeymoons in Hawai'i.4 !934 Song of the Islands Palmer Miller and Curtis Nagel for the Hawaii Tourist Bureau. 1934; Hon., NA. Sound, Vericolor (an early two-color process), 40 min. Robert C. Schmitt, an associate editor of the Journal and a frequent contributor to its pages, is a retired statistician for the Hawai'i State Department of Business, Economic Develop- ment and Tourism. The Hawaiian Journal of History, vol. 30 (1996) 211 2 12 THE HAWAIIAN JOURNAL OF HISTORY Dir., NA. With Pualani Mossman, Sam Kapu, Ray Kinney, Don Blanding. A travelogue about the Islands, made for the Hawaii Tourist Bureau. The same title was used in a 1942 Betty Grable musical. Four ten- minute travelogues, one each for the major islands, were produced by the same group and also released in 1934.
    [Show full text]
  • Theater Playbills and Programs Collection, 1875-1972
    Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pratt, Carol Isaacs, "A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952." (1976). LSU Historical Dissertations and Theses. 3043. https://digitalcommons.lsu.edu/gradschool_disstheses/3043 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. “HOW’S THAT FOR HIGH?”: FAULKNER AND REPUTATIONS) IN THE EARLY 1930S DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Douglas Matthew Ramsey, M.A. ***** The Ohio State University 2002 Dissertation Committee: Approved by Professor Linda Mizejewski, Adviser Professor James Phelan Adviser Professor Jared Gardner English Graduate Program Reproduced with permission of the copyright owner.
    [Show full text]
  • The Hollywood Victory Committee
    THE HOLLYWOOD VICTORY COMMITTEE EXECUTIVE COMMITTU Chairman Kenneth Thomson Vice-Chairman Edward Arnold Treasurer Bert Allenberg Assistant Treasurer Donald Crisp Secretary Howard Strickling Assisranr Secretary . Arch Reeve Execu tive Administrator Marco W olff Walter Abel 1. W olfe Gilbert Robert Newman Max Arnow Morton Gram Don Quinn Fred W . Beetson W. Ray Johnston Lew Schreiber George Bole Charles W . Koerner Don Searle James Cagney I. B. Korn bl um Vic Shapiro Jack Cooper E.]. Mannix Calvin Smith John Cromwell Harpo Marx Sidney Strotz John Dales, Jr. Claude McCue John TeGroen Tess Diamond Joel McCrea D. W . Thornburgh Howard Estabrook Adolphe Menjou Franchot Tone Charles K. Feldman George Murphy Steve Trilling John C. Flinn Clarence Muse Louis Allen Weiss Y. Frank Freeman Marek Windheim TALENT COMMITTEE Charles K. Feldman, Chairman Max Arnow Sid Levee Ben Piazza Ruth Burch Adrian MacCalman Les Peterson Bob Coryell John Maschio Sam Sachs FredDatig William Meiklejohn · Don Sharpe Howard Deighton Al Melnick Robert Speers William Dover Abe Meyer Lee Stewart Phil Friedman Bob Oakley Dick Stockton Irving Framer Bob Palmer Victor Surker Ed Henry Arr Rush Bill Tinsman Rufos Le Maire Bill W oolfenden ACTORS' COMMITTEE James Cagney, Chairman Walter Abel John Garfield Harpo Marx Edward Arnold William Gargan Adolphe Menjou Ralph Bellamy Cary Grant George Murphy Jack Benny Edmund Gwen Clarence Muse Joan Blondell Alan Hale Merle Oberon Charles Boyer Bob Hope Par O'Brien JoeE.Brown Allan Jenkins George Raft Ben Carter Carole Landis Ginger Rogers Claudette Colbert Gene Lockhart Rosalind Russell Ronald Colman Joel McCrea Phil Silvers Gary Cooper Hattie McDaniel Franchot Tone Donald Crisp Frank McHugh Spencer Tracy Bette D avis Jeanette MacDonald Erhel Waters Marlene Dietrich Groucho Marx Loretta Young Irene D unne Blanche Yurka .
    [Show full text]
  • Picture Show Annual (1941)
    S; yVivvwy U^vV-XC* VwvV*!Lt *Lov<- ^Wi , JCCC -3«c. i c^L*rO. Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannua00amal_14 im&m Robert Young and Helen Gilbert in “ Florian. On the Cover : Bette Davis and Errol Flynn in “ The Private Lives of Elizabeth and Essex." r think most cinemagoers favour the idea of the revival of favourite films, for to those who saw the originals there are the memories of the past and also comparisons between the old produc- tions and the new, particularly in respect to those that have been made both as a silent and a talkie. To the newer generation of the cinema public there is interest in comparing the old-time screen stones with the modem ones. “ ” To be technically correct, revival is not the right word, for the old favourites are re-made, but in the majority of cases the original film is not altered to any great extent so far as the story is concerned, though the introduction of spoken dialogue must necessarily be more expensive them that recorded by the printed sub-title of the silent picture. On the whole, the re-making of popular pictures is done so well that it is deserving of the highest praise, but there is one criticism I have to make. I think it is a great mistake to alter the original title. Take a person who saw the original film passing by a cinema which is showing a revival under a new title. There is nothing to indicate that this is a new version of an old favourite, and such a person might well walk on to another cinema, missing what would have been a real treat.
    [Show full text]