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Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951
Tob Control: first published as 10.1136/tc.2008.025445 on 25 September 2008. Downloaded from Research paper Signed, sealed and delivered: ‘‘big tobacco’’ in Hollywood, 1927–1951 K L Lum,1 J R Polansky,2 R K Jackler,3 S A Glantz4 1 Center for Tobacco Control ABSTRACT experts call for the film industry to eliminate Research and Education, Objective: Smoking in movies is associated with smoking from future movies accessible to youth,6 University of California, San Francisco, California, USA; adolescent and young adult smoking initiation. Public defenders of the status quo argue that smoking has 10 2 Onbeyond LLC, Fairfax, health efforts to eliminate smoking from films accessible been prominent on screen since the silent film era California, USA; 3 Department of to youth have been countered by defenders of the status and that tobacco imagery is integral to the artistry Otolaryngology – Head & Neck quo, who associate tobacco imagery in ‘‘classic’’ movies of American film, citing ‘‘classic’’ smoking scenes Surgery, Stanford University with artistry and nostalgia. The present work explores the in such films as Casablanca (1942) and Now, School of Medicine, Stanford, 11–13 California, USA; 4 Center for mutually beneficial commercial collaborations between Voyager (1942). This argument does not con- Tobacco Control Research and the tobacco companies and major motion picture studios sider the possible effects of commercial relation- Education and Department of from the late 1920s through the 1940s. ships between the motion picture and tobacco Medicine, -
Film Preservation Program Are "Cimarron,"
"7 NO. 5 The Museum of Modern Art FOR RELEASE JANUARY 14 11 West 53 Street, New York, N.Y. 10019 Tel. 955-6100 Cable: Modernart EARLY FILMS TO BE REVIVED AT MUSEUM "The Virginian," Cecil B. DeMllle's 1914 classic, from the novel by Owen Wlster, with Dustin Famun who played in the stage version, will be shown as part of a series of eleven early films to be presented from January 14 through January 25, at The Museum of Modern Art. The Jesse Lasky production of "The Virginian" will be introduced by James Card, Curator of the George Eastman House Motion Picture Study Collection in Rochester, which is providing the films on the Museum program. At the eight o'clock, January 14 performance, Mr. Card will introduce the film and address himself to the controversy over the direction of "The Virginian," one of the early silent feature films. The fact that Cecil B. DeMille directed has been in dispute over the years. On the same program with "The Virginian," another vintage film will be shown. Tod Browning's "The Unknown" starring Lon Chaney. Made in 1927, it was an original story by the director, called "Alonzo, the Armless." According to The New York Times Film Reviews, a recently published compilation of the paper's film criticism, "the role ought to have satisfied Mr. Chaney's penchant for freakish characterizations for here he not only has to go about for hours with his arms strapped to his body, but when he rests behind bolted doors, one perceives that he has on his left hand a double thumb." Joan Crawford plays the female lead in the film, about which Roy Edwards writes in Sight and Sound, the characters and special effects add up to a "thorough display of grotesqueries." Other notable films that are part of this film preservation program are "Cimarron," starring Richard Dix and made in 1931 from Edna Ferber's popular novel; "Dr. -
LACMA Public Programs September 2014
Music, Film, and Education ^ LACMA Public Programs September 2014 Talk: The Art of Wine: Wine in Music: An Afternoon with the Ahn Outdoor Session: Photography Family Dynamic: Ingrid Calame the Age of Expressionism Sook Sun Ensemble at LACMA and Shelby Roberts with Willa TALKS & COURSES Symposium: Locating Expressionism Saturday, September 6 | 10 am –4 pm Sunday, September 7 | 10 am –4 pm Free and open to the public Noted art historians and scholars convene in this two-day symposium on the occasion of the exhibition Expressionism in Germany and France: From Van Gogh to Kandinsky to shed new light on the extraordinary response of artists in Germany and France to key developments in modern art in the early 20th century. For the first time in a major museum exhibition, LACMA presents Expressionism not as a distinctly German style, but as an international movement in which artists responded with various aesthetic approaches to the work of modern masters. The German side of the story has been less well known in the United States until just recently, and LACMA's groundbreaking exhibition provides visitors and scholars alike an opportunity to explore the nuances of the interrelationship between a group of artists that includes not just Van Gogh and Kandinsky, but Henri Matisse, Georges Braque, Andre Derain, Erich Heckel, Ernst Ludwig Kirchner, and many others. Sponsored by the museum and the Historians of German and Central European Art, topics presented explore in depth the relationship between French art and Germany artists, Cubism's impact, and the impact of non-Western art on European art from this era. -
October 19 (Previously on Oct 12) Tenth Anniversary Showcase Evening
August 17 December 21 March 2014 (exact date to be advised Oct 13) Double Bill Double Bill Make Way For Tomorrow (1937) 6.45pm - Dance, Girl, Dance (1940) 7.05pm – Where Danger Lives (1950) Stars Victor Moore, Beulah Bondi, Fay Banter, Thomas Mitchell. Stars. Maureen O’Hara, Lucille Ball, Louis Hayward, Maria Ospenskaya. Stars Robert Mitchum, Faith Domergue, Claude Rains, Maureen Directed by Leo McCarey. 91mins Directed by Dorothy Arzner. 89mins O’Sullivan. An elderly couple’s house is foreclosed on and none of their children want One of the few films of the studio system with a woman in the directors Directed by John Farrow. 82mins to take them in – together. This must-see film is one of the most sublime chair. The fur flies in this romantic comedy-drama between O’Hara, the Caught in the tentacles of femme fatale Domergue, Mitchum has a and moving films to come out of the studio system! Made without dancer who aspires to be a ballerina opposite Ball as Bubbles, the floozy fateful encounter and flees with her for the border through atmospheric concessions to the box office or a top line cast, it is arguably the directors burlesque dancer, vindictive and nasty, becoming nastier throughout! visuals of cinematographer and noir specialist Nicolas Musuraka. Mitchum finest effort weaving in subtle humour through this heartfelt story. A 8.40pm – The Dark Mirror (1946) provides yet another fine performance here with Farrow providing selection of period shorts (up to 30mins) will precede, followed by Stars Olivia de Havilland, Lew Ayres, Thomas Mitchell, Richard Long. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
“LA BOHEME” TODAY's NEIGHBORHOOD Programs of the Week
NATIONAL SYMPHONY ORCHESTRA Those f HANS KINDLER. Conductor Lumberjacks Civic Bodies Yuletide Today, Dec. 27, 4 PM. Civic Problems, Song Constitution Hall Are Due a Surprise Qlbrtatmaa •y th» Amcialtd PfMi Plan Deserves Careful Reflects New ^rngram HOLLYWOOD. Highway Study; UNITED NATIONS 1 N. Y. Are. Presbyterian Church Choir U This stunt is going to be a great 125 Voices Citizens’ Associations Need Members surprise to the Placerville lumber- ENDS MOMENTOUS SESSION Charles Dana Director Era of Baeschler, if don’t read about it Hope Prices: «0c, $1.30, $1.80, $2.40 (tax jacks, they Jesse C. Suter 1 By Alice Eversmon BEARS WIN PRO GRID tncl.h Constitution Hall Box Office first. By opens 1 Master Plan Should Be All CHAMPIONSHIP pm_ It seems that Kirk Douglas, young Highway Studied by Not in many years will the Christ* Gordon R. on December 13 released stage actor who is now taking a Engineer Commissioner. Young with so WMAt/—Hourly Newscast mas celebration be attended Constitution Hall. I successful—shot at for publication the multimillion-dollar plan of highway and transit im- healthy—and much The carols sung at Monday, January 6, 8:30 P.M. movie recognition, partially financed provements for the District. The plan deserves the closest study by all rejoicing. C. C. CAPFELL PRESENTS his education at St. Lawrence Uni- business, civic *and professional groups as well as by individual public- this time, the hymns of the season, versity by working as a wrestler in spirited citizens. the great choral works of sacred im- Rosario and Antonio show. -
Film Visti Nel 2014 (In Ordine Alfabetico)
film visti nel 2014 (in ordine alfabetico) quelli con sfondo giallo mi sono piaciuti in particolar modo 21 Days Basil Dean 1940 Vivien Leigh, Leslie Banks, Laurence Olivier 3 Idiots Rajkumar Hirani 2009 Aamir Khan, Madhavan, Mona Singh, Kareena Kapoor 55 days in peking Nicholas Ray 1963 Charlton Heston, Ava Gardner, David Niven 9 songs Michael Winterbottom 2004 Kieran O'Brien, Margo Stilley, Huw Bunford | A Bronx Tale Robert De Niro 1993 Robert De Niro, Chazz Palminteri A Life at Stake Paul Guilfoyle 1954 Angela Lansbury, Keith Andes, Douglass Dumbrille A Serious Man Joel Coen 2009 Michael Stuhlbarg, Richard Kind, Sari Lennick A Tale Of Two Cities Ralph Thomas 1958 Dirk Bogarde, Dorothy Tutin, Cecil Parker A.T.M.: ¡¡A toda máquina!! Ismael Rodríguez 1951 Pedro Infante, Luis Aguilar, Aurora Segura After hours Martin Scorsese 1985 Griffin Dunne, Rosanna Arquette Alma gitana Chus Gutiérrez 1996 Amara Carmona, Pedro Alonso, Peret Amores Perros Aleja. Gonzalez Inarritu 1999 E. Echevarría, G. García Bernal, G. Toledo Ana y Los Lobos Carlos Saura 1973 G. Chaplin, F. Fernán Gómez, J. M. Prada And Then There Were None René Claire 1945 Barry Fitzgerald, Walter Huston, Louis Hayward Andalucía chica José Ulloa 1988 Antonio Molina, Mara Vador, Raquel Evans Another Man's Poison Irving Rapper 1951 Bette Davis, Gary Merrill, Emlyn Williams Asphalt Joe May 1929 Albert Steinrück, Else Heller, Gustav Fröhlich Aventurera Alberto Gout 1950 Ninón Sevilla, Tito Junco, Andrea Palma Awaara Raj Kapoor 1951 Prithviraj Kapoor, Nargis, Raj Kapoor, K.N. Singh Bajo -
'Palm Springs'
Hit Picture Was Filmed at of Millionaires and Stars • • • Playground not THE STAR AND A SCENE FROM THE HIT ‘PALM SPRINGS’ AT CAPITOL ‘FOLLOW THE FLEET AT is neither too ty>t in summer QUEEN too cold in winter. Like the soup of the baby bear, It is just right. A SINGING never fail to locate STAR visitor could the resort, because from twenty- five miles away one may sight a giant arrowhead, symbol of the HAS LEAD IN hewed into the woody springs, mountainside. The hotel named for the springs has stood for years, majestically NEKOMEDY windows staring through eye-like over the rich valleys and the town of San Bernardino, railroad cen- Frances Langford In ter. For the past decade, this hotel has drawn and re-drawn steady ‘Palm Springs’ To patronage from Hollywood. Ronald Colman, Warner Baxter, Joe E. Show At Capitol Brown, Edward G. Robinson, Mae West and dozens more, principally Sunday those who care little for the gayer resorts, are regular visitors to Ar- “Palm Springs,” Paramount’s ro- rowhead Springs as much to enjoy mantic comedy set in the playspot the fine mineral baths as to rest of West Coast millionaires and from the strife of studio life. Thanks movie stars, shows Sunday and to the better class of patrons to be Monday at the Capitol Theater, found at this spa, stars may go there Brownsville. and remain undisturbed by the Set in a glamorous locale where usual crowds. On my last visit I smart society seeks abandon under saw Alice Faye, Joe E. -
City of Palm Springs Citywide Historic Context Statement & Survey Findings
121 THEME: COMMERCIAL DEVELOPMENT BETWEEN THE WARS (1919-1941) Commercial buildings in Palm Springs, c. 1925. Source: Los Angeles Public Library. In the years following World War I, Palm Springs was transformed from a health resort for respiratory patients into an exclusive winter resort for the wealthy. Several resort hotels were constructed in the 1920s and 1930s, cementing Palm Springs’ reputation as a first-class resort community. Commercial development during this period included facilities that catered to the tourist and seasonal community, along with a growing number of commercial establishments to serve the permanent residents. Throughout the inter-war years Palm Canyon Drive (until 1930, Main Avenue) remained the primary commercial thoroughfare in Palm Springs, growing north and, to a lesser degree, south from the village’s historic center at Tahquitz Canyon Way (formerly Spring Street). In an era when architecture was dominated by traditional styles, certain styles were considered appropriate for specific uses: Gothic, for example, was for churches, Beaux Arts and Classical was commonly used for business and civic buildings. In the desert environment of Palm Springs a simplified, rustic interpretation of the popular Spanish Colonial Revival style and traditional southwestern adobe, hacienda, and wood ranch vernacular types were believed to be the best styles and types, both for residences and commercial buildings. Palm Springs’ SCREENCHECK DRAFT– OCTOBER 13, 2015 City of Palm Springs Citywide Historic Context Statement & Survey Findings HISTORIC RESOURCES GROUP 122 Desert Inn was an example of this, and later the larger El Mirador Hotel reflected an even more elaborate use of Spanish-derived styles. -
Tyrone Power
Tyrone Power 66638_Kelly.indd638_Kelly.indd i 227/11/207/11/20 11:15:15 PPMM International Film Stars Series Editor: Homer B. Pett ey and R. Barton Palmer Th is series is devoted to the artistic and commercial infl uence of performers who shaped major genres and movements in international fi lm history. Books in the series will: • Reveal performative features that defi ned signature cinematic styles • Demonstrate how the global market relied upon performers’ generic contributions • Analyse specifi c fi lm productions as casetudies s that transformed cinema acting • Construct models for redefi ning international star studies that emphasise materialist approaches • Provide accounts of stars’ infl uences in the international cinema marketplace Titles available: Close-Up: Great Cinematic Performances Volume 1: America edited by Murray Pomerance and Kyle Stevens Close-Up: Great Cinematic Performances Volume 2: International edited by Murray Pomerance and Kyle Stevens Chinese Stardom in Participatory Cyberculture by Dorothy Wai Sim Lau Geraldine Chaplin: Th e Gift of Film Performance by Steven Rybin Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema by Gillian Kelly www.euppublishing.com/series/ifs 66638_Kelly.indd638_Kelly.indd iiii 227/11/207/11/20 11:15:15 PPMM Tyrone Power Gender, Genre and Image in Classical Hollywood Cinema Gillian Kelly 66638_Kelly.indd638_Kelly.indd iiiiii 227/11/207/11/20 11:15:15 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
This Week's Movies
C5 THE MESSENGER, Sunday, March 11, 2012 C5 THIS WEEK’S MOVIES Commando .. (1985, Action) A pioneer aviator experiments with Lafayette Escadrille .. Panic Room ... (2002, Sus- Step Brothers .. (2008, Comedy) A Arnold Schwarzenegger, Rae gliders in the 1800s. TCM≠ Mon. (1958, War) Tab Hunter, Etchika pense) Jodie Foster, Forest Whita- Will Ferrell, John C. Reilly. Two Abducted ... (2007, Drama) Dawn Chong. A war vet battles an 3:45 PM Choureau. An American volunteers ker. Thieves trap a woman and spoiled men become rivals when Sarah Wynter, Andrew Walker. A old foe to rescue his kidnapped The Game Plan .. (2007, Com- for the World War I French air her daughter in their apartment. their parents marry. FXI Tue. 7 prison warden’s wife learns about child. AMCÆ Wed. 11:30 AM, edy) Dwayne “The Rock” Johnson, force. TCM≠ Mon. 5:15 PM LIFE< Mon. 9 PM PM, Wed. 3 PM, Sat. 7 PM her kidnapper’s motives. LIFE< Thu. 8:30 AM Madison Pettis. A carefree football The Last Hurrah ... (1958, Paparazzi .. (2004, Suspense) The Story of G.I. Joe ... (1945, Sat. 9 PM Coraline ... (2009, Fantasy) player learns he has a daughter. Drama) Spencer Tracy, Jeffrey Cole Hauser, Robin Tunney. An War) Burgess Meredith, Robert Accepted .. (2006, Comedy) Voices of Dakota Fanning, Teri BRAVO¨ Sat. 8 PM, Sat. 10:30 Hunter. A political boss wages actor takes revenge on intrusive Mitchum. Syndicated columnist Justin Long, Jonah Hill. A college Hatcher. Animated. A girl discovers PM a final campaign to hold office. photographers. __ Sat. 1 PM Ernie Pyle covers World War II with reject and his friends create a fake a parallel world that closely mirrors Garfield Gets Real (2007, Com- TCM≠ Sat. -
Robert C. Schmitt
ROBERT C. SCHMITT Hawai'i in the Movies, 1898—1959, Part IV THIS RESEARCH NOTE further amends the lists of feature films made in or about Hawai'i previously published by the Hawaiian His- torical Society. In 1988, the Society issued a monograph describing 120 such motion pictures produced prior to statehood.1 Three years later an addendum listed twelve others, plus further details about three of the films previously cited.2 Three others were added in 1992.3 Here are twenty-six more that have come to the author's attention since then, plus new material on one noted earlier. 1933 Lucky Devils RKO Radio. 3 Feb. 1933; Hon., NA. Sound, b&w, 60, 64, or 70 min. Dir., Ralph Ince. With Bill Boyd, Dorothy Wilson, William Gargan. Adventure-drama about Hollywood stuntmen. Halfway through the picture, the hero marries and honeymoons in Hawai'i.4 !934 Song of the Islands Palmer Miller and Curtis Nagel for the Hawaii Tourist Bureau. 1934; Hon., NA. Sound, Vericolor (an early two-color process), 40 min. Robert C. Schmitt, an associate editor of the Journal and a frequent contributor to its pages, is a retired statistician for the Hawai'i State Department of Business, Economic Develop- ment and Tourism. The Hawaiian Journal of History, vol. 30 (1996) 211 2 12 THE HAWAIIAN JOURNAL OF HISTORY Dir., NA. With Pualani Mossman, Sam Kapu, Ray Kinney, Don Blanding. A travelogue about the Islands, made for the Hawaii Tourist Bureau. The same title was used in a 1942 Betty Grable musical. Four ten- minute travelogues, one each for the major islands, were produced by the same group and also released in 1934.