Narrative Art Between India and the Hellenistic World
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Buddhist Pilgrimage
Published for free distribution Buddhist Pilgrimage ew Edition 2009 Chan Khoon San ii Sabbadanam dhammadanam jinati. The Gift of Dhamma excels all gifts. The printing of this book for free distribution is sponsored by the generous donations of Dhamma friends and supporters, whose names appear in the donation list at the end of this book. ISB: 983-40876-0-8 © Copyright 2001 Chan Khoon San First Printing, 2002 – 2000 copies Second Printing 2005 – 2000 copies New Edition 2009 − 7200 copies All commercial rights reserved. Any reproduction in whole or part, in any form, for sale, profit or material gain is strictly prohibited. However, permission to print this book, in its entirety , for free distribution as a gift of Dhamma , is allowed after prior notification to the author. ew Cover Design Inset photo shows the famous Reclining Buddha image at Kusinara. Its unique facial expression evokes the bliss of peace ( santisukha ) of the final liberation as the Buddha passes into Mahaparinibbana. Set in the background is the Great Stupa of Sanchi located near Bhopal, an important Buddhist shrine where relics of the Chief Disciples and the Arahants of the Third Buddhist Council were discovered. Printed in Kuala Lumpur, Malaysia by: Majujaya Indah Sdn. Bhd., 68, Jalan 14E, Ampang New Village, 68000 Selangor Darul Ehsan, Malaysia. Tel: 03-42916001, 42916002, Fax: 03-42922053 iii DEDICATIO This book is dedicated to the spiritual advisors who accompanied the pilgrimage groups to India from 1991 to 2008. Their guidance and patience, in helping to create a better understanding and appreciation of the significance of the pilgrimage in Buddhism, have made those journeys of faith more meaningful and beneficial to all the pilgrims concerned. -
Buddhist Histories
JIABS Journal of the International Association of Buddhist Studies Volume 25 Number 1-2 2002 Buddhist Histories Richard SALOMON and Gregory SCHOPEN On an Alleged Reference to Amitabha in a KharoÒ†hi Inscription on a Gandharian Relief .................................................................... 3 Jinhua CHEN Sarira and Scepter. Empress Wu’s Political Use of Buddhist Relics 33 Justin T. MCDANIEL Transformative History. Nihon Ryoiki and Jinakalamalipakara∞am 151 Joseph WALSER Nagarjuna and the Ratnavali. New Ways to Date an Old Philosopher................................................................................ 209 Cristina A. SCHERRER-SCHAUB Enacting Words. A Diplomatic Analysis of the Imperial Decrees (bkas bcad) and their Application in the sGra sbyor bam po gnis pa Tradition....................................................................................... 263 Notes on the Contributors................................................................. 341 ON AN ALLEGED REFERENCE TO AMITABHA IN A KHARO∑™HI INSCRIPTION ON A GANDHARAN RELIEF RICHARD SALOMON AND GREGORY SCHOPEN 1. Background: Previous study and publication of the inscription This article concerns an inscription in KharoÒ†hi script and Gandhari language on the pedestal of a Gandharan relief sculpture which has been interpreted as referring to Amitabha and Avalokitesvara, and thus as hav- ing an important bearing on the issue of the origins of the Mahayana. The sculpture in question (fig. 1) has had a rather complicated history. According to Brough (1982: 65), it was first seen in Taxila in August 1961 by Professor Charles Kieffer, from whom Brough obtained the photograph on which his edition of the inscription was based. Brough reported that “[o]n his [Kieffer’s] return to Taxila a month later, the sculpture had dis- appeared, and no information about its whereabouts was forthcoming.” Later on, however, it resurfaced as part of the collection of Dr. -
De-Fragmenting Gandhāran Art: Advancing Analysis Through Digital Imaging and Visualization Ian Haynes, Iwan Peverett, Wannaporn Rienjang with Contributions by Luca M
De-fragmenting Gandhāran art: advancing analysis through digital imaging and visualization Ian Haynes, Iwan Peverett, Wannaporn Rienjang with contributions by Luca M. Olivieri The Global Connections of Gandhāran Art Proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 Edited by Wannaporn Rienjang Peter Stewart Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-695-0 ISBN 978-1-78969-696-7 (e-Pdf) DOI: 10.32028/9781789696950 www.doi.org/10.32028/9781789696950 © Archaeopress and the individual authors 2020 Gandhāran ‘Atlas’ figure in schist; c. second century AD. Los Angeles County Museum of Art, inv. M.71.73.136 (Photo: LACMA Public Domain image.) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Acknowledgements ����������������������������������������������������������������������������������������������������������������������������iii Illustrations ����������������������������������������������������������������������������������������������������������������������������������������iii Contributors ��������������������������������������������������������������������������������������������������������������������������������������� iv Preface ������������������������������������������������������������������������������������������������������������������������������������������������ -
Phase Iii Architecture and Sculpture from Taxila 6.1
CHAPTER SIX PHASE III ARCHITECTURE AND SCULPTURE FROM TAXILA 6.1 Introduction to the Phase III Developments in the Sacred Areas and Afonasteries ef Taxila and the Peshawar Basin A dramatic increase in patronage occurred across the Peshawar basin, Taxila, and Swat during phase III; most of the extant remains in these regions were constructed at this time. As devotional icons of Buddhas and bodhisattvas became increasingly popular, parallel trans formations occurred in the sacred areas, which still remained focused around relic stupas. In the Peshawar basin, Taxila, and to a lesser degree Swat, the widespread incorporation of large iconic images clearly reflects changes occurring in Buddhist practice. Although it is difficult to know how the sacred precincts were ritually used, modifications in the spatial organization of both sacred areas and monasteries provide some insight. Not surprisingly, the use and incorporation of devotional images developed regionally. The most dramatic shift toward icons is observed in the Peshawar basin and some of the Taxila sites. In contrast, Swat seemed to follow a different pattern, as fewer image shrines were fabricated and sacred areas were organized along different lines. This might reflect a lack of patronage; perhaps new sites following the Peshawar basin format were not commissioned because of a lack of resources. More likely, the Buddhist tradition in Swat was of a different character; some sites-notably Butkara I-show significant expansion following a uniquely Swati format. At a few sites in Swat, however, image shrines appear in positions analogous to those of the Peshawar basin; Nimogram and Saidu (figs. 109, 104) arc notable examples. -
The Image of the Winged Celestial and Its Travels Along the Silk Road
SINO-PLATONIC PAPERS Number 225 June, 2012 The Image of the Winged Celestial and Its Travels along the Silk Road by Patricia Eichenbaum Karetzky Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
The Parinirvana Cycle and the Theory of Multivalence: a Study Of
THE PARINIRVĀṆA CYCLE AND THE THEORY OF MULTIVALENCE: A STUDY OF GANDHĀRAN BUDDHIST NARRATIVE RELIEFS A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI’I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2017 By Emily Hebert Thesis Committee: Paul Lavy, Chairperson Kate Lingley Jesse Knutson TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... ii INTRODUCTION ......................................................................................................................... 1 CHAPTER 1. BUDDHISM IN GREATER GANDHĀRA ........................................................... 9 Geography of Buddhism in Greater Gandhāra ....................................................................... 10 Buddhist Textual Traditions in Greater Gandhāra .................................................................. 12 Historical Periods of Buddhism in Greater Gandhāra ........................................................... 19 CHAPTER 2. GANDHĀRAN STŪPAS AND NARRATIVE ART ............................................. 28 Gandhāran Stūpas and Narrative Art: Architectural Context ................................................. 35 CHAPTER 3. THE PARINIRVĀṆA CYLCE OF NARRATIVE RELIEFS ................................ 39 CHAPTER 4 .THE THEORY OF MULTIVALENCE AND THE PARINIRVĀṆA CYCLE ...... 44 CHAPTER 5. NARRATIVE RELIEF PANELS FROM THE PARINIRVĀṆA CYCLE ............ 58 Episode -
Buddhist Sculptures of Malakand Collection: Its History, Analysis and Classification
106 Ancient Punjab – Volume 7, 2019 BUDDHIST SCULPTURES OF MALAKAND COLLECTION: ITS HISTORY, ANALYSIS AND CLASSIFICATION Amjad Pervaiz, Nafees Ahmad & Rizwan Nadeem ABSTRACT This study is about the selected sculptures of the Malakand collection, which delineate salient and conspicuous features of the Gandhāra Art. This collection has historical importance and shows diversification of different postures and actions. These sculptures represent the traditions and practices of Buddhism in Gandhāra and they portray the standard of art, the soul and spirit of the followers and artists. Basis of classifying sculptures is established on the confined and distinctive analysis and material of stone used in making the sculptures. To establish the chronology and to specify the exact area of origin, the sculptures were extensively and exhaustively studied from the viewpoint of Zonal Workshops. While observing the quality and style of the art along with material used for making the sculptures it becomes clear that the artist paid attention to the socio-economic and religious conditions of the time in his mind. Methodology used for research of the present study is based on descriptive as well as analytical approach. The architectural elements like Persepolitan and Corinthian pillars are still present and observed in the villages of Malakand and different parts of Gandhāra region. Keywords: Sculpures of Malakand, Gandhara Art, Buddhism, artists, stylistic analysis, socio-economic, religious condition, carving, architectural. INTRODUCTION Indian Sub-Continent has been the core of rich cultural heritage and the abode of civilization of the Indus valley. The researchers in archaeology, art, anthropology and history have brought out important information about developments that took place over the millennia. -
ANALYSIS of BUDDHIST SCULPTURES a Case Study of Malakand Collection in Swat Museum by Amjad Pervaiz TAXILA INSTITUTE of ASIAN
ANALYSIS OF BUDDHIST SCULPTURES A Case Study of Malakand Collection in Swat Museum By Amjad Pervaiz TAXILA INSTITUTE OF ASIAN CIVILIZATIONS QUAID-I-AZAM UNIVERSITY ISLAMABAD 2016 CERTIFICATE This thesis by Amjad Pervaiz is accepted in its present form by the Taxila Institute of Asian Civilizations, Quaid-i-Azam University Islamabad, as satisfying the thesis requirements for the Degree of Doctor of Philosophy in Asian Studies. Prof. Dr. Muhammad Ashraf Khan Supervisor _________________ External Examiner __________________ External Examiner __________________ Director (TIAC) Dr. Ghani-ur-Rehman __________________ Dated: __________________ Declaration I hereby declare that this thesis in its present form is the result of my individual research and it has not been submitted concurrently to any university for any other degree. ______________ Amjad Pervaiz TAXILA INSTITUTE OF ASIAN CIVILIZATIONS QUAID-I-AZAM UNIVERSITY ISLAMABAD I hereby recommend that the Dissertation prepared under my supervision by Mr. Amjad Pervaiz, entitled Analysis of Buddhist Sculptures: A Case Study of Malakand Collection in Swat Museum be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Asian Studies. _____________________ Prof. Dr. M. Ashraf Khan Supervisor DEDICATION I dedicate this work to my parents, sisters, wife and daughters Yousra Khan, Mahnoor Amjad and Ayesha Amjad who suffered and compromised a lot to enable me to complete this study. Contsents LIST OF MAPS ........................................................................................................... -
The Buddhist Collection of Wali-E Swat: Its History, Classification and Analysis
The Buddhist Collection of Wali-e Swat: Its History, Classification and Analysis by Tahira Tanweer INSTITUTE OF ARCHAEOLOGY AND ANTHROPOLOGY FACULTY OF ARTS AND HUMANITIES UNIVERSITY OF PESHAWAR 2010 The Buddhist Collection of Wali-e Swat: Its History, Classification and Analysis Dissertation submitted to the Institute of Archaeology and Anthropology, University of Peshawar in partial fulfillment of the requirements for the award of the degree of Doctor of Philosophy Approved by: 1. Professor Dr. M. Farooq Swati Institute of Archaeology & Anthropology University of Peshawar Supervisor 2. Internal Examiner 3. External Examiner INSTITUTE OF ARCHAEOLOGY AND ANTHROPOLOGY UNIVERSITY OF PESHAWAR 2010 2 C O N T E N T S Chapter Page Preface iv Acknowledgements v Maps viii List of Tables x Abbreviations xi 1 Introduction and Brief History of the Wali’s Collection 1 Introduction 1 The Beginning of Archaeological Research in the Swat Valley 3 The History and Sources of the Wali’s Collection 4 Subject Matter of the Wali’s Collection 5 2 Cultural History and Geography of the Swat Valley 8 Nomenclature of Swat 8 Cultural and Historical Profile of the Swat Valley 8 Geography of the Swat Valley 18 Population and Human Settlements 22 Flora and Fauna 23 3 Catalogue of the Wali’s Collection 26 Catalogue of Wali-e Swat Collection 26 4 Classification and Analysis on the Basis of Zonal 89 Workshops Classification of the Collection 89 Classification on the Subject Matter 89 Jātakas or Previous Births’ Stories of the Buddha 89 The Life Story of the Buddha 90 -
Department of Archaeology
Proceedings of the First International Symposium on Latest Discoveries in the Cultural Heritage of Ancient Gandhara and Other Parts of Pakistan Main Stupa at Najigram, Swat Valley September 4 - 6, 2005 Swat DEPARTMENTUniversity OF of ARCHAEOLOGY Peshawar Ancient Pakistan, Vol. XVII - 2006 Symposium CONTENTS Title Page Introduction, Aims and Objective and other related Information (Pre-scheduled 46 programme) ....................................................................................................................... Ethnic Profile of Gandhara ……..................................................................................... Abdur Rehman and Shah Nazar Khan 75 Terracotta Female Figurines from Protohistoric Swat …………….........................… 83 Arundhati Banerji Monsoon Preparation Work at DK-G Area Moenjodaro During 2005 ……………… 91 Muhammad Safdar Khan The Darel Valley: the Chinese Sources and the Field Research (1998-2004)……….. 101 Haruko Tsuchiya Fascinating Discoveries from Buddhist Sanctuary of Badalpur, District Haripur, Taxila Valley …………………………………………………………………………… 119 Muhammad Arif and M.H.Khan Khattak Kaka Khel Ancestor Adam Baba and his Tomb at Karboga (Kohat) N.W.F.P ……… 127 Shakirullah and Gul Rahim Khan Ghaligai Hill Engravings Reveal a Personification of “Uttarasena” (King of Uddiyana): A New Thought …………………………………………………………… 133 Badshah Sardar A Copper Hoard of the Great Kusanas ……………………………………………… 139 Gul Rahim Khan Lower Palaeolithic in the Soan Valley, Rawalpindi, Pakistan …………………….. Muhammad Salim 159 Glimpses of the International Symposium in Pictures ……………….…………….. 167 Note: Out of thirty two presentations (see pp.70-72), only the above nine papers were received for publication. 45 Ancient Pakistan, Vol. XVII - 2006 Symposium INTRODUCTION Department of Archaeology, University of Peshawar The Department of Archaeology was established in 1962 by the University of Peshawar under the founding Chairman Professor Ahmad Hasan Dani, an archaeologist of international repute. Apart from regular M.A., M.Phil. -
BUDDHIST ARCHITECTURE in the SWAT VALLEY, PAKISTAN Stupas, Viharas, a Dwelling Unit
ACT-FIELD SCHOOL PROJECT REPORTS AND MEMOIRS SPECIAL VOLUME, 1 ISMEO BUDDHIST ARCHITECTURE IN THE SWAT VALLEY, PAKISTAN Stupas, Viharas, a Dwelling Unit doMenico faccenna Piero sPagnesi with the collaboration of luca M. olivieri foreword by Marco Mancini and adriano rossi 2nd Edition PAKISTAN-ITALIAN DEBT SWAP PROGRAM italian archaeological Mission in Pakistan directorate of archaeology and MuseuMs, kP Province This Volume is published thanks to the generous support of ISMEO and Università di Bologna “Alma mater Studiorum”, Dipartimento di Beni Culturali, Printing costs were generously supported by a private grant. Layout and graphic by BraDypUS BraDypUS.net COMMUNICATING CULTURAL HERITAGE The Volume is realized in collaboration with the Sapienza - Università di Roma Dipartimento di Storia, Disegno e Restauro dell’Architettura. Editing by Elisabetta Valento and Erika Vecchietti. BUDDHIST ARCHITECTURE IN THE SWAT VALLEY, PAKISTAN. Stupas, Viharas, a Dwel- ling Unit, by Domenico Faccenna and Piero Spagnesi, with the collaboration of Luca M. Olivieri, foreword by Marco Mancini and Adriano Rossi 2nd edition ISBN: 9788898392315 ISBN-A (doi) 10.978.8898392/315 This work is released nder the following terms: Attribution - You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. NonCommercial - You may not use the material for commercial purposes. NoDerivatives - If you remix, transform, or build upon the material, you may No additional restrictions - You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. -
The Geography of Gandhāran Art
The Geography of Gandhāran Art Proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 Edited by Wannaporn Rienjang Peter Stewart Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-186-3 ISBN 978-1-78969-187-0 (e-Pdf) DOI: 10.32028/9781789691863 © Archaeopress and the individual authors 2019 All rights reserved. No part of this book may be reproduced or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Acknowledgements ������������������������������������������������������������������������������������������������������������������������iii Editors’ note �����������������������������������������������������������������������������������������������������������������������������������iii Contributors ����������������������������������������������������������������������������������������������������������������������������������� iv Preface ������������������������������������������������������������������������������������������������������������������������������������������� ix Wannaporn Rienjang and Peter Stewart Part 1 Artistic Geographies Gandhāran art(s): methodologies and preliminary results of a stylistic analysis ������������������������� 3 Jessie Pons