HKAT!, HONG KONG ACTION THEATRE!, GUARDIANS of ORDER and TRI-STAT SYSTEM Are Trademarks of GUARDIANS of ORDER, INC
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Best Enjoyed As Property, Shoe and Hairdo Porn.”
”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Rauno Sainio Tampere University School of Language, Translation and Literary Studies English Philology Pro Gradu Thesis May 2011 ii Tampereen yliopisto Englantilainen filologia Kieli-, käännös- ja kirjallisuustieteiden yksikkö SAINIO, RAUNO: ”Best enjoyed as property, shoe and hairdo porn.” Creating New Vocabulary in Present-Day English: A Study on Film-Related Neologisms in Total Film Pro gradu -tutkielma, 135 sivua + liite (6 sivua) Kevät 2011 Tämän pro gradu -tutkielman tarkoituksena oli tutustua eri menetelmiin, joiden avulla englannin kielen sanastoa voidaan laajentaa. Lähdekirjallisuudesta kerättyä tietoa käsiteltiin tutkielman teoriaosuudessa, minkä jälkeen empiirinen osuus selvitti, kuinka kyseisiä menetelmiä sovelletaan käytännössä nykyenglannissa. Tämän selvittämiseksi käytiin manuaalisesti läpi korpusaineisto, joka koostui isobritannialaisen Total Film -elokuvalehden yhden vuoden aikana julkaistuista numeroista. Elokuvajournalismissa käytettävä kieli valittiin tutkimuksen kohteeksi kirjoittajan henkilökohtaisen kiinnostuksen vuoksi sekä siksi, että elokuva on paitsi merkittävä, myös jatkuvasti kehittyvä taiteen ja populaarikulttuurin muoto. Niinpä tämän tutkielman tarkoitus on myös tutustuttaa lukija sellaiseen sanastoon, jota alaa käsittelevä lehdistö nykypäivänä Isossa-Britanniassa käyttää. Korpuksen pohjalta koottu, 466 elokuva-aiheista uudissanaa käsittävä sanaluettelo analysoitiin -
Camera Stylo Proof 2
SCREENING RACE ALEXANDRA MCCALLA The “hood” spaces of South Central in Los Angeles and — North Kensington in West London—known as Grove, Boyz n the Hood (1991) short for the area’s main road Ladbroke Grove—both Kidulthood (2006) experienced an influx of black migrant workers in the first half of the 20th century. The films Boyz n the Hood (1991) and Kidulthood (2006) explore the current problems of the South Central and Grove hoods respectively, while presenting the effects of the historical construction of these spaces. Both are written and directed by black men, set and shot in the areas in which they grew up, John Singleton’s Boyz n the Hood (Boyz) and Noel Clarke’s Kidulthood intimately reveal the nuances of their hoods. Through analysing the two hood films’ depiction of race and space, the socio-economic effects on race relations in London and LA can be examined. The “Great Migration” in the US, out of the South from 1910-1930, due to obtainable wealth in factory jobs, caused a shift in the African American identity; black people were not simply associated with the South’s con- 4 notations of slavery. Rheid-Pharr explains, “the black American was in some ways losing her ability to name Alexandra is currently in her third year completng herself properly, distinctly. Black identity could no lon- a double major in Economics and Cinema Studies. Within cinema studies, she has a particular ger be associated with a specific region, caste, economic interest in racial representation and identity of status, erotic affinity, or biology” (5). -
East Bay Deputy Held in Drug Case Arrest Linked to Ongoing State Narcotics Agent Probe
Sunday, March 6, 2011 California’s Best Large Newspaper as named by the California Newspaper Publishers Association | $3.00 Gxxxxx• TOP OF THE NEWS Insight Bay Area Magazine WikiLeaks — 1 Newsom: Concerns Spring adventure World rise over S.F. office deal 1 Libya uprising: Reb- How Europe with donor. C1 tours from the els capture a key oil port caves in to U.S. 1 Shipping: Nancy Pelo- Galapagos to while state forces un- si extols the importance leash mortar fire. A5 pressure. F6 of local ports. C1 South Africa. 6 Sporting Green Food & Wine Business Travel 1 Scouting triumph: 1 Larry Goldfarb: Marin The Giants picked All about falafel County hedge fund manager Special Hawaii rapidly rising prospect who settled fraud charges Brandon Belt, right, — with three stretched the truth about section touts 147th in the ’09 draft. B1 recipes. H1 charitable donations. D1 Kailua-Kona. M1 RECOVERY East Bay deputy held in drug case Arrest linked to ongoing state narcotics agent probe By Justin Berton custody by agents representing CHRONICLE STAFF WRITER the state Department of Justice and the district attorney’s of- A Contra Costa County sher- fice. iff’s deputy has been arrested in Authorities did not elaborate connection with the investiga- on the details of the alleged tion of a state narcotics agent offenses, but a statement from who allegedly stole drugs from the Contra Costa County Sher- Michael Macor / The Chronicle evidence lockers, authorities iff’s Department said Tanabe’s Chris Rodriguez (4) of the Bay Cruisers shoots over Spencer Halsop (24) of the Utah Jazz said Saturday. -
Dragon Magazine #172
Issue # 172 SPECIAL ATTRACTIONS Vol. XVI, No. 3 August 1991 Welcome to the Underdark 9 Our special section on underground adventuring. Publisher Seeing the Sights in Skullport Ed Greenwood and Steven E. James M. Ward 10 Schend. Skullport: A great place to visit, if your insurance is paid up. Editor The Dragons Bestiary The readers Roger E. Moore 16 Caves have the nastiest things living in them, like these three fine fellows. Fiction editor Barbara G. Young The Ecology of the Galeb Duhr Robert Isaacson 20 Just because it looks like a rock doesnt mean it has to act like one. Assistant editor Dale A. Donovan REGULAR FEATURES Art director Larry W. Smith Role-playing Reviews Allen Varney 26 Where have all the miracles gone? A look at super-hero games and Production staff supplements. Gaye OKeefe Angelika Lokotz The Lay of Droone fiction by William B. Crump Tracey Zamagne 34 The lizards had taken the mountainbut, thanks to the dwarves, they wouldnt enjoy their victory. Subscriptions The Voyage of the Princess Ark Bruce A. Heard Janet L. Winters 41 Alphatia and Thyatis face their doom, and the incredible powers of cinnabar are revealed! US. advertising Roseann Schnering The Role of Computers Hartley, Patricia, and Kirk Lesser 55 The gods are not kind in Darkspyre; if you fail them, humanity dies. U.K. correspondent Into the Spirit of Things Michael DeWolfe and U.K. advertising 66 Spirit and divine magic of the strangest kind for your RUNEQUEST* Bronwen Livermore game. Shining Armor Thomas M. Kane 68 When you care enough to send the very best, put an M1A1 Abrams tank in your TOP SECRETIS/S.I. -
9. List of Film Genres and Sub-Genres PDF HANDOUT
9. List of film genres and sub-genres PDF HANDOUT The following list of film genres and sub-genres has been adapted from “Film Sub-Genres Types (and Hybrids)” written by Tim Dirks29. Genre Film sub-genres types and hybrids Action or adventure • Action or Adventure Comedy • Literature/Folklore Adventure • Action/Adventure Drama Heroes • Alien Invasion • Martial Arts Action (Kung-Fu) • Animal • Man- or Woman-In-Peril • Biker • Man vs. Nature • Blaxploitation • Mountain • Blockbusters • Period Action Films • Buddy • Political Conspiracies, Thrillers • Buddy Cops (or Odd Couple) • Poliziotteschi (Italian) • Caper • Prison • Chase Films or Thrillers • Psychological Thriller • Comic-Book Action • Quest • Confined Space Action • Rape and Revenge Films • Conspiracy Thriller (Paranoid • Road Thriller) • Romantic Adventures • Cop Action • Sci-Fi Action/Adventure • Costume Adventures • Samurai • Crime Films • Sea Adventures • Desert Epics • Searches/Expeditions for Lost • Disaster or Doomsday Continents • Epic Adventure Films • Serialized films • Erotic Thrillers • Space Adventures • Escape • Sports—Action • Espionage • Spy • Exploitation (ie Nunsploitation, • Straight Action/Conflict Naziploitation • Super-Heroes • Family-oriented Adventure • Surfing or Surf Films • Fantasy Adventure • Survival • Futuristic • Swashbuckler • Girls With Guns • Sword and Sorcery (or “Sword and • Guy Films Sandal”) • Heist—Caper Films • (Action) Suspense Thrillers • Heroic Bloodshed Films • Techno-Thrillers • Historical Spectacles • Treasure Hunts • Hong Kong • Undercover -
Martial Arts Cinema and Hong Kong Modernity
Martial Arts Cinema and Hong Kong Modernity Aesthetics, Representation, Circulation Man-Fung Yip Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-71-7 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. An earlier version of Chapter 2 “In the Realm of the Senses” was published as “In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema,” Cinema Journal 53 (4): 76–97. Copyright © 2014 by the University of Texas Press. All rights reserved. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii Notes on Transliteration x Introduction: Martial Arts Cinema and Hong Kong Modernity 1 1. Body Semiotics 24 2. In the Realm of the Senses 56 3. Myth and Masculinity 85 4. Th e Diffi culty of Diff erence 115 5. Marginal Cinema, Minor Transnationalism 145 Epilogue 186 Filmography 197 Bibliography 203 Index 215 Introduction Martial Arts Cinema and Hong Kong Modernity Made at a time when confi dence was dwindling in Hong Kong due to a battered economy and in the aft ermath of the SARS epidemic outbreak,1 Kung Fu Hustle (Gongfu, 2004), the highly acclaimed action comedy by Stephen Chow, can be seen as an attempt to revitalize the positive energy and tenacious resolve—what is commonly referred to as the “Hong Kong spirit” (Xianggang jingshen)—that has allegedly pro- pelled the city’s amazing socioeconomic growth. -
Menace II Society and the 1990'S Hood Film Cycle
Kino: The Western Undergraduate Journal of Film Studies Volume 2 | Issue 1 Article 3 2011 Realer than Reel: Menace II Society and the 1990’s Hood Film Cycle Timothy J. Edwards University of Western Ontario Abstract No abstract provided. Keywords African-American cinema, Hughes Brothers, Allen Hughes, Albert Hughes, hood film Recommended Citation Edwards, Timothy J. (2011) "Realer than Reel: Menace II Society and the 1990’s Hood Film Cycle," Kino: The Western Undergraduate Journal of Film Studies: Vol. 2 : Iss. 1 , Article 3. Edwards: Realer than Real Realer than Reel: Menace II Society and the 1990s Hood Film Cycle by Timothy J. Edwards The convergence of numerous industrial and social factors in the late 1960s saw Hollywood studios for the first time invest in films produced with African-Americans as the target audience. This wave of Black-focused product eventually became known as ‘Blaxploitation’ Cinema. Blaxploitation films use cinematic devices like: location shooting, hand held camera, and sync-sound along with a showcasing of distinctly Black cultural imagery, featuring urban fashion, slang, Black nationalist politics, and of course Black popular music to create a Black ghetto chronotope which is common to all Blaxploitation films (Massood 117). While the Black ghetto chronotope has its roots in Blaxploitation, it has since become an important tool which New Black Cinema directors like the Hughes brothers further develop to depict the streets of Watts with a sharp and uncompromising sense of realism. Allen and Albert Hughes spoke of being “outraged by the Hollywood sentimentality” of the hugely successful Boyz n the Hood (1991), which was released two years before Menace II Society (1993) (Massood 162). -
Forbidden History of Europe Page Stamp 1105.Qxd
The Forbidden History of Europe - The Chronicles and Testament of the Aryan 1001 Adolf Hitler originals (as found on www.fpp.co.uk). Judging by the masterful quality of his work Adolf, the artistic genius would have made a fine career artist had others given him the chance, in a variety of media. Destiny took him along a very different pathway. Nowadays verifiable Hitler originals sell for a pathetically low $20,000. I believe they should be valued at nothing less than $US 1,000,000 each. The times are such that existence. His excellent and even acclaimed paintings failed to sell, so he went into politics. Some felt he had a gift for bidders and art reaching out to his fellow countrymen. They weren’t far wrong. connoisseurs are too afraid to put up their The Fuehrer had a lot of backing from interested parties at home and abroad. Much of it was mustered via the hand, for fear of Thule Order by Professor Karl Haushofer (Hitler’s personal vizier) if you are to believe modern historians. This being branded a particular gentleman, versed in five languages and described as “shady”, served his nation as a general in the Great Nazi. The persecution and demonisation War. Later he became German attache in Tokyo. After the 1914-1918 war he taught geo-politics at Munich extends even to his University, and became a life member of the “Luminous Lodge” and the “Thule Society”, both of which were artwork. considered irregular Masonic orders by western standards. To a degree what they say is true. -
City Lays Off 700 to Cut Budget Deficit
WWW.BEVERLYPRESS.COM INSIDE • Harvey Milk Day celebrated. pg. 3 Sunny and • Water rationing warm, with days may change. temps around pg. 6 75º Volume 20 No. 20 Serving the West Hollywood, Hancock Park and Wilshire Communities May 20, 2010 YMCA Partners City Lays Off 700 to With Schools to Keep Fit Cut Budget Deficit n Most City Services Spared in 14-1 Decision BY AMY LYONS BY EDWIN FOLVEN Villaraigosa, who is expected to earning how to swing a base- make a decision on whether to ball bat, score a goal in soc- he Los Angeles City Council approve or veto it by June 1. The Lcer or dunk a basketball can approved a $6.7 billion bud- budget must be in place by July 1, be some of the most memorable Tget on Monday that elimi- and the city council will have one lessons in a child’s life. With recent nates a $485 million deficit and will month to reduce the number of lay- cuts to public school funding and preserve most city services at cur- offs before it goes into effect. The teacher layoffs, the Hollywood- rent levels. layoffs would be spread across all Wilshire YMCA is partnering with The budget calls for layoffs of city agencies except the police and local elementary schools to make approximately 761 employees, but fire departments. An additional sure physical education does not officials will be working with a 1,000 layoffs may be necessary in fall by the wayside. coalition of unions representing October if labor negotiations do not The YMCA Program, Physical city employees to try to reduce that result in savings through union Learning Activities for Youth number. -
The New-Brutality Film
New Brutality final.Qrk 20/7/05 9:14 am Page 1 Gormley The 1990s saw the emergence of a new kind of American Paul Gormley cinema, which this book calls the ‘new-brutality film.’ Violence and race have been at the heart of Hollywood cinema since its birth, but the new-brutality film was the first kind of popular American cinema to begin making this relationship explicit. The rise of this cinema coincided with the rebirth of a long-neglected strand of film theory, which seeks to unravel the complex relations of affect between the screen and the viewer. This book analyses and connects both of these developments, arguing that films like Falling Down, Reservoir Dogs, Se7en and Strange Days sought to reanimate the affective impact of white The New-Brutality Film Hollywood cinema by miming the power of African-American and particularly hip-hop culture. The book uses several films as Race and Affect in Contemporary Hollywood Cinema case-studies to chart these developments: • Falling Down both appropriates of the political black rage of the ‘hood film and is a transition point between the white postmodern blockbuster and the new-brutality film. Paul Gormley is Senior Lecturer and Course Tutor The New-BrutalityFilm • Gangsta films like Boyz N the Hood and Menace II Society for Media Studies in the provided the inspiration for much of the new-brutality film’s School of Cultural and mimesis of African-American culture. Innovation Studies at the University of East London. • The films of Quentin Tarantino (including Reservoir Dogs and He has published articles on Pulp Fiction) are new-brutality films that attempt to reanimate contemporary Hollywood the affective power of Hollywood cinema. -
Cambridge Companion Crime Fiction
This page intentionally left blank The Cambridge Companion to Crime Fiction The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the ‘detective’ fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime in film and on TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception. THE CAMBRIDGE COMPANION TO CRIME FICTION MARTIN PRIESTMAN cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Informationonthistitle:www.cambridge.org/9780521803991 © Cambridge University Press 2003 This publication is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the -
Contemporary Realism
CINEPHILE Table of Contents The Geography of Melodrama, The University of British Columbia’s Film Journal The Melodrama of Geography: Vol. 7 No. 2 Editor’s Note 2 Fall 2011 “Contemporary Realism” Contributors 3 The ‘Hood Film’s Spatial Pathos ISSN: 1712-9265 Reenactment and A-filiation in Andrea Tonacci’s 5 Copyright and Publisher: Serras da Desordem The University of British Ivone Margulies Columbia Film Program Post-Classical Hollywood Realism and “Ideological Reality” 15 Editor-in-Chief: Richard Rushton Shaun Inouye Design: The Sound of Uncertain Voices: Mumblecore and the 23 Shaun Inouye Interrogation of Realism Photography: Justin Horton Hanahlie Beise The Aesthetics of Trauma: Authenticity and Disorientation in 31 Faculty Advisor: Paul Greengrass’s Bloody Sunday Lisa Coulthard Marc Di Sotto Program Administrator: Gerald Vanderwoude Beyond Neo-Neo Realism: Reconfigurations of Neorealist 37 Graduate Secretary: Narration in Kelly Reichardt’s Meek’s Cutoff Karen Tong James Lattimer Editorial Board: Gus Van Sant’s Gerry and Visionary Realism 43 Andrew deWaard Jonathan Cannon, Robyn Citizen, Tiago de Luca Dana Keller, Peter Lester, Dax Sorrenti, Babak Tabarraee Printing: East Van Graphics CINEPHILE is published by the Graduate Cinephile would like to thank the following offices and departments Program in Film Studies at the Depart- at the University of British Columbia for their generous support: ment of Theatre and Film, University of British Columbia, with the support of the Offices of the Vice President Research & International Centre