EVERYTHING #4 THE MUSEUM OF EVERYTHING

CONTENTS

10 Foreword 170 Project Onward 174 Public Art and Design 11 Introduction 176 Roppou Gakuen Studios & Artists 178 Die Schlumper 16 Atelier 5 182 Signature 22 Atelier 23 184 Tak 24 Adriano e Michele 186 La Tinaia 26 Arte Down 190 Galerie der Villa 28 Art Enables 194 Vrijheidshof 5 30 Arts Project Australia 196 VSA Sweden 38 Asfodelo 198 Wijde Doele n 40 Barrington Farm 200 Yamanami 42 Bethlem 208 De Zandberg 44 Bildnerische 210 More Studios, More Artists 48 Blu Cammello Action Space, ANACED, Arts of 52 BOA Studio Life, Art Laundry, Casa Azul, Co- 54 Bracton lombo Centre, Foundation AWIT, 56 Cooperations Gallery Gachet, De Haagse, Heart- 58 Creative Growth side, Hutt Valley, Kaarisilta, 70 Creativity Explored KCAT, Kempro, Kenafayim, Kunst en 74 Debajo del Sombrero Vliegwerk, Latitude Arts, Mayfield 76 Flying Shuttles Arts, PAOMDP, Russia Special Life, 78 Gaia Survivors Art Foundation, Thunder– 80 Gateway sky, VSA Greece, VSA Lithuania 86 Goldstein 94 Gugging 224 Acknowledgements 100 HAI 104 Herenplaats 112 La Hesse Appendix 122 Hiko Conversations with Daniel Bau- 126 De Hoeve mann, David Byrne, Paolo Colombo, 128 HPCA Lynne Cooke, Christiane Cutic- 136 Incurve chio, Chris Dercon, Dr Johann 144 De Kaai Feilacher, Massimiliano Gioni, 146 Kobo Syu Peter Heidenwag, Matthew Higgs, 148 Kunstskolen Hiroshi Imanaka, Axel Klöss– 152 LAND Fleischmann, Tom di Maria, 154 Lebenshilfe Adam Phillips, Jacqueline Por- 156 Little City Arts ret–Forel, Colin Rhodes, Sir Ken 160 Manolibera Robinson, Anne–Françoise Rouche, 164 Mosaik Cindy Sherman, Dr Elisabeth Tel- 166 La Pommeraie snig, Nigel Warburton FOREWORD

The first time I went to James Brett’s house we had cheap cake. Cheap cake and a quiet conversation with various people in various rooms of a tiny, roomy house about whether what covered every single inch of his bare–boarded up and down home was actually art.

I have never been interested in that kind of conversation, because it doesn’t take you anywhere. Even less interesting is the question of high or low art. What interested me then – and now – was that every piece spoke a kind of com- mon language. Was this because the collector had a very keen eye and ability to edit, or because there was a constituency of individuals making work who had a particular way of expressing themselves – something to express that I, as a consumer of the mainstream art world, was not used to hearing about?

I wasn’t sure of the answer, but all I know is that when I saw the exploded version of this collection at his newborn The Museum of Everything the fol- lowing autumn, I was certain that something important was happening. Against the backdrop of the white aisles of Frieze where things felt cold and repeti- tive and slick, The Museum of Everything was rough and curious and real. It felt unbelievably fresh and it affected me for a long time.

That’s how we began talking about Brettridges: the complete takeover of Sel- fridges by The Museum of Everything. Never before has a brand, an artist or any kind of organisation been given so much ‘property’ to tell their story. In fact, a few months before the project was due to open, an important editor called me up to check that it was true.

‘You’re giving him all the windows?’ she said. ‘Yes,’ I said, suddenly realis- ing what I had done. ‘And the Ultralounge? And he’s going to be selling stuff in the Wonder Room?’ Yes. Oh yes. In fact at the time of writing his artis- tic hegemony was still continuing. Like a charming but stealthy militia, he and The Museum of Everything were creeping further and further through the building, claiming more and more territory.

Until they had Everything?

Alannah Weston Creative Director, Selfridges

September 2011

10 The Museum of Everything INTRODUCTION

The Museum of Everything began on a tiny island, the private accumulation of my namesake, Mr William Brett. Today it accumulates further, growing in every direction, a re–imagined home for all things atypical – a non–museum for non–art.

These are only words, of course. But how else to define the creations of Exhibition #4?

I am reminded of the films of Jacques Yves Cousteau, of giant watery crea- tures hidden beneath the waves. The artists of Exhibition #4 are these to me, mighty beings beyond my comprehension, speaking not of the land, but of the sea.

What you see before you are their collaborations. They happen when a contem- porary artist with an ability enables a self–taught artist with a disability to make art. There is no teaching, just encouragement, materials, time and space. If an artist has it in them, out it comes – not just art, but language.

Ability and disability are tricky words – as is art – and they are far too narrow to contain as fundamental a force as this. For if Everything is about anything, then it is about us: why we imagine, what we feel, how we express ourselves, what we make.

The images and scuptures in this book are rarely called art, either by main- stream institutions or their creators. My conversations with contemporary artists, curators and cultural thinkers reveal the philosophical knots. You now have their words and pictures, so I shall leave the analysis to you.

My thanks then – to an ever–expanding team, you know who you are, to my many co–adventurers, to your ideas and frankness, to my benevolent hosts, the most generous and now most radical department store in the world, and to their creative director, my comrade–in–revolution, Alannah Weston.

Thank you finally to the visionaries – the studio directors, workshop leaders and staff – who nurture these astonishing images. I hope that you are able to slip this humble tome under the noses of these creators and communicate that yes, The Museum of Everything say it is art.

James Brett Fou nde r, The Museum of Everything

September 2011

The Museum of Everything 11

STUDIOS & ARTISTS ATELIER 5

STUDIO STATEMENT ROMINA BAFARO Situated in a small village in Through our work at the atelier, b 1983 (Ehingen, Germany) the Schwäbische Alb, the studio we have come closer to under- Painterly abstracts and pencil is part of an institution which standing what wholeness means. drawn sketches document this is home to 500 people with in- We realise now that diagnosis humorous artist’s daily cable tellectual and mental disabili- is not the only way to under- wrangling routine with techni- ties. It is the first of its stand a person and that art cal and lyrical precision. kind in Germany and offers full most effectively reveals the support, education, employment undiscoverable aspects of and accommodation. human nature. ROLAND kAppEL b 1949 (Reutlingen, Germany) The studio is housed in a former The art and artists we come A construction site obsessive post office. Participating art- into contact with every day whose crane, digger and traffic ists work independently and it are deeply original, genuine sign opus recalls a childhood is left to them to decide what and authentic. The art they make of urban renewal and his own materials they want to use, at is how they map reality. They architectural practice. what pace they want to work and do this without thinking about with what purpose and objective. why and how; nor does their work Assistance is given only when simply reflect their own condi- MARCO SCHMITT an artist asks for it. tion. b 1986 (Coesfeld, Germany) The work produced is original Art is the only way to enter Schmitt’s very minimal lines and individual. It evidences an their reality. It is a profound define everything he sees intuitive approach to artistic representation of their subjec- around him, from cityscapes to creation and a sophisticated tive experiences; and even if bottles of alcohol to thunder- engagement between the artist there are sometimes temporal storms and the open highway. and their work. and spatial inconsistencies, these simply emphasise the uniqueness and individuality of the artists. It is this creative process, this aesthetic of fragility and strength, which upsets and then uplifts! This art is a snapshot of humanity, of the objects, Studio Atelier 5 society and world which sur- Location Schwäbische Alb, rounds its makers. It allows Germany us to understand them and their Director Axel Klöss– point of view. Fleischmann Founded 1998 We are privileged to be a part Staff 2 of their world. Artists 20

16 The Museum of Everything Kabeltrommelmontage 2010 ink on paper ROMINA 44 x 64cm Kabeltrommel 2010 coloured pencil on paper BAFARO 35 x 50cm

The Museum of Everything 17 Demack 2010 marker on paper ROLAND 29.5 x 21cm Demag Baggergittermast untitled 2010 2000 marker on paper metal, plastic, paint, wire, glue kAppEL 29.5 x 21cm 60 x 20 x 75cm

18 The Museum of Everything Dolberg Hilly Holl Hul 2000 2010 metal, plastic, paint, wire, glue marker on paper 40 x 20 x 75cm 29.5 x 21cm

The Museum of Everything 19 Tornado 2010 pencil on paper MARCO 26.5 x 29.5cm Vodka, Honig, Cola, Nutella, Eierlikör Strasse 2011 2010 coloured pencil on paper pencil on paper SCHMITT 21 x 29.5cm (all) 30 x 40cm

20 The Museum of Everything The Museum of Everything 21 ATELIER 23

STUDIO STATEMENT UWE BRECkNER Andrea Lührig and Klaus Lang Artists are the ones who usually b 1973 (Transylvania, Romania) founded the atelier in 2002 and find Atelier 23, especially when Breckner lives and breathes the currently run the workshop with Lebenshilfe have identified a fairground, labouring on intri- Mirko Westermayer. It is part of unique talent. Our artists work cate models of card, paper and Lebenshilfe Gießen, an organisa- on their own projects. We prefer glue to recall the details and tion for people with developmen- artists to be self–directed so memories of his youth. tal disabilities. they can find their own per- sonal style and expression. Most of them have found their key themes, styles and obses- sions by the time they come to the studio, so the staff only assist and do not interfere. The presentation of the work is an important component in the process of the studio, which completes the creative process – from idea to implementation to analysis. Exhibitions, collabo- rations with other institutions and participation in cultural and artistic events introduce the studio to a broader audi- ence. The profits from sales are split between the artists and the workshop.

Studio Atelier 23 Location Linden, Germany Director Klaus Lang, Andrea Lührig Founded 2001 Staff 3 Artists 11

22 The Museum of Everything UWE Autoskooter 2008 wood, cardboard, acrylic, marker, glue BRECkNER 3 x 5.5 x 7.5cm (all)

The Museum of Everything 23 ADRIANO E MICHELE

STUDIO STATEMENT GIANFRANCO CORBETTA The painting studio was con- Art historian Teresa Maranzano b 1933 (Besana Brianza, Italy) ceived for alternative psychiat- and teacher Gabriella Vincenti Barely–there drawings of sequen- ric rehabilitation and to extend coordinate activities in the tial moments from the artist’s the boundaries of art. workspace and are actively past form a visual archive of involved with the rehabilitation lived and imagined memory. Several figures have contributed of patients. They also curate to its evolution, including med- exhibitions which provide vis- ical director Dr Giovanni For- ibility for the artists and esti, art historian Bianca To- their work. satti, graphic designer Luciano Ferro and painter Michele Munno, who initiated the workshop to develop the creative potential of patients.

Studio Atelier Adriano e Michele Location Milan, Italy Director Laura Garzia, Gabriella Vincenti Founded 1996 Staff 2 Artists 15

24 The Museum of Everything GIANFRANCO untitled (all) c 2001/2010 coloured pencil on paper CORBETTA 24 x 33cm

The Museum of Everything 25 ARTE DOWN

STUDIO STATEMENT pILAR GALLEGO Created by Maria Luisa Martinez– We work not only with artists b 1965 (Madrid, Spain) Fresneda as part of La Fundación from the Down Syndrome Founda- Industrious potter, painter Síndrome de Down de Madrid, Arte tion, but from any workshop for and draughtswoman whose intri- Down is located in a historic people with intellectual dis- cate creations reflect an building in downtown Madrid. abilities. We give our artists idiosyncratic and visceral per- Since 1993 it has hosted the In- creative freedom and encourage ception of the figurative form. ternational Painting Contest for them to make work that reflects people with Down syndrome. their personality with fresh- ness, spontaneity and colour. In 2008 Arte Down created a web- We encourage different tech- site for artists to sell works niques and materials to suit the and products with images of the taste and style of each artist. works. Over 100 paintings are now in private collections and over 14,000 merchandised prod- ucts have been sold to finance the studio’s activities.

Studio Arte Down Location Madrid, Spain Director Maria Luisa Martinez–Fresneda Founded 1993 Staff 5 Artists 65

26 The Museum of Everything pILAR Pareja 2010 crayon, pencil on paper GALLEGO 70 x 50cm

The Museum of Everything 27 ART ENABLES

STUDIO STATEMENT SH AW N pAY NE Art Enables is the only stu- Art Enables was launched to b 1983 (Washington, USA) dio of its kind in America’s prepare adults with disabili- Fashionista and jazz buff, Payne capital city. It is a structured ties for arts related jobs in is a footwear fetishist whose programme with four full–time the community. The snag came paper prototypes tread a hopeful staff and a changing contin- early on when it became evident path to a career in his beloved gent of volunteers and interns. that no one coming into the s h o e i n d u s t r y. Artists, selected on the basis programme wanted to leave. They of enthusiasm and commitment, all wanted to continue to make come to the studio two or three art. Thus the Art Enables Studio days a week. They share stu- and Gallery was born, a venue dio equipment and supplies but where emerging adult artists work independently. The artists with developmental and/or mental also produce potlucks: limited disabilities receive the support edition gift items born of ex- they need to build careers as perimentation or donations of professional artists. unconventional materials. The Artists at Art Enables cope staff facilitate the process but with a variety of disabilities. do not teach. What they have in common is a talent for telling their stories in visual images and the disci- pline to work hard at their art. The best work by each artist is selected for exhibit and sale in gallery shows, at outside venues and on the website. Artists re- ceive 60% of revenue from sales of their work and have estab- lished a loyal fan base.

Studio Art Enables Location Washington, USA Director Joyce Muis–Lowery Founded 2002 Staff 4 Artists 32

28 The Museum of Everything Chelsea Flower Show 2010 acrylic, marker on paper 30 x 46cm

Welcome to Memphis High Octane 2010 2011 acrylic, marker on paper acrylic, marker on paper SH AW N 36 x 51cm 32.5 x 38.5cm Starter Heels Spring in my Step 2010 2011 acrylic, marker on paper acrylic, marker on paper pAYNE 27.5 x 40cm 35 x 38cm

The Museum of Everything 29 ARTS pROJECT AUSTRALIA

STUDIO STATEMENT JULIAN MARTIN The original Arts Project Aus- At Arts Project Australia art is b 1969 (Melbourne, Australia) tralia project was founded by not taught. We nurture the in- Methodical colourist whose dis- Myra Hilgendorf, a painter and nate creative direction and ap- tinctive still lives abstract parent of a child with a dis- proach of each artist to elicit into symbols through gradual ability, to collect art for two works of personal meaning and layers of ever–expanding shades. exhibitions: Minus/Plus in 1975 style. Work is promoted as inte- and Tommy’s World in 1980. The gral to the spectrum of contem- studio was formed in 1984 to porary art and our artists are LEO CUSSEN provide alternative means of ex- connected with other artists, b 1959 (Melbourne, Australia) pression where other more common studios and galleries worldwide. The artist’s taste for Hollywood forms, such as speech, were not glamour and TV kitsch gives possible. forgotten fictional characters ALAN CONSTABLE eternal technicolour lives. Arts Project Australia promotes b 1956 (Melbourne, Australia) art as an alternative means of Registered blind artist whose expression. It provides high astonishing 20 year practice of ALVA RO ALVA R Ez quality materials, a wide range paintings and ceramic cameras b 1965 (San Jose, Costa Rica) of media and is non–directive. reflect a fascination with a dis- Books, magazines and calendars The studio is open to anyone tant world of sight. provide raw inspiration for this with an intellectual disability careful copyist who endlessly who demonstrates an interest in draws and re–draws his inner making art. Work is promoted on DIONNE CANzANO artistic goals. aesthetic and artistic merits b 1970 (Melbourne, Australia) amongst the wider arts commu- Wistful works in shaded pastels n it y. convey big cats in the wild and MILES HOWA R D –WILkS the king of rock n’ roll in this b 1979 (Melbourne, Australia) ambitious wide ranging oeuvre. Artist, animator and ARF foot- ball fan, whose non–stop graph- ics of the deep blue sea have ANTHONY ROMAGNANO won him critical acclaim. b 1985 (Melbourne, Australia) Pop, pop, pop, go Romagnano’s jigsaw colours, idiosyncratic re–inventions of the album cover Studio Arts Project heroes from the dawn of 3 Australia minute rock. Location Victoria, Australia Director Sue Roff Founded 1974 Staff 23 Artists 130

30 The Museum of Everything ALAN untitled (blue Nikon 35H) untitled (navy blue camera) 2007 2010 glazed clay glazed clay CONSTABLE 18.5 x 28 x 9cm 22 x 22.5 x 14cm

The Museum of Everything 31 DIONNE Elvis the love of my life 2009 pastel on paper CANzANO 50 x 32.5cm

32 The Museum of Everything Brian May from Queen George Michael 2009 2009 coloured pencil on paper coloured pencil on paper ANTHONY 38.5 x 56cm 38.5 x 55.5cm Mick Jagger The Rolling Stones 2009 2009 coloured pencil on paper coloured pencil on paper ROMAGNANO 56 x 38cm 38.5 x 57cm

The Museum of Everything 33 JULIAN untitled 2008 pastel on paper MARTIN 76.5 x 57cm

34 The Museum of Everything Spanish Dancers 2008 pastel on paper LEO 57 x 38.5cm untitled (Holiday Inn) 2008 pastel on paper CUSSEN 57 x 38.5cm

The Museum of Everything 35 ALVARO untitled 2008 watercolour on paper ALVAREz 38 x 28cm

36 The Museum of Everything MILES Great White Shark 2008 gouache on paper HOWA R D –WILkS 57 x 76cm

The Museum of Everything 37 ASFODELO

STUDIO STATEMENT GIOVA N N I ROSSELLI The studio is located in the In Homer’s The Odyssey, the b 1951 (Parma, Italy) mountains between the Po Val- asphodel meadows were for those B arber, butc her, shopkeeper, ley and the Ligurian Sea. It is in Hades who were neither good lifeguard and carpenter whose managed by art world profes- nor bad. We decided to call art treads a spiritual journey sionals who, whilst sensitive to our studio Atelier Asfodelo, a to the gods via eroticism, therapeutic implications, do not patient, calm and precise envi- paganism and Christianity. consider therapy as a primary ronment and a welcome home away objective. from the activity of the outside world. The studio is a creative factory where we aim to stimu- late our artists, providing them with references and materials to explore their own reality. The work carried out in the stu- dio is neither an alternative to treatment nor an instrument of psychological investigation. It is about self–expression and an appreciation of otherness.

Studio Atelier Asfodelo Location Parma, Italy Director Caterina Nizzoli Founded 2008 Staff 3 Artists 9

38 The Museum of Everything GIOVA N N I untitled 1981 coloured pencil, ink on card ROSSELLI 31.5 x 24cm

The Museum of Everything 39 BARRINGTON FA R M

STUDIO STATEMENT ROY COLLINSON The centre is part of an inde- The centre started in the 1970s 1946–1999 (London, Britain) pendent company specialising when Janith Bastow invited a An instinctive colourist with in the residential care of group of vulnerable adults to a strict work ethic, Collinson’s adults with learning difficul- paint in her Georgian farm- self–regarding opus celebrates ties and challenging behaviour. house. In 1987 her artist son a boy’s own world of cops, cow- bought the adjacent farm with boys and guns. The Art Barn is staffed by a view to turning it into a stu- qualified, practicing artists. dio. The story goes that Michael Their role is to assist and give Smith, a gentleman with cerebral technical guidance, allowing palsy was helping in the barns, the artists freedom of vision. when he was given a tin of paint This philosophy of non–interven- and painted a cow on the side tion has not altered since the of a cart. This act of instinc- centre’s beginnings. tive creativity confirmed the The art of Barrington Farm has owner’s idea for developing the been shown throughout East barn into an art centre. Michael Anglia, London, New York and Smith continues to be one of at the Prague Biennale. their most prolific and inven- tive artists. The centre is a creative hub for 50 local artists. Art has become central to their lives, and conditions such as epilepsy, autism, schizophrenia and Down syndrome come second to their roles as artists. The farm it- self provides an abundance of resources, such as wool from the Hebridean sheep which is woven into textile pieces.

Studio Barrington Farm Location Norfolk, Britain Director Martin Bastow Founded 1978 Staff 12 Artists 50

40 The Museum of Everything ROY untitled 1987 crayon, oil pastel on paper COLLINSON 42 x 29.5cm

The Museum of Everything 41 BETHLEM

STUDIO STATEMENT ALBERT The oldest psychiatric hospital Many of the people we work with (London, Britain) in Europe, Bethlem’s role of undergo intensive psychologi- Half–finished pencil sketches arts in a therapeutic setting cal therapies and contend with of vague containment and mono- has a long and rich history. medication with serious side chrome churches are the gated effects. Creative environments ghosts of this artist’s visual Bethlem provides a range of cre- provide an essential counter- incarceration. ative facilities, materials and point to this, where we are re- trained arts staff who run the minded that the process of mak- weekly workshops. The art ses- ing can be as important, if not sions are open to the hospital more so, than the product. patients, some of whom are established artists. Whilst we do not seek to make an artist out of everyone, the The Bethlem Gallery is a unique creative conditions we have at exhibition space in the grounds Bethlem are set up for anyone of the hospital which acts as a who wishes to take part and pro- platform for showcasing the work duce. The idea we seek to pro- in a high–quality and profes- mote and celebrate is that art- sional context. work has meaning, both to those who make it and those who regard it.

Studio Bethlem Arts Location Kent, Britain Director Beth Elliott Founded 1997 Staff 2 Artists 90

42 The Museum of Everything untitled c 1999/2005 pencil, marker on paper 59.5 x 84cm

untitled c 1999/2005 pencil on paper ALBERT 59.5 x 84cm

The Museum of Everything 43 BILDNERISCHE

STUDIO STATEMENT SILV I A kRAUSE The studio was founded by art The primary objective of the b 1977 (Salzhemmendorf, Germany) therapist Doris Adams–Wollsch- studio is to give people with An inky utopia of night skies laeger, art historian Rüdiger disabilities the chance to and country days form the dis- Wollschlaeger and Petra Dentler, develop artistically and tant and familiar world of this to offer free artistic guidance support them in their creative lyrical part–time painter. in the facility without the use activities. We instruct as much of educational and therapeutic as necessary, but as little as tools. possible. Our top priority re- IMMO FIEBELkORN mains the freedom of uninter- b 1956 (Rotenburg, Germany) Part of a large charitable rupted artistic expression. An intimate artist whose deli- institution in Rotenburg, the The studio archive now contains cate countryside daydreams tell visual arts workshop is aimed over 5,000 documented works. of a narrative Christian back- primarily at residents of the ground through finely rendered facility. The workshop is a colours and lines. well–equipped 100 year old for- mer gymnasium, open six days a week. It focuses on paint- ing, printmaking, sculpture, photography, music and cultural courses. The artistic workshop is man- aged by Martin Voßwinkel, Ragna Müller, and Jarmo Lehtinen.

Studio Bildernische Werkstatt Location Rotenburg, Germany Director Martin Voßwinkel Founded 1985 Staff 3 Artists 75

44 The Museum of Everything SILV I A untitled 2011 ink, marker on cardboard kRAUSE 27 x 100cm

The Museum of Everything 45 untitled 2010 ink on paper 60 x 80cm

untitled 2007 ink on paper 50 x 70cm

untitled 2010 ink on paper IMMO 29.5 x 42cm untitled untitled 2010 2008 ink on paper ink, marker on paper FIEBELkORN 60 x 80cm 29.5 x 41.5cm

46 The Museum of Everything The Museum of Everything 47 BLU CAMMELLO

STUDIO STATEMENT ALESSANDRA This is an art workshop for Blu Cammello started from the MICHELANGELO patients of the Dipartimento desire for patients to develop 1961–2009 (Livorno, Italy) di Salute Mentale in Livorno. their creative potential. We A figurative artist of enormous Visual artist and designer, Ric- identify each participant’s confidence who changed her cardo Bargellini, supervises personal preferences and assist surname from Brigiotto to daily activities and communica- them towards a higher level of Michelangelo to accredit her tions. The studio has nurtured production. We encourage active true inspiration. a number of award–winning art- and stimulated responses so ists. that our artists can let go of their inhibitions. MANUELA SAGONA The studio is not just geared b 1977 (Livorno, Italy) towards results. Its primary fo- Words become pictures and pic- cus is to bring out self–expres- tures become words in this sion. It is not about teaching curious reproductive oeuvre and learning, but about the les- encompassing the sea, celebrity sons we learn and the relation- culture and crime. ships we build.

Studio Atelier Blu Cammello Location Livorno, Italy Director Riccardo Bargellini, Stefano Pilato Founded 1999 Staff 2 Artists 12

48 The Museum of Everything ALESSANDRA untitled c 1999/2008 coloured pencil on paper MICHELANGELO 50 x 35cm

The Museum of Everything 49 MANUELA SAGONA

50 The Museum of Everything untitled untitled 2006 2005 coloured pencil on paper coloured pencil on paper 40 x 52cm 35 x 50cm

The Museum of Everything 51 BOA STUDIO

STUDIO STATEMENT pETER HUGHES The studio delivers arts servic- Access Arts is the acknowledged b 1982 (Brisbane, Australia) es to disabled and disadvantaged leader in the arts and cultural Social commentator Hughes warns individuals across Queensland, sector for the development of the world with cautionary media providing them with studio emerging artists. We mentor tales retold in fast primary co- space, quality materials and and employ professional artists lours and bold just–say–no text. opportunities to exhibit their and cultural workers with dis- work. The studio also helps abilities and from disadvantaged them develop their visual arts backgrounds. skills, from painting, drawing Access Arts has reciprocal part- and printmaking to sculpture nerships with various individu- and photography. A pilot project als, regional communities and of Access Arts, members’ work is interstate and international sold at exhibitions and online, organisations. We produce high with studio members receiving quality exhibitions, performanc- 90% of the profit from the sale es, projects, workshops and pro- of their work. Studio artists fessional development outcomes. have also had work featured in a number of significant inter- national exhibitions.

Studio The Brisbane Outsider Artist’s Studio Location Brisbane, Australia Director Jasmin Jacobson Founded 2004 Staff 8 Artists 15

52 The Museum of Everything pETER Matthew Johns Series 1, 2, 5 and 6 2009 acrylic, marker on canvas HUGHES 20.5 x 25.5cm (all)

The Museum of Everything 53 BR ACTON

STUDIO STATEMENT pATRICk JOYCE The Bracton Centre is a medium The team has worked hard to b 1970 (Manchester, Britain) secure unit that provides a set up a new day–centre service Peering faces and flying build- range of services for adults for patients with personal- ings populate the output of this between the ages of 18 and 65 ity disorders. The pioneering newly discovered artist whose in the boroughs of Bromley, Bex- programme engages challenging private visions unfold in wax ley, Greenwich and Lewisham. and distressed people who have crayon and pen. The centre offers assessment, found difficulty benefitting treatment and rehabilitation from mainstream mental health for patients with mental and provisions. The group consists psychiatric conditions. of around 20 participants in an intensive long term programme. Activities include filmmaking, drawing and painting.

Studio Bracton Centre Location Kent, Britain Director Jackie Craissati Founded 1985 Staff 1 Artists 30

54 The Museum of Everything pATRICk untitled 2008 acrylic on paper JOYCE 40.7 x 58.4cm

The Museum of Everything 55 COOpERATIONS

STUDIO STATEMENT TOM WAGENER This is a programme within the Being excluded from numerous b 1974 (Luxembourg City, Cooperations sheltered work- social activities, such as for- Luxembourg) shop. Supported by the Ministère mal learning, marginalisation Facial expressions, African du Travail in Luxembourg, it has become a major aspect of beasts, fashionable clothing provides people with learning the Cooperations Art members. and objects of wonder, all difficulties work and income. The workshop aims to counteract become fodder for Wagener’s All the members of the atelier this by providing an environ- insatiable and engaging pop regard their daily activities as ment for individual develop- styling. regular 40 hours per week jobs. ment, creativity, expertise and income. The personalities of the Cooperations is currently de- participants, their interaction veloping strategies to mar- and artistic productions form a ket projects and exhibitions. process linking art with empow- The workshop earns its income erment and confidence. through sales of works and proj- ect commissions. This income is substantial but does not cover the entire cost of a permanent working structure. Cooperations has acquired a wide audience through festivals, con- certs, newspaper articles and television shows.

Studio Cooperations Atelier Protégé Location Wiltz, Luxembourg Director Christophe Kremer Founded 1994 Staff 2 Artists 8

56 The Museum of Everything TOM Lips 2010 acrylic on paper WAGENER 92 x 65cm

The Museum of Everything 57 CREATIVE GROWTH

STUDIO STATEMENT RAMON AVA LOS The centre is the world’s first The group studio approach pro- b 1969 (Michoacán, Mexico) non–profit art centre dedicated vides artists not only with a Repeated arcs of dense coloured to serving adults with develop- professional environment for wax indicate the artist’s physi- mental, physical, emotional and personal expression, but also cal process, obscuring the paper mental disabilities. Founded in helps promote their engagement with a dark iridescent and all– 1974 by psychologist Elias Katz with the broader community. consuming glow. and educator Florence Ludins– As part of our public education Katz, the centre continues to efforts, we also publish mono- develop as a professional graphs and provide scholarship GEORGE WILSON studio environment. programmes. b 1946 (California, USA) An artist of few words, Wilson’s The adjoining gallery is the large–scale figurative drawings world’s first exhibition space DAN MILLER gracefully communicate his vi- for artists with disabilities b 1961 (California, USA) brant inner energy and percep- and was started with an NEA Miller’s art speaks through the tion of daily life. grant in 1978. The gallery pres- gradual repetition of letters ents seven in–house exhibitions and words, drawn, painted or annually and collaborates with typed, building to the point of WILLIAM TYLER leading contemporary artists, formalist abstraction. b 1954 (Ohio, USA) galleries and museums, including The 30 year practice of this Palais de Tokyo in Paris, Berke- natural born storyteller weaves ley Art Museum in California WILLIAM SCOTT a semi–fictional art narrative and White Columns in New York. b 1964 (California, USA) lived out with his real–life Support is provided by individu- A highly skilled self–taught t w i n brot her. als and organisations, as well artist whose commercially ap- as major grants. pealing imagery retells a high– rise future for his impoverished LOUIS ESTApE low–rent childhood past. b 1938 (Tegucigalpa, Honduras) A commanding presence whose constant low–volume monologue GERONE SpRUILL complements his prolific and b 1973 (California, USA) vivid illustrations of friends, DJ Disco Duck is an encyclopae- family and faith. dic music buff superstar, whose Studio Creative Growth pop comic–book epic reveals the Art Center misadventures of his colourful DONALD MITCHELL Location California, USA Chocolate City cast. b 1951 (California, USA) Director Tom di Maria Cross–hatched fields of linear Founded 1974 fixation hide autobiographi- Staff 29 ERIN pUNzEL cal faces and forms, buried on Artists 150 b 1985 (California, USA) the page in Mitchell’s prolific Colour, lots of it, all the monochromatic oeuvre. time, everywhere, Punzel’s never–ending saturation is a source of joy for the books, paper and canvases she fills.

58 The Museum of Everything DAN untitled (all) 2010 type on paper MILLER 56/76 x 19/28.5cm

The Museum of Everything 59 WILLIAM untitled 2001 acrylic on board SCOTT 58 x 38.5cm

60 The Museum of Everything GERONE L.T.D. (album cover) 2009 coloured pencil on paper SpRUILL 28 x 38cm (all)

The Museum of Everything 61 erin punzel

62 The Museum of Everything untitled (all) 2008/2010 oil pastel on paper various dimensions

The Museum of Everything 63 RAMON untitled (all) 2007 oil pastel on board AVA LOS 56 x 76cm

64 The Museum of Everything GEORGE untitled 2010 pastel, photographic print on paper WILSON 76.5 x 57cm

The Museum of Everything 65 untitled untitled 2008 2009 ink on paper ink on paper WILLIAM 28 x 37.5cm 28.5 x 38.5cm untitled untitled 2008 2009 ink on paper ink on paper TYLER 56.5 x 76cm 56 x 76cm

66 The Museum of Everything untitled untitled 2010 2010 ink on paper ink on paper 28 x 38cm 28.5 x 38cm untitled untitled 2009 2010 ink on paper ink on paper 55.5 x 76cm 57 x 76cm

The Museum of Everything 67 LOUIS Lady with Hat 2006 oil pastel on paper ESTApE 57 x 38cm

68 The Museum of Everything DONALD untitled 2011 ink, gouache on paper MITCHELL 76 x 56.5cm

The Museum of Everything 69 CREATIVITY EXpLORED

STUDIO STATEMENT DANIEL GREEN The studio is an innovative and Our beliefs are that all people b 1985 (California, USA) progressive non–profit visual are creative given a supportive Entertainment, politics and arts centre where artists with environment. Creative expression sport collide in Green’s graphic developmental disabilities cre- fosters personal growth, self– listings, inked onto wooden pan- ate and exhibit art. Founded by worth and a sense of purpose. els with personal comments and Florence and Elias Katz, it was Visual art is a language every- im mediate concerns. based on the principle that all one can use. people have the ability to cre- Studio artists have a wide range ate and that visual artistic EVELYN REYES of backgrounds, ages and sensi- expression is a means to self– b 1957 (California, USA) bilities. Some have lived lives growth. Methodical choices and continu- of previous isolation or insti- ity of process are central to tutionalisation, others have Reyes’ astonishing abstracts, spent their entire lives with giving them a unique form, their families. We encourage colour, texture and shape. uncensored self–expression and the result is art that is fresh, exciting and innovative. People with disabilities working at Creativity Explored have es- tablished themselves as talented professional artists, making significant contributions to the Bay Area. Art–making has become a viable career path for those who choose to pursue this live- lihood.

Studio Creativity Explored Location California, USA Director Amy Taub Founded 1983 Staff 27 Artists 106

70 The Museum of Everything DANIEL Angel Michael Jordan 2009 2011 paint, ink, varnish on wood paint, ink, varnish on wood GREEN 47 x 36.8 x 2.5cm 53.3 x 15.2 x 2.5cm

The Museum of Everything 71 EVELYN Carrots 2008 oil pastel on paper REYES 28.6 x 41.3cm

72 The Museum of Everything Cakes (all) 2003 oil pastel on paper 28.7 x 43.9cm

The Museum of Everything 73 DEBAJO DEL SOMBRERO

STUDIO STATEMENT JOSÉ MANUEL EGEA The studio is part of the Euro- Debajo del Sombrero seeks to be b 1988 (Madrid, Spain) pean Outsider Art Association a long–term stable platform for Unremitting layers of biro which works with several art the creation, production and encircle clippings from glossy workshops and exchange pro- presentation of art within the magazines to obscure the grammes to support the careers contemporary art world. Our vi- inhabitants of Egea’s dense of artists with disabilites. We sion for the future is to have and evocative underworld. learn from other methodologies, a permanent working space with formats and ideas to help us room for exhibitions and a work- develop innovative and alterna- shop. We want to provide our tive projects. artists with a lifetime project, to further their careers and support them financially by dis- playing and selling their work.

Studio Debajo del Sombrero Location Madrid, Spain Director Maria Sol Alvarez Yenes Founded 2007 Staff 5 Artists 20

74 The Museum of Everything JOSÉ The Wolfman 2011 ink on printed paper MANUEL EGEA 30 x 21cm

The Museum of Everything 75 FLYING SHUTTLES

STUDIO STATEMENT ANDY LACOUTURE This non–profit studio, gal- Flying Shuttles strives to work b 1970 (Virginia, USA) lery and retail shop supports within the community, educating Wordsmith, humorist and more the creativity of artists with people about the capabilities recently, embroiderist, whose intellectual and developmental of artists with developmental pool hall obsession is revealed disabilities. Since the 1980s, disabilities. At our studio, we in a unique and tactile eight this programme has grown to specialise in hand–woven rugs ball–ography. a storefront location in the of various sizes, table runners, historic Grant Building in down- placemats and pillow covers. tow n Paw tucket. We have displayed our artwork and woven items throughout Rhode Island in cafés, banks, galleries, stores, churches, state buildings, festivals and tradeshows.

Studio Flying Shuttles Location Rhode Island, USA Director Toni Carroll Founded 1984 Staff 2 Artists 25

76 The Museum of Everything ANDY untitled (Billiard Balls) 2009 cotton on linen LACOUTURE 30.5 x 30.5cm (all)

The Museum of Everything 77 GAIA

STUDIO STATEMENT RAIMUNDO CAMILO The studio originated in rela- The goal of Atelier Gaia is to b 1935 (Ceará, Brazil) tion to a proposal initiated by promote and nurture artistic Polished ballpoint banknotes the Museu Nise da Silveira, now production in people who have form a collectable creative cur- the Museu Bispo do Rosário Arte gone through intense psychologi- rency, revealing that the smil- Contemporánea, where a room for cal distress. Hence the process ing banker’s face is perhaps drawing and painting was made is therapeutic and not educa- the artist’s own. available to a small group of tional. users. The space also functions as a In the 1990s occupational thera- gallery where artists are given pist Rita Bittencourt took on the opportunity to sell their the role of coordinator to works. The studio works in part- develop activities in the work- nership with other cultural pro- shop. In 2002 the workshop was grammes such as Cartographies detached from the museum and of Creation. acquired an independent space.

Studio Estúdio Terapêutica GAIA e Atelier Location Rio De Janeiro, Brazil Director Rita Bittencourt Founded 2002 Staff 2 Artists 25

78 The Museum of Everything RAIMUNDO untitled (recto/verso) c 2009 coloured pencil, ink on paper CAMILO 14.8/21.6 x 8.5/10.2cm

The Museum of Everything 79 GAT EWAY

STUDIO STATEMENT YASMIN ARSHAD The pre–eminent art centre for Gateway’s mission is to provide b 1975 (Florence, Italy) artists with disabilities on the vocational art services to tal- Charts, calendars, phrases East Coast, Gateway serves over ented adults with disabilities, and dates form repetitive mul- 100 adults with developmental fostering their careers as art- ticoloured assemblies in this and psychiatric disabilities, ists and promoting their work sharply inquisitive artist’s in- spectrum disorders and head in the mainstream art world. finitesimal practice. injuries. Gateway occupies a large studio LARRY EDMISTON space in Brookline Village with b 1958 (Maryland, USA) an on–site Fine Art Gallery Cute teenage girls, faces turned and a street–level craft store. away, skirts a little too high, Many of the artists have re- these are the artist’s high ceived awards and recognition. school crushes, lost to the pas- Their work has been commis- sage of time. sioned and translated into logos, book illustrations and posters, and has provided inspi- RAY SALTER ration for other artists. Gate- b 1948 (London, Britain) way is funded by state agencies, The myth of early American au- private contracts, grants and thors is maintained in Salter’s contributions. spare and painterly portraits, reminiscent of a style contempo- rary to its subjects.

JOHN COLBY b 1955 (Massachusetts, USA) Despite limited mobility and cognitive skills, poet Colby’s finely drawn minimalist repeti- tions reflect a powerful inner life and aesthetic eye.

Studio Gateway Arts ROBERT kIRSHNER Location Massachusetts, USA 1955–2009 (Massachusetts, USA) Director Rae Edelson Kirshner’s insatiable curiosity Founded 1973 with modernity is remembered in Staff 22 evocative and scratchy sketches Artists 110 of thunderstorms, bulldozers and daily breakfasts.

80 The Museum of Everything YASMIN untitled 2009 marker on paper ARSHAD 58 x 77.5cm

The Museum of Everything 81 LARRY untitled 2004 oil pastel on paper EDMISTON 30.5 x 22.5 cm

82 The Museum of Everything RAY untitled (all) 2010 acrylic on paper SALTER 30.5/38 x 23/28cm

The Museum of Everything 83 untitled 2008 coloured pencil on paper JOHN 24.1 x 55.9cm untitled untitled 2009 2009 coloured pencil on paper coloured pencil on paper COLBY 26.7 x 50.2cm 38.1 x 55.9cm

84 The Museum of Everything untitled 2004 crayon, pencil on paper ROBERT 30.5 x 43.2cm untitled untitled 2000 2006 crayon, pencil on paper crayon, pencil on paper kIRSHNER 33 x 47cm 35.6 x 42.5cm

The Museum of Everything 85 GOLDSTEIN

STUDIO STATEMENT STEFA N HäFNER Goldstein is a studio founded The workshop operates like an b 1959 (Frankfurt, Germany) for artists who, for various art college. All artistic work Häfner’s mesmerising Future City reasons, are unable to draw is advised, discussed and sup- is a three–dimensional master- adequate attention to themselves ported. The main concern is the plan for evolution, imagined and their work. quality of the atelier’s artis- from private studies of archi- tic production. Purely educa- tecture and construction. The atelier was conceived by tional or therapeutic approaches Christiane Cuticchio in col- are excluded. In addition to laboration with the Association technical skills and a sound JULIUS BOCkELT Lebenshilfe Frankfurt. Atelier knowledge of art history, art b 1983 (Frankfurt, Germany) Goldstein is funded from vari- trainers are selected for their A free–hand artist whose struc- ous different sources, including ability to focus on the artists turalist drawings reflect an state grants, foundation funds in the studio. inner musicality and rhythm and revenue from sales. through their abstract and min- The atelier’s artists are pre- imal patterns. dominantly autistic, although medical records are considered irrelevant. We consider each ANDREAS SkORUpA artist on the basis of their b 1967 (Frankfurt, Germany) personality and their entire A natural historian whose visu- body of artistic work. Goldstein al analysis of Japanese woodcuts acts as a gallery for its art- and 18th Century saints provide ists and 50% of proceeds from rich pickings for his figurative sales go to the artists, with meditations. the other half being put back into the studio. HOLGER FRISCHkORN b 1974 (Frankfurt, Germany) Large–format minimal figures fetishize hardcore male bondage, a sexual behaviour known to the artist only through his canvas expressions.

Studio Atelier Goldstein Location Frankfurt, Germany HANS–JÖRG GEORGI Director Christiane Cuticchio, b 1949 (Frankfurt, Germany) Ekkehard Höllein Vast aircrafts of adhered card- Founded 2001 board set a mission to flee an Staff 9 uninhabitable planet in this Artists 11 visionary artist’s drawn and sculpted flying city–scapes.

86 The Museum of Everything STEFA N Zunkunftsstadt IV 2006 cardboard, wood, plastic, wire, lightbulbs, glue HäFNER 180 x 122 x 80cm

The Museum of Everything 87 untitled 2005 ink on paper 20 x 20cm

untitled 2006 ink on paper JULIUS 29.7 x 21cm untitled 2006 ink on paper BOCkELT 29.7 x 21cm

88 The Museum of Everything untitled 2006 ink on paper 29.7 x 21cm

untitled 2010 ink on paper 12 x 10cm

untitled 2006 ink on paper 21 x 29.7cm

The Museum of Everything 89 ANDREAS untitled (all) 2008 acrylic on wood SkORUpA 85 x 65cm

90 The Museum of Everything HOLGER untitled (all) 2008 acrylic on canvas FRISCHkORN 160 x 70cm

The Museum of Everything 91 HANS–JÖRG GEORGI

92 The Museum of Everything Sechsgeschosser 2004/2008 cardboard, plastic, paint, glue 115 x 270 x 110cm untitled (all) 2009 watercolour, pencil on paper 29.5 x 40.5cm

The Museum of Everything 93 GUGGING

STUDIO STATEMENT HEINRICH REISENBAUER Gugging is one of the first In the 1960s, the Psychia- b 1938 (Kirchau, Austria) psychiatric institutions in the trischen Krankenhaus Maria Gug- With motifs, methods, orders and world to recognise creatively ging encouraged patients to draw organisations, Reisenbauer’s 30 orientated patients as artists. for therapeutic and scientific year art practice brings enforced reasons. This was led by Dr Leo harmony to an otherwise unruly Der Haus der Künstler is struc- Navratil who noticed the talent visual world. tured as a social care–centre. of some of the men in his ward. It has been home to the Gugging With the assistance of leading artists since 1981 and currently artists, he became one of the LEONHARD FINk houses nine residents. first practitioners to acknowl- b 1982 (Vienna, Austria) The Art/Brut Center consists of edge the creations produced as Objects, figures, buildings, a museum, library, gallery and art. In 1981 he developed this maps, electronics, monsters, public studio where the artists into the Zentrum für Kunst und text, all are ingredients in the are encouraged to create in a Psychotherapie to raise public dense visuals of this hungry supportive non–directed environ- awareness. young monochrome artist. ment. Galerie Gugging exhibits In 1986 Dr Johan Feilacher took and sells the works of the art- over the centre and renamed it ists alongside international kARL VONDAL Haus der Künstler. The residents and contemporary artists. b 1953 (Obersiebenbrunn, Austria) are now referred to as artists, Delicate pastels outline busty Studio Gugging was launched in not patients and the famous blondes and their priapic lovers 2001 to offer free space and interior and exterior walls in the fictional autobiography materials to others interested of the studio have been deco- of legendary creative love–maker, in art–making. It functions as rated by them. Vondal. an activity–based workplace with The studio strives to continue staff to help when requested. the acceptance of Art Brut as a recognised form that can sur- GüNTHER pass others in its ingeniousness SCHüTzENHÖFER and originality. Der Haus der b 1965 (Mödling, Austria) Künstler is no longer a place Everyday objects lose perspec- for art therapy but for art–mak- tive, form, detail and sense in ing as a successful professional the fabulous pencilled abstracts activity. The essence of Gugging of this perceptive and observa- Studio Art/Brut Center lies in the effort to define tional draughtsman. Gugging art–making as a fundamental Location Maria Gugging, human activity that exists Austria independently of segregation. Director Dr Johann Feilacher The aim is to de–emphasise psy- Founded 1981 chiatric contexts in favour Staff 20 of aesthetic value. Artists 67

94 The Museum of Everything HEINRICH Schuhe 2006 watercolour, coloured pencil on paper REISENBAUER 72.2 x 101.7cm

The Museum of Everything 95 LEONHARD Urlaub in der Steiermark 2007 pencil on paper FINk 72.9 x 101.8cm

96 The Museum of Everything kARL Die Madonna mit siebzehn Jahr ... 2010 coloured pencil, pencil on paper VONDAL 73 x 101.7cm

The Museum of Everything 97 GÜNTHER SCHÜTZENHÖFER

98 The Museum of Everything Hosen mit Hosentrager Radio 2010 2009 pencil, coloured pencil on paper pencil on paper 61.1 x 43c m 43.8 x 62.3cm

The Museum of Everything 99 HAI

STUDIO STATEMENT EVERETTE BALL Founded in the early 1990s by The mission remains the same: b 1982 (Louisiana, USA) former workshops programme Di- to integrate the mental health A young adventurer whose con- rector Elizabeth Marks, the needs of participants with a quest of Manhattan under his studio is dedicated to inspiring true, high–quality artistic pro- grandmother’s eye is recalled healing, growth and learning gramme. in delicate sketches of mighty through arts for the culturally bridges and cityscapes. marginalised. During the week the huge loft MELV IN WAY space serves as an office for b 1954 (South Carolina, USA) HAI. Every Saturday it is con- An instinctive creator whose verted into an active workshop, prior life on the street informs where the artists spend the complex algorithmical formulae, day drawing and painting, mak- intended not as art, but perhaps ing collages, mixed media works as answers. and sculpture. A computer and media lab is also available for digital imaging, animation and video editing.

Studio Hospital Audiences Inc, HAI Art Studio Location New York, USA Director Quimetta Perle Founded 1990 Staff 20 Artists 100

100 The Museum of Everything Brooklyn Bridge 2009 coloured pencil, Indian ink on paper EVERETTE 35.5 x 42.5cm Roosevelt Island Tram 2010 coloured pencil, Indian ink on paper BALL 56.5 x 76cm

The Museum of Everything 101 V22L c 2006 ink on paper 23 x 17cm

Stefend Stone 2010 ink, scotch tape on paper 28.5 x 10cm

Stefany 2010 ink, scotch tape on paper 22 x 19.5cm

Horology Nonce c 2005 ink on paper 15 x 17cm

MELV IN WAY

102 The Museum of Everything Monotheism Nonce c 2005 ink on paper 30.5 x 22.9cm

Pons, Flexus c 2006 ink, scotch tape on paper 11 x 15cm

Crystal Nebula c 2004 ink on paper 15.5 x 14cm

Newton Meter c 2007 ink on paper 25.5 x 14.7cm

Formula and Buildings c 2004 ink on paper 15 x 12cm

The Museum of Everything 103 HERENpLAATS

STUDIO STATEMENT WENDELL JESSE The studio was started as an We work with enthusiastic volun- kERWHEN initiative of the Pameijer Foun- teers who share our passion for b 1988 (Terneuzen, Netherlands) dation by Richard Bennaars and art and art–making. A fearless gunslinger who lives Frits Gronert. The studio began We have always been struck by with his mother, Kerwhen uses with six developmentally dis- the spontaneity of this work pencils to explore a penis ob- abled artists and has now ex- and it remains our inspiration session and themes of armaments panded to more than 36 artists, today. We believe artists should and masculinity. plus a few people from psychiat- be allowed to find their own ric wards. It offers visual art ways of working and we always training to individuals with choose our artists for the qual- pAULUS DE GROOT disabilities. ity of their work, not for their b 1977 (Rotterdam, Netherlands) Artists can work part–time or disability. We do this because The son of artists, Paulus’ full–time, in small satellite we take them seriously as art- paintings reflect the death of studios or as part of a large ists. his father, his own discovery group. Artists are introduced to of sex and the horror movies different materials and tech- he watches every night. niques and encouraged to collab- orate with non–disabled artists. The studio generates income from BEN AUGUSTUS selling and renting artworks. b 1960 (Rotterdam, Netherlands) A predominantly non–verbal art- ist whose line–drawings place text, numbers and Playboy pin– ups in the football clubs and TV shows of his daily life.

JEROEN pOMp b 1985 (Rotterdam, Netherlands) A full–time draughtsman who fills every paper edge to edge with plant life, cityscapes, Studio Galerie Atelier fruits, animals and a twisted Herenplaats bird’s eye perspective. Location Rotterdam, Netherlands Director Richard Bennaars, LAAN IRODJOJO Frits Gronert b 1969 (Paramaribo, Suriname) Founded 1991 A silent savant whose photo- Staff 7 graphic memory and perception Artists 29 lend a precise and lucid drawing style to Rotterdam’s architec- ture and transportation.

104 The Museum of Everything 3 geweren met kogels 2009 coloured pencil, pencil on paper WENDELL 50 x 65cm 2 geweren 2009 pencil on paper JESSE kERWHEN 50 x 65cm

The Museum of Everything 105 Travestie 2005 acrylic, ink on paper pAULUS 65 x 50cm Potret Karin van As 2004 acrylic, ink on paper DE GROOT 65 x 50cm

106 The Museum of Everything Vampier met bloed aan de tanden 2007 acrylic, ink on paper 70 x 100cm

The Museum of Everything 107 BEN Kuifje de zonnetempel 2008 marker on paper AUGUSTUS 70 x 100cm

108 The Museum of Everything JEROEN Een orkest met 10 luifels en feestlingers 2008 coloured pencil on paper pOMp 50 x 65cm

The Museum of Everything 109 LAAN IRODJOJO

110 The Museum of Everything The Queen Mary (triptych) 2007 acrylic, ink on paper 70 x 300cm

The Museum of Everything 111 LA HESSE

STUDIO STATEMENT JOSIANE HERMAN The studio started as a paint- The purpose of the workshops is b 1970 (Verviers, Belgium) ing workshop within La Hesse, to reveal, promote and acknowl- Pencil shadings and fields of a residential site that provides edge art created by mentally white chalk speak of a black and lodgings for adults with mental disabled people and to encourage white world view where buildings disabilities. their cultural and social inte- and figures loom large. gration. We offer and take part Since opening in 1992, the work- in creative and collective proj- shop has evolved and expanded, ects throughout Europe, and the JOSEpH LAMBERT and in 2001, it was officially growing acknowledgement of our b 1950 (Grand–Halleux, Belgium) acknowledged as the Centre d' artists’ skills has contributed An unknown alphabet invented Expression et de Créativité to our recognition as an active over 15 years ago has become a (CEC). The workshop moved to the cultural operator. Our main fo- musical creation, spreading out old barracks in Rencheux and cus is the promotion of artists in monotone waves across the thanks to a team of artist–co- and to give them an appropriate paper. ordinators, offers a wide vari- place in today’s contemporary ety of workshops in sketching, cultural scene. painting, engraving, sculpture, BENOÎT MONJOIE pottery, music, textiles, and b 1960 (Liège, Belgium) animated video. ERIC DERkENNE Women’s magazines fascinate Mon- b 1960 (Stavelot, Belgium) joie, whose provocative sideways Working exclusively with his eyed models give him no end of ballpoint pen, Derkenne’s im- pleasure – and his mother no pactful figurative abstracts end of aggravation. beat an interior rhythm commu- nicated only through image. JEAN–JAQUES OOST b 1963 (Liège, Belgium) IRèNE GERARD The nude female form is Oost’s b 1958 (Eupen, Belgium) domain, be she a black and white The human form is the starting impression drawn on film or a point for this artist’s work, brash colourful cartoon with inspired by images from art naïve genitals. Studio Centre d' Expression history, recontextualised com- et de Créativité pletely as her own. La Hesse DOMINIQUE THÉâTE Location Vielsalm, Belgium b 1968 (Liège, Belgium) Director Anne–Françoise pASCAL CORNELIS Self–portraits inspired by his Rouche b 1963 (Aye, Belgium) identity card feature in the Founded 1992 Colours blur, eyes to the side, graphic–novel autobiography Staff 8 as men of every shape and of this fictional WWF wrestler Artists 24 size chat in the narrative of and parent–fixated painter. this comedically expressive portraitist.

112 The Museum of Everything ERIC untitled 2005 ink on paper DERkENNE 42 x 29.5cm

The Museum of Everything 113 IRèNE untitled (all) 2010 acrylic on paper GERARD 109.5 x 73cm

114 The Museum of Everything untitled untitled 2010 2010 acrylic, pastel on paper acrylic, pastel on paper pASCAL 64.5 x 49.5cm 64.5 x 49.5cm untitled untitled 2010 2010 monotype on rodoïd acrylic, pastel on paper CORNELIS 42 x 29,5cm 64.5 x 49.5cm

The Museum of Everything 115 untitled 2011 ink on card 64 x 37cm

untitled untitled 2011 2011 ink on card ink on card JOSIANE 37 x 64cm 37 x 50.5cm untitled untitled 2010 2011 ink on card ink on card HERMAN 37 x 64cm 64 x 37cm

116 The Museum of Everything JOSEpH untitled 2010 coloured pencil, paper on cardboard LAMBERT 50 x 84.5cm

The Museum of Everything 117 BENOÎT untitled 2006 paint, oil pastel on paper MONJOIE 109.5 x 73cm

118 The Museum of Everything JEAN–JACQUES untitled (all) 2007 monotype on rodoïd OOST 42 x 30cm

The Museum of Everything 119 DOMINIQUE untitled (all) 2006–2011 monotype, charcoal, printed paper on canvas/paper THÉâTE various dimensions

120 The Museum of Everything untitled 2010 charcoal, walnut stain on paper 54 x 38cm

The Museum of Everything 121 HIkO

STUDIO STATEMENT kUNIzO MATSUMOTO Atelier Hiko was founded by Mrs Fumiko’s fundamental philoso- b 1962 (Osaka, Japan) Ooe for her son Masahiko and his phy for running the studio is Astonishing text–based artist friends attending a school for respecting individual clients’ and entertainment obsessive children with disabilities. Af- needs. He encourages them to whose lists, letters and diaries ter finishing school, there were fulfill their own creative drive reflect his passions, from Kabuki not many activities for them to in an unpressured environment, to Chip ‘n’ Dale. participate in. Mrs Ooe wanted free of preconceived ideas of to have a place where Masahiko what art should be. could paint and socialise. MASAHIkO OOE She started the workshop from b 1965 (Osaka, Japan) scratch, renting a small house Domestic animals become ab- in the neighbourhood and in- stract sculptures in the built– viting a practising painter to up white, green and black can- conduct the atelier. After he vases of this gifted, intense died Fumiko Ishizaki – a fine and gentle figurative painter. art graduate from the Kyoto City University of Arts – took over the directorship of the atelier.

Studio Atelier Hiko Location Osaka, Japan Director Fumiko Ishizaki Founded 1995 Staff 2 Artists 17

122 The Museum of Everything kUNIzO untitled (all) 2009 watercolour, ink on cardboard MATSUMOTO 18.5 x 82cm

The Museum of Everything 123 MASAHIkO Sheep 2008 acrylic on canvas OOE 72.7 x 91cm

124 The Museum of Everything Dog 2008 acrylic on canvas 72.7 x 91cm

The Museum of Everything 125 DE HOEVE

STUDIO HAN pLOOS VA N AMSTEL We would like to apologise for 1926–2004 (Amsterdam, our distinct lack of information Netherlands) on this particular workshop, for This urgent vehicular artist it is no more. All we know is refused all instruction and let that it was once in the Nether- the cars, trains and trams of lands and was home and workplace his interior take over his exte- to the brilliant Han Ploos van rior creative oeuvre. A mstel.

Studio De Hoeve Location Netherlands

126 The Museum of Everything HAN pLOOS untitled (all) c 1990 coloured pencil, ink on paper VA N AMSTEL 50 x 65cm

The Museum of Everything 127 HpCA

STUDIO STATEMENT SABINE MüNCH Heilpädagogisches Centrum Au- The goal of the studio is to b 1963 (Munich, Germany) gustinum (HPCA) is an institu- give the work of its artists the A prolific late bloomer whose tion for mentally disadvantaged success and significance it de- patient engravings depict an in- artists, comprising of a studio serves. We help artists develop ner cosmos of mammals and sea community, a gallery and an art their own visual language and creatures, both recognisable and collection. we offer personal and profes- strangely alien. sional qualifications. The studio is a supervised com- munal space where adults are We communicate, promote, ex- MARIO JAMBREšIć encouraged to work as freelance, hibit, publish and sell our art- b 1966 (Paderborn, Germany) independent, commercial artists. ists’ work. We do this to help Jambrešic´’s guards are cut–out It offers drawing, painting and them earn a living and redefine talismans, doctors, lawyers and graphic arts, as well as sculp- themselves as artists. Our col- upright citizens, folded in his ture, supported by professional lection makes work available to trouser pocket until ready to art assistants. other artists and the commit to a frame. wider public. pETER CäSAR b 1959 (Munich, Germany) Influenced by arduous child- hood journeys with his mother, Cäsar’s paintings are peppered with trams, cable cars and the Wuppertal monorail.

MANFRED HENkE b 1952 (Warendorf, Germany) Designer, musician and one man rhythm section, Henke reproduces the tunes which capture his ear on the maps and atlases which capture his eye.

Studio Heilpädagogisches Centrum Augustinum THOMAS SCHLIMM Location Munich, Germany b 1961 (Munich, Germany) Director Klaus Mecherlein The circus recalled in languid Founded 1995 large format works invites this Staff 4 gentle comedian to revel in the Artists 14 memories of his entertaining youth.

128 The Museum of Everything SABINE Südseefisch 4 2008 drypoint on paper MüNCH 50 x 60cm

The Museum of Everything 129 Behinderter Verstorbener Mann Kavalier Urologe c 2000/2010 c 2000/2010 c 2000/2010 c 2000/2010 crayon, paper crayon, paper crayon, paper crayon, paper on card on card on card on card 57.5 x 20cm 56 x 21cm 58 x 20cm 63 x 18.5cm

Arzt Motorradfahrer c 2000/2010 c 2000/2010 crayon, paper crayon, paper on card on card 60 x 22cm 55.5 x 21cm

MARIO JAMBREšIć

130 The Museum of Everything Beamter Amerikaner Franzose Beamter c 2000/2010 c 2000/2010 c 2000/2010 c 2000/2010 crayon, paper crayon, paper crayon, paper crayon, paper on card on card on card on card 63 x 19.5cm 65 x 22cm 57 x 19.5cm 58 x 19cm

Beamter Orchester–mitglied Müllmann Beamter c 2000/2010 c 2000/2010 c 2000/2010 c 2000/2010 crayon, paper crayon, paper crayon, paper crayon, paper on card on card on card on card 64 x 19.5cm 69 x 22cm 57.5 x 20cm 62 x 21cm

The Museum of Everything 131 pETER Ballone 2010 coloured drypoint on board CäSAR 76.5 x 36cm

132 The Museum of Everything untitled (citymap Frieburg i.B) 2000 pencil, coloured pencil on printed paper MANFRED 31 x 36cm untitled (Switzerland) 2007 pencil, coloured pencil on printed paper HENkE 26 x 31cm

The Museum of Everything 133 THOMAS SCHLIMm

134 The Museum of Everything Der Mann mit dem Messer 2005 oil pastel on paper 70 x 200cm

The Museum of Everything 135 INCURVE

STUDIO STATEMENT kAzUHIRO YOSHIMUNE Founded as a multi–arts platform The workspace at Incurve is de- b 1984 (Osaka, Japan) and studio, the atelier sup- signed to be as openly creative Over 200 colour notes form the ports artists with a variety of as possible, so that the artists basis of an ephemeral painterly disabilities and promotes indi- can make outstanding work and non–style, as objects are vidual independence. promote it to society at large. relieved of all detail to Utmost care is taken not to hin- become symbols of inner being. der an artist’s development and to create opportunities for them to succeed as professional art- EIJI TAkEDA ists. This is achieved with the b 1980 (Kochi, Japan) support of the studio staff, who Advertising motifs form the ba- are all artists and designers sis of this delicate slow motion themselves. practice, personalising 21st Century branding into an inti- Income from sales is always mate and aesthetic form. welcome, but it is not the main goal. Proceeds from sales go directly to the artists and the TOMOYUkI SHINkI atelier prides itself on forging b 1982 (Osaka, Japan) careers for those for whom job A combat sports fanatic whose opportunities are often limited. hysteric grapplers squash bod- The artists within the atelier ies in fondly remembered CG possess great humility, even matches and across vast scrolls with the huge public recognition of densely inked paper. that is directed towards them. The main aim of Incurve is to help our artists drop the YUICHI kITAIkE ephithet disabled and become b 1984 (Osaka, Japan) recognised as artists in their Human beings in colour grids ow n right. are existential mosaics in the ever–increasing population of Kitaike’s distinct and kATSUHIRO TERAO creative world. b 1960 (Osaka, Japan) An epic metal welder whose de- Studio Atelier Incurve constructed collage and scratch– TAkESHI SAkAMOTO Location Osaka, Japan board opus challenge impossible b 1988 (Osaka, Japan) Director Hiroshi Imanaka architectural feats which cannot The larger–than–life comic book Founded 2002 fail to astonish. characters of this soft–spoken Staff 12 figurative artist reveal a bus- Artists 27 tling internal world of heroic animalistic proportion.

136 The Museum of Everything Clock Series 2007 ink, paint on board 178 x 87cm

kATSUHIRO TERAO

The Museum of Everything 137 Wipe Off 2006 acrylic, pencil on paper 27.3 x 19.6cm

Maka 2006 acrylic, pencil on paper 31.5 x 20cm

Gray 2006 acrylic, pencil on paper 28.4 x 17.7cm

Circle 2006 acrylic, pencil on paper 33.2 x 21.1c m

Mr. Hiroyuki Tsukada 2005 acrylic, pencil on paper 27.7 x 25.6cm

Cream 2006 acrylic, pencil on paper 32.8 x 21.2cm

Diamond 2006 acrylic, pencil on paper 23 x 19.2cm

White Curtain 2006 acrylic, pencil on paper 26 x 19.8cm

Cream 2006 acrylic, pencil on paper 26.2 x 18.8cm

kAzUHIRO YOSHIMUNE

138 The Museum of Everything EIJI Minon Facial Foam 2008 crayon, pencil on paper TAkEDA 51.9 x 36cm

The Museum of Everything 139 TOMOYUKI SHINKI

140 The Museum of Everything Nightcap 2009 coloured pencil, pastel, ink on paper 86.3 x 178cm

The Museum of Everything 141 Kanazawa 2006 acrylic, coloured pencil on cardboard 80 x 71cm

Yukako Kawai 2006 coloured pencil, ink, white–out on paper 36 x 25.5cm

Yukiyo Morichi 2005 coloured pencil, ink, white–out on paper 36 x 25.5cm

Ms. Aiko Yamanaka 2006 coloured pencil, ink, white–out on paper 36 x 25.5cm

Shinya Sato 2006 coloured pencil, ink, white–out on paper 36 x 25.5cm

YUICHI kITAIkE

142 The Museum of Everything Cat 2009 crayon, pencil on paper 39.3 x 27.4cm

Bear, Salmon and more 2009 acrylic, pencil TAkESHI on paper 54.5 x 39.3cm Stained Glass Rough Sketch 2009 Fox coloured pencil, pencil on paper SAkAMOTO 2009 39.4 x 54.6cm crayon, pencil on paper 39.3 x 27.4cm

The Museum of Everything 143 DE kAAI

STUDIO STATEMENT MARIANNE The studio is an independent At De Kaai we believe that the SCHIpAANBOORD creative workshop which works production of art is not just b 1965 (Appeldoorn, Netherlands) within an umbrella organisation a hobby, but a hard day’s work. The epic battle between the art- to support artistically talented Self–expression can only be ist and her body are all but people with disabilities. achieved by giving artists the forgotten in the delicate water- freedom to generate their own Artists are recommended and re- colour fragments which diarise images or words on paper, ferred to the studio by schools, her world–class work. images which speak for them parents or guardians. They are when they cannot. offered a few weeks’ internship during which time their creative The De Kaai staff work with a output is assessed. Artists are hands behind the back policy. chosen to become full–time stu- This means no interference with dio artists not because of their the creative process. We encour- disability, but because of their age artists to develop self–re- extraordinary abilities. liance and self–discovery, so we don’t influence them with other examples of famous artists’ im- agery. This results in work that is original, personal and true.

Studio Galerie Atelier De Kaai Location Goes, Netherlands Director Phia Verstraete Founded 1987 Staff 5 Artists 24

144 The Museum of Everything Rinus & Arend Jan Zonnebank Brood Verleden te klein, afgebroken Afrika 18 Ontbijtkoek Zusters werken in de Boog Keukencentrale Zonneveld Strandrolstoel Bovenop Zwembadhuis Binnenz Wembad Jan Runhaar Afrika 10 Meisje in Bad Voeger en heden Marianne op de bank Strand zoning Friet

MARIANNE 2006/2010 watercolour, pencil on paper SCHIpAANBOORD various dimensions

The Museum of Everything 145 kOBO SYU

STUDIO STATEMENT YUICHI SAITO Kobo Syu is a visionary and in- Since 1984, the founding asso- b 1983 (Saitama, Japan) novative studio for adults with ciation of the workshop – A young painter whose visual developmental disabilities. The Minuma Welfare Foundation abstractions reflect daily tele- In Japanese kobo means workshop – has provided various working visual obsessions and the and syu means gathering. opportunities for the disabled repetitive alphabetic gestures in a more integrated society. of the letter “mo”. Kobo Syu started as a small community where members who were not able to work could achieve fulfillment through al- ternative creative activities. The studio is intended to be an open space where the disabled, their families, staff, volun- teers and local residents can unite in creative expression.

Studio Kobo Syu Location Saitama, Japan Director Megumi Miyamoto Founded 2002 Staff 23 Artists 6

146 The Museum of Everything YUICHI Mo’ Writing (all) c 2005 pencil on paper SAITO 38.5 x 54.5cm

The Museum of Everything 147 kUNSTSkOLEN

STUDIO STATEMENT BIRGIT NEJA JENSEN An art school for adults with We are not interested in the b 1952 (Copenhagen, Denmark) learning disabilities, the stu- diagnoses of our artists. The Society and its mannerisms are dio was established in 1994 by potential and abilities are much carefully studied and rein- Hanne Clausen. The idea was to more interesting. The aim is to terpreted in Jensen’s graphic, create an art school for adults develop each student’s artistic high–style and predominantly with the desire and ability expression in the best possible figurative paintings. to develop their interest and way and to create maximum cor- skills in art–making. Before relation between idea, form and coming to the school, the art- content of work. Kunstskolen GUNNAR kARLBERG ists worked at day–care facili- aims to help artists with mental b 1955 (Copenhagen, Denmark) ties and other workshops. disabilities to be recognised An uncompromising draughtsman as serious professional artists. and painter whose intense and We accept students on the basis fast creative technique results of application and selection. Our vision for the future is a in complex sketches and repeti- They are admitted after a trial creative and inspiring cultural tive canvas variations. period depending on their ar- centre for handicapped people, tistic strength and level of in- recognised within a mainstream terest. They discover us, rather art context. than us discovering them.

Studio Kunstskolen for Voksne Udvikling- shæmmede Location Copenhagen, Denmark Director Hanne Clausen Founded 1988 Staff 3 Artists 150

148 The Museum of Everything BIRGIT NEJA The Doctors from Rigshospitalet 2010 acrylic on canvas JENSEN 100 x 80cm

The Museum of Everything 149 GUNNAR untitled 2007 acrylic on canvas kARLBERG 60 x 70cm

150 The Museum of Everything untitled untitled 2004 2004 pencil on paper pencil on paper 30 x 42cm 28 x 28cm Knight Gunnar and Happy dream girl the dragon 2004 2004 pencil on paper pencil on paper 42 x 30cm 28 x 40cm

The Museum of Everything 151 LAND

STUDIO STATEMENT kENYA HANLEY This innovative programme LAND is a unique studio and b 1975 (New York, USA) founded by the League Education gallery that provides a nurtur- Cell phones, cupcakes and culi- and Treatment Center generates ing, creative environment to nary confections fill fantasies and showcases art by adults with exceptional artists with dis- and patisseries in the grid developmental disabilities. The abilities. based universe of this self–con- first of its kind in Brooklyn, fessed sugarholic. LAND is committed to working the gallery was created to give with artistic partners to create adults the opportunity to prove dynamic and unique opportuni- their artistic abilities and be ties for its studio members. recognised as serious artists. From our animated film project, The Future, to our visiting art- ists series through MoMA’s Access and Community Programme, LAND encourages expansive artistic growth. We also work with retail partners such as J Crew and Opening Ceremony to showcase our artists.

Studio League Artists Natural Design Studio and Gallery Location New York, USA Director Simone Stanbury Founded 2003 Staff 5 Artists 15

152 The Museum of Everything Cupcake c 2009 acrylic, watercolour, pencil on printed cardboard 29.2 x 29.2c m

Cell Phone #2 2011 acrylic, watercolour, pencil on printed cardboard kENYA 29 x 29cm Kenya’s Ice Cream Cookie Sandwich c 2009 acrylic, watercolour, pencil on printed cardboard HANLEY 29.2 x 29.2c m

The Museum of Everything 153 LEBENSHILFE

STUDIO STATEMENT JOSEF HOFER The association was founded by The most important thing is to b 1945 (Wegscheid, Germany) the parents of disabled chil- create a calm and peaceful work- A non–verbal contemporary figu- dren, supported by special ing atmosphere for those who ratist whose everyday art mak- education teachers. There are attend the drawing group. Only ing practice exemplifies his 25 day–care centres and 38 resi- Josef Hofer and one other cli- unfettered creativity, enthusi- dential homes in Upper–Austria. ent are present every day. When asm and legendary onanism. The day–care centre in Ried im the participants come in, each Innkreis was founded in 1979 of them already knows what they and the residential home in want to work at. There are no 1992. There are close to 100 assigned topics, there are no disabled persons in the centre. rules about the materials or The drawing group has been run- any given suggestions. What de- ning since 1998 and has evolved velops, develops. Nobody teach- from six hours a week to 25 es, assesses or interprets and hours a week. there is no therapy involved. We are not an artists’ workshop and do not call ourselves a group of artists per se. The re- sults are not meant for anybody. The act of sinking into spon- taneous action, the connection with one’s self at a safe place, amongst other persons, has a healing effect. The respectful interaction creates trust, which contributes to developing more self–confidence and self–esteem. The artworks of Josef Hofer are exceptional. We provide him with materials, photograph his fin- ished works and take inventory stock. Establishing contact to gallery owners and museums is Studio Lebenshilfe also our responsibility. I can- Oberösterreich not help but think that my pres- Location Ried im Innkreis, ence is important for him and Austria his work. Coordinator Dr Elisabeth Telsnig Founded 1980 Staff 25 Artists 30

154 The Museum of Everything JOSEF untitled (all) untitled (all) 2008 2008 crayon, pencil on paper crayon, pencil on paper HOFER 42 x 29.6cm 44 x 60cm

The Museum of Everything 155 LITTLE CITY ARTS

STUDIO STATEMENT TARIk ECHOLS The art centre was started over Our primary goals are centred on b 1973 (Illinois, USA) 25 years ago to create televi- the creation of art. Therapeutic A musical artist who hums elab- sion produced by and starring benefits naturally occur, but orate melodies as he weaves ab- the developmentally disabled. these are not a determining fac- stract layers of words, phrases It grew to encompass all of the tor in our administration. and cut–out collage into wild arts, providing an underserved Working in the studios has fields of painted colour. community with a means of always been by choice. expression and empowerment. About 75 artists work in our six CHARLES BEINHOFF The centre consists of a series studios every week. Some do what 1939–2007 (Illinois, USA) of studios devoted to the visual they do with absolutely no in- A remarkable diarist whose arts, the applied arts and time– put from the facilitators. Oth- visual inner life is recalled based media. ers are more open to discussing in the everyday images of his their art. They will sometimes art workshop and witty fantasies act on the suggestions they get played out on the page. and sometimes not. In general the most talented artists are self–directed, deciding on their

own what they want to create, which materials to use and how to approach the task.

Studio The Center for the Arts at Little City Foundation Location Illinois, USA Director Shawn Jeffers Founded 1959 Staff 11 Artists 75

156 The Museum of Everything TARIk King of Pop 2008 oil pastel, pencil on paper ECHOLS 55.9 x 71.1c m

The Museum of Everything 157 CHARLES Self Portrait 192 2005 watercolour, ink on paper BEINHOFF 45.7 x 30.5cm

158 The Museum of Everything Reflection of the Two Ladies Patty Kelly and Jack Armstrong 2006 2005 watercolour, ink on paper watercolour, ink on paper 51.5 x 51.5c m 31.8 x 48.3cm

Tarik Echols, Mike Lyon and Luke Tauber Spider Infestation 2005 2006 watercolour, ink on paper watercolour, ink on paper 45.7 x 61cm 45.7 x 61cm

Studio 189 Harold Jeffries 187 2004 2006 watercolour, ink on paper watercolour, ink on paper 30.5 x 45.7cm 45.7 x 61cm

Self Portrait 192 Tarik Echols 122 Kathy Kane 120 2005 2004 2004 watercolour, ink on paper watercolour, ink on paper watercolour, ink on paper 45.7 x 30.5cm 45.7 x 45.7c m 50.8 x 66cm

The Museum of Everything 159 MANOLIBERA

STUDIO STATEMENT GIANLUCA pIRROTTA The studio offers workshops in We always leave artists to b 1980 (Palermo, Sicily) theatre, music, pottery, paint- their own devices. At the same Eye–catching grids connect Pir- ing and drawing. People attend time, we help them with their rotta with the buildings and on the basis of their interests questions. Our role is primar- football fields he loves, link- and are given the opportunity ily made up of long periods of ing them to his own colourful of using different materials and observation to give each art- emotions and memories. learning different techniques. ist the opportunity to express Artists are encouraged to exper- themselves in a visual language iment and do their own personal of their own. CESARE pALTRINIERI research in order to find b 1964 (Concordia, Italy) The artwork we champion is a style. Softly rendered chalk portraits authentic in character and not of politicians and historical simply a hobby. This is why out icons form an imagined coterie of the 40 members of the work- for this intense and solitary shop only five participate in figuratist. exhibitions and competitions.

Studio Atelier Manolibera Location Carpi, Italy Director Dr Chiara Bellardi Founded 1998 Staff 23 Artists 40

160 The Museum of Everything untitled 2011 watercolour, ink, marker, pencil on paper GIANLUCA 70 x 100cm Pileluc 2010 watercolour, ink, marker, pencil on paper pIRROTTA 50 x 70cm

The Museum of Everything 161 CESARE Hitler 2009 oil pastel, chalk on paper pALTRINIERI 50 x 70cm

162 The Museum of Everything Avio Carlo Marx 2009 2009 oil pastel, chalk on paper oil pastel, chalk on paper 65 x 50cm 65 x 50cm

Willi Maria Colorusso 2008 2010 oil pastel, chalk on paper oil pastel, chalk on paper 65 x 50cm 65 x 50cm

The Museum of Everything 163 MOSAIk

STUDIO STATEMENT TILL kALLISCHER A professional studio environ- The intention of Kunstwerkstatt b 1967 (Berlin, Germany) ment for mentally challenged and Mosaik is to offer workspace and The crazed comic strip creations disabled adult artists, we offer materials to artists for them of this self–taught satirist artists the opportunity of a to discover and develop their speak of a fixation with the professional practice, and creativity. The artists are sup- sexy ladies and fast cars of inclusion in exhibition venues ported by a team of professional the Berlin street scene. and collections in Europe. assistants. They do not teach art in a traditional academic sense, but try to encourage originality. The artists choose from a wide variety of media: printmaking, painting, drawing, ceramics, sculpture and others. Techniques are practised in a social atmo- sphere, where artists interact and cooperate with other profes- sional artists as part of an integrated team.

Studio Kunstwerkstatt Mosaik Berlin Location Berlin, Germany Director Nina Pfannenstiel Founded 1996 Staff 3 Artists 15

164 The Museum of Everything TILL Die nackten beiden Frauen am Strandbad Wannsee 2008 coloured pencil on paper kALLISCHER 41 x 32cm

The Museum of Everything 165 LA pOMMERAIE

STUDIO STATEMENT MICHEL DAVE A residential complex in Bel- The workshop at La Pommeraie b 1941 (Jumet, Belgium) gium, La Pommeraie consists of regards each artist as a piece Words and their associations 16 homes in four villages in of the engine. Everyone has create philosophical streams the Leuze–en–Hainaut region. their place and it is this of felt–tip consciousness in Each home is different, vary- shared experience of individual this non–verbal artist/poet’s ing in its style of architecture needs which contributes to handwritten oeuvre. and individual ethos. A strong the dynamism of the workshop. focus of the atelier is that of The director sees his role as a a smaller community supported ALEXIS LIppSTREU revealer of artistic talent. within a larger one. b 1972 (Suresnes, France) We champion the diversity inher- Sensitive copyist whose tiny The extraordinary talents of La ent in the subconscious of each figures wrapped in sheets of Pommeraie’s artists have been artist. Whether disturbed, chal- lead and coloured pencil con- widely recognised, with exhibi- lenging or touching, each comes trast with giant faces in pri- tions being hosted worldwide. from a world outside normal ex- mary palette paint. Thanks to Bruno Gerard’s promo- pectations. These are artists in tion over the years, La Pom- the fullest sense of the word. meraie’s artists are known to the international art world with works in many collections.

Studio Centre La Pommeraie Location Ellignies–Sainte– Anne, Belgium Director Bruno Gerard Founded 1982 Staff 130 Artists 50

166 The Museum of Everything MICHEL untitled (all) c 2006 marker on paper DAV E 55 x 73cm

The Museum of Everything 167 ALEXIS untitled (all) 2005 pencil on paper LIppSTREU 55 x 73cm

168 The Museum of Everything untitled 2009 oil pastel on paper 71.1 x 53.3c m

The Museum of Everything 169 pROJECT ON WA R D

STUDIO STATEMENT LOUIS DEMARCO Project Onward is a studio and Project Onward was founded in b 1985 (Illinois, USA) gallery dedicated to the cre- response to the need for mean- Bold affirmations and cloud ative growth of artists with ingful artistic outlets for art- spreadsheets flow from the imagi- mental and developmental dis- ists with special needs as they nary island of Loudemar, home to abilities. transitioned into adulthood. this esoteric artist, musician, As the programme grew, it broad- designer and writer. Located in the historic Chicago ened its reach to encompass Cultural Center, it provides artists of all ages living with workspace, art materials and developmental disabilities or RUBY BRADFORD professional guidance. Project mental illness. b 1985 (Illinois, USA) Onward exhibits, promotes and Superman, Prince Charles and sells the artists’ works as a With the programme’s support, Prince William star as leading means to provide income and a artists develop a professional men in the vivid painted can- sense of personal achievement, body of work that reflects a vases of this starry–eyed pop as well as to integrate the art- devotion to their personal vi- singer–songwriter. ists into the wider arts com- sion and a desire for artistic m u n it y. growth. Project Onward collaborates with local and national partner agencies to organise exhibitions and advocacy efforts for artists with disabilities.

Studio Project Onward Location Illinois, USA Director Rob Lentz Founded 2004 Staff 5 Artists 18

170 The Museum of Everything LOUIS Negotiation 2011 marker on paper DEMARCO 12.5 x 17.5cm

The Museum of Everything 171 HRH Prince Charles Windsor, Superman Meet Prince Charles, HRH Prince William and HRH The Prince of RUBY Wales, HRH Prince Charles, Prince William of Wales: Getting Marry in 2011 2000/2010 acrylic on canvas (all) BRADFORD various dimensions

172 The Museum of Everything HRH Prince Charles, HRH Prince Charles, HRH Prince William of Wales, The Prince of Wales visit Chicago IL, USA, HRH Prince William of Wales 2007/2011 acrylic on canvas (all) various dimensions

The Museum of Everything 173 pUBLIC ART AND DESIGN

STUDIO STATEMENT RICkY HAGEDORN The centre is a privately funded Our mission is to help Connecti- b 1953 (Connecticut, USA) studio attended by a diverse cut artists with different needs A 30 year wood shingle practice range of hand–selected artists. enter the commercial art world. documents vintage cars, planes The specialised programme offers Rather than fostering their and eateries, pictorially coded professional support to enter creative techniques, we mentor so the artist knows the time the art market. All kinds of the professional aspects of art- and date of creation. material are used, with an em- ists who already have their own phasis on recycled materials for distinct styles. large scale public art commis- sions. Artists receive 100% of the profits from any works sold.

Studio The Center for Pub- lic Art and Design Location Connecticut, USA Director Margaret Bodell Founded 2009 Staff 3 Artists 27

174 The Museum of Everything Pilgrim’s Past SA 88 2006 acrylic, pencil on plywood 15.2 x 22.9cm

Nord 262 1979 acrylic, pencil on plywood 22.9 x 40.6cm

BMW Isetta 1957 2003 acrylic, pencil on plywood 17 x 17.5cm

Chev y 1952 2004 acrylic, pencil on plywood 17.5 x 26.5cm

Chevrolet 1959 2006 acrylic, pencil on plywood 10.5 x 26cm

Chevy Nomad 1955 2004 acrylic, pencil on plywood 12.5 x 23.5cm

Ply m outh 1950 2007 acrylic, pencil on plywood 14 x 24.5cm

Divco 1956 2006 acrylic, pencil on plywood 18 x 28cm

RICkY HAGEDORN

The Museum of Everything 175 ROppOU GAkUEN

STUDIO STATEMENT HIROE kITTAkA Fukuyama Roppou Bakuen, for- It was not until the 1980s that b 1933 (Hiroshima, Japan) mally known as The Art Centre creative workshops within the Inventor of a unique written Kirari, is part of the Social centre became a part of everdyay language comprised of signs, Welfare Foundation Soujukai. activity. It soon became app- letters and ideograms understood Originally founded by Ryoutai arent that art–making was an only by her and her late blind Tanaka in 1959, the welfare in- important vehicle for communi- fat her. stitution supports people of all cation and self–expression. ages with severe developmental In 2000, the studio facilities disabilities. and space expanded into a more robust and recognised centre for professional artists.

Studio Social Welfare Foundation Sojukai/ Fukuyama Roppou Gakuen Location Hiroshima Director Kentarou Nishiyama Founded 1959 Staff 40 Artists 80

176 The Museum of Everything untitled untitled c 2007 c 2007 gouache on paper coloured pencil, marker on paper HIROE 20.3 x 25.4cm 38.7 x 54cm untitled untitled c 2007 c 2007 gouache on paper ink on board kITTAkA 19.7 x 27.3cm 27.3 x 24cm

The Museum of Everything 177 DIE SCHLUMpER

STUDIO STATEMENT BERNHARD kREBS The studio is part of the The name Die Schlumper refers b 1951 (Hamburg, Germany) Alsterarbeit GmbH, a community to the original cellars where From child prodigy to lifetime at the Evangelical Foundation we set up our first art studio. painting activist, Krebs’ every Alsterdorf. Any artist with a A group of mentally handicapped waking moment is dedicated to disability can apply to the stu- artists met painter Rolf Laute the depiction of memories and dio for a three week internship, in Townhouse Schlump – an in- television stars. after which they are chosen to stitution near the Schlump sub- be full–time artists or once way station. These artists had a week only. been unable to fit into typical BENJAMIN BINDER handicapped workshops, so they b 1989 (Hamburg, Germany) had been classified as unsuit- Wooden protective covers for able. Rolf worked with them and dictaphones and cassette players they became our first artists, reflect the recording fixations Die Sc h lu m per. that fuel this one–off artist’s technological dreams. Die Schlumper is not a school and there are no classes or instruction. We offer artists a MICHAEL GERDSMANN range of materials and let them b 1968 (Hamburg, Germany) choose whatever they like. If Visually impaired artist whose artists want to try a new tech- crochet oeuvre of electrical nique, express something dif- appliances and potted plants ferent or have questions about lends these ordinary items alternative materials, we simply extraordinary creative form. help them to find what works for them. Die Schlumper is all about artistic freedom.

Studio Die Schlumper Location Hamburg, Germany Director Rolf Laute Founded 1984 Staff 8 Artists 30

178 The Museum of Everything Alexander von Humboldt 2010 emulsion paint on paper BERNHARD 100 x 70cm Gebrüder Grimm 2010 emulsion paint on paper kREBS 100 x 70cm

The Museum of Everything 179 BENJAMIN Diktiergeräte 2011 wood, cardboard, papier mâché, paint, ink, nails BINDER 22 x 18 x 8.5cm

180 The Museum of Everything Telefon MP3–Player 2011 2011 crocheted wool crocheted wool MICHAEL 26 x 28 x 8cm 24 x 20 x 2cm Mikrofon Föhn 2011 2011 crocheted wool crocheted wool GERDSMANN 24 x 15 x 6cm 24 x 20 x 5cm

The Museum of Everything 181 SIGNATURE

STUDIO STATEMENT LAURA MCNELLIS The studio offers a creative The primary role of employees b 1957 (Tennessee, USA) platform and learning opportuni- of Signature Studio is to fa- A lifetime opus of tempera on ties for adults with intellec- cilitate, not direct. The Enola newsprint documents the build- tual and developmental disabili- Group actively markets and sells ings, meals and fashions ties. Private and non–profit, the work produced by the artists which make up this enigmatic it is designed to provide the through exhibitions, perfor- artist’s creative worldview. space, equipment, tools and mances, and educational opportu- technical assistance to support nities. Artwork by Signature and encourage participants to Studio artists has been exhib- foster individual interests and ited nationally and internation- talents in visual and perform- ally, including shows organised ing arts and music. The chief by the North Carolina Museum of funding source of Signature Stu- Art and the New Orleans Museum dio is through state and federal of Art. funds.

Studio Signature Studio Location North Carolina, USA Director Karin McDaniel Founded 1981 Staff 4 Artists 6

182 The Museum of Everything LAURA untitled (all) c 1982 tempera on paper MCNELLIS 53.5/57 x 70.5/76.5cm

The Museum of Everything 183 TAk

STUDIO STATEMENT HENRYk ŻARSkI Established in 2002, the gallery Our mission is to support and b 1944 (Jabelwaren, Germany) is an artist–run organisation promote artists whose sole A silent mid–life painter whose- funded by sales and donations. source of inspiration is the first brush stroke encouraged It is not a centralised workshop irresistible and genuine need to him not only to speak, but to in the traditional sense. The create. The gallery helps art- reveal the images of a fertile gallery acts as agent for art- ists emerge in the art world by and vivid interior. ists with disabilities, working organising regular workshops, independently from home or exhibitions and publications, with their families. and by promoting their work to an international audience.

Studio Galeria Tak Location Poznan, Poland Director Anna Leonowicz Founded 2002 Staff 2 Artists 3

184 The Museum of Everything untitled c 1992/1995 tempera on paper HENRYk 41.9 x 29.2cm untitled c 1992/1995 tempera on paper ŻARSkI 29.2 x 41.9cm

The Museum of Everything 185 LA TINAIA

STUDIO STATEMENT GIOVA N N I GALLI The centre was created within La Tinaia developed and took b 1955 (Florence, Italy) the Chiarugi psychiatric hospi- shape in the 1960s to encourage A comic book convert whose con- tal in Florence for the creative creative expression through the spiracy universe of war weapons expression of patients in the daily practice of art. This mis- and space rockets liberate him wards. In 2002 the Association sion has led La Tinaia to become to rescue ample starlets in La Nuova Tinaia was created a cultural force in Florence. tight–fitting lingerie. to manage the artistic legacy Its artists are included in some and promote the history of the of the most important public and workshop through conservation, private art collections in the MARCO BIFFOLI exhibition, documentation and world. b 1958 (Bagno a Ripoli, Italy) commercialisation of artwork. Biffoli is a classical portrait- ist whose great loves are his sitters, psychoanalysed with paint on canvas until each ses- sion is complete.

Studio Il Centro di Attività Espressive La Tinaia Location Florence, Italy Director Dr Lorella Maria Grecu Founded 1964 Staff 3 Artists 13

186 The Museum of Everything GIOVA N N I untitled c 2002 coloured pencil, crayon, ink on paper GALLI 70 x 50cm

The Museum of Everything 187 Maria Grazia Marco Massaro 2006 2006 acrylic on canvas acrylic on canvas MARCO 100 x 70cm 100 x 70cm Giuseppe Stefania Pini 2006 2006 acrylic on canvas acrylic on canvas BIFFOLI 100 x 70cm 100 x 70cm

188 The Museum of Everything Anna Maika 2006 2007 acrylic on canvas acrylic on canvas 100 x 70cm 100 x 70cm

Alessandro Vietri Claudio Ulivieri 2006 2006 acrylic on canvas acrylic on canvas 100 x 70cm 100 x 70cm

The Museum of Everything 189 GALERIE DER VILLA

STUDIO STATEMENT HARALD STOFFERS This exhibition and project The workshop is a place for the b 1961 (Hamburg, Germany) space was created to introduce artistic creation and expression A thought, a word, a sentence, and mediate the work of the for collaborations, exhibitions, Stoffers’ daily art practice studio artists. The studio is lectures and discussions. The speaks on his behalf in letters the centre for artistic edu- aim is to offer members of the written to a fictionalisation of cation within the Altona Elbe workshops, as well as external his own dear mother. workshops, one of four workshops contributors, a way to develop for disabled people in Hamburg. their artistic skills. This can Originally located in a house result in employment, further THOMAS BEISGEN that resembled a villa, it re- education or collaborative proj- b 1961 (Hamburg, Germany) tained its original name even ects with partners, academics People, hundreds of them, tiny after the relocation of the stu- and artists. Through the gallery circles, dabs of watercolour, a dio to new premises. there is also the opportunity to country of abstracted rows im- present work with other artists mediately recognisable as the from outside the studio. distant land of Beisgen.

BERND OLLHORN b 1959 (Hamburg, Germany) A confident and happy–go–lucky draughtsman whose daily ambles through Hamburg begets recti- linear mazes of buildings, tram- ways, cars and people.

Studio Galerie Der Villa Location Hamburg, Germany Director Peter Heidenwag Founded 1999 Staff 2 Artists 7

190 The Museum of Everything HARALD untitled 2008 ink on paper STOFFERS 50 x 35cm

The Museum of Everything 191 untitled untitled 2005 2005 ink, marker on paper ink, marker on paper THOMAS 25 x 35cm 25 x 35cm untitled untitled (Kreise) 2008 2005 oil pastel, ink on paper ink, marker on paper BEISGEN 50 x 70cm 25 x 35cm

192 The Museum of Everything BERND Stadt Hamburg 2005 ink on paper OLLHORN 50 x 70cm

The Museum of Everything 193 VRIJHEIDSHOF 5

STUDIO STATEMENT ROY WENzEL Named after its address in Roy Wenzel is the only person b 1959 (Heerlen, Netherlands) Oosterwolde, the studio is part in the centre making art and Dutch artist whose distinctive of Talant – a large organisa- expressing himself through vi- penned and pencilled urges rec- tion with 300 different loca- sual means. The centre provides ollect figures, fields and fast tions in the northern province him with the necessary drawing trains from his childhood until of Friesland caring for the materials, but there is no other the present day. mentally disabled. In June 2010 artistic support. Two care–work- the centre expanded with full ers assist the group activities care facilities for a group of alongside one team–leader. 10 to 14 people, who are offered a range of recreational and cre- ative activities according to their interests.

Studio Vrijheidshof 5 Location Oosterwolde, Netherlands Staff 3 Artists 1

194 The Museum of Everything ROY untitled c 1985/1995 pencil, coloured pencil on paper WENzEL 90 x 64cm

The Museum of Everything 195 VSA SWEDEN

STUDIO STATEMENT kENT GRANQVIST VSA Sweden is a non–profit arts Kulturlabbet is part of VSA Swe- b 1950 (Kortedala, Sweden) organisation funded by national den and is for artists with in- Late blooming painter whose fig- grants. It has its office and tellectual disabilities. We work urative oeuvre reflects both his studio in Gothenburg and mem- with a wide range of artistic dark internal rumblings and his bers all over Sweden. The studio expressions such as visual arts, brilliant and creative lightness is open to all amateur and pro- dance, theatre, film, photogra- of touch. fessional artists interested in phy, music and poetry. the visual or digital arts, as well as ceramics, theatre, spo- ken word and music. The gallery allows artists to exhibit works for a small fee.

Studio Very Special Arts Sweden Location Gothenburg, Sweden Director Agneta Rapp, Mikael Rudesjö Founded 1988 Staff 3 Artists 150

196 The Museum of Everything kENT Välbärgad man 2009 acrylic, watercolour, ink, pencil on paper GRANQVIST 32 x 24cm

The Museum of Everything 197 WIJDE DOELEN

STUDIO STATEMENT ROB MORREN Founded as part of Reinaerde The artists at the workshop b 1968 (Utrecht, Netherlands) – a day–centre for people with are able to discover their own The flat rectilinear box style intellectual disabilities – the capabilities and creativity. of this radical visualist brings studio was set up by Wim Koot Instructors only help where nec- an intriguing idiosyncratic feel and Bert de Groot as a graphics essary and their input is kept to even the most mundane of sub- studio working with linocuts. to a minimum. jects. Soon after a ceramics studio From September to May we have opened with two studio spaces a weekly drawing workshop. All as an addition to the workshop. work is for sale and we regu- Artists are usually registered larly host four to five major through other foundations or exhibitions a year. Proceeds go by parents. to the artists and to the studio to finance materials and sup- plies.

Studio Atelier De Wijde Doelen Location Utrecht, Netherlands Director Bert de Groot, Wim Koot Founded 1991 Staff 5 Artists 40

198 The Museum of Everything Paalwoningen Oude Haven Rotterdam Garage 2009 2009 oil pastel on paper oil pastel on paper ROB 50 x 65cm 50 x 65cm Arabic Portrait Yellow Door 2010 2008 oil pastel on paper oil pastel on paper MORREN 65 x 50cm 50 x 65cm

The Museum of Everything 199 YAMANAMI

STUDIO STATEMENT SHUNJI YAMAGIWA Opened in association with The We celebrate the individuality b 1938 (Shiga, Japan) Social Welfare Facility for In- and the unique sensibilities of Formalist scratched black let- tellectually Disabled People, our artists, while focusing on tering covers every white sur- the studio began with three art- their daily creative activities face in Yamagiwa’s indecipher- ists and two members of staff and interests. Our goal is to able and eternal narrative. which has now grown to a roster enrich their sense of artistic of 40 full time participants. worth in a rewarding and secure It was incorporated in 1996 and environment. TOSHIA OkAMOTO fully established in 1997. b 1978 (Shiga, Japan) An ex–trucker whose impression- MASAMI YAMAGIWA istic vehicles recall his own b 1971 (Shiga, Japan) juggernaut past and the daily Gargantuan monsters, microscopic thundering of transportation frogs and armies of repetitive across the country. clay figurines cover the land in a fiendishly imaginative produc- tion process. kAzUMI kAMAE b 1966 (Shiga, Japan) A textile and ceramic artist ISAO HAYASHIGUCHI whose dominating futuristic b 1967 (Shiga, Japan) forms speak authoritatively Simple faces looking out, sur- on her behalf when she cannot. rounded by coloured gestures, giant friends from the artist’s interior, peek out into the HIDEAkI YOSHIkAWA light of day. b 1969 (Shiga, Japan) This transcendent draughtsman and sculptor can be identified YUkIO MIYASHITA by his remarkable clay figures b 1972 (Shiga, Japan) where the eyes, nose and mouth Indian ink, pastel, paint and are simply minimalist holes. clay form the words, faces and cruciform figures of this multi– disciplinary artist’s all–encom- passing oeuvre. Studio Atelier Yamanami Location Shiga, Japan Director Michiyo Yamashita Founded 1986 Staff 19 Artists 53

200 The Museum of Everything MASAMI Jizo of Masami 2009 clay YAMAGIWA 14 x 5 x 5cm (all)

The Museum of Everything 201 ISAO Friend 2000 paint, pastel on paper HAYASHIGUCHI 76 x 109cm

202 The Museum of Everything YUkIO Woman 2000 pastel on paper MIYASHITA 54 x 38.1cm

The Museum of Everything 203 SHUNJI Name (all) 1996 Indian ink on paper YAMAGIWA 54.5 x 38cm

204 The Museum of Everything Lorry 2009 Indian ink on paper TOSHIA 38 x 54.5cm Lorry 2009 Indian ink on paper OkAMOTO 76 x 109cm

The Museum of Everything 205 untitled (Man) 2008 clay 25 x 25 x 20cm

untitled (Man) 2008 clay kAzUMI 18 x 30 x 16cm untitled (Face) 2008 clay kAMAE 42.5 x 20.3 x 20.3cm

206 The Museum of Everything Eye Eye Nose Mouth (all) 2009 clay various dimensions

Eye Eye Nose Mouth (all) 2009 and 2004 clay HIDEAkI various dimensions Eye Eye Nose Mouth Eye Eye Nose Mouth 2006 2009 clay clay YOSHIkAWA 38.7 x 18.4 x 17.8cm 23 x 3cm

The Museum of Everything 207 DE zANDBERG

STUDIO STATEMENT CHRISTINE CATTEBEkE The studio is part of the We use a number of working meth- b 1959 (Kortrijk, Belgium) Ubuntu satellite group, a sup- ods conducive to our aims – we The patterns found in nature port network for people with offer space and time for artists initiate dense multi–layered intellectual disabilities. It to develop their own work, we wax in the hands of this confi- provides professional individual set up workshops and exhibtions dent abstract painter and guidance and a framework for ar- and collaborate with other con- textile artist. tistic talents to grow to their temporary artists. By working maximu m potential. closely with the studio artists we gain insight into all aspects of their artistic journey. We also have an art library, where a selection of exemplary works can be rented. De Zandberg is part of the Artotheek col- lective of progressive workshops in Belgium and the Netherlands. A jury of art professionals se- lects the best works from each studio to be a part of their archive, based on the quality and strength of their artistic oeuvre.

Studio Kunstwerkplaats De Zandberg Location Harelbeke, Belgium Director Sabrine Vyt Founded 1998 Staff 4 Artists 37

208 The Museum of Everything Bloemen in Vaas Man met Bomen 2010 2009 crayon on paper crayon on Paper CHRISTINE 73 x 55cm 55 x 73cm Appelbomen Blauw 2010 2010 crayon on paper crayon on paper CATTEBEkE 50 x 65cm 42 x 30cm

The Museum of Everything 209 Studio Action Space Studio Kilkenny Collective Location London, Britain for Arts Talent – KCAT Founded 1960 Location Killkenny, Ireland Founded 1999 Studio Associação Nacional de Arte e Cria- tividade de e para Pessoas com Studio Atelier Galerie Kempro Deficiência - ANACED Location Eindhoven, Netherlands Location Lisbon, Portugal Founded 1994 Founded 1989 Studio Kenafayim Arts Studio The Arts of Life Rehabilitation Center Location Illinois, USA Location Tel Aviv, Israel Founded 2002 Founded 2004

Studio Art Laundry – Taidepesula Studio Kunst and Vliegwerk Location Nenonpelto, Finland Location Leiden, Netherlands Founded 2005 Founded 1989

Studio La Casa Azul Studio Latitude Arts Location Colonia del Carmen, Mexico Location K e n t u c k y, US A Founded 1958 Founded 2001

Studio Colombo Centre for Special Education Studio Mayfield Community Arts Centre Location Colombo, Sri Lanka Location Cork, Ireland Founded 1967 Founded 1996

Studio Foundation for Advancing Wellness, Studio Polskie Stowarzyszenie Instruction and Talent na Rzecz Osob z Uposledzeniem Foundation AWIT Umyslowym – PAOMDP Location Quezon City, Philippines Location Warsaw, Poland Founded 2002 Founded 1994

Studio Gallery Gachet Studio Centre for Social Adaption Location Vancouver, Canada & Professional Education – Founded 1992 Russia Special Life Location Moscow, Russia Studio Atelier de Haagse Founded 1989 Location The Hague, Netherlands Founded 1994 Studio Survivors Art Foundation Location New York, USA Studio Heartside Gallery and Studio Founded 1997 Location Michigan, USA Founded 1993 Studio Thunder–Sky Location Cincinnati, USA Studio Hutt Valley Community Arts Founded 2009 Location Petone, New Zealand Founded 1970 Studio Very Special Arts Hellas Location Athens, Greece Studio Kaarisilta Arts and Activity Center Founded 1984 Location Villähde, Finland Founded 1987 Studio Very Special Arts Lithuania, Guboja Location Vilnius, Lithuania Founded 1992

210 The Museum of Everything MORE STUDIOS MORE ARTISTS ATELIER 23, GERMANY ACTION SPACE, BRITAIN ADRIANO E MICHELE, ITALY

Birgit Mary Ogunleye Giuseppe Bomparola Gigler

ANACED, PORTUGAL

Curzio Di Giovanni Massimo Mano Miguel Angelo Claro Paulo Fonseca

ARTE DOWN, SPAIN ARTS OF LIFE, USA

Hélder Rodgriguez Inés Gonzalo Daniel Brendel Gaby Carroll

David Krueger Frances Roberts Kristopher Schenkel

212 The Museum of Everything ART ENABLES, USA

Jean Wilson Christina Eileen Schofield John Simpson Zion

ART LAUNDRY, FINLAND

Jermaine Williams Kalle Pakarinen Marja Leena Ruotsalainen

ARTS PROJECT, AUSTRALIA ASFODELO, ITALY

Mikael Valjakka Catherine Staughton Mattia Fiordispino

BETHLEM, UK BILDNERISCHE, GERMANY

Marika Tresanini Rodney Hildegard Meyer

The Museum of Everything 213 BLU CAMMELLO, ITALY

Wolfgang Steinbach Veronica Martinelli Marinella Parente

CASA AZUL, MEXICO COLOMBO CENTRE, SRI LANKA

Miguel Corral Ravi Yohan

COOPERATIONS, LUXEMBOURG CREATIVE GROWTH, USA

Swashan Jurgen Berg Carlo Wertheimer Steven Geeter

CREATIVITY EXPLORED, USA

Cedric Johnson John Martin Camile Holvoet

214 The Museum of Everything DEBAJO DEL SOMBRERO, SPAIN FOUNDATION AWIT, PHILIPPINES

Andrew Li Miguel Ángel Alice Anon Hernando

Cecile Christina Dolores Copones Glecy

Gloria Oscar Jason Dumo Josefina Villasin Mary Anne Adriano Raymond

GALLERY GACHET, CANADA GATEWAY, USA

Roberto Laurie Marshall Amy Caliri John Howe

The Museum of Everything 215 DE HAAGSE, NETHERLANDS

Abdel Michel Gilberto Palacios Liliane Jansen

Piet Keus Fabian Puls Robbert van Stekelenburg

HEARTSIDE, USA HERENPLAATS, NETHERLANDS

Willie Jones Mark Wilson Hans Hartman Louise Guardia

HIKO, JAPAN HPCA, GERMANY

Celeste Versluis Yasuhiro Hirata Masato Naka Franziskus von Branca

216 The Museum of Everything HUTT VALLEY, NEW ZEALAND INCURVE, JAPAN KAARISITA, FINLAND KC AT, IR EL A N D

Daryl Kennedy Mitsuo Yumoto Aija Penttilä Declan Byrne Francis Casey

KEMPRO, NETHERLANDS

Mary Cody Jack Foskin Huub Robberts

KENAFAYIM, ISRAEL

Trees Speelman Kevin van der Heijden Joe Bar

Dodi Eldar Dana Lin Tome Tal

The Museum of Everything 217 KUNST EN VLIEGWERK, NETHERLANDS KUNSTSKOLEN, DENMARK

Fabio de Best Christian Carlsen Oline Cecilie Thomas Larssen Hedegaard

LATITUDE ARTS, USA LITTLE CITY, USA

Beverly Baker Jessie Dunahoo Jeff Burke

MANOLIBERA, ITALY MAYFIELD ARTS, IRELAND

Brian Kaplan Franco Veneri Ailbhe Barrett

PAOMDP, POLAND

Frankie Burton Jaroslaw Barciak Jaroslaw Chys

218 The Museum of Everything Tomasz Drybala Dorota Filak Witold Kobak Monika Matoga

LA POMMERAIE, BELGIUM PROJECT ONWARD, USA

Jean–Jacques Bonnier Georges Cauchy James Allen

RUSSIA SPECIAL LIFE, RUSSIA

Adam Hines Chuckie Johnson Alexei Elkin

SURIVORS ART FOUNDATION, USA THUNDER–SKY, USA LA TINAIA, ITALY

Julio Antonio Adams Giuseppe Barocchi

The Museum of Everything 219 GALERIE DER VILLA, GERMANY VSA GREECE, GREECE VSA LITHUANIA, LITHUANIA

Roland Schmitt Christina Vassiloglou Andrius

VSA SWEDEN, SWEDEN

Jan Raimondas Hans Carbe

WIJDE DOELEN, NETHERLANDS

Bob van Buuren Derk Wessels Jefke Dijkstra

YAMANAMI, JAPAN

Katinka Wassink Kitty van Straaten Anon

220 The Museum of Everything Yumiko Kawai Masayo Takiguchi Noriko Tanaka

DE ZANDBERG, BELGUIM PIPPA CARVELL

Lia Hes Pippa Carvell

The Museum of Everything 221

ACKNOWLEDGEMENTS The Museum of Everything Inspiration Antonio Adams, Gloria Adriano, Mary Anne Conception James Brett Adriano, Albert, Alice, James Allen, Creation Liana Braune, Tom Shutes, Eve Stewart Alvaro Alvarez, Han Ploos van Amstel, Production Melissa Emery, Marlene Taschen, Chloe Andrius, Yasmin Arshad, Ben Augustus, Tickner, Michelle Trivilegio Ramon Avalos, Romina Bafaro, Beverly with Baker, Everette Ball, Joe Bar, Jaroslaw Katrina Black, Sarah Carroll, Thamara Barciak, Giuseppe Barocchi, Ailbhe Bar- Corm, Marta Herman, Lotty Sanna, Cassy rett, Charles Beinhoff, Thomas Beisgen, Smith, Mathilde Stone, Tina Temple–Morris Jürgen Berg, Fabio de Best, Marco Bif- Previsualisation Amy Merry foli, Benjamin Binder, Julius Bockelt, with Giuseppe Bomparola, Jean–Jacques Bonnier, Richard Hardy, Christy Parnham, Sarah– Ruby Bradford, Franziskus von Branca, Jane Prentice, Cara Walker Uwe Breckner, Daniel Brendel, Jeff Burke, Illustration Roberto Balocco, Ross Frame, Roberto Frankie Burton, Bob van Buuren, Declan Girombelli Byrne, Amy Caliri, Raimundo Camilo, Reproduction Sylvain Deleu, Andy Keate Dionne Canzano, Hans Carbe, Christian with Carlsen, Gaby Carroll, Pippa Carvell, Pe- Thomas Einberger, Christoph Leniger, ter Cäsar, Francis Casey, Christine Cat- Christoffer Rudquist tebeke, Georges Cauchy, Cecile, Jaroslaw Digitalisation Olivia Koerfer Chys, Miguel Ângelo Claro, Mary Cody, with John Colby, Roy Collinson, Alan Constable, Jency Chong, Aline Dheere Babaletsos, Dolores Copones, Gianfranco Corbetta, Pas- Patrick Krupa cal Cornelis, Miguel Corral, Cristina, Cinemation Andonis Trattos Leo Cussen, Michel Dave, Louis DeMarco, with Eric Derkenne, Curzio Di Giovanni, Je- Theresa Larché fke Dijkstra, Tomasz Drybala, Oscar Ja- Fabrication Suzanne Clements, Tracey Neuls, Inacio son Dumo, Jessie Dunahoo, Tarik Echols, Ribeiro, Marcelle Symons Larry Edmiston, José Manuel Egea, Dodi with Eldar, Alexei Elkin, Louis Estape, Immo Mike Abelson, Darren Cleany, Claire Da- Fiebelkorn, Dorota Filak, Leonhard Fink, vies, Ian Jeffery, Bob Pain, Suzie Riley, Mattia Fiordispino, Paulo Fonseca, Jack Marc Scialom, Victoria Wachtel Foskin, Holger Frischkorn, Pilar Gallego, Relation Miranda Marcus, Anna Vinegrad Giovanni Galli, Steven Geeter, Hans–Jörg with Georgi, Irène Gerard, Michael Gerdsmann, Bomi Odufunade Birgit Gigler, Glecy, Inés Gonzalo, Kent Formation David Goepel, Amanda Grey, Lynne Granqvist, Daniel Green, Paulus de Groot, Griffiths, Karen Sanig, Andrew Savile, Louise Guardia, Stefan Häfner, Ricky Daniel Sopher Hagedorn, Kenya Hanley, Hans Hartman, Operation Jennifer Brown, Natascha Chtena, Amy Cox, Isao Hayashiguchi, Oline Cecile Hede- Amber Fisher–Clark, Alastair Frazer, Xan- gaard, Kevin van der Heijden, Manfred der Hart, Isabel Hayman–Brown, Joe Joiner, Henke, Josiane Herman, Miguel Ángel Her- Jack Lansley, Elisa Lapenna, Louise Lock- nando, Lia Hes, Adam Hines, Yasuhiro Hi- hart, Marie Loney, Danielle Patten, Bobby rata, Josef Hofer, Camille Holvoet, Miles Sayers, Julie Spatt, Francesca Stuttle, Howard–Wilks, John Howe, Peter Hughes, Zoe Terry, Tanya Tikhnenko, Nico Wheadon, Lann Irodjojo, Mario Jambrešic´, Jan, Lil- Elizabeth Wilks, Amy Winchester iane Jansen, Birgit Neja Jensen, Cedric Construction Greg Gallagher, Henry Gallagher, Howard Johnson, Chuckie Johnson, Willie Jones, Hutchinson, Arvydas Kubilius, Leon McCar- Julio, Till Kalischer, Kazumi Kamae, thy, Paul Moyne, Arunas Paskevicius Brian Kaplan, Roland Kappel, Gunnar Karl- with berg, Yumiko Kawai, Daryl Kennedy, Wen- George Johnson, Lee Quelch, Michael Marsh dell Jesse Kerwhen, Piet Keus, Przemyslaw Contribution Daniel Baumann, David Byrne, Paolo Co- Kiebzak, Robert Kirshner, Yuichi Kitaike, lombo, Lynne Cooke, Christiane Cuticchio, Hiroe Kittaka, Witold Kobak, Silvia Chris Dercon, Dr Johann Feilacher, Mas- Krause, Bernhard Krebs, David Krueger, similiano Gioni, Peter Heidenwag, Mat- Andy Lacouture, Joseph Lambert, Thomas thew Higgs, Hiroshi Imanaka, Axel Klöss– Larssen, Andrew Li, Dana Lin, Alexis Fleischmann, Tom di Maria, Adam Phillips, Lippstreu, Imma Maddox, Massimo Mano, Jacqueline Porret–Forel, Colin Rhodes, Laurie Marshall, John Martin, Julian Mar- Sir Ken Robinson, Anne–Françoise Rouche, tin, Veronica Martinelli, Monika Matoga, Cindy Sherman, Dr Elisabeth Telsnig, Kunizo Matsumoto, Justyna Matysiak, Laura Nigel Warburton McNellis, Hildegard Meyer, Abdel Michel, Selfridgeration Linda Hewson, Jude Morgan, Anne Pitcher, Alessandra Michelangelo, Dan Miller, Alannah Weston Donald Mitchell, Yukio Miyashita, Benoît with Monjoie, Rob Morren, Sabine Münch, Ma- Jon Amos, Bruno Barba, James Barnett, sato Naka, Mary Ogunleye, Toshia Okamoto, Craig Baylis, Katie Dyer, Mark Fitton, Bernd Ollhorn, Masahiko Ooe, Jean–Jacques Laura Fitzgerald, Emma Gibson, George Oost, Kalle Pakarinen, Gilberto Palacois, Glassby, Sophie Hedley, Lindsey Higginson, Cesare Paltrinieri, Marinella Parente, Carlotta Jacoby, Sophie Jewes, Lydia King, Shawn Payne, Aija Penttila, Gianluca Pir- Sebastian Manes, Olivia McCarron, Sarah rotta, Jeroen Pomp, Fabian Puls, Erin McCullough, Oriana Moufarrige, Caroline Punzel, Raimondas, Ravi, Raymond, Hein- Parker, Michael Ryley, Abi Shapiro, Harvey rich Reisenbauer, Evelyn Reyes, Huub Rob- Sutton, Erin Thompson, Ashleigh Vinall, berts, Roberto, Frances Roberts, Hélder Zia Zareem–Slade Rodgrigues, Rodney, Anthony Romagnano, Giovanni Rosselli, Marja Leena Routs-

224 The Museum of Everything alainen, Manuela Sagona, Yuichi Saito, nah Barry, Dan Benedict, Christian Berst, Takeshi Sakamoto, Ray Salter, Kristopher James Biumon, Raphael von Blumenthal, Schenkel, Marianne Schipaanboord, Thomas Achim Borchardt–Hume, Alain de Bot- Schlimm, Marco Schmitt, Roland Schmitt, ton, Henry Boxer, Charles Brett, Deborah Eileen Schofield, Günther Schützenhöfer, Brett, Ernest Brett, George Brett, Lina Judith Scott, William Scott, Tomoyuki Brett, Marika Brett, Paul Brett, Peggy Shinki, John Simpson, Andreas Skorupa, Brett, Paula Cardoso, Shari Cavin, Amir Trees Speelman, Gerone Spruill, Catherine Chen, Elizabeth Coleman–Link, Jimmy Col- Staughton, Robbert van Stekelenburg, lins, Carole Corm, Hiram Corm, Joumana Wolfgang Steinbach, Harald Stoffers, Kitty Corm, Flavia Corpas, Daniela Couling– van Straaten, Swashan, Eiji Takeda, Ma- Barreneche, Mark Darbyshire, Laurent sayo Takiguchi, Tome Tal, Noriko Tanaka, Dauchin, Marcus Davey, Alexandra Donald- Katsuhiro Terao, Dominique Théâte, Marika son, Linda Dunne, Tom Edmunds, Anouschka Tresanini, William Tyler, Mikael Valjak- Elliott, Nico van der Endt, Jane England, ka, Christina Vasiloglou, Franco Veneri, Jill Facer, Elianne Fattal, Danielle Celeste Versluis, Josefina Villasin, Karl Franks, Nadine Fröhlich, Bettina Fuortes, Vondal, Tom Wagener, Katinka Wassink, Gus Garside, Peter Giblin, Edward Gomez, Melvin Way, Roy Wenzel, Carlo Wertheimer, John Gordon, Louise Hallett, John Harper, Derk Wessels, Jermaine Williams, George Alexia Hentsch, Vivienne Hentsch, Re- Wilson, Jean Wilson, Mark Wilson, Masami becca Hoffberger, James Holliday, Kaleigh Yamagiwa, Shinji Yamagiwa, Yohan, Hideaki Hutchings, Ben Jones, Simon Jones, Sarah Yoshikawa, Kazuhiro Yoshimune, Mitsuo Yu- Kaldor, Magnus Karlsson, Maria Kastani, moto, Henryk Zarski, Christina Zion Yukiko Koide, Marina Kurikhina, Malcolm Participation Barbara Abramowska, Maria Sol Alvarez Last, Delphine Leccas, Edeline Lee, David Yenes, Despina Aslanidou, Amy Auerbach, Maclagan, John Maizels, Maggie Maizels, Marianne Aulman,˙ Elizabeth Baldwin, Sarah Frank Maresca, Isabel May, Nicola Mazzeo, Ballard, Keith Banner, Riccardo Bargel- Cathal McAteer, Louise McKinney, Jeff lini, Martin Bastow, Gary Batty, Anne McMillan, Pat McNellis, Suzy Menkes, An- Bech Nielsen, Svetlana Beilezon, Chiara gela Missoni, Gaël Monnin, David Morris, Bellardi, Richard Bennaars, Margaret Frances Morris, Michael Morris, Charlotte Bodell, Candyce Brokaw, Bruce Burris, Murtagh, Pierre Muylle, Celine Muzelle, Toni Carroll, Josh Carvell, Sheryll Catto, Nadia Narain, Catherine Nguyen, Hans Ul- Maika Cavarretta, Tove Christensen, Hanne rich Obrist, Nada Osman, Cornelia Parker, Clausen, Flavia Corpas, Jackie Craissati, Jasmin Pelham, Adriano di Petrillo, Mark Noortje van Deursen, Rae Edelson, Ben El- Pilkington, Avril Pomper, Jim Pool, Veerle liot, Beth Elliott, Denise Fisher, Lara Poupeye, Annabella Proudlock, Jemma Read, Fitzgerald, Cristina Fontes, Stephen de Roger Ricco, Holli Rogers, Jodi Rose, Con- Fronzo, Elisa Fulco, Mark Furrow, Laura stance Rouget–Luchaire, Valerie Rousseau, Garzia, Bruno Gérard, Dr Lorella Maria Ralph Rugoff, Anneli Säre, Fraser Shand, Grecu, Frits Gronert, Bert de Groot, Stuart Shepherd, Claire Shutes, Tara Marco Grünbauer, Gertrude Hacker, Hirishi Shutes, Kim Sion, Mark Steene, Deyan Sud- Hayakawa, Ekkehard Höllein, Charlotte jic, Mark Swift, Tot Taylor, David Tung, Hollinshead, Marita Isaksson, Fumiko Lucy Varah, Nigel Wainwright, Sigrid Ishizaki, Jasmin Jacobson, Shawn Jeffers, Wilkinson, Rana Yazji, Umar Younas Nina Katschnig, Declan Kennedy, Pol Kief- Donation Action Space, Cass Art, De’Longhi, Mishcon fer, Wim Koot, Maila Koskinen, Christophe de Reya Kremer, Nobumasa Kushino, Klaus Lang, Publication design by Richard Barnett, Barney Beech, Anna Laute, Rolf Laute, Jarmo Lehtinen, Dougal Burgess with Peter Willberg, print Irina Leino, Rob Lentz, Anna Leonowicz, by Jigsaw Colour Ltd (London), published Bernadette Lietzow, Maria Llanos, Andrea by The Museum of Everything Lührig, Sim Luttin, Iris de Maaker, Rosa Distribution The Museum of Everything Majo, Lena Mann, María Luisa Martínez– mail PO Box 6095 Fresneda, Karin McDaniel, Klaus Mecher- London W1A 7EL, UK lein, Lotte Middelburg, Katsumi Mor- email se@museverycom ishima, Joyce Muis–Lowery, Ragna Müller, web www.musevery.com Charika Muttiah, Dr Dinah Nadera, Yutaka Declaration all rights reserved; this publication Nakano, Kentarou Nishiyama, Caterina Niz- and/or any part thereof may not be re- zoli, Alison O’Callaghan, Lisa O’Sullivan, produced and/or stored and/or transmitted Veronica Pavlenco, Quimetta Perle, Melissa and/or published in any form whatsoever Petty, Nina Pfannenstiel, Stefano Pilato, and/or in any media whatsoever, including Agneta Rapp, Sue Roff, Olivia Rogers, but not limited to all physical, photo- Anne–Françoise Rouche, Mikael Rudesjö, graphic, digital or other system, without Hetty Schaart, Didier Scheuren, Melanie first seeking the formal written permis- Schmitt, Sarah Scott, Dalit Sharon, Louise sion of the copyright holders; the copy- Sheridan, Ryan Shuquem, Simone Stanbury, right holders accept no liability for any Jennifer Strate O’Neal, Amy Taub, Sabina errors or omissions that this publication Trompert, Frank Tumino, Angeles Vallejo, may inadvertently contain. Phia Verstraete, Gabriella Vincenti, Vik- torija Vitaite, Martin Voßwinkel, Sabrine © The Museum of Everything 2011 Vyt, George Watterson, Mirko Westermayer, ISBN 978–0–9565223–3–7 Barbara Wheeler–Connolly, Michelle Whool- ey, Guus de Wijn, Wim van de Wijngaard, Illustration Louis DeMarco Masato Yamashita, Michiyo Yamashita Negotiation Appreciation Philly Adams, Tete de Alencar, Ron Arad, 2011 James Balmforth, Simon Baron–Cohen, Han- marker on paper 12.5 x 17.5cm

The Museum of Everything 225

THE AppENDIX OF EVERYTHING

CONTENTS

RI

D B D B T D M p C L C C C C D D J F M G p H M H H I A kF A p D J pF C R S k R AF R C S D E T N W REINTRODUCTION

B I E #4 T 2 C

D J pF A C J D

C C D J F p H A kF H I AF R E E T D E T J H

T M H C G S C L p T p M M A N Y W D B

C M H W C C G H N Y C S D M W S

M G S p T M E M C C A E #2 T M 2 C D B A W F B C I p

C R E #4 A N W p C E # I

R C D T M L C 2 C M N C A R S M

E TED S k R A p

T U E #4 N E

J B F T M E

S 2 C T H DANIEL BAUMANN I A I T T

F N H A I B A I W T W W T W Y A W 2 I G p T START T D I I A W F M F A B S T E C T A W W S I W A D C I W I I p Y W T T I A T I I E W W W B S I A T B W L W T C J B D I T W W T I I I I Y B S I T J B F I I I T I I O T Y C T H A I W T M E T B I I E A I T T T S T I I A

T A E I I C I T DAV I D BYRNE AND I TOM DI MARIA F I I A T M E T M I W W I L W T M M I I T S T I I – I H T B D I S T I I F S H S B p I H E p 2 START O H S H T C G I S T A I C W T A I A p R C O W B Y T I I T S I B T W W T I I T T T W END S O M 2 A L EB S C G H D B T USA J D D B I M H M kB p S A S Q R S A B B C 2 S A F 2 B A W F k B J p N M C I p 23 B E # W I L B I T S I W

T A E W A J H Y – Y H C G W H L D I S B I J O T S E p I H Y C G T D M D M J B S F H D J S T I W F J T O I H I S Y I I C G Y W H Y T I I M I A TV I I F Y I A T W I T Y F C T A C G S NOT I T D M H I I H W I I W W S S D W W S T D M O I A S C Y M A T D Y S Y Y B W W what should a painting look T like - tell me what it should look like because I am not A I going to tell you! T A I I S that’s not how a door I D should open. W T W look at that door, that’s a great I door, what made you think about that door? Y A C G I S S M C G W E p C G A D M W S M I B p I I F she won’t stop, isn’t that amazing, let’s give her a big- ger piece of paper and see what happens! T T

T A E I p S W F I A I I I I M p H O S H 3 I S M S O I A I T Y E Y A I Y W W I D – D I – I I J H T O I I T I I T W T Y I T T I W D M W S C W S G I T W A B G J H A D A H I I T C I G Y D S Y W Y W I T W T 4 – Y I W T O E C G I F C I W 22 T T M T C S G T R N B W I – 3 art C G T W W W W

T A E N C G An awareness of time is a profoundly individual O experience. That in the course of this life every person I S sooner or later finds himself in the position of Robinson Crusoe, carving notches and having found, say seven or ten of them, crossing them out. To the origin of I C G E T ornament, regardless of the preceding civilisation or W T D M D M 5 of that to which this person belongs, these notches are 3 p a profoundly solitary activity, isolating the individual I and forcing him toward an understanding, if not of I uniqueness, then at least of the autonomy of his exis- I I I tence in the world. W R C N T S Y I E M T A END I I M 2 I L ECN Y USA D B T 52 D S T D B F T I L B M T – H W O G G T S G B p B L - what sort of object or activity is this? T R 2 B - how does it fit into the world of art? E # - for whom is it produced? T M I 5 N Y USA I I C T M B A M T C H UC B C G D O A C O C G T I p E C G C B A M T Y 2 G L D p M M A 2 D M E # T T I C T I pAOLO COLOMBO I T Y T I A I H D T U W E # I 2 I START I G T W E # I A B – F E #4 F T I G W T I I I J B O

T A E T C T T T LYNNE COOkE T T I L W T T T T I E #4 I T T B T T O W J C 3 F START T L I I I p M N C A R W S H I I T V I T I A I I I A F T I T D I I I T A B F B B p D A F A M 5 I O I I F A F T A I I F I T T A Y I S T T I I W B A art T S I I T END M R T J S J C B T T 2 J 2 I I L EA G I p C C I T I I D A I M M I U A T B I 2 p C – M N A XXI S R T I B H R C A C A C G E T 2 C E # p A I Y I

T A E A O I I H O A G W I H S 2 C I B M M A 3 4 R C T I I p k – I C B I V M J A I I A B END I M H M 5 J 2 D G M A I L EM S A L C Y I A G A I H D L C pD D A C F N Y T G Y T M N C A R S M F S M M A B C W S J I V B W E I 5 # J C 2 M A R 2 O R p A Y 2 C I C W A T CHRISTIANE CUTICCHIO A M M A O I p M A A I H C LACMA T A G W A F A M T HJ G Y W H H H D I I I G H H I M H R S T H A S A A E E T I H H T I H H H L I I I T – I I I I I I I R S S H 25 Y H START H I I A C A E R S G T E C L A T H H T R S I 5 I I H E L A H H H I

T A E N S C I 4 CHRIS DERCON I S H H I G A S M S I H G S 4 S Y S W W W T T D T S The Terrorist T W S City of the Future I G H R W I I T I A Y H C R O H W B L I 2 C START F HJ G H T C I H H G T M E H T T S W I M G S H 4 H D T I D City of the Future H Y C O I S H I I B J H S A G END M A k G H C A H 2 M 2 O p I I L EF G G B F C C H J B 54 S G D H F C D C A G F G C W H N T D k D O S S k F 2 C T R L T I DB I G M M A 2 A G E #4 I H–J G S H W S A H M B S B R G H H S S H k M S E H I I D S O I

T A E H A T performative structures, M S T V T A performativity R G performing acting out Y A H R H W T O B J B M M A W I M B I B I I H I Uk A G A A R M D H N T M k p T A T M M J T T M E I M Everything H I S H W T C S I H M D M R T I I O W O W G J H A R 2 H Y k M M C S Look how similar this work is, look how connected T these objects and these artists are! I M C T T M E T Y T T T W I N Y I D A F O A B H B F B B T H T S I Y T B I W B T S T I I I T I I A M M p T D R I T J W T I W T M E I p S T M E E T A Y T k T T C E W T T END M M J J 2 L E M M W C D 5 L B I C D T M I L H k M 23 R M B F - Could I do this myself ? B 23 W W R B - Is this something I need to understand? 5 p W - Is there something I could do better or D S different? E A - How would I react if I had the drive to do H R these things? E #4

T A E C D T DR JOHANN FEILACHER p p N W p G T W N S A R G A A R I R H W Y I C G S 2 Y I USA E T I START M 5 S G W G A W C N I I T T S D L N J H G T H I T I I L T – A N I F T G I W T T T S W N H I I J D W D T A I N B I A I M z W A W kp H 5 W L H I I W I I I A I E T H k I J H W Y M I A W T G I W N I A E M G J Y Y T W M W A O C S A W Adolf Wölfli is an artist. T T N B W A O A 2 J B

T A E O T T B I I I A END F I M 2 O L EM G A D J F T 54 V A A O D J I T F AB C G F N G W S k F 2 T A R A B L M R T p 25 A G E I A R #4 L F G S G A S D Y I C I I I C MASSIMILIANO GIONI T

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W p T I I N G U p A L H N G D C I A I C M B 5 I C T START S H I M T M E T A E #2 T M A I N S F S T – Y M B J C I E G F G B U D Y I I I N T T T M E p A T N G A p T I T p A I A A R A T G T I W T A z S F H H G I G T I

T A E F A V T B H S I C T W M I I I F I T R C I I U E L F G A 3 A 22 W B like Flaubert would say, I love you madly . S L F I W H Y – I I A I T I I T M T M E I B C I I I I H S I I R S H S END I H G V D A J 2 Y L EN Y USA I I EW M G GH H A 3 B A I I I A T F I E M N M N Y M G I G B 2 B B W 2 M 5 S 24 D W G G W G V I N S D F S E #2 2

T I I T C T I pETER HEIDEN WAG W EW W T W I T G A F I A 25 I I 24 T V B 2 T I H I I B O T B N 2 T T M 35 E D I G B I E W A W M W B O 24 B I START I B M TV T p p

T A E H H W T H H T Y T T O H S H T B B O H S I D I I H O W F R I H W H S J F L H G H I J V H L H W O A T H W Y W H L H A G V I H W I T H C k T H H W z H W M A V H B W H T I T I W S p I H I M I A B I D L T There is a difference between art as a considered intel- H lectual activity and creativity per se. Which is not to A p F say that the fruits of the latter cannot be as intriguing Y as those of the former. But the artists I look at are all Y W engaged in a knowing and self-reflective way with their practice and as much with the history of art. T I W W J V W Am I the recipient of the letters? Do they appeal to me? Are they my concern anyway? If they are, then why? T I H M W Okay, M what you are writing is quite nice, but your grammar T is all wrong - so forget about it, get a brush and start T painting! H T H END W C I O D M 2 L EH G O p H D H G T T W H S p H A G W T S A C V V G C M A z H p M H 2 M G 24 H T z 2 I R S H S I D 2 A E #4 H O S T B B O H

T A E C T T MATTHEW HIGGS Y T T C G Y C E NIAD k T F Y A T T W MFA AF I D M 2 25 k T START T M I T I C G Y J S D W C T 4 M W S A R I G I I T W I C G T T E I C G T k I T I W W T T C G A W T T I T C G Y T B A T H S T H I H T Y O I I T I T W F Y T T T Y I I I T MFA S MFA T M T k C G I I T C G T T W I J J I I T E T

T A E T I I T T I E M G N M M C W I E H W J D A k F A T T I W W N I I B A T S S 2 O T W T T p C G I T W J A Y B W D M T W S T T I I I T T W I C T I 3 I I O T C G Uk T I A B A A Uk I T T W N H S T N RD L A BFA T I I T B A T U S I D N O I I I END W M 2 I B C A L EN Y USA B A M I L R I 2 M H C G C E Y 4 W E NIAD O M H W C N Y F A C E E L ICA L S W W 22 I S F 24 H 5 E # C G T D M 2 W S 2 I E #4 T I A T p I I B I I D

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T A E C I T I HIROSHI IMANAkA I – I L I I A I T S S I 55 F I 55 I W W

I D T S A H T I 2 S A W A H T S 2 A START W S I T A I 5 H I C S 5 T I H M I F A L p I F C I A N W I M S I 35 W A I H I T W I W A M A 23 T M W A4 A3 W I I W W A T S I G – A I T S W 4 F T E S 4 T S T I I W T D S I A I Y I J D I A O T T S U J W W 2 C 5 I p Y I J I T p J I I M I I T 5 H I I I I D W A W A A J p k G O H I A F N Y T C T T W A I T I N I T

T A E T T 2 I E #4 A I T k T T S I W T C A I AXEL kLÖSSFLEISCHMANN O E #4 D W A W M W I I I D G k T 5 H I T TV S A H I 5 T 4 J I H H I 5 S T W T T I H F H A T H R k 2 T N T START W A T E M A 5 R k

B H H M T I I I A I I p H Y B E M I I W I I I I Y F B I M J I R H W O I W E I I 5 Y A I W R – R k 4 H I W T H 2 H E END H H J 2 I L EO J W I H I R M I 3 k J H O H I H M W A I J E I R p k G N U J Y 2 S M T

T A E Y H H I This machine is now at the exhibition in Frank- I furt, but in a month I will use it again for the working area in Mariaberg H T M S W T I T M 25 H – W A I T H H H H M H T H D T S W H H O M T T H H T R W You must move to I the other street. This is the wrong street. Please close I it! H T M I END R M 2 W M I L EM G S E A kF Y I G k T G W 5 E T A T C A kF A 5 H M W G I want to cross, I am a very p R important philosopher. T Show E S me your works, show me your literature. How can I tell k 2 B 2 that you really are a philosopher? T A E #4 R B R k M S Y I T I Please sit T down, please do it! C

T H I ADAM pHILLIpS M H 2 I TV T C I I A D I A Y I R E I F R M W I R O W R B J S R H START R M S I S Y I R T M E M T S T S J k T H I W D R M W R H M I I T I

T A E W M S G S I I I T I T M I I T A – I I T T A C J H H I W E W W A G N H T O I T I I J S S D S T I C C G A I Q I I I S W E R J H B I T O M H 2 C T I B A I – H T – I I I J H p I H I T I T I I – T I I I I T Y I I I Y I O A I I T I A I A A T S T I I I I I W I I E I I T E

T A E T I W W J S A I I I T I T I I T T Y T I I T T I T I A G L I Y I I I L T M E N T W H I T W T M T E I M F I I O B S O I I J S O W Y W S Y T I T I T I I A I I I p T I I T I I F D S O T Y T T T I D I I W D S T I G p T I Y W T M T T I W I D T M E I I I I W 2 I T Y

T A E I p A O I O I I I T M I Y T S I I W Y T M E #2 I B T O B C I I I I W Y W T I W W S I T T W independent A dependent T I I I B I I I I I T M I E I I W I I I I I T M E I W T I I I T Y I W 45 L I T O I I Y 45 T M E T 45 p I E M T W A T Y oh dear! E S A T I I W T I B W T J T C have a look at this, you haven’t seen this before. T I T T T E G O I W I I S I p I E #4 I I I I

T A E C L T Y I 4 I C G A I W I Y T A I C G T I T I T E I A T H I M I A W Y I I C A END W S L S Y J A 2 L E B A O A p C p C 54 C W H A G A A p I p W II C C H L 5 S S L R B S A I p S M A S E 2 O B 2 S p Y C

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S T J A S A C 5 T M E A – START S – J N I A 2 C END T A C I J D 2 M 2 C L ECL S F I S T D J pF D C I S M S F A D J W pF A C T A F S A C I T 4 L R A G I A C J D S A T p A I I 3 A C I E # B A S I A

T A E C I I W I A H COLIN RHODES I R C 2 C T T I I F G E 2 C M I A J T T Y W L

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H Y 2 C Y T I I T H I T I I N I T H H 2 E W Y B L START W I C D I T M I F I Revealing the Human I I T T T A p A W W T I D S S T W I T C T kCAT k I C W B H T N I S B D k T F C G C W E U S T H H T I W T T T T O H Y H B I T workshoppy I E B N A W I C H D S N L H D G G W J F I C G I W W T D B A p A T I I

T A E W I T I T p I W I I T p C I T D R M C G T H A V A H M D B S T I I A I I I S T T W I I J p p G I I N G T Y D C T W D H U T C C I M I S T C B T I L I A I I T O J S W T J S I T Y T W H H W A A S D R W I I O W I 2 C S J B D S I H H H R p J T H H I I D S H H D T H H F T Y E I I Y S I I S A T I F I T T B I T

T A E I S N M B I END Y W I J 2 L ES A I I C R 3 M E A C R D p A H T U S A B p O A S I A 2 p M T S I L A 4 R p E R A O A I E # Art is the product or process of deliberately arrang- ing items often with symbolic significance in a way I which influences and affects one or more of the senses, C I emotions or intellect. It encompasses a diverse range of human activities, creations and modes of expres- SIR kEN ROBINSON B sions including music, literature, film, photography, T 2 D S sculpture and painting. The meaning of art is explored in a branch of philosophy known as aesthetics and even I disciplines such as history and psychology analyse its I relationships with human and generations. M T T S R G O T D I I T I I I I I T T S A 5 A START I T S k R I B O T M Art is the use of skill and imagination in the creation E of aesthetic objects, environments and experiences that can be shared with others. L S I S W T I T A I I I T 5 A T I T W I I I T T T T S H D I

T A E I H W W C O T 45 I I M 5 Y F B W 3 I I O I T J B 5 I A W M p W T O I A T T W S W I Y T I I Y B A T W W W T F p T T I T T A C I O R A S E O W I I W O W T W I M A p T T T I M T W A Maestro, this was A I wonderful, thank you very much. What is it about? T M Oh, it’s about this I I T M A T D L Y T A L T T I T W I W T T M E 4 F C C A H I I T

T A E START S A AF I E Y D H T H H I I O I D T W B M H H H BMW I p W C H H A B T W D O B D I I W T M H H E Y I Y W H A JJ I O W W JJ T H I W S p I JJ H W T W W I B T W T I M 55 G END T 5 J3 A 2 T D L EC USA S k R S E D 5 L E W F D J S k R pD J F T A Y I I S p A I 5 N A C O O C C E D R TED E W F I I I F C N F ANNEFRANOISE ROUCHE T I T I W T W W T – W

T D T W A Y I D 42 A H I I Y W I D T 2 H I F

T A E W C S T W CINDY SHERMAN T A I I I W I W I C G p I Y I I I T T I – I T S G S 2 S A START T Y – S Y C D W T T I N F W I I F I I M G M C I H M B C G F I G B H I T H I Y A M Y J S I G B A T S p I M I M B – M B C T I I T I T I I T 5 I O A F N Y Y T I Y W C G – T END I I I W C M H M J 2 I I L EV B S I I D C AF R I G J S V B I A LI BA I I SL L AF R A I C G CEC L H B I I A Y D M W S W M B 2 T A R G S L C H M L F I I 2 G M D 2 E T CEC L H E I #4 W A U T I I – T I I S I T T N I T M A I

T A E I I H W T C G T E S T J S H I I H – I I J W I T END J I I I I T M 2 J A 2 B L EN Y USA I I C S I I 54 N J USA T L T p C S I I J Y E J V B 2 W B C 2 S F M M A T M M A N J Y S N I J A A 2 MA F T I A 5 H T F C p W S J U A B DR ELISABETH TELSNIG T p I T H I T I I T T I J J C Y I J I W Y B T I G J H 2 J START Y Y F E Y J H W W J J M I T H F E W H J I A I I I A I J J T M I H I J S S I H I F 2 I 5 I T J I W I I I T I H T J T I J B J S J O T W J M I J F I D J T J

T A E F START Y F B I N I T H T D J F I H S M C T T T I C T L A H S A C T W I C T W W I M O C T T T p T I

I T W I M C T T W S I J T W I END I T C S T M T 3 M 2 I L ER I A p 2 C D E T I 53 G A I S A D E T pD I L O 5 S J A D D H E G T C B p 2 C A B L 23 H H U H F R I D H V 55 2 E 24 J H H R B F C 24 T I C I C NIGEL WARBURTON O I I T I – T T M E W we’ve discovered a number of people who have made things which are really good, stimulating not just as relics of a definition of some kind of psychiatric distur- bance, but as art. T I I I I T T S W N G I T T p W I F T T I J k T T H S 23 T

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