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Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
The Films of Ciro Guerra and the Making of Cosmopolitan Spaces in Colombian Cinema
The Films of Ciro Guerra and the Making of Cosmopolitan Spaces in Colombian Cinema Maria Luna and Philippe Meers Abstract: This article proposes to use the concept of “cosmopolitan cinematic margins” to analyse the paradoxical meeting of the cosmopolitan meaning and discourses of Ciro Guerra’s Colombian films and the spatial restrictions and immobility of the rural and remote places in which they are set. Such areas as seen on screen are usually interpreted by urban audiences as exotic locations, independently of their actual distance from cities. The article explores how films that, at first sight, show images of marginal and remote places like the Colombian Amazonian Jungle, when inserted into a global context—such as the hierarchical system of international film festivals—become symbols of cosmopolitan cinematic margins, and represent a country in the global spaces that legitimise the importance of that country’s film production. The cosmopolitan cinematic margins in the films of Guerra are then strategically situated in environments of global mobility and international prestige. Introduction The three feature films directed thus far by Colombian filmmaker Ciro Guerra— Wandering Shadows (La sombra del caminante, 2004), The Wind Journeys (Los viajes del viento, 2009) and Embrace of the Serpent (El abrazo de la serpiente, 2015)— were all produced by the independent production house Ciudad Lunar. They show the dynamics and tensions in the making of a cosmopolitan cinematic space within a peripheral cinema or “small cinema”, expressions that will be used in this article to remark the particular position of the cinemas of the “remaining countries” beyond the dominant production of Argentina, Mexico and Brazil—also known as “the big three” (Falicov and Middents 115). -
Sponsorship Brochure
FESTIVAL OVERVIEW Films: 40+ selections Havana Film Festival New York Expected attendance: The Havana Film Festival New York (HFFNY) is an internationally 15,500 recognized film festival celebrating cinema from Cuba and Latin America, the Caribbean, and Latinos in the U.S. HFFNY has built upon its relationship with the community to provide a multicultural experience to people of all ages. The Festival Web Visits: features screenings, special events, panel discussions, and receptions. 55,000 We showcase award-winning and independent films rarely seen in the Venues: U.S. The Bronx Museum of the Arts Brooklyn Academy of Music (BAM) All foreign language films are subtitled in English. The Directors Guild Theatre Media Instituto Cervantes New York Impressions: King Juan Carlos I of Spain Center at NYU The Museum of the Moving Image +150 Quad Cinema million School of Visual Arts (SVA) Symphony Space Village East Cinema 2 HFFNY AUDIENCE HFFNY attracts a diverse, international audience that includes film aficionados, filmmakers, actors, academics, and the local community. Our programs attract the dynamic and rapidly growing Latino population in the New York City area, as well as national and international audiences through our partnerships with other festivals. Social Media followers: 10,000 Ethnicity growing rapidly Latino / Hispanic 56% Caucasian 36% African American 6% Argentina Other 2% Brazil Chile Recent Colombia featured Costa Rica Cuba Ages Dom. Republic countries: Age 18 and under 8% Ecuador Guatemala Age 19-35 30% Mexico Paraguay Age -
To Download the PDF File
1 Vancouver's2 leading arts source Proud media sponsor for Vancouver Latin American Film Festival Congratulations on your 10th Anniversary! STAY CONNECTED AT STRAIGHT.COM welcome | bienvenidos | bem-vindos 3 Welcome to our 10th Anniversary Festival! Where are we going after ten years? A Latin American Film However, not only in Canada has our festival been sought Festival that takes place in North America automatically has two out for partnerships and collaborations. In the last year, well missions: community and cinema. In any major city in the USA established festivals such as the Guadalajara International and Canada, Latin Americans are an important part of the cultural Film Festival (FICG) in Mexico, Biarritz in France and Festival makeup, and to a certain degree an arts festival will always have ÍCARO in Guatemala, have included VLAFF representatives the responsibility to build community through its events. But a in seminars and juries, recognizing the weight that our film festival has another big responsibility: To educate through the organization represents for Latin American cinema. vision of cinema, create new audiences, and showcase works that otherwise would not be seen by the general public. During a recent trip to the Buenos Aires International Festival of Independent Cinema (BAFICI) in Argentina, a film critic After ten years we are proud to say that even though VLAFF is specializing in Latin American cinema told me that the now a widely recognized annual event in the Latin American reference they have for Latin American cinema in Canada community in Vancouver, it is also a significant part of the festival was VLAFF, something that made me realize that we have now circuit and plays a crucial role in the promotion of Latin American become an internationally recognized hub for Latin American cinema in Canada. -
CV Largo Jorge Sánchez Corto
Jorge Sánchez Sosa [email protected] Cell Phone: +52 155 85 3198 83 Biography Born in Veracruz, Mexico. Producer since 1979 of over 20 films directed by Mexican and Latin American filmmakers, including "Cronos" (1993) by Guillermo del Toro, "Danzon" (1991) by Maria Novaro,"El Evangelio de las Maravillas" (1998), "El Coronel no tiene quien le escriba" (1999), "Así es la vida" (2000) and "La perdición de los hombres" (2000) by Arturo Ripstein, “¿Cómo ves?" By Paul Leduc (1986), "Contigo a la distancia" (1990) by Tomas Gutierrez Alea. Six of his productions have participated in different sections of the Cannes Film Festival. He is founder and board member of the Foundation of New Latin American Cinema which was chaired by Gabriel Garcia Marquez. He founded and chaired the AMPI (Mexican Association of Independent Producers) and FIPCA, Ibero-American Federation of Film and Audiovisual Producers. From 2001 to 2005 he was Consul General of Mexico in Rio de Janeiro, Brazil. He helmed the Guadalajara International Film Festival from 2006 to 2010. And founded and directed the Los Cabos International Film Festival in 2012. From 2012 to 2013 he was the president of the Mexican Academy of Film & Arts. As Member of the Jury Jorge Sánchez has participated in over 25 International Film Festivals including San Sebastian, Sundance, Havana, Brazil, among others. He has lectured at an international level on multiple forums on topics like film production, and distribution, audiences, etc. In 2009 he received the "Knight of the Order of Arts and Letters" award by the Ministry of Culture and Communication in France. -
Nise – the Heart of Madness
AND PRESENT GLORIA PIRES in NISE – THE HEART OF MADNESS Directed by: Roberto Berliner Drama - 109 minutes-Not Rated In Brazilian Portuguese (With English Subtitles) Website: http://www.nisetheheartofmadness.com 1 SYNOPSIS 1940’s, Brazil- Dr. Nise da Silveira (Played by award-winning actress Gloria Pires) is at work in a psychiatric hospital on the outskirts of Rio de Janeiro and refuses to employ the new and violent electroshock therapy for the treatment of schizophrenics. Ridiculed by doctors, she is forced to take the abandoned Sector for Occupational Therapy, where she starts a revolution through paints, dogs and love. Through her efforts, renowned modern art museums opened their doors to artists nobody had ever heard of. Many critics pointed out that these exhibitions revealed painters that went on to be ranked amongst the best Brazillian artists of the century. Behind this miracle there was no art academy, patron or dealer. The artists were schizophrenic, poor, hospitalized for several decades, abandoned by their families and hopeless to all but da Silveira. NISE:THE HEART OF MADNESS tells the real life story of this "miracle" and the life of this rebellious, frail and engaging psychiatrist. FESTIVALS AND AWARDS Tokyo International Film Festival 2015 – Best Film and Best Actress Rio International Film Festival 2015 – Audience Award Aruanda Festival, João Pessoa 2015 – Audience Award, Best Soundrack and Best Production Design Gothenburg International Film Festival 2016 – Official Selection Glasgow International Film Festival 2016 – Official Selection Pachamama Festival, Rio Branco, Brazil 2015 – Closing Film São Paulo International Film Festival 2015 – Official Selection 2 ABOUT THE FILM “Nise always went against the grain, she always searched for her own truth, never rested, never was corrupted. -
Major Film Programs, Highlighted Events, and Exhibition Overview at Museum of the Moving Image in April 2019
CALENDAR ADVISORY MAJOR FILM PROGRAMS, HIGHLIGHTED EVENTS, AND EXHIBITION OVERVIEW AT MUSEUM OF THE MOVING IMAGE IN APRIL 2019 A summary of the Museum's programs and exhibitions in April is included below. They include limited theatrical engagements of Diane, Babylon, and Black Mother; Havana Film Festival New York screenings; a series of Latin American sci-fi films co-presented with the Queens Museum; and the first part of See It Big! Action. In April, the Museum will also host the Theorizing the Web conference on April 12 and 13. Program schedules and tickets are available online at www.movingimage.us. MAJOR PROGRAMS AND FILM SERIES Penny Lane Is Her Real Name: a complete retrospective APRIL 5–7, 2019 (Penny Lane in person on April 6 & 7) The first complete retrospective of acclaimed documentary filmmaker Penny Lane, this weekend series opens with a screening of Banksy’s Exit Through the Gift Shop, a film that had a profound impact on Lane. She will appear in person with all screenings of her films, including a program of shorts, the features Our Nixon, Nuts!, and The Pain of Others, culminating with a preview screening of her new film Hail Satan?, an entertaining, provocative, and timely look at The Satanic Temple's battle for religious freedom and personal expression. Organized by Curator-at-Large David Schwartz. Press release | Schedule & Tickets NEW RELEASE Diane, directed by Kent Jones and starring Mary Kay Place APRIL 6–7, 2019 Built around an extraordinary, fearless performance from Mary Kay Place, the narrative debut from Kent Jones (Hitchcock/Truffaut) is a profound, beautifully human portrait of a woman rifling through the wreckage of her life in search of redemption. -
7 Days / 7 Directors ©Full House – Morena Films
FULL HOUSE AND MORENA FILMS IN COLLABORATION WITH HAVANA CLUB INTERNATIONAL SA PRESENT A FILM BY BENICIO DEL TORO PABLO TRAPERO JULIO MEDEM ELIA SULEIMAN GASPAR NOÉ JUAN CARLOS TABÍO LAURENT CANTET 7 DAYS / 7 DIRECTORS ©FULL HOUSE – MORENA FILMS. CREDITS NOT CONTRACTUAL CONTRACTUAL ©FULL HOUSE – MORENA FILMS. CREDITS NOT Full House & Morena Films In collaboration with Havana Club International S.A present A fi lm by BENICIO DEL TORO PABLO TRAPERO JULIO MEDEM ELIA SULEIMAN GASPAR NOÉ JUAN CARLOS TABÍO LAURENT CANTET Running time: 2h09 – Visa 128.944 – 1.85 – Dolby Digital Download press kit and photos from www.wildbunch.biz/fi lms/7_days_in_havana INTERNATIONAL SALES INTERNATIONAL PRESS: RENDEZ VOUS 4 La Croisette – 1st fl oor (In front of the Palais) Viviana ANDRIANI: [email protected] Phone: +33 (0) 4 93 30 17 46 +33 6 80 16 81 39 Carole BARATON: [email protected] Aurélie DARD: [email protected] Gary FARKAS: [email protected] +33 6 77 04 52 20 Vincent MARAVAL: [email protected] Gaël NOUAILLE: [email protected] Silvia SIMONUTTI: [email protected] 7 DAYS IN HAVANA is a snapshot of Havana in 2011: a contemporary portrait of this eclectic city, vital and forward-looking, told through a single feature- length movie made up of 7 chapters, directed by Benicio del Toro, Pablo Trapero, Julio Medem, Elia Suleiman, Gaspar Noé, Juan Carlos Tabío and Laurent Cantet. Each director, through his own sensibility, origins, and cinematographic style, has caught the energy and the vitality that makes this city unique. Some have chosen to meet cuban reality in tune with its everyday life, through the eyes of the foreigner far from his familiar points of reference. -
TALENT NETWORK Network, Which Brings Together People Committed to Disseminating and Sharing Knowledge, Thus Guaranteeing Democratic Access to Their Learning
The professionals suported by Projeto Paradiso are part of the Paradiso Talent TALENT NETWORK Network, which brings together people committed to disseminating and sharing knowledge, thus guaranteeing democratic access to their learning. www.projetoparadiso.org.br TALENTS 2019/2020 Aline Mazzarella Producer Rio de Janeiro/RJ Torino Film Lab Extended Creative Production Workshop (Italy) Aline graduated from the Fluminense Federal University (UFF, Rio de Janeiro) with a BA in marketing communications/film studies and earned a master’s degree in visual arts from IUAV in Venice. In 2014 she founded Estúdio Giz, an audio-visual production company. The feature films that she has produced include Alice Furtado’s “Sick, Sick, Sick” (2019), which made its world debut in the Directors’ Fortnight section of the 2019 Cannes Film Festival. TALENTS 2020/2021 Allan Deberton Director / Screenwriter / Producer Russas / CE BAL/LAB (France) Paradiso Incubator Paradiso After directing successful short films, Allan Deberton co-produced the TV series “Lana & Carol” and the feature “The Other Side of The Atlantic”, premiered at 37th Havana Film Festival. “Pacarrete”, his first feature as director, premiered at the 22nd Shanghai International Film Festival and ran in important film festivals, winning 27 awards. TALENTS 2019/2020 Ana Clara Ribeiro Screenwriter Teresina/PI Maestría en Escritura Creativa Escuela Internacional de Cine y Televisión - EICTV (Cuba) After graduating in radio and TV from the Federal University of Rio de Janeiro, Ana Clara pursued a master’s degree in multimedia art at the Faculty of Fine Arts of the University of Lisbon. Since 2017, she has been working on project and script development and was the assistant producer of director Cacá Diegues’s film “The Great Mystical Circus” (2018), produced by the Luz Mágica production company. -
Branding Latin America Film Festivals and the International Circulation of Latin American Films
Branding Latin America Film Festivals and the International Circulation of Latin American Films Laura Rodríguez Isaza Submitted in accordance with the requirements for the degree of Doctor in Philosophy The University of Leeds School of Modern Languages and Cultures Centre for World Cinemas October, 2012 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others . This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement . Except where otherwise noted, t his work is licensed under a Creative Commons Attribution -Non Commercial- Share Alike 2. 0 UK: England & Wales (CC BY -NC-SA 2.0). Full license conditions available at http://creativecommons.org/licenses/by -nc-sa/2.0/uk/ © 2012 The University of Leeds and Laura Rodríguez Isa za Acknowledgements I am indebted to many people for their support and encouragement to go throughout the different stages of this research. First of all, I would like to thank my supervisors at the Centre for World Cinemas of the University of Leeds without whose backing this research would not have been possible. I am especially indebted to Lúcia Nagib for her committed mentorship and encouragement to continue despite my frequent blockages. Her extensive knowledge and academic rigour enriched this research through a constant ex-change of ideas that helped me not only to express my arguments more clearly on paper but to develop further my thinking about the complexities of cinema as an object of study. -
Friday, March 1–Sunday, March 3 Robins School of Business, Ukrop
Sunday, March 3 Will the Real Terrorist Please Stand Monseñor: The Last Journey of Up? Oscar Romero 2 p.m. 3:45 p.m. Documentary, USA, 2011, 80 min. Documentary, USA, 2011, 88 min. Saul Landau, Director Ana Carrigan and Juliet Weber, Directors Presented by Dr. Eric Yellin, Department of History, Presented by Dr. Peter Kaufman, Department of Religious Studies, University of Richmond University of Richmond The film chronicles half a century of hostile US-Cuba relations by telling A collection of rare recordings and film footage from the last three Friday, March 1–Sunday, March 3 the story of “The Cuban Five”, intelligence agents sent to penetrate years of Archbishop Romero’s life and a wide range of interviews Cuban exile terrorist groups in Miami and now serving long prison with those whose lives were changed by Romero, including Robins School of Business, sentences (One was recently released on probation after serving 13 church activists, human right lawyers, former guerrilla fighters, and years). The film combines fascinating archival footage with testimonies politicians. by anti-Cuba militants, an imprisoned member of the Cuban Five, actor Ukrop Auditorium and activist Danny Glover, and Fidel Castro himself (filmed recently). Artigas: La Redota Juan of the Dead 6:10 p.m. 8:20 p.m. Fiction, Uruguay, Spain, 2011, 118 min. Fiction, Cuba and Spain, 2011, 92 min. César Charlone, Director Alejandro Brugués, Director Presented by Dr. Manuella Meyer, Department of History, Presented by Abigail Cheever, Film Studies Program, University of Richmond University of Richmond In 1884, the famous Uruguayan painter Juan Manuel Blanes is asked by A group of slackers face an army of zombies.