Modern Perceptions of Ancient Realities from Montesquieu to Mill
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Which Liberalism? Franco Sbarberi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Institutional Research Information System University of Turin Bobbio and Croce – Which Liberalism? Franco Sbarberi Abstract: Benedetto Croce taught Norberto Bobbio to distinguish between two kinds of commitment, namely an intellectual and a political one. The expression “politica della cultura” effectively translates the idea of the autonomy or independence of scholarly and intellectual research. Another idea which was passed on from Croce to Bobbio is that of liberalism as the theoretical basis of every form of civil government insofar as the liberal conception rejects any notion of “Providence” as a covert agent of history. But Bobbio differed from Croce since he never believed that democracy could essentially contradict the perspective of liberalism, and was convinced that true emancipation is a sort of “conguagliamento delle libertà,” or, in other words, that it implies a strong relation between individual political rights and the demands of social justice. In the Preface to a bibliography of his writings that was published in 1984, Bobbio made reference to a “half-score” of his preferred authors. For the early modern period the selection seemed “almost inevitable” as far as the names of Hobbes, Locke, Kant, and Hegel were concerned. For more contempo- rary authors, on the other hand, he specifically singled out Croce, Cattaneo, Kelsen, Pareto, and Weber since they all represented, at one point or another, a crucial point of reference either for his own political development or for the considerable range of his intellectual interests (which also show him to have been a subtle analyst and systematic interpreter of the classic writers). -
History As Contemporary History in the Thinking of Benedetto Croce
Open Journal of Philosophy, 2015, 5, 54-61 Published Online February 2015 in SciRes. http://www.scirp.org/journal/ojpp http://dx.doi.org/10.4236/ojpp.2015.51007 History as Contemporary History in the Thinking of Benedetto Croce Nicola Conati Department of Humanities, University of Trento, Trento, Italy Email: [email protected] Received 12 January 2015; accepted 30 January 2015; published 3 February 2015 Copyright © 2015 by author and Scientific Research Publishing Inc. This work is licensed under the Creative Commons Attribution International License (CC BY). http://creativecommons.org/licenses/by/4.0/ Abstract In this brief consideration of mine, trying to remain as faithful as possible to the texts taken into exam, I will first try to introduce the concept of history as contemporary history in the thinking of Benedetto Croce, whereas the second part of the reasoning will point toward proving and medi- tating on how such concept crosses the whole philosophical system of the Italian intellectual. What does contemporary history mean according to Benedetto Croce? Why is the spirit of the historian fundamental in the description of this concept? What kind of connection exists between story and contemporary history? What does pathology of history mean? How does the concept of contem- porary history relate to that of awareness, of finished and thinking? These are but a few of the questions to which I tried to find an answer with this essay. Keywords Benedetto Croce, History, Philosophy of History, Historical Knowledge, Contemporary History, Pathology of History, Heidegger, Rosmini, Idealism 1. Introduction I would like to begin my consideration by taking into account “Storia, cronaca e false storie”, a brief 1912 de- liberation originally born as a “memoir” for the Accademia Pontiniana of Naples, which will later merge into the 1917 “Teoria e storia della storiografia” (although the first edition was published in Germany in 1915). -
JSM Author List (Web Version)
BOOKCASESHELF AUTHOR TITLE DATE K 8 [Académie Françoise] Dictionnaire de l'Académie Françoise… [1798] E 1 [Anthologia Graeca] Anthologia Graeca sive poetarum graecorum lusus 1794-1814 H 1 [Arabian Nights] The Arabian Nights, in five volumes, translated by the Reverend Edward Forster. With1802 engravings, from pictures by Robert Smirke E 3 [Aristotle] Andronici Rhodii ethicorum Nicomachaeorum paraphrasis cum interpretatione Danielis1617 Heinsii G 9 [Aristotle] Simplicii commentarii in quatuor Aristotelis Libros de Coelo, cum textu eiusdem 1527 G 9 [Aristotle] Simplicii Commentarii in octo Aristotelis Physicae Auscultationis Libros cum ipso Aristotelis1526 textu C 1 [Bank of England] Substance of the proceedings of a General Court of Proprietors held at the Bank…1809 G 3 [Bentham, Jeremy] Not Paul, but Jesus. By Gamaliel Smith [pseud. of Jeremy Bentham] 1823 B 4 [Cobden Club] Systems of land tenure in various countries: a series of essays published under the1870 sanction of the Cobden Club C 2 [Code Civil] Conférence du Code Civil, avec la discussion pariculière du Conseil d'État et du tribunat,1805 (An avant XIII) la redaction définitive de chaque projet de loi C 3 [Code Civil] Conférence du Code Civil, avec la discussion pariculière du Conseil d'État et du tribunat,1805 (An avant XIII) la redaction définitive de chaque projet de loi E 4 [Diaconus, Eugenius] [He logike ek palaionte kai neoteron suneranistheisa hupo eiugeniou diakonou tou[1766] boulgareos] H 7 [Dodsley's Old Plays] A supplement to Dodsley's Old Plays. Ed. Thomas Amyot et al. 1853 H 7 [Early prose and poetical tracts] Early prose and poetical tracts illustrative of the drama and literature of the reign1853 of Queen Elizabeth H 7 [Early treatises on the stage] Early treatises on the stage; viz. -
Rethinking Athenian Democracy.Pdf
Rethinking Athenian Democracy A dissertation presented by Daniela Louise Cammack to The Department of Government in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Political Science Harvard University Cambridge, Massachusetts January 2013 © 2013 Daniela Cammack All rights reserved. Professor Richard Tuck Daniela Cammack Abstract Conventional accounts of classical Athenian democracy represent the assembly as the primary democratic institution in the Athenian political system. This looks reasonable in the light of modern democracy, which has typically developed through the democratization of legislative assemblies. Yet it conflicts with the evidence at our disposal. Our ancient sources suggest that the most significant and distinctively democratic institution in Athens was the courts, where decisions were made by large panels of randomly selected ordinary citizens with no possibility of appeal. This dissertation reinterprets Athenian democracy as “dikastic democracy” (from the Greek dikastēs, “judge”), defined as a mode of government in which ordinary citizens rule principally through their control of the administration of justice. It begins by casting doubt on two major planks in the modern interpretation of Athenian democracy: first, that it rested on a conception of the “wisdom of the multitude” akin to that advanced by epistemic democrats today, and second that it was “deliberative,” meaning that mass discussion of political matters played a defining role. The first plank rests largely on an argument made by Aristotle in support of mass political participation, which I show has been comprehensively misunderstood. The second rests on the interpretation of the verb “bouleuomai” as indicating speech, but I suggest that it meant internal reflection in both the courts and the assembly. -
1 Unit 4 Theory of Aesthetics
1 UNIT 4 THEORY OF AESTHETICS - POSTMODERN Contents 4.0 Objectives 4.1 Immanuel Kant (1724-1804) 4.2 Hegel (1770-1831) 4.3 Aesthetic Thought: A Historical Summary 4.4 Benedetto Croce (1866-1952) 4.5 20th Century Aesthetic Thinkers 4.6 Let Us Sum Up 4.7 Key Words 4.8 Further Readings and References 4.0 OBJECTIVES The main objective of this Unit— is to present the concepts in aesthetic thought that continues to influence till today. The two great thinkers of the 18th century, Kant and Hegel who devoted special treatise and delivered lectures on aesthetic, their works are taken up for discussion. We shall be acquainted with the arguments and reasons of Kant from his Critique of Aesthetic Judgement followed by Hegel’s Lecture on Fine Art. The 18th – 20th centuries saw a great number of thinkers in the west who put forth views on aesthetic which also witnessed the artists voicing out their opinions. It is difficult to deal with all of them and the impact of the movement in this unit so we shall summarise the thought from the ancient to modern as seen by Croce and the movement then taken forward by Croce in his La Aesthetica. We close this unit by enumerating some of 20th century thinkers on aesthetic. Thus by the end of this Unit you should be able: • to have a basic understanding of the contribution of Baumgarten • to understand the thought of Kant and Hegel • to understand the all-comprehensive character of philosophy of art in history • to appreciate the contribution of Croce. -
HERODOTUS Volume XXVIII • Spring 2018
Stanford University Department of History Stanford University Department of History HERODOTUS Volume XXVIII • Spring 2018 Department of History Stanford University Stanford University Department of History HERODOTUS Herodotus is a student-run publication founded in 1990 by the Stanford University Department of History. It bears the name of Herodotus of Halicarnassus, the 5th century BCE historian of the Greco-Persian Wars. His Histories, which preserve the memory of the battles of Marathon and Thermopylae, were written so that “human achievements may not become forgotten in time, and great and marvelous deeds . may not be without their glory.” Likewise, this journal is dedicated to preserving and show- casing the best undergraduate work of Stanford University’s Department of History. Our published pieces are selected through a process of peer review. For additional information, please visit us online at herodotus. stanford.edu. EDITORIAL BOARD Editor-in-Chief Naomi Subotnick '18 Managing Editor Zachary Brown '18 Section Editors Gabriela Romero '19 InHae Yap '19 Editors Seth Chambers '19 Jason Seter '18 Benjamin Gardner-Gill '19 Emily Shah '19 Lucia Lopez-Rosas '18 Julian Watrous '19 Rosalind Lutsky '18 Victoria Yuan '20 Jennifer Peterson '18 Faculty Advisor Professor Thomas Mullaney Authors retain all rights to the work that appears in this journal. Cover Image: Stanford Historical Photograph Collection, Green Library West, 1919 Courtesy of Stanford University Libraries, Stanford, CA. Stanford University Department of History EDITOR’S NOTE According to Professor James T. Campbell, studying history is like traveling to a new place. One encounters people and ideas at once utterly foreign and strangely familiar. A journey enables us to see home with new perspective and depth. -
Intellectuals and Politics in the Twentieth Century Michael Kenny Department of Politics, University of Sheffield, S10 2TU, UK E-Mail: [email protected]
Contemporary Political Theory, 2004, 3, (89–103) r 2004 Palgrave Macmillan Ltd 1470-8914/04 $25.00 www.palgrave-journals.com/cpt Review Essay Reckless Minds or Democracy’s Helpers? Intellectuals and Politics in the Twentieth Century Michael Kenny Department of Politics, University of Sheffield, S10 2TU, UK E-mail: [email protected] Books Under Review Civility and Subversion: the Intellectual in Democratic Society Jeffrey C. Goldfarb Cambridge University Press, Cambridge, 1998, 263pp. ISBN: 0521627230. The Reckless Mind: Intellectuals in Politics Mark Lilla New York Review of Books, New York, 2001, 216pp. ISBN: 1590170717. The End of Utopia: Politics and Culture in an Age of Apathy Russell Jacoby Basic Books, New York, 1999, 252pp. ISBN: 0465020011. The Role of Intellectuals in Twentieth-Century Europe Jeremy Jennings (ed.) Special Issue of The European Legacy, 5(6), 2000. Contemporary Political Theory (2004) 3, 89–103. doi:10.1057/palgrave.cpt.9300133 Is liberal democracy a breeding ground for an independent and critically minded intelligentsia? Do public intellectuals require a cultural authority that has disappeared in Western societies? Does the counter-attack upon Enlight- enment values spell the end of the intellectual as modernist ‘legislator’ (Bauman, 1987)? And, has the (purported) decline of the public culture of various democratic states led to the demise of the political intellectual? These questions are central to the different texts considered in this essay. The answers provided by three of them testify to the continuing influence of two well- established, divergent characterizations of the public intellectual. First, in the minds of thinkers for whom ‘modernity’ signals a watershed in societal development, the rise and fall of the public intellectual represents a distinctive, and indicative, phenomenon of the last three centuries. -
Economics, Politics & Philosophy
Economics, Politics & Philosophy Peter Harrington london We are exhibiting at these fairs: 20–22 October london INK LDN 2 Temple Place, London WC2R 3BD inkfair.london 28–30 October boston Boston International Antiquarian Book Fair (ABAA) Hynes Convention Center, Boston www.bostonbookfair.com 4–5 November chelsea All items from this catalogue are on display at Fulham Road Chelsea Antiquarian Book Fair (ABA) Old Chelsea Town Hall Kings Road, Chelsea, London www.chelseabookfair.com 18–20 November hong kong China in Print Hong Kong Maritime Museum Central Ferry Pier No.8, Man Kwong St www.chinainprint.com VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, Cover illustration from Nicolas Johannsen’s Der Kreislauf des Geldes.., item 82 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Design: Nigel Bents; Photography Ruth Segarra. Registered in England and Wales No: 3609982 Peter Harrington london catalogue 126 NTANC COU Y · AC AD · OVERN VE · G ME R E CY NT T D A · IS A R S · PO I I R C ITIC PU N N L LA D T IO PO T G · IO I S S N A E Y T · E H · · E P R P L A K O F A N · R S W A I N · Y T M U I · H V K I I L P T M C S I I S M O 126 N E I O S T S G · N S I O P U · L S · I M I E Y S E C C H T E F H N P I C E O C I · · A O C S N S E A L N · L A I C Y S S C I O S O M S · N C E O I M I N C H I S E C T Y L A · E S R N U A T · · S E N A I C D Y E C A L P O All items from this catalogue are on display at Fulham Road chelsea mayfair Peter Harrington Peter Harrington 100 Fulham Road 43 Dover Street London sw3 6hs London w1s 4ff uk 020 7591 0220 uk 020 3763 3220 eu 00 44 20 7591 0220 eu 00 44 20 3763 3220 usa 011 44 20 7591 0220 usa 011 44 20 3763 3220 Fulham R0ad opening hours: 10am–6pm, Monday–Saturday www.peterharrington.co.uk All items are fully described and photographed at peterharrington.co.uk 1 2 1 first edition of this uncommon work – just 13 locations ADAMS, John Quincy. -
Research Archive and Digital Asset Repository
RADAR Research Archive and Digital Asset Repository Crook, M., Crook, T. (2015) Ballot papers and the practice of elections: Britain, France and the United States of America, c. 1500–2000', Historical Research, 88 (241), pp. 530-561. DOI: https://doi.org/10.1111/1468-2281.12102 This document is the authors’ Accepted Manuscript. License: https://creativecommons.org/licenses/by-nc-nd/4.0 Available from RADAR: https://radar.brookes.ac.uk/radar/items/1cd7751d-2874-428e-b6d6-5a84d885da0e/1/ Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners unless otherwise waived in a license stated or linked to above. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. 1 BALLOT PAPERS AND THE PRACTICE OF ELECTIONS: BRITAIN, FRANCE AND THE UNITED STATES OF AMERICA, c. 1500–2000 Two technologies have come to define the act of voting in modern democracies: the ballot paper and the ballot box. Both are easy to use and both secure secrecy, preventing intimidation, bribery and corruption, at least in theory (practice is another matter).1 ‘For many people today, democracy is epitomized by the image of a voter dropping a piece of paper into a ballot box’, write the political scientists Massicotte, Blais and Yoshinaka in their 2004 global survey of election laws. -
PHILLIP J. PIRAGES Catalogue 66 BINDINGS Catalogue 66 Catalogue
Phillip J. Pirages PHILLIP J. PIRAGES Catalogue 66 BINDINGS Catalogue 66 Items Pictured on the Front Cover 172 176 58 114 92 3 52 167 125 115 192 28 71 161 1 196 204 116 Items Pictured on the Back Cover 152 109 193 9 199 48 83 18 117 25 149 59 83 77 90 60 175 12 149 50 41 91 55 171 143 66 50 126 65 80 98 115 To identify items on the front and back covers, lift this flap up and to the right, then close the cover. Catalogue 66: Interesting Books in Historically Significant and Decorative Bindings, from the 15th Century to the Present Please send orders and inquiries to the above physical or electronic addresses, and do not hesitate to telephone at any time. We would be happy to have you visit us, but please make an appointment so that we are sure to be here. In addition, our website is always open. Prices are in American dollars. Shipping costs are extra. We try to build trust by offering fine quality items and by striving for precision of description because we want you to feel that you can buy from us with confidence. As part of this effort, we unconditionally guarantee your satisfaction. If you buy an item from us and are not satisfied with it, you may return it within 30 days of receipt for a full refund, so long as the item has not been damaged. Most of the text of this catalogue was written by Cokie Anderson, with additional help from Stephen J. -
19Chronology of Works in Aesthetics and Philosophy Of
Chronology of 19 Works in Aesthetics and Philosophy of Art Darren Hudson Hick Notes on Selection This chronology, as with this Companion as a whole, focuses on those works that contribute to the Western tradition of aesthetics, and, beginning in the twentieth century, in the analytic current of thought within that tradition (as opposed to the Continental one). As with the history of Western philosophy in general, the study of philosophical problems in art and beauty dates back to the ancient period, and is infl uenced by the major philosophical and cultural move- ments through the centuries. Much of what survives from the ancient to the post-Hellenistic period does so in fragments or references. In cases where only fragments or references exist, and where dating these is especially problematic, the author or attributed author and (where available) his dates of birth and death are listed. Where works have not survived even as fragments, these are not listed. As well, much of what sur- vives up to the medieval period is diffi cult to date, and is at times of disputable attribution. In these cases, whatever information is available is listed. Aesthetics in the period between the ancients and the medievals tends to be dominated by adherence to Platonic, Aristotelian, and other theories rooted in the ancient period, and as such tends to be generally lacking in substantive the- oretical advancements. And while still heavily infl uenced by ancient thinking, works from the medieval period tend also to be heavily infl uenced by religious thinking, and so many issues pertaining to art and aesthetics are intertwined with issues of religion as “theological aesthetics.” Movements in art theory and aes- thetics in the Renaissance, meanwhile, were largely advanced by working artists, and so tend to be couched in observational or pedagogical approaches, rather than strictly theoretical ones. -
The Shaping of European Modernities
The Shaping of European Modernities: Neapolitan Hegelianism and the Renaissance (1848-1862) How deeply rooted in man is the desire to generalize about individuals or national characteristic [Friedrich Schlegel, Critical Fragments] The idea of Europe is a product of modernity. As such, it needs to be understood in relation to discourses about and interpretations of modernity. As Gerard Delanty has commented: ‘The history of modern Europe can be written in terms of a conflict between the ideas of modernity.’1 The main theoretical approach for the analysis of the idea of Europe ought, therefore, to be the general context of modernity. However, from the beginning of the nineteenth century it has made more sense to discuss Europe in terms of multiple models of modernity, to better capture the different interpretations of the European heritage. Delanty has highlighted that the Renaissance was the transitional point to an emerging modernity which has shaped Europe’s cultural identity. This is partially because one of the distinguishing features of modern Europe ‘was the cultivation of a concept of the self that made possible […] a new emphasis on the human being as an individual and an objective of study and reflection’.2 Under the general name of Renaissance, Delanty subsumes different and diverse cultural experiences such as humanism, republicanism, the Protestant Reformation and the encounter with the * This work was supported by the Swiss National Science Foundation under Grant Early Post Doc Mobility. 1 Gerard Delanty, Formations of European Modernity: A Historical and Political Sociology of Europe (Basingstoke: Palgrave MacMillan, 2013), p. 164. 2 Ibid., p.