Demosthenes and the Theoric
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alexander the Great and Hephaestion
2019-3337-AJHIS-HIS 1 Alexander the Great and Hephaestion: 2 Censorship and Bisexual Erasure in Post-Macedonian 3 Society 4 5 6 Same-sex relations were common in ancient Greece and having both male and female 7 physical relationships was a cultural norm. However, Alexander the Great is almost 8 always portrayed in modern depictions as heterosexual, and the disappearance of his 9 life-partner Hephaestion is all but complete in ancient literature. Five full primary 10 source biographies of Alexander have survived from antiquity, making it possible to 11 observe the way scholars, popular writers and filmmakers from the Victorian era 12 forward have interpreted this evidence. This research borrows an approach from 13 gender studies, using the phenomenon of bisexual erasure to contribute a new 14 understanding for missing information regarding the relationship between Alexander 15 and his life-partner Hephaestion. In Greek and Macedonian society, pederasty was the 16 norm, and boys and men did not have relations with others of the same age because 17 there was almost always a financial and power difference. Hephaestion was taller and 18 more handsome than Alexander, so it might have appeared that he held the power in 19 their relationship. The hypothesis put forward here suggests that writers have erased 20 the sexual partnership between Alexander and Hephaestion because their relationship 21 did not fit the norm of acceptable pederasty as practiced in Greek and Macedonian 22 culture or was no longer socially acceptable in the Roman contexts of the ancient 23 historians. Ancient biographers may have conducted censorship to conceal any 24 implication of femininity or submissiveness in this relationship. -
Demosthenes, Chaeronea, and the Rhetoric of Defeat
CHAPTER 6 Demosthenes, Chaeronea, and the Rhetoric of Defeat Max L. Goldman Introduction For years Demosthenes urged the Athenians to oppose the rising power of Macedon, which had come to prominence in the second half of the fourth century through the diplomatic and military efforts of its king, Philip II.1 Demosthenes finally convinced the Athenians and the Thebans to form an al- liance, which faced Philip at Chaeronea in the late summer of 338 BCE. Philip’s decisive victory in that battle had immediate consequences for the political landscape of the Greek world and modern historical narratives tend to treat Chaeronea as a turning point, as the moment when mainland Greece ceased to engage in independent foreign policy actions.2 Although this turned out to be the case, it was not immediately clear at Athens that the new order established by Philip after the battle was irrevocable. When Demosthenes was selected to deliver the funeral oration (logos epitaphios) for the Athenians who died at the battle of Chaeronea, he faced a particularly challenging task because the soldiers, whose deaths he needed to praise, had died fighting a losing battle, a battle he had vigorously advocated for. In his funeral oration, Demosthenes needed to discuss the defeat and his role in it in a way that created a sense of continuity with the past, that minimized the potential disruption such a defeat can inflict on a community, and that gave the Athenians a way to understand their defeat and his role in it. There can be no doubt that Demosthenes delivered the oration for the dead of Chaeronea. -
Beauty on Display Plato and the Concept of the Kalon
BEAUTY ON DISPLAY PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Jonathan Fine All rights reserved ABSTRACT BEAUTY ON DISPLAY: PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE A central concept for Plato is the kalon – often translated as the beautiful, fine, admirable, or noble. This dissertation shows that only by prioritizing dimensions of beauty in the concept can we understand the nature, use, and insights of the kalon in Plato. The concept of the kalon organizes aspirations to appear and be admired as beautiful for one’s virtue. We may consider beauty superficial and concern for it vain – but what if it were also indispensable to living well? By analyzing how Plato uses the concept of the kalon to contest cultural practices of shame and honour regulated by ideals of beauty, we come to see not only the tensions within the concept but also how attractions to beauty steer, but can subvert, our attempts to live well. TABLE OF CONTENTS Acknowledgements ii 1 Coordinating the Kalon: A Critical Introduction 1 1 The Kalon and the Dominant Approach 2 2 A Conceptual Problem 10 3 Overview 24 2 Beauty, Shame, and the Appearance of Virtue 29 1 Our Ancient Contemporaries 29 2 The Cultural Imagination 34 3 Spirit and the Social Dimension of the Kalon 55 4 Before the Eyes of Others 82 3 Glory, Grief, and the Problem of Achilles 100 1 A Tragic Worldview 103 2 The Heroic Ideal 110 3 Disgracing Achilles 125 4 Putting Poikilia in its Place 135 1 Some Ambivalences 135 2 The Aesthetics of Poikilia 138 3 The Taste of Democracy 148 4 Lovers of Sights and Sounds 173 5 The Possibility of Wonder 182 5 The Guise of the Beautiful 188 1 A Psychological Distinction 190 2 From Disinterested Admiration to Agency 202 3 The Opacity of Love 212 4 Looking Good? 218 Bibliography 234 i ACKNOWLEDGEMENTS “To do philosophy is to explore one’s own temperament,” Iris Murdoch suggested at the outset of “Of ‘God’ and ‘Good’”. -
Resounding Mysteries: Sound and Silence in the Eleusinian Soundscape
Body bar (print) issn 2057–5823 and bar (online) issn 2057–5831 Religion Article Resounding mysteries: sound and silence in the Eleusinian soundscape Georgia Petridou Abstract The term ‘soundscape’, as coined by the Canadian composer R. Murray Schafer at the end of the 1960s, refers to the part of the acoustic environment that is per- ceivable by humans. This study attempts to reconstruct roughly the Eleusinian ‘soundscape’ (the words and the sounds made and heard, and those others who remained unheard) as participants in the Great Mysteries of the two Goddesses may have perceived it in the Classical and post-Classical periods. Unlike other mystery cults (e.g. the Cult of Cybele and Attis) whose soundscapes have been meticulously investigated, the soundscape of Eleusis has received relatively little attention, since the visual aspect of the Megala Mysteria of Demeter and Kore has for decades monopolised the scholarly attention. This study aims at putting things right on this front, and simultaneously look closely at the relational dynamic of the acoustic segment of Eleusis as it can be surmised from the work of well-known orators and philosophers of the first and second centuries ce. Keywords: Demeter; Eleusis; Kore; mysteries; silence; sound; soundscape Affiliation University of Liverpool, UK. email: [email protected] bar vol 2.1 2018 68–87 doi: https://doi.org/10.1558/bar.36485 ©2018, equinox publishing RESOUNDING MYSTERIES: SOUND AND SILENCE IN THE ELEUSINIAN SOUNDSCAPE 69 Sound, like breath, is experienced as a movement of coming and going, inspiration and expiration. If that is so, then we should say of the body, as it sings, hums, whistles or speaks, that it is ensounded. -
Ancient History Sourcebook: 11Th Brittanica: Sparta SPARTA an Ancient City in Greece, the Capital of Laconia and the Most Powerful State of the Peloponnese
Ancient History Sourcebook: 11th Brittanica: Sparta SPARTA AN ancient city in Greece, the capital of Laconia and the most powerful state of the Peloponnese. The city lay at the northern end of the central Laconian plain, on the right bank of the river Eurotas, a little south of the point where it is joined by its largest tributary, the Oenus (mount Kelefina). The site is admirably fitted by nature to guard the only routes by which an army can penetrate Laconia from the land side, the Oenus and Eurotas valleys leading from Arcadia, its northern neighbour, and the Langada Pass over Mt Taygetus connecting Laconia and Messenia. At the same time its distance from the sea-Sparta is 27 m. from its seaport, Gythium, made it invulnerable to a maritime attack. I.-HISTORY Prehistoric Period.-Tradition relates that Sparta was founded by Lacedaemon, son of Zeus and Taygete, who called the city after the name of his wife, the daughter of Eurotas. But Amyclae and Therapne (Therapnae) seem to have been in early times of greater importance than Sparta, the former a Minyan foundation a few miles to the south of Sparta, the latter probably the Achaean capital of Laconia and the seat of Menelaus, Agamemnon's younger brother. Eighty years after the Trojan War, according to the traditional chronology, the Dorian migration took place. A band of Dorians united with a body of Aetolians to cross the Corinthian Gulf and invade the Peloponnese from the northwest. The Aetolians settled in Elis, the Dorians pushed up to the headwaters of the Alpheus, where they divided into two forces, one of which under Cresphontes invaded and later subdued Messenia, while the other, led by Aristodemus or, according to another version, by his twin sons Eurysthenes and Procles, made its way down the Eurotas were new settlements were formed and gained Sparta, which became the Dorian capital of Laconia. -
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
Poetry and the Dēmos: State Regulation of a Civic Possession
is is a version of an electronic document, part of the series, Dēmos: Clas- sical Athenian Democracy, a publicationpublication ofof e Stoa: a consortium for electronic publication in the humanities [www.stoa.org]. e electronic version of this article off ers contextual information intended to make the study of Athenian democracy more accessible to a wide audience. Please visit the site at http:// www.stoa.org/projects/demos/home. Poetry and the Dēmos: State Regulation of a Civic Possession S is article argues that poetry – the Homeric epics and the works of the tragedians – enjoyed an importance to the democratic government of Athens equal to that of the city’s laws. Like laws, poetry was powerful. Like the law, too, poetry was regulated and, at times, manipulated ac- cording to the political needs of the city and its rulers. P C e pervasive civic importance of poetry in Athenian democracy during the fi h and fourth centuries has been obvious since ancient times. e fi gure Demades in Plutarch calls the theoric fund, which paid for the entrance fee into dramatic festivals for all citizens, the “glue of the democracy” (ὡς ἔλεγε Δημάδης, κόλλαν ὀνομάζων τὰ θεωρικὰ τῆς δημοκρατίας) (Plut. Platonic Questions b). Casey Dué, “Poetry and the Dēmos: state regulation of a civic possession,” in C. Blackwell, ed., Dēmos: Classical Athenian Democracy (A.(A. MahoneyMahoney andand R.R. Scaife,Scaife, edd.,edd., e Stoa: a consortium for electronic publication in the humanities [www.stoa.org], . © , C. Dué. In Aeschines’s oration Against Timarchus, Aeschines asks his jury to apply wisdom from the poetry of Euripides in their judgment of the case before them: Σκέψασθε δέ, ὦ Ἀθηναῖοι, τὰς γνῶμας ἃς ἀποφαίνεται ὁ ποιητής. -
Citations in Classics and Ancient History
Citations in Classics and Ancient History The most common style in use in the field of Classical Studies is the author-date style, also known as Chicago 2, but MLA is also quite common and perfectly acceptable. Quick guides for each of MLA and Chicago 2 are readily available as PDF downloads. The Chicago Manual of Style Online offers a guide on their web-page: http://www.chicagomanualofstyle.org/tools_citationguide.html The Modern Language Association (MLA) does not, but many educational institutions post an MLA guide for free access. While a specific citation style should be followed carefully, none take into account the specific practices of Classical Studies. They are all (Chicago, MLA and others) perfectly suitable for citing most resources, but should not be followed for citing ancient Greek and Latin primary source material, including primary sources in translation. Citing Primary Sources: Every ancient text has its own unique system for locating content by numbers. For example, Homer's Iliad is divided into 24 Books (what we might now call chapters) and the lines of each Book are numbered from line 1. Herodotus' Histories is divided into nine Books and each of these Books is divided into Chapters and each chapter into line numbers. The purpose of such a system is that the Iliad, or any primary source, can be cited in any language and from any publication and always refer to the same passage. That is why we do not cite Herodotus page 66. Page 66 in what publication, in what edition? Very early in your textbook, Apodexis Historia, a passage from Herodotus is reproduced. -
Canevarojhs2018thepublicch
Edinburgh Research Explorer The public charge for hubris against slaves Citation for published version: Canevaro, M 2018, 'The public charge for hubris against slaves: The honour of the victim and the honour of the hubrists', Journal of Hellenic Studies, vol. 138, pp. 100-126. https://doi.org/10.1017/S0075426918000071 Digital Object Identifier (DOI): 10.1017/S0075426918000071 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Journal of Hellenic Studies General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 The public charge for hubris against slaves: the honour of the victim and the honour of the hubristês* Mirko Canevaro University of Edinburgh 1. Introduction Four sources from the fourth century BCE state that the Athenian law on the graphê hubreôs covered also acts of hubris committed towards (εἰς) slaves (Dem. 21.47-49; Aeschin. 1.17; Hyp. fr. 120; Lyc. frr. 10-11.2 = Athen. 6.266f–267a).1 There is only one passage, to my knowledge, which may be reasonably understood as referring to such a charge brought for hubris committed against (what may possibly be) a slave: Din. -
Xenophon and Epaminondas Westlake, H D Greek, Roman and Byzantine Studies; Spring 1975; 16, 1; Proquest Pg
Xenophon and Epaminondas Westlake, H D Greek, Roman and Byzantine Studies; Spring 1975; 16, 1; ProQuest pg. 23 Xenophon and Epaminondas H. D. Westlake HE PRESENTATION ofEpaminondas by Xenophon is very remark Table, even in a work so unmethodically and capriciously written as the Hellenica. Epaminondas is mentioned for the first time as leader of a Theban expedition to Achaea in 366 B.c. (7.1.41)1 when his achievements already included his celebrated defiance of Agesilaus at the Peace Congress of 371, his defeat of the Spartans at Leuctra, and his first two invasions of the Peloponnese, which resulted in the devastation of Laconia, the liberation of Mes senia and the foundation of Messene and Megalopolis. 2 The suppres sion of his name up to that point has rightly been attributed to the notorious antipathy of Xenophon towards the The bans, which causes him to deny to their principal leader the credit due for all these achievements.3 It is, therefore, astonishing to find that when Xenophon deals with the fourth The ban invasion of the Peloponnese culminating in the battle of Mantinea (7.5.4-27), Epaminondas dominates the narrative: the course of events is recorded almost exclusively from his point of view; his plans and motives are carefully analysed; he is credited with having shown foresight and boldness throughout the campaign; some of his actions are explicitly praised. It is tempting to interpret the presentation of Epaminondas in the last pages of the Hellenica as a palinode; to conclude that Xenophon, conscious of having done him less than justice hitherto, now wishes to 1 All references are to the Hellenica unless otherwise stated. -
The Prosecutors of Socrates and the Political Motive Theory
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 2-1981 The prosecutors of Socrates and the political motive theory Thomas Patrick Kelly Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Intellectual History Commons, and the Political History Commons Let us know how access to this document benefits ou.y Recommended Citation Kelly, Thomas Patrick, "The prosecutors of Socrates and the political motive theory" (1981). Dissertations and Theses. Paper 2692. https://doi.org/10.15760/etd.2689 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Thomas Patrick Kelly for the Master of Arts in History presented February 26, 1981. Title: The Prosecutors of Socrates and The Political Motive Theory. APPROVED BY MEMBERS OF THE THESIS CO~rnITTEE: ~~varnos, Cha1rman Charles A. Le Guin Roderlc D1man This thesis presents a critical analysis of the histor- ical roles assigned to the prosecutors of Socrates by modern historians. Ancient sources relating to the trial and the principles involved, and modern renditions, especially those of John Burnet and A. E. Taylor, originators of the theory that the trial of Socrates was politically motivated, are critically 2 analyzed and examined. The thesis concludes that the political motive theory is not supported by the evidence on which it relies. THE PROSECUTORS OF SOCRATES AND THE POLITICAL MOTIVE THEORY by THOMAS PATRICK KELLY A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in HISTORY Portland State University 1981 TO THE OFFICE OF GRADUATE STUDIES AND RESEARCH: The members of the Committee approve the thesis of Thomas Patrick Kelly presented February 26, 1981. -
The History of Sexuality, Volume 2: the Use of Pleasure
The Use of Pleasure Volume 2 of The History of Sexuality Michel Foucault Translated from the French by Robert Hurley Vintage Books . A Division of Random House, Inc. New York The Use of Pleasure Books by Michel Foucault Madness and Civilization: A History oflnsanity in the Age of Reason The Order of Things: An Archaeology of the Human Sciences The Archaeology of Knowledge (and The Discourse on Language) The Birth of the Clinic: An Archaeology of Medical Perception I, Pierre Riviere, having slaughtered my mother, my sister, and my brother. ... A Case of Parricide in the Nineteenth Century Discipline and Punish: The Birth of the Prison The History of Sexuality, Volumes I, 2, and 3 Herculine Barbin, Being the Recently Discovered Memoirs of a Nineteenth Century French Hermaphrodite Power/Knowledge: Selected Interviews and Other Writings, 1972-1977 VINTAGE BOOKS EDlTlON, MARCH 1990 Translation copyright © 1985 by Random House, Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published in France as L' Usage des piaisirs by Editions Gallimard. Copyright © 1984 by Editions Gallimard. First American edition published by Pantheon Books, a division of Random House, Inc., in October 1985. Library of Congress Cataloging-in-Publication Data Foucault, Michel. The history of sexuality. Translation of Histoire de la sexualite. Includes bibliographical references and indexes. Contents: v. I. An introduction-v. 2. The use of pleasure. I. Sex customs-History-Collected works.