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MARRIAGE Copy.Pages
QUOTES ON MARRIAGE Marry your best friend. I do not say that lightly. Really, truly find the strongest, happiest friendship in the person you fall in love with. Someone who speaks highly of you. Someone you can laugh with. The kind of laughs that make your belly ache, and your nose snort. The embarrassing, earnest, healing kind of laughs. Wit is important. Life is too short not to love someone who lets you be a fool with them. Make sure they are somebody who lets you cry, too. Despair will come. Find someone that you want to be there with you through those times. Most importantly, marry the one that makes passion, love, and madness combine and course through you. A love that will never dilute - even when the waters get deep, and dark. —N’tima Preusser MARRIAGE BOX Most people get married believing a myth that marriage is a beautiful box full of all the things they have longed for: companionship, intimacy, friendship etc. The truth is that marriage at the start is an empty box. You must put something in before you can take anything out. There is no love in marriage. Love is in people. And people put love in marriage. There is no romance in marriage. You have to infuse it into your marriage. A couple must learn the art and form the habit of giving, loving, serving, praising, of keeping the box full. If you take out more than you put in, the box will be empty. —Unknown The young man who wants to marry happily should pick out a good mother and marry one of her daughters—any one will do. -
Stevens Dissertation Final
Staging the Americas in Eighteenth-Century France and its Colonies By April E. Stevens Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in French May 2014 Nashville, Tennessee Approved: Jérôme Brillaud, Ph.D Lynn Ramey, Ph.D Paul Miller, Ph.D Holly Tucker, Ph.D Lauren Clay, Ph.D Copyright © 2014 By April Eileen Stevens All Rights Reserved To my beloved husband, David, who supported me every step of the way. iii ACKNOWLEDGEMENTS This work would not have been possible without the support of the Department of French and Italian. I am also thankful for the additional support provided by the College of Arts and Sciences Summer Research Award and the Vanderbilt Graduate Dissertation Enhnacmeent Grant which enabled me to expand and enhance this dissertation. I am especially indebted to my advisors, Dr. Jérôme Brillaud and Dr. Lynn Ramey who have supported not only this dissertation but my career goals acting as both advisors and mentors. I am grateful to all the members of my Dissertation Committee, Dr. Paul B. Miller, Dr. Holly Tucker, and Dr. Lauren R. Clay, who each provided excellent guidance sharing their particular expertise on this work. No one has been more important to the pursuit of this project than the members of my family. I would like to thank my parents who have unceasingly encouraged me to follow my dreams and pursue excellence. Finally, I would not have been able to complete this work without the daily support of my loving husband David, who sacrificed so much to make my dreams a reality. -
Rethinking Athenian Democracy.Pdf
Rethinking Athenian Democracy A dissertation presented by Daniela Louise Cammack to The Department of Government in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Political Science Harvard University Cambridge, Massachusetts January 2013 © 2013 Daniela Cammack All rights reserved. Professor Richard Tuck Daniela Cammack Abstract Conventional accounts of classical Athenian democracy represent the assembly as the primary democratic institution in the Athenian political system. This looks reasonable in the light of modern democracy, which has typically developed through the democratization of legislative assemblies. Yet it conflicts with the evidence at our disposal. Our ancient sources suggest that the most significant and distinctively democratic institution in Athens was the courts, where decisions were made by large panels of randomly selected ordinary citizens with no possibility of appeal. This dissertation reinterprets Athenian democracy as “dikastic democracy” (from the Greek dikastēs, “judge”), defined as a mode of government in which ordinary citizens rule principally through their control of the administration of justice. It begins by casting doubt on two major planks in the modern interpretation of Athenian democracy: first, that it rested on a conception of the “wisdom of the multitude” akin to that advanced by epistemic democrats today, and second that it was “deliberative,” meaning that mass discussion of political matters played a defining role. The first plank rests largely on an argument made by Aristotle in support of mass political participation, which I show has been comprehensively misunderstood. The second rests on the interpretation of the verb “bouleuomai” as indicating speech, but I suggest that it meant internal reflection in both the courts and the assembly. -
ASPETTANDO LA TERZA FASE Riflessioni Quotidiane Dalla Seconda
ASPETTANDO LA TERZA FASE Riflessioni quotidiane dalla seconda 16Aprile Una sedia per Ursula A casa mia avevo tre sedie: una per la solitudine, due per l’amicizia, tre per la società. Henry David Thoreau … Non ho mai creduto al silenzio degli oggetti. E’ tutta una questione di orecchio. Accostati a una sedia e sentirai quante cose ha da dire. Fabrizio Caramagna … La sedia è il Potere. Una sedia è indifferente alle qualità etiche e umane di chi la occupa. A lei non importa che vinca il migliore. Una sedia è una sedia. Clelia Mazzanti … Si siede chi ha la sedia. Chi non ce l’ha? Chi non ce l’ha è costretto a stare in piedi. Se ne deduce che inevitabilmente la sedia opera nell’umanità una piccola divisione. Ma chi ha la sedia è gentile e la cede a chi è in piedi? No! Chi ha la sedia se la tiene e ci sta comodamente seduto. Ma allora cosa ci rappresenta il “Prego s’accomodi”? Il “Prego s’accomodi” è un modo di dire, signorile e democratico, che fa notare le differenze ma con gentilezza. Meglio sarebbe sostituirlo con “Prego stia pure in piedi”, ugualmente gentile però più vero! Giorgio Gaber … Il coraggio è quello che ci vuole per alzarsi e parlare; il coraggio è anche quello che ci vuole per sedersi ed ascoltare. Sir Winston Churchill 15Aprile Riapriamo i teatri Il teatro non è altro che il disperato sforzo dell’uomo di dare un senso alla vita. Eduardo De Filippo … Benvenuti a teatro. Dove tutto è finto ma niente è falso. -
HERODOTUS Volume XXVIII • Spring 2018
Stanford University Department of History Stanford University Department of History HERODOTUS Volume XXVIII • Spring 2018 Department of History Stanford University Stanford University Department of History HERODOTUS Herodotus is a student-run publication founded in 1990 by the Stanford University Department of History. It bears the name of Herodotus of Halicarnassus, the 5th century BCE historian of the Greco-Persian Wars. His Histories, which preserve the memory of the battles of Marathon and Thermopylae, were written so that “human achievements may not become forgotten in time, and great and marvelous deeds . may not be without their glory.” Likewise, this journal is dedicated to preserving and show- casing the best undergraduate work of Stanford University’s Department of History. Our published pieces are selected through a process of peer review. For additional information, please visit us online at herodotus. stanford.edu. EDITORIAL BOARD Editor-in-Chief Naomi Subotnick '18 Managing Editor Zachary Brown '18 Section Editors Gabriela Romero '19 InHae Yap '19 Editors Seth Chambers '19 Jason Seter '18 Benjamin Gardner-Gill '19 Emily Shah '19 Lucia Lopez-Rosas '18 Julian Watrous '19 Rosalind Lutsky '18 Victoria Yuan '20 Jennifer Peterson '18 Faculty Advisor Professor Thomas Mullaney Authors retain all rights to the work that appears in this journal. Cover Image: Stanford Historical Photograph Collection, Green Library West, 1919 Courtesy of Stanford University Libraries, Stanford, CA. Stanford University Department of History EDITOR’S NOTE According to Professor James T. Campbell, studying history is like traveling to a new place. One encounters people and ideas at once utterly foreign and strangely familiar. A journey enables us to see home with new perspective and depth. -
Notions of Self and Nation in French Author
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 6-27-2016 Notions of Self and Nation in French Author- Aviators of World War II: From Myth to Ambivalence Christopher Kean University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Kean, Christopher, "Notions of Self and Nation in French Author-Aviators of World War II: From Myth to Ambivalence" (2016). Doctoral Dissertations. 1161. https://opencommons.uconn.edu/dissertations/1161 Notions of Self and Nation in French Author-Aviators of World War II: From Myth to Ambivalence Christopher Steven Kean, PhD University of Connecticut, 2016 The traditional image of wartime aviators in French culture is an idealized, mythical notion that is inextricably linked with an equally idealized and mythical notion of nationhood. The literary works of three French author-aviators from World War II – Antoine de Saint- Exupéry, Jules Roy, and Romain Gary – reveal an image of the aviator and the writer that operates in a zone between reality and imagination. The purpose of this study is to delineate the elements that make up what I propose is a more complex and even ambivalent image of both individual and nation. Through these three works – Pilote de guerre (Flight to Arras), La Vallée heureuse (The Happy Valley), and La Promesse de l’aube (Promise at Dawn) – this dissertation proposes to uncover not only the figures of individual narratives, but also the figures of “a certain idea of France” during a critical period of that country’s history. -
Economics, Politics & Philosophy
Economics, Politics & Philosophy Peter Harrington london We are exhibiting at these fairs: 20–22 October london INK LDN 2 Temple Place, London WC2R 3BD inkfair.london 28–30 October boston Boston International Antiquarian Book Fair (ABAA) Hynes Convention Center, Boston www.bostonbookfair.com 4–5 November chelsea All items from this catalogue are on display at Fulham Road Chelsea Antiquarian Book Fair (ABA) Old Chelsea Town Hall Kings Road, Chelsea, London www.chelseabookfair.com 18–20 November hong kong China in Print Hong Kong Maritime Museum Central Ferry Pier No.8, Man Kwong St www.chinainprint.com VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, Cover illustration from Nicolas Johannsen’s Der Kreislauf des Geldes.., item 82 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Design: Nigel Bents; Photography Ruth Segarra. Registered in England and Wales No: 3609982 Peter Harrington london catalogue 126 NTANC COU Y · AC AD · OVERN VE · G ME R E CY NT T D A · IS A R S · PO I I R C ITIC PU N N L LA D T IO PO T G · IO I S S N A E Y T · E H · · E P R P L A K O F A N · R S W A I N · Y T M U I · H V K I I L P T M C S I I S M O 126 N E I O S T S G · N S I O P U · L S · I M I E Y S E C C H T E F H N P I C E O C I · · A O C S N S E A L N · L A I C Y S S C I O S O M S · N C E O I M I N C H I S E C T Y L A · E S R N U A T · · S E N A I C D Y E C A L P O All items from this catalogue are on display at Fulham Road chelsea mayfair Peter Harrington Peter Harrington 100 Fulham Road 43 Dover Street London sw3 6hs London w1s 4ff uk 020 7591 0220 uk 020 3763 3220 eu 00 44 20 7591 0220 eu 00 44 20 3763 3220 usa 011 44 20 7591 0220 usa 011 44 20 3763 3220 Fulham R0ad opening hours: 10am–6pm, Monday–Saturday www.peterharrington.co.uk All items are fully described and photographed at peterharrington.co.uk 1 2 1 first edition of this uncommon work – just 13 locations ADAMS, John Quincy. -
Page 61 H-France Review Vol. 4 (February 2004), No. 17 David
H-France Review Volume 4 (2004) Page 61 H-France Review Vol. 4 (February 2004), No. 17 David McCallam, Chamfort and the French Revolution. A Study in Form and Ideology. Oxford: Voltaire Foundation, 2002. xv + 180 pp. Bibliography and index. £39.00 U.K.; $67.00 U.S. (pb). ISBN 0-7294- 0801-9. Review by Richard Whatmore, University of Sussex. Sébastien-Roch Nicolas Chamfort’s plays, poetry, and essays brought him to literary prominence between 1764 and 1788. During this period, he frequented philosophe salons, saw his work favourably received by the court, and gained pensions and patronage from, among others, the prince de Condé, Louis de Vaudreuil, and Mme Elizabeth. In 1789 Chamfort was rare among the ‘Forty Immortals’ of the Académie française in uncritically embracing the revolutionary cause. A founder of the ‘Société de 1789’, he became a journalist and writer, contributing, for example, to the Feuille villageoise, one of the leading publications seeking a reformation of manners. Since the early 1780s, Chamfort had been a friend and associate of Gabriel-Honoré Riqueti de Mirabeau. Just prior to Mirabeau’s death in April 1791 he was working on a speech for the great orator, the subject of which was the future of the various philosophic academies. After the fall of the monarchy he was appointed, with Jean-Louis Carra, director of the Bibliothèque nationale. During this period he was a friend to Roland’s ministry established in August 1792, and was involved in propagandist writing encouraging Austrian deserters to join the Revolution. Subsequently, he suffered house arrest and repeated interrogation during the Terror. -
Research Archive and Digital Asset Repository
RADAR Research Archive and Digital Asset Repository Crook, M., Crook, T. (2015) Ballot papers and the practice of elections: Britain, France and the United States of America, c. 1500–2000', Historical Research, 88 (241), pp. 530-561. DOI: https://doi.org/10.1111/1468-2281.12102 This document is the authors’ Accepted Manuscript. License: https://creativecommons.org/licenses/by-nc-nd/4.0 Available from RADAR: https://radar.brookes.ac.uk/radar/items/1cd7751d-2874-428e-b6d6-5a84d885da0e/1/ Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners unless otherwise waived in a license stated or linked to above. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. 1 BALLOT PAPERS AND THE PRACTICE OF ELECTIONS: BRITAIN, FRANCE AND THE UNITED STATES OF AMERICA, c. 1500–2000 Two technologies have come to define the act of voting in modern democracies: the ballot paper and the ballot box. Both are easy to use and both secure secrecy, preventing intimidation, bribery and corruption, at least in theory (practice is another matter).1 ‘For many people today, democracy is epitomized by the image of a voter dropping a piece of paper into a ballot box’, write the political scientists Massicotte, Blais and Yoshinaka in their 2004 global survey of election laws. -
Demosthenes and the Theoric
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1967 Demosthenes and the Theoric Robert A. Wild Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Classical Literature and Philology Commons Recommended Citation Wild, Robert A., "Demosthenes and the Theoric" (1967). Master's Theses. 2223. https://ecommons.luc.edu/luc_theses/2223 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1967 Robert A. Wild DEMOSTHENES AND THE THEORIC FUND by Robert A. Wild, S.J. A Thesis Submitted to Loyola University for the Master-s Degree in Classical Languages May 1961 Robert A. Wild, S.J., was born in Chicago, nIJnois, on March 30, 1940. He attended Saint Ignatius High Schod, Chicago, 1953 to 1957. He entered the Society of Jesus on September 1, 1957, and attended Xavier University from 1957 to 1961. He received the Bachelor of Arts Degree with a major in Latin from Loyola University in June, 1962. He has been in the graduate school of Loyola University since 1962 but since September, 1964 he has taught Latin, Greek, and debate and speech full-time at Saint Xavier High School in Cincinnati, Ohio. TABLE OF CONTENTS Page INTRODUCTION • • • • • • • • • • • • • • • • • • • • • • • • • • • • (1) Chapter I. SCHOIARLY OPINION ON THE NATURE OF THE THEORIC FtJND •••.••••••••••••••• • • • • • • 1 II. -
Autographes & Manuscrits
_25_06_15 AUTOGRAPHES & MANUSCRITS & AUTOGRAPHES Pierre Bergé & associés Société de Ventes Volontaires_agrément n°2002-128 du 04.04.02 Paris 92 avenue d’Iéna 75116 Paris T. +33 (0)1 49 49 90 00 F. +33 (0)1 49 49 90 01 Bruxelles Avenue du Général de Gaulle 47 - 1050 Bruxelles Autographes & Manuscrits T. +32 (0)2 504 80 30 F. +32 (0)2 513 21 65 PARIS - JEUDI 25 juIN 2015 www.pba-auctions.com VENTE AUX ENCHÈRES PUBLIQUES PARIS Pierre Bergé & associés AUTOGRAPHES & MANUSCRITS DATE DE LA VENTE / DATE OF THE AUCTION Jeudi 25 juin 2015 - 13 heures 30 June Thursday 25th 2015 at 1:30 pm LIEU DE VENTE / LOCATION Drouot-Richelieu - Salle 8 9, rue Drouot 75009 Paris EXPOSITION PRIVÉE / PRIVATE VieWinG Sur rendez-vous à la Librairie Les Autographes 45 rue de l’Abbé Grégoire 75006 Paris T. + 33 (0)1 45 48 25 31 EXPOSITIONS PUBLIQUES / PUBlic VieWinG Mercredi 24 juin de 11 heures à 18 heures Jeudi 25 juin de 11 heures à 12 heures June Wednesday 24th from 11:00 am to 6:00 pm June Thursday 25th from 11:00 am to 12:00 pm TÉLÉPHONE PENDANT L’EXPOSITION PUBLIQUE ET LA VENTE T. +33 (0)1 48 00 20 08 CONTACTS POUR LA VENTE Eric Masquelier T. + 33 (0)1 49 49 90 31 - [email protected] Sophie Duvillier T. + 33 (0)1 49 49 90 10 - [email protected] EXPERT POUR LA VENTE Thierry Bodin Syndicat Français des Experts Professionnels en Œuvres d'Art 45 rue de l'Abbé Grégoire, 75006 Paris T. -
A Civil Society
Southern Illinois University Carbondale OpenSIUC Follow this and additional works at: https://opensiuc.lib.siu.edu/histcw_cs IssuedA Civil Society:under a TheCC B PublicY-NC-ND Space 4.0 license:of Freemason https:/ /creativecommons.org/licenses/by-nc-nd/4.0 Women in France, 1744-1944 Creative Works A Civil Society explores the struggle to initiate women as full participants in the masonic brotherhood that shared in the rise of France’s civil society and its civic morality on behalf of 4-9-2021 women’s rights. As a vital component of the third sector during France’s modernization, Afreemasonr Civil Society:y empower Theed women Public in complex Space social of networks,Freemason contributing Women to a mor ine liberFrance,al republic, a more open society, and a more engaged public culture. The1744-1944 work shows that although women initially met with stiff resistance, their induction into the brotherhood was a significant step in the development of French civil society and its civic James Allen Southernmorality, Illinoisincluding Univ theersity pr omotionCarbondale of, [email protected]’s rights in the late nineteenth century. Pulling together the many gendered facets of masonry, Allen draws from periodicals, memoirs, and copious archival material to account for the rise of women within the masonic brotherhood in the context of rapid historical change. Thanks to women’s social networks and their attendant social capital, masonry came to play a leading role in French civil society and the rethinking of gender relations in the public sphere. “James Smith Allen presents readers with an engaging, kaleidoscopic account of the uphill and contentious struggle to include select women as full participants in the arcane brotherhood of French freemasonry.”—Karen Offen, author of Debating the Woman Question in the French Third Republic, 1870–1920 “A Civil Society is important because it connects the activism and writing of major figures in French women’s history with masonic networks and impulses.