PRESS RELEASE Art Crazy Nation the Post-Blimey! Art World
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Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
Nasher Sculpture Center Announces Spring Speaker Lineup For
Nasher Sculpture Center Announces Spring Speaker Lineup for 360: Artists, Critics, Curators Monthly lecture series explores topics of modern and contemporary art and design; Artist lecturers announced for March through May 2013. DALLAS, Texas (March 1, 2013) – The Nasher Sculpture Center is pleased to announce the spring line-up for the 2013 Nasher lecture series, 360: Artists, Critics, Curators, which brings art world speakers to the Nasher for conversations about the ever-expanding definition of sculpture and the thought-processes behind innovative contemporary artwork, architecture and design. Lectures are free with museum admission: $10 for adults, $7 for seniors, $5 for students, and free for Members. Seating is limited, so reservations are requested. Immediately following the presentation, guests will enjoy a wine reception with RSVP. For information and reservations, email [email protected] or call 214.242.5159. Updates and information are available at www.NasherSculptureCenter.org/360. Monthly Lectures: Heather Cook, Artist Saturday, March 16: 2 pm Heather Cook transforms simple materials like denim and cotton jersey into illusionistic, topographic surfaces that occupy a space between painting and sculpture. Cook’s subtle manipulations of fabric using bleach, creases and silkscreen yield compelling objects that flow over wall and floor, evoking both classical drapery and of-the-moment Los Angeles culture. Born in Dallas, TX, Cook received her BFA in 2002 from the University of Texas at Austin and earned an MFA in 2007 from Art Center College of Design. In 2011, Cook was the subject of a two- person exhibition with Nathan Hylden at Volker Bradtke, Dusseldorf. Cook's work has more recently been featured in Crossing Mirrors, Rosenblum Collection, Paris and American Exuberance, Rubell Family Collection. -
You Cannot Be Serious: the Conceptual Innovator As Trickster
This PDF is a selection from a published volume from the National Bureau of Economic Research Volume Title: Conceptual Revolutions in Twentieth-Century Art Volume Author/Editor: David W. Galenson Volume Publisher: Cambridge University Press Volume ISBN: 978-0-521-11232-1 Volume URL: http://www.nber.org/books/gale08-1 Publication Date: October 2009 Title: You Cannot be Serious: The Conceptual Innovator as Trickster Author: David W. Galenson URL: http://www.nber.org/chapters/c5791 Chapter 8: You Cannot be Serious: The Conceptual Innovator as Trickster The Accusation The artist does not say today, “Come and see faultless work,” but “Come and see sincere work.” Edouard Manet, 18671 When Edouard Manet exhibited Le Déjeuner sur l’herbe at the Salon des Refusés in 1863, the critic Louis Etienne described the painting as an “unbecoming rebus,” and denounced it as “a young man’s practical joke, a shameful open sore not worth exhibiting this way.”2 Two years later, when Manet’s Olympia was shown at the Salon, the critic Félix Jahyer wrote that the painting was indecent, and declared that “I cannot take this painter’s intentions seriously.” The critic Ernest Fillonneau claimed this reaction was a common one, for “an epidemic of crazy laughter prevails... in front of the canvases by Manet.” Another critic, Jules Clarétie, described Manet’s two paintings at the Salon as “challenges hurled at the public, mockeries or parodies, how can one tell?”3 In his review of the Salon, the critic Théophile Gautier concluded his condemnation of Manet’s paintings by remarking that “Here there is nothing, we are sorry to say, but the desire to attract attention at any price.”4 The most decisive rejection of these charges against Manet was made in a series of articles published in 1866-67 by the young critic and writer Emile Zola. -
Sean Landers Cv 2021 0223
SEAN LANDERS Born 1962, Palmer, MA Lives and works in New York, NY EDUCATION 1986 MFA, Yale University School of Art, New Haven, CT 1984 BFA, Philadelphia College of Art, Philadelphia, PA SOLO EXHIBITIONS 2020 Petzel Gallery, New York, NY, 2020 Vision, April 26–ongoing (online presentation) Greengrassi, London, UK, Northeaster, June 16–July 31 Consortium Museum, Dijon, France, March 13– October 18, curated by Eric Troncy 2019 Ben Brown Fine Arts, Hong Kong, China, November 12–January 9, 2020 Galerie Rodolphe Janssen, Brussels, Belgium, November 9–December 20 (catalogue) Petzel Bookstore, New York, NY, Curated by . Featuring Sean Landers, November 7– December 14 Freehouse, London, UK, Sean Landers: Studio Films 90/95, curated by Daren Flook, January 13–February 24 2018 Petzel Gallery, New York, NY, March 1–April 21 (catalogue) 2016 Capitain Petzel, Berlin, Germany, Sean Landers: Small Brass Raffle Drum, September 16– October 29 2015 Taka Ishii Gallery, Tokyo, Japan, December 5–January 16, 2016 Galerie Rodolphe Janssen, Brussels, Belgium, October 29–December 19 (catalogue) China Art Objects, Los Angeles, CA, February 21–April 11 2014 Petzel Gallery, New York, NY, Sean Landers: North American Mammals, November 13– December 20 (catalogue) 2012 Galerie Rodolphe Janssen, Brussels, Belgium, November 8–December 21(catalogue) Sorry We’re Closed, Brussels, Belgium, Longmore, November 8–December 21 greengrassi, London, UK, April 26–June 16 1 2011 Friedrich Petzel Gallery, New York, NY, Sean Landers: Around the World Alone, May 6–June 25 Marianne Boesky Gallery, New York, NY, Sean Landers: A Midnight Modern Conversation, April 21–June 18 (catalogue) 2010 Contemporary Art Museum St. -
John Russell B
! 99 BOWERY 2ND FLOOR, NEW YORK, NY 10002 USA BRIDGETDONAHUE.NYC JOHN RUSSELL B. 1963 Lives and works in London, United Kingdom EDUCATION 1998–99 MA, Goldsmith’s College of Art, London, United Kingdom 1986–88 Higher diploma, Slade School of Art, London, United Kingdom 1983–86 BA, St Martin’s School of Art, London, United Kingdom SELECTED SOLO EXHIBITIONS 2015 SQRRL, Bridget Donahue Gallery, New York, November 15 — January 10, 2016 Black Forest Magic, Dan Mitchell & John Russell, Dold Projects, Sankt Georgen, Germany, April 25 — June 6 ETON, Black Church Print Studio, Dublin, January 17 — 31 2014 Aquarium Proletarium, MOT International, London, December 11 — January 31, 2015 The Good Shepherd, KARST, Plymouth, November 13 — Dec 21 Judgement, Portman Gallery, London, March 6 — 14 2013 Then suddenly like all at once, The Black Mariah, Triskel Arts Centre, Cork, May 11 – June 29 Screening of Vermillion Vortex and posters. Also included as part of Brinks Helm, ‘a micro festival of video and performance art, concerts and special events in Cork’, June 24 – 28, including Mike Kelley, Chris & Cosey, Raymond Pettibon, Vivienne Dick, Ryan Trecartin and others. CAPITAL, Andrew Cooper, Enda Deburka, Dean Kenning and John Russell. Xero, kline & coma, London, May 4 –- 26 2012 Jexus, MOTINTERNATIONAL, Brussels, Belgium, May 18 — June 22 2011 Angel of History. I can see for miles, Offsite project, Focal Point Gallery, Southend, United Kingdom, September 12 — October 22 Preying Mantiss, The Grey Area, Brighton, United Kingdom, June 18 — July 3 2010 Explain Death to Very Young Children, OUTPOST Gallery, Norwich, United Kingdom, May 2 — 21 Print commission by 'Artist of the Month Club' at the Invisible Exports Gallery, New York Vermillion Vortex, Art Review, online commission 2008 The Paint, MOTINTERNATIONAL, London, United Kingdom, June 14 — July 10 2007 Ocean Pose, Matts Gallery, London, United Kingdom, April 18 — June 3 Frozen Tears III, including texts by Dennis Cooper, Kool Keith, Bonnie Camplin, Stewart Home, Paul Buck, Jeffrey Vallance, Mark Titchner and Patricia McCormack. -
Edwards' First Name at This Sensi
Merlin Carpenter Matthew Collings Our paintings and graphics throw Edwards’ first name at this sensi- discourse of “medium specificity” might be seen as the parents of clear for them how to respond to desire to be a “Goldsmith’s artist” and embarrassment, rather than fact these later developments framework for analysing art’s pop- From my point of view, Carpenter’s It featured work by a handful of Matthew’s style produces any Carpenter and his cronies, plus the opened up within the media: eyes are the wrong colour). It is support group. In this review he Surely society was abolished by But when is this “present”? And referring to a story about Lucas forced to accept that bullshit is as His paintings are brutal abstracts more aesthetic. Some are more Our paintings are against this ap- a good one. But should writing be Media Guy Our PaintinG s down the glove to what’s going tive point. (Perhaps while polishing is an intellectual talking shop full the popularization process having the success of the big push. In on the most grand seriousness. A scene arrives had already terminated yBa, ularity is worth reading. ” (p 124) art practice is often funny. New figures discussed in the book, with serious results in terms of actual more commercially successful ones “a space where the avant-garde‘s certain that Buchloh’s language often seems to be communicating Thatcher? I am not defined by for what audience? This process involving an accident with a piano, natural as breathing and as vital that do little for a renewal of poetic. -
1 SIMON PATTERSON 1967 Born in England. 1985-86 Hertfordshire
SIMON PATTERSON 1967 Born in England. 1985-86 Hertfordshire College of Art and Design, St. Albans. 1986-89 Goldsmiths' College, London, BA Fine Art. Lives and works in London SOLO EXHIBITIONS 1989 "Simon Patterson", Third Eye Centre, Glasgow. 1991 "Allahu Akbar", Riverside Studios, London. 1993 "Monkey Business", The Grey Art Gallery, New York. 1994 "General Assembly", Chisenhale Gallery, London (exh. cat.) "Simon Patterson", Kluuvin Gallery, Helsinki. "General Assembly", Angel Row Gallery, Nottingham. 1995 "Simon Patterson", Gandy Gallery, Prague. "Sister Ships", The Customs House, South Shields. "Midway", Artium, Fukuoka. "Simon Patterson", Röntgen Kunstinstitut, Tokyo. "Simon Patterson", Kohji Ogura Gallery, Nagoya. 1996 "Simon Patterson", Lisson Gallery, London. "Simon Patterson", MCA, Chicago. 1997 "Simon Patterson", Röntgen Kunstraum, Tokyo. “Wall Drawings”, Kunsthaus Zürich. "Simon Patterson - Spies", Gandy Gallery, Prague. 1998 "Name Paintings", Kohji Ogura Gallery, Nagoya. "Simon Patterson", Yamaguchi Gallery, Osaka. "New Work", Röntgen Kunstraum,Tokyo. "Simon Patterson", Mitaka City Art Center, Tokyo. 1999 “Simon Patterson”, Magazin 4, Bregenz. 2000 “Manned Flight, 1999-”, Fig 1, London. “Simon Patterson”, VTO Gallery, London. 2001 “Manned Flight”, Lille. “Le Match des couleurs’, artconnexion, Lille. “Simon Patterson”, Sies+Hoeke Galerie, Düsseldorf. 2002 “Manned Flight, 1999—”, Studio 12, ARTSPACE, Sydney. 2003 “Simon Patterson - Midway”, Roentgenwerke, Tokyo. 2004 “Simon Patterson - Escape Routine”, Roentgenwerke, Tokyo. “Simon Patterson - 24 hours”, Roentgenwerke, Tokyo. “Simon Patterson - New Work”, Roentgenwerke, Tokyo. “Domini Canes - Hounds of God”, Lowood Gallery and Kennels, Armathwaite, Cumbria. (exh cat.) “PaintstenroomS”, gSM, London. 2005 “High Noon”, Fruitmarket Gallery, Edinburgh. (exh. cat.) “High Noon”, Ikon Gallery Birmingham. (exh cat.) 2006 “Black-list”, Haunch of Venison, Zürich.(exh. cat.) 2007 “Black-list”, Haunch of Venison, London. -
A Level ART SUMMER TASKS 2020
A Level ART SUMMER TASKS 2020 Induction Tasks to be completed by September We would like you to begin to explore your Coursework theme of HUMAN BOUNDARIES by completing the following tasks which will form the introduction to your A Level course. You should aim to work in an A3 spiral bound sketchbook or on A3 paper – make sure the paper is good quality (look for 120-150 gsm cartridge paper). If you don’t have access to paper then use any paper you can find eg the inside of wallpaper, wrapping paper, brown paper, even cereal boxes (be creative- it is what you do on the paper that is important not the paper itself) TASK 1 Produce an A3 title page in response to the title ‘Human Boundaries’ –be creative – use any media of your choice.- include 3 at least drawings using different media TASK 2 Create a mind map in response the theme ‘Human Boundaries’ include as many ideas as you can and illustrate with the work of artists (maybe use Pinterest for this or look at the work in one of the galleries listed below). Aim to fill the page. TASK 3 Produce a research page on an artist who is inspired by the human form. Include an image of an artist’s work, find out some facts about the artist and analyse it using your own opinion. Comment on the visual elements (line, shape, form, tone, texture, pattern and colour) and add your own opinion. TASK 4 Produce an A3 size drawing or painting of your chosen artist’s work. -
Michael Landy
Michael Landy Born in London, England, 1963 Lives and works in London, England Education Goldsmith's College, London, England 1988 Solo Exhibitions 2021 Forthcoming: Michael Landy's Welcome to Essex, Firstsite, Colchester, England Michael Landy's Break Down: 20 Years, Thomas Dane Gallery, London, England 2020 What’s left?, Andriesse - Eyck Gallery, Amsterdam, Netherlands 2018 Scaled-Down, Thomas Dane Gallery, London, England 2017 Michael Landy. Breaking News, Sperone Westwater Gallery, New York NY DEMONSTRATION, The Power Plant Contemporary Art Gallery, Toronto, Ontario Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out of Order, Tinguely Museum, Basel, Switzerland 2015 Breaking News, Michael Landy Studio, London, England Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, England Saints Alive, National Gallery, London, England Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, England 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, England Art World Portraits, National Portrait Gallery, London, England 2010 Art Bin, South London Gallery, London, England 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, England In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man -
Současné Britské Umění / Contemporary British
SoučaSNÉ BRITSké umění / CONTEMPORARY BRITISH ART SoučaSNÉ BRITSké umění / CONTEMPORARY BRITISH ART SoučaSNÉ BRITSké umění / CONTEMPORARY BRITISH ART © Galerie hlavního města Prahy, 2012 JONATHAN BALDOCK MATTHEW BURROWS BIGGS AND COLLINGS JAMES CAPPER CEDRIC CHRISTIE DAN COOMBS KEITH COVENTRY HOWARD DYKE TOM GALLANT NEIL GALL STEVE GODDARD STEPHANE GRAFF HASSAN HAJJAJ MARCUS HARVEY HEYWOOD AND CONDIE PAUL HOUSLEY HENRY KROKATSIS PHILIP LAI PENNY LAMB HEW LOCKE OLIVER MARSDEN JASON MARTIN RYAN MOSLEY ZAK OVÉ DAN PERFECT FIONA RAE BARRY REIGATE MICHAEL SAMUELS CHRIS SUCCO NEAL TAIT DOLLY THOMPSETT GAVIN TURK DOUGLAS WHITE a poetičtější s nadčasovým přesahem, Předmluva spíše než z témat vycházela z určitého pocitu nostalgické touhy po zachycení Výstava London Twelve je výsledkem nezachytitelného. Snažila se postihnout kontinuálního úsilí Galerie hlavního jakousi přetrvávající spodní vrstvu sou- města Prahy o prezentaci současné- časného britského umění vztahující se ho britského umění novému publiku ke kritické recepci času, k jeho plynutí v Praze. Galerie se rozhodla pro její re- a odkazující k nenaplněným snům, dez- alizaci v návaznosti na dvě předcháze- iluzi utopických představ, k napětí mezi jící úspěšné přehlídky britského umění fikcí, idylickými ráji a realitou. Close Echoes a Other Times. Výstava Close Echoes byla svého druhu první Koncepce výstavy London Twelve se ob- a představila v roce 1998 v Praze a poté jektivizujících kritérií záměrně zříká. Její v rakouském Kremsu vedle umělců autor Toby Clarke výstavu pojímá jako české a rakouské scény řadu význam- „snímek“ zachycující tvorbu autorů: ných britských autorů: Dinos & Jake „…jejichž díla a ateliéry navštívil během Chapman, Abigail Lane, Mat Collishaw, posledního roku…“ Jako by do značné Mona Hatoum, Richard Billingham, míry otvíral prostor i nahodilosti, Clarke Douglas Gordon, Christine Borland. -
G a G O S I a N Glenn Brown Bibliography
G A G O S I A N Glenn Brown Bibliography Monographs and Group Exhibition Catalogs: 2018 Kunzru, Hari and Xavier Bray. Glenn Brown: Come to Dust. New York: Gagosian. Callander, Miranda, Jill Hartz and Emily Shinn. Transmutations: Glenn Brown/ What’s Old is New Again. Eugene: Jordan Schnitzer Museum of Art, University of Oregon. 2017 Cunaccia, Cesare, Anotonella Nesi and Sergio Risaliti. Glenn Brown: Piaceri Sconosciuti. Florence: Forma Edizioni. de Witt, David, Hans den Hartog Jager, and Lidewij de Koekkoek. Glenn Brown: Rembrandt: After Life. Amsterdam: WBooks and Rembrandt House. ----------. Joy Division. Bracewell, Michael (text), Lavinia Greenlaw (poems) and Glenn Brown (artwork). London: Enitharmon Editions. 2016 Clifton, James, Jeff Fleming and Steven Matijcio. Glenn Brown. Des Moines: Des Moines Art Center. Curiger, Brice, and Judicaël Lavrador. Glenn Brown: Suffer Well. Arles: Fondation Vincent Van Gogh Arles. 2015 Salomon, Xavier F. Glenn Brown: 36 Drawings and a Sculpture. New York: Gagosian Gallery. Schalhorn, Andreas. Dessins. Berlin: Galerie Max Hetzler. Fuches, Rudi. Glenn Brown. New York: Gagosian Gallery. 2014 Chilver, John and Dominic Eichler. Glenn Brown and Rebecca Warren. Vancouver: Rennie Collection. 2011 Gallais, Jean-Marie. Glenn Brown. Berlin: Galerie Max Hetzler. 2009 Sillars, Lawrence and Michael Stubbs. Glenn Brown. Edited by Francesco Bonami and Christoph Grunenberg. London: Tate. Steiner, Rochelle, Michael Bracewell and David Freedberg. Glenn Brown: Three Exhibitions. London: Gagosian Gallery and Rizzoli. Stonard, John-Paul. Glenn Brown: Etchings (Portraits). London: Ridinghouse. 2008 Uszynska, Katarzyna. Glenn Brown. Edited by Wilfried Seipel. Vienna: Kunsthistorisches Museum. 2007 Bracewell, Michael. Glenn Brown. Edited by Stefan Ratibor and Ealan Wingate. New York: Gagosian Gallery. -
A Level Art & AS Photography
A Level Art & AS Photography 1. Expectations for success are: Spend 5 hours a week on homework & meet homework deadlines Pay attention to Personal Learning Checklist and refer to examination criteria provided by your teacher Keep a small scrapbook/ideas book/gallery book to complement A level units Keep up to date with the arts and culture. Sign up for email alerts at http://www.theguardian.com/artanddesign and regularly check the website Follow department twitter feeds @wgsbart @wgsbphoto @ArtWilmington Coursework is formed of the entire schoolwork and independent work in Art, so everything needs to be completed to the best possible quality and presented either in a sketchbook or portfolio. The process of producing coursework is very similar to GCSE and is time consuming. As a parent you can help by providing space and encouragement. Students need either an A3 or A2 sketchbook (A portfolio for carrying it is useful too) and some resources and media for drawing and painting at home. They might want to explore sculptural media too. They will need to be able to research using the Internet and print work. It is important that students can take and print good quality photographs so access to a DSLR camera or quality phone camera is useful. For Photography A level this is essential. Photography students must also get into the habit of using online printing services or retail outlets like Boots, to get good quality photographs printed. www.photobox.co.uk is one of the best. They should bring all work to every lesson and plan ahead to be able to get on with their own work.