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Home , BANK (art collective), Bucerius Kunst Forum, Gagosian Gallery, Karsten Schubert, Matthew Collings, Matthew Higgs

G A G O S I A N

Glenn Brown Bibliography

Monographs and Group Exhibition Catalogs:

2018 Kunzru, Hari and Xavier Bray. Glenn Brown: Come to Dust. New York: Gagosian. Callander, Miranda, Jill Hartz and Emily Shinn. Transmutations: Glenn Brown/ What’s Old is New Again. Eugene: Jordan Schnitzer Museum of Art, University of Oregon. 2017 Cunaccia, Cesare, Anotonella Nesi and Sergio Risaliti. Glenn Brown: Piaceri Sconosciuti. Florence: Forma Edizioni. de Witt, David, Hans den Hartog Jager, and Lidewij de Koekkoek. Glenn Brown: Rembrandt: After Life. Amsterdam: WBooks and Rembrandt . ------. Joy Division. Bracewell, Michael (text), Lavinia Greenlaw (poems) and Glenn Brown (artwork). : Enitharmon Editions. 2016 Clifton, James, Jeff Fleming and Steven Matijcio. Glenn Brown. Des Moines: Des Moines Art Center. Curiger, Brice, and Judicaël Lavrador. Glenn Brown: Suffer Well. Arles: Fondation Vincent Van Gogh Arles. 2015 Salomon, Xavier F. Glenn Brown: 36 Drawings and a Sculpture. New York: . Schalhorn, Andreas. Dessins. : Galerie Max Hetzler. Fuches, Rudi. Glenn Brown. New York: Gagosian Gallery. 2014 Chilver, John and Dominic Eichler. Glenn Brown and Rebecca Warren. Vancouver: Rennie Collection. 2011 Gallais, Jean-Marie. Glenn Brown. Berlin: Galerie Max Hetzler. 2009 Sillars, Lawrence and Michael Stubbs. Glenn Brown. Edited by Francesco Bonami and Christoph Grunenberg. London: . Steiner, Rochelle, Michael Bracewell and David Freedberg. Glenn Brown: Three Exhibitions. London: Gagosian Gallery and Rizzoli. Stonard, John-Paul. Glenn Brown: Etchings (Portraits). London: . 2008 Uszynska, Katarzyna. Glenn Brown. Edited by Wilfried Seipel. Vienna: Kunsthistorisches Museum. 2007 Bracewell, Michael. Glenn Brown. Edited by Stefan Ratibor and Ealan Wingate. New York: Gagosian Gallery. 2006 Morton, Tom. Glenn Brown. Berlin: Galerie Max Hetzler. 2004 Freedberg, David. Glenn Brown. New York: Gagosian Gallery. Gingeras, Alison and Rochelle Steiner. Glenn Brown. London: Serpentine Gallery. 2000 Myers, Terry R., Frédéric Paul and Stephen Hepworth. Glenn Brown. Bignan, France: Domaine de Kerguéhennec, Centre d’Art Contemporain. 1999 Hunt, Ian. Glenn Brown. London: Jerwood Gallery. 1996 King, Phil and Marcelo Spinelli. Glenn Brown. Hexham, : Queen’s Hall Arts Centre; London: .

Books and Catalogues:

2018 Seifert, Christian Tico, Peter Black, Stephane S. Dickey, Patrick Elliott, Donato Esposito, M.J. Ripps, and Jonathan Yarker. Rembrandt: Britain's Discovery of the Master. Edinburgh: Scottish .

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Seifert, Christian Tico. Rembrandt and Britain. Edinburgh: Scottish National Gallery. Bell, Julian. What is Painting? London: Thames and Hudson. 2017 Abramson, Seth. Golden Age. Buffalo: BlazeVOX. Loewe, Catherine. I Lost My Heart to a Starship Trooper. London: Solopress/ Griffin Gallery. Bracewell, Michael, , Johan Kugelberg, and Jon Savage. True Faith. Manchester: Manchester Art Gallery. 2016 Fleming, Jeff and Matijicio, Steven. Glenn Brown. Des Moines: Des Moines Art Center. A to Z of . London: Frieze / Phaidon. Buchli, Victor. An Archeology of the Immaterial. London: Routledge. Fullerton, Elizabeth. Artagel: The Inside Story of the BritArt Revolution. London: Thames & Hudson. Jerwood Drawing Prize 2016. London: Jerwood Charitable Foundation. Nude: From Modigliani to Curin. New York: Gagaosian Gallery. Renaissances: Un Hommage contemporain a Florence. : Leinart. Talking Art 2: Interviews with artists since 2006. London: Riding House. Woodley, Frances. Models and Materialities: Confabulation and the Contemporary Still Life. Llandysul: Gomer Press. 2015 Chiver, John, and Eichler, Dominic. Glenn Brown / Rebecca Warren: Rennie Collection. Vancouver: Rennie Collection. Art Fiction - De la ville aux étoiles. Paris: RMN. Body of Art. London: Phaidon. Provisoire, Centre Pompidou Malaga. Madrid: TF Editores. Grovier Kelly. Art Since 1989. London: Thames & Hudson. Constantine, Jill, Jennifer Higgie, Lynette Yiadom-Boakye, Glenn Brown, Milena Dragicevic, David Noonan, , and Rose Wylie. One Day, Something Happens: Paintings of People: A Selection by Jennifer Higgie from the Arts Council Collection. London: Hayward Publishing. 2014 Kimmelman, Michael. Artists Talk. Nuremberg: Verlag für moderne Kunst Nürnberg. (Edited by Gerald A. Matt) Deblonde, Gaultier and Jim Lewis. Atelier. Gottingen: Steidl. Face to Face: British Prints from the Clifford Chance Art Collection. London: Sir John Soane’s Museum. Lacroix, Christian, and Anne Hidalgo. Lumières: carte blanche à Christian Lacroix. Paris: Paris Musées. Livingstone, Marco, Chang Tsong-Zung and Andrey Erofeev. Post Pop: East Meets West. London: Cenrelnvest UK Limited. Quattrone, Raffaele. IN ITINERE: arte contemporanea in trasformazione. San Cesareo (RM): EQUIPèCO. Gallais, Jean-Marie. REMEMBER EVERYTHING: 40 Years Galerie Max Hetzler. Berlin: Galerie Max Hetzler. Berg, Stephan, Michael Bracewell, Lutz Eitel, Ulrike Groos, Hans Dieter Huber, and Peter Pakesch. Sammlung Im Wandel: Die Sammlung Rudolf und Ute Scharpff. Berlin: Holzwarth Publications. SHE: Picturing women at the turn of the 21st century. Rhode Island: Brown University Press. Somos Libres II: Works from the Mario Testino Collection. Verona: Rizzoli. Taylor, Brandon. After Constructivism. London and New Haven: Yale University Press. Chiari, Alexis, Sylvie Courtine-Denamy, Christine Poullain, and Guillaume Theuliére. Visages: Picasso, Magritte, Warhol…, Paris: Réunion des musée nationaux - Grand Palais. 2013 Holzwarth, Hans Werner. Art Now, Volume 4. Cologne: Taschen.

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Grovier, Kelly. 100 Works of Art That will Define Our Age. London: Thames & Hudson Ltd. Curiger, Bice. Riotous Baroque: From Cattelan to Zurburan: Tributes to Precarious Vitality. Bilbao: Museo Guggenheim Bilbao. 2012 Castenfors, Mårten, Douglas Feuk, and Barbro Stribolt. Helvete/Hell. Stockholm: Liljevalchs Kunsthalle. Desserre, Jean-Francois. L’Image peinte. Enjeux et perspectives de la peinture figurative des années 90 à nos jours. Chatou, France: Les Éditions de la Transparence. Lomas, David and Jeremy Stubbs. Simulating the Marvellous. Manchester: Manchester University Press. Slavická, Milena. And Petr Nedoma. Beyond Reality: British Painting Today. Prague: Galerie Rudolfinum. Slyce, John. Contemporary Art in the . Edited by Phoebe Adler, London: Black Dog Publishing. Taylor, Michael. The Mechanical Hand: Artists’ Projects at Pauper Press. London: Black Dog Publishing. 2011 Cotter, Suzanne, Bice Curiger, Connie Butler, Bob Nicklas, Daniel Brinbaum, Massimiliano Gioni, Okwui Enwezor and . Defining Contemporary Art - 25 Years in 200 pivotal artworks. London: Phaidon. Bracewell, Michael. The Space Between: Collected Writings. Edited by Doro Globus. London: Ridinghouse. Fetz, Wolfgang, Belinda Grace Gardener, Synne Genzmer, David Lomas, Gerald A. Matt and Catherine Millet. Le Surréalisme, c’est moi!: Homage to Dalí. Vienna: Kunstalle Wien. Gingeras, Alison. Grisaille. New York: Luxembourg & Dayan. Grenier, Catherine. Dali, l'invention de soi. Paris: Flammarion. Gugnon, Annabelle, Rainer Metzger, Damien Sausset and Virginie Spenlé. Mémoires du futur: la collection Olbricht. Paris: Fage and La maison rouge. Lampert, Catherine and Tom Hunt. The Mystery of Appearance: Conversations Between Ten British Post-War Painters. London: Haunch of Venison. Mettais, Valerie. Portraits. France: Groupe Qualibris/Palette. Myers, Terry R. Painting: Documents of Contemporary Art. London: . Myrone, Martin, Michael Campbell, Lars Kokkonen, David Bindman and Julie Milne. John Martin: Apocalypse. London: Tate. 2010 Ades, Dawn, Will Self, and J. G. Ballard. Crash. London: Gagosian Gallery. Ando, Tadao and Philip Jodidio. Tadao Ando: Venice, The Pinault Collection at the Palazzo Grassi and the Punta della Dogana. New York: Rizzoli. Boehm, Gottfried, Angela Breidbach, Hubertus Butin, Philippe Cordez, Bice Curiger, et al. Täuschend echt. Illusion und Wirklichkeit in der Kunst. Edited by Bärbel Hedinger. : Das Bucerius Kunst Forum. Cork, Richard. Royal Academy Illustrated 2010. Edited by Stephen Chambers. London: . Craig-Martin, Craig. Art: curated by Michael Craig-Martin. Berlin: Medialis, Galerie Haas & Fuchs. Curinger, Bice. Täuschend echt. Die Kunst des Trompe-l’oeil, Munich: Albert Hirmer Verlag. Ditner, Judy and Massimiliano Gioni, eds. 10,000 Lives: Gwangju Biennale 2010. Gwangju: Gwangju Biennale Foundation. Tapié, Alain, Pierre Bergé, Régis Cotentin, and Isabelle Degut. Vanité: Mort, Que Me Veux-tu?, Paris: Fondation Pierre Bergé – Yves Saint Laurent. 2009 Adriana, Götz, Boris Groys, Gregor Jansen, Heinrich Klotz, Peter Sloterdijk, Wolfgang Ullrich, and Peter Weibel. Just what is it…. Karsruhe: ZKM/Center for Art and Media.

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Bonami, Francesco and Alison M. Gingeras, eds. Mapping the Studio: Artists from the François Pinault Collection. Milan: Electa. Godfrey, Tony, ed. Painting Today. London: Phaidon Press. Ottinger, Didier ed. Arcadie: Dans les collections du Centre Pompidou. Taipei: Taipei Fine Arts Museum. Werner Holzwarth, Hans, ed. 100 Contemporary Artists. Cologne: Taschen. 2008 Exhibition of Musée National de l’Arte Moderne du Centre Pompidou. Korea: GNC Media, Seoul Museum of Art in Korea. Heiser, Jorg. All of a Sudden: Things that Matter in Contemporary Art. Berlin: Sternberg Press. Lombino, Mary-Kay. Excerpt: Selections from the Collection. Poughkeepsie, NY: Frances Lehman Loeb Art Center, Vassar College. Renton, Andrew. Cranford Collection 01. London: Cranford Collection. Werner Holzwarth, Hans, ed Art Now, Volume III. Cologne: Taschen. 2007 Bruchmann, Alexandra, Gerhard Finckh, Ann-Katrin Günzel, Hans Hofstätter, Tobias Janz, Franz Nagel, and Ute Riese. Der Symbolismus und die Kunst der Gegenwart. Wuppertal, Germany: Von der Heydt-Museum. Button, Virginia. The : Revised Edition. London: Tate. Cuzin, Jean-Pierre and Dimitri Salmon. Fragonard Regards/ Croisés. Paris: Mengés. Gelfand, Victoria, ed. Insight? New York: Gagosian Gallery. Mercurio, Gianni and Demetrio Paparoni, eds. Timer 01: Intimità /Intimacy, L’arte contemporanea dopo l’undici settembre/Contemporary Art After Nine Eleven. Milan: Skira-Berenice. Muir, Gregor. Old School. London: Hauser and Wirth Colnaghi. Museum Folkwang Essen. Rockers Island: Olbricht Collection. Essen, Germany: Museum Folkwang; Göttingen, Germany: Steidl. 2006 Althorpe-Guyton, Marjorie, Michael Archer and Roger Malbert. How to Improve the World: Sixty Years of British Art, Arts Council Collection. London: Hayward Gallery. Bonami, Francesco and Sarah Cosulich Canarutto, eds. Infinite Painting: Contemporary Painting and Global Realism. Udine, Italy: Villa Manin, Centro d’Arte Contemporanea. Schmidt, Katharina. Jean-Honoré Fragonard, 1732–1806: Orígenes e influencias, de Rembrandt al siglo XXI. Barcelona: Obra Social Fundación “la Caixa.” Lindemann, Adam. Collecting Contemporary Art. Cologne: Taschen. Mullins, Charlotte. Painting People: The State of the Art. London: Thames and Hudson. Richardson, Sarah. Passion for Paint. London: National Gallery. Leslie, John, and Brian W. Aldiss. The Starry Messenger: Visions of the Universe: Warwickshire, England: Compton Verney. Lange, Christiane, and Robert Fleck. Zurück zur Figur: Malerei der Gegenwart. Munich: Kunsthalle der Hypo-Kulturstiftung and Prestel. Whitford, Frank. British Art: A Post-War Selection. London: Thomas Gibson Fine Art. 2005 Bonami, Francesco. Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo. Turin: Fondazione Sandretto Re Rebaudengo. Christoph Heinrich, ed. Neue Kunsthalle IV: Direct Painting. Hamburg: ; Ostfildern-Ruit, Germany: Hatje Cantz. de la Baumelle, Agnès. Big Bang: Creation and Destruction in Twentieth Century Art. Edited by Catherine Grenier. Paris: Éditions du Centre Georges Pompidou. Heinzelmann, Markus. Rückkehr ins All/Return to Space. Edited by Christoph Heinrich. Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz. Rothfuss, Joan and Elizabeth Carpenter, eds. Bits and Pieces Put Together to Present a Semblance of a Whole. Minneapolis: Walker Art Center.

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Schimmel, Paul. Ecstasy: In and About Altered States. Edited by Lisa Mark. : Museum of Contemporary Art; Cambridge, MA: MIT Press. Ward, Ossian. Art Now, Volume II. Edited by Uta Grosenick. Cologne: Taschen. 2004 Altner, Marvin and Christoph Heinrich. Ice Hot: Recent Painting from the Scharpff Collection. Hamburg: Hamburger Kunsthalle; Stuttgart: . Paul, Frédéric. Berlin 1994–2003. Berlin: Galerie Max Hetzler. 2003 Bonami, Francesco. Pittura/Painting: From Rauschenberg to Murakami, 1964–2003. Venice: Museo Correr. Bonami, Francesco and Maria Luisa Frisa. Dreams and Conflicts: The Dictatorship of the Viewer. La Biennale di Venezia, Fiftieth International Art Exhibition. Venice: Marsilio. Button, Virginia. The Turner Prize: Twenty Years. London: Tate Gallery. Cork, Richard. Breaking Down the Barriers: Art in the 1990s. New Haven, CT: Yale University Press. Ellis, Patricia. 100: The Work that Changed British Art. London: Jonathan Cape and . Une Collection de “Chefs-d’œuvre”. Limoges, France: FRAC Limousin. Schwabsky, Barry. Vitamin P: New Perspectives in Painting. London: Phaidon. Weibel, Peter. M_ARS: Kunst und Krieg. Graz, Austria: Neue Galerie am Landesmuseum Joanneum; Ostfildern-Ruit, Germany: Hatje Cantz. 2002 Ashcroft, Michael. Landscape. London: Saatchi Gallery. Company-Ramón, Juan Miguel. Melodrama. Edited by Doreet LeVitte Harten. Vitoria- Gasteiz, Spain: Artium, Centro-Museo Vasco de Arte Contemporaneo; Granada, Spain: Palacio de los Condes de Gabia; Vigo, Spain: Museo de Arte Contemporanea de Vigo. Folie, Sabine and Gemima Montagu. “Dear Painter, Paint Me . . . ”: Painting the Figure since Late Picabia. Edited by Alison Gingeras. Paris: Éditions du Centre Georges Pompidou; Vienna: Kunsthalle Wien; Frankfurt: Schirn Kunsthalle Frankfurt. Grayson, Richard. (The World May Be) Fantastic: 2002 Biennale of Sydney. Edited by Ewen McDonald. Sydney: Museum of Contemporary Art Grosenick, Uta and Burkhard Riemschneider Art Now: 137 Artists at the Rise of the New Millennium. Cologne: Taschen. Hemsworth, Gerard and Suhail Malik. Painting as a Foreign Language. São Paulo: Sociedade Brasileira de Cultura Inglesa. Hug, Alfons, ed. XXV Bienal de São Paulo: Iconografias metropolitanas. São Paulo, Brazil: Fundação Bienal de São Paulo. McLean, Daniel, and Karsten Schubert. Dear Images: Art, Copyright, and Culture. London: Riding House, Institute of Contemporary Art. 2001 Gingeras, Alison M., and Frédéric Paul. AZERTY: Un abécédaire autour des collections du Frac Limousin. Paris: Ed. du Centre Pompidou. Lampert, Catherine and Rosenthal, Norman. Frank Auerbach. Painting and Drawings: 1954 - 2001, London: Royal Academy of the Arts. 2000 Berg, Sibylle, Norman Bryson, Bice Curiger, Paul D. Miller, Griselda Pollock, Gero von Randow, and Peter Weibel. HYPERMENTAL Rampant Reality 1950 – 2000. From Salvador Dali to . Zürich: Kunsthaus Zürich; Hamburg: Hamburger Kunsthalle; Ostfildern-Ruit, Germany: Hatje Cantz Verlag. Bucklow, Christopher. Little Angels. London: Houldswourth Fine Art Limited.

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Gage, John and Mike Tobey. Blue: Borrowed and New. Walsall, England: The New Art Gallery Walsall. Godfrey, Tony, Matthew Higgs, Helen Luckett and Marcalo Spinelli. The British Art Show 5. London: South Bank Centre. Johnstone, Isabel. The Saatchi Gift to the Arts Council Collection. London: Hayward Gallery. Sausages and Frankfurters: Recent British and German Paintings from the Ophiuchus Collection. Hydra, Greece: Hydra Workshop. Horlock, Mary. The Turner Prize 2000. London: . 1999 Bonami, Francesco, Judith Nesbitt, Catherine Lampert and Robert Fitzpatrick. Examining Pictures: Exhibiting Paintings. London: Whitechapel Art Gallery. Collings, Matthew. This is Modern Art. London: Weidenfeld and Nicolson. Cork, Richard. John Moores 21. : Walker Art Gallery. Stallabrass, Julian. High Art Lite. London: Verso. 1998 Feldman, Melissa E. and Ingrid Schaffner. Secret Victorians: Contemporary Artists and a Nineteenth-Century Vision. London: Hayward Gallery. Ferry, Luc. Le sens du beau. Paris: Éditions Cercle d’Art. Friis-Hansen, Dana; David Pagel, Raphael Rubinstein, and Peter Schjeldahl. Abstract Painting, Once Removed. Houston: Contemporary Arts Museum, Houston. 1997 Adams, Brook, David Barrett, Lisa Jardine, Martin Maloney, Richard Shone; and . Sensation: from the Saatchi Collection. London: Thames & Hudson, Royal Academy of Art. Collings, Mathew. Blimey! From Bohemia to Britpop. Cambridge: 21 Publishing. Daniel, Susan. Pure Fantasy. Llandudno, Wales: Oriel Mostyn Gallery. King, Phil and Spinelli, Marcelo. Glenn Brown, Queen’s Hall Arts Centre, Hexham; Kartsten Schubert, London. Sanches, Rui and Jorge Molder. Treasure Island. A ilha do tesouro. Lisbon: Fundacão Calouste Gulbenkian. 1996 Elliot, David. About Vision: New British Painting in the 1990s. Oxford: . Gruber, Klemens, Johann Skocek, Lynne Joyrich, Jeff Rian, Eva Maria Stadler, Theo Ligthart, Thomas Trummer. Fernbedienung: Does Television Inform the Way Art is Made? Graz, Austria: Grazer Kunstverein. Lucie-Smith, Edward. Visual Arts in the Twentieth Century. London: Lawrence King. 1995 Flood, Richard, Douglas Fogal, Stuart Morgan, Marcelo Spinelli, Neville Wakefield. Brilliant! New Art from London. Minneapolis: Walker Arts Centre. Kent, Sarah. Shark Infested Waters: The Saatchi Collection of British Art in the 90’s. London: Zwemmer. Kent, Sarah. Young British Artists V. London: Saatchi Gallery. Wilson, Andrew. From Here. London: Waddington Galleries and Karsten Schubert. 1993 Kent, Sarah. Barclay’s Young Artist Award, London: Serpentine Gallery. Morgan, Stuart. Mandy Loves Declan 100%. New York: Mark Boote Gallery. 1990 Brouwer, Marianne, Franz Kaiser, and Alistair McLennan. BT New Contemporaries 1990. Bristol: New Contemporaries. 1989 Craddock, Sacha. BT New Contemporaries 1989. London: New Contemporaries. Christie’s New Contemporaries. London: .

Selected Articles and Reviews:

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2017 ------. "A Firenze le opere del britannico Glenn Brown." La Stampa, Arte, 6 Jun. Azimi, Roxana. "Glenn Brown Expose a la Fondation Van Gogh." Le Quotidien de L'Art, May 17, No. 1065, pp. 6-7. Cecchetti, Maurizio. "Brown: Rococo all'inglese." or "Glenn Brown Chirurgo Plastico della Pittura." Avvenire, Jun 30, p. 14. Forlani, Maria Paola. "Arte senz cofini: Glenn Brown." mariapaoloaforlani and estense, Jun. 10. ------. "Glenn Brown, la cultura popolare in 'Piaceri Sconsciuti'." La Nazione, Jun 10, p. 33. ------. "'Glenn Brown: Unknown Pleasures' tricks viewers at Museo Stefan Bardini, Florence." Blouin Artinfo, Sep 11. ------. "I piaceri sconosciuti di Glenn Brown." la Repubblica, Jun 10, p. XVIII. Mugnaini, Olga. "Glenn Brown, mostra del chirurgo dell'arte: 'Prendo l'anima ai gradi Maestri'." La Nazione, Jun 9. ------. "Rinascimento Reloaded." Marie Claire Maison, Vol. 15, No. 6, Jun, p 20. Semmola, Edoardo. "Bardini Pop: Acccia a Glenn Brown." Corriere della Sera, Vol. 142, No. 136, Jun 10, pp. 14-15. Spagnesi, Licia. "Glenn Brown, piaceri dell'altro mondo: Il mannerismo surreale del sofisticato artista britannico al Museo Bardini." Arte, Jul, p 34. Spagnesi, Licia. "Glenn Brown, I segreti di un illusionista: It sofisticato artista inglese, che con virtuosismo straordinario reinventa la pittura del passato, si racconta a Firenze.” Arte, Aug, pp. 72-77. Quattrone, Raffaele. "Glenn Brown: Unknown Pleasure." Wall Street International, Jul 30. 2016 Azimi, Roxana. "Glenn Brown Expose a la Fondation Van Gogh." Le Quotidien de L'Art, May 17, No. 1065, p. 6-7. Azimi, Roxana. "La peinture de Glenn Brown, une passerelle entre passé et présent." M le magazine du Monde, May 16. ------. "British artist Glenn Brown to be Gagosian Gallery's featured artist at Frieze." Artdaily.org, Sep. Brown, Glenn. "Willem de Kooning: Paintings." Turps Banana, Issue 17, p 52. Cigainero, Jake. "Van Gogh Meets Glenn Brown in Arles." Blouin ArtInfo, 16 May. Clarke, Andrew. "Contemporary show celebrates the tools and debris of creation." East Anglia Times, Jan 23, p 52-53. Cue, Elena "Interview with Glenn Brown." Huffington Post, May 4-5. Couch, Erin. "Glenn Brown creates timeless pieces." The News Record, 11 Sep. Cue, Elena "En mis obras hay homenaje y destruccion." ABC, Vol. CXIII, No. 36.648, May 1, p 62-64. Duncan, Jim. "Art Pimp: Glenn Brown – Past is Prologue." Cityview, May 25. ------. "Glenn Brown: Metamodern and the art of the transhuman." The Meta Modern, Sep. Guyp, Marta. "The Day The World Turned Glenn Brown: In Conversation with the Artist." Zoo Magazine, Spring, No. 50. Hayes-Westhall, Mark & Hannah. "Give and Take: Glenn Brown." The City Magazine, p 88–89. Harris, Gareth. "Arles Exhibition Compares 'Obsessive' Artists." Art Times, May 23. Jover, Manuel. "Glenn Brown chez Van Gogh a Arles." Connaisance des Artes, 11 May. Lorin, Claude. 'Inspires." La Marseillaise Supplement, May 21, p. 61. Morel, Guilaume. "Glenn Brown face a Van Gogh." Connaissance des Arts Hors-Serie, No. 714, p 12-13.

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Munro, Cait. "Take Our Instargram Tour of Frieze London 2015." artnet, 15 Oct. ------. "Reviving the History of Art." Widewalls. Sep. Schwartz, Kathy. "If painting is dead, Glenn Brown is carrying on with the corpse." City Beat, Sep 22. ------. "When Glenn met Vincent: how does a contemporary painter stack up against a Modern master?" The Art Newspaper, May 23. Sharrock, Lee. "Our Top 6 at Frieze London and Frieze masters 2015." FAD MAgazine, Oct 14. Wright, Karen. "Glenn Brown, painter and sculptor: 'Sculpture has to operate in its own right - it cannot be slavish to its sources'." The Independent, Sep 3. 2014 Crow, Kelly. "Glenn Brown's Slow-Paced Bid To Unsettle Viewers." Wall Street Journal, May 23, p. C20. Fox, Dan. "Glenn Brown." Frieze Magazine, No. 164, p 219. Kronthaler, Hemut. "Geborgte Bilderwelten." ArtInvestor, Jan, p 82-82. Lillington, David. "Copyist for Life: Some notes on Glenn Brown." Metropolis M, Jan 9, Features. Stonard, John-Paul. "Exhibition: Glenn Brown, New York." Burlington Magazine, Vol. CVLI, Aug, pp 558-559. Yerebakan, Osman Can, "New York - Glenn Brown at Gagosian Gallery Through June 21st 2014 ." ArtObserved, June 16. 2013 Brown, Glenn. “Artist's Artists: 19 artists write about a work that has influenced them.” Frieze Masters, No.2, p 92. Brown, Griselda Murray. “Landscape with visions of Britten.” Financial Times, June 8–9. Jager, Hans den Hartog. “Brown laat je opnieuw kijken naar oude meesters.” NRCHandelsblad, Cultureel Supplement, Dec 5. 2012 Spence, Rachel. “From sounds to vision.” Financial Times, June 9 –10. 2011 Bischof, Hartwig. “Nåhmaschine & Regenschirm.” Die Furche, Aug 11. Draeger, Volkmar. “Zwischen Schönheit und Vergänglichkeit.” Neues Deutschland, May 12. Garrelts, Nantke. “Kunst Stüke: Warmer Westen.” Der Tagesspiegel, No. 20982, 21 May, p. 26. Pascucci, Marisa J. “Glenn Brown.” The Art Economist, Vol. 1, issue 10, p. 35. Prince, Mark. “Pinselstriche, die auf der Leinwand verrotten.” Die Welt, May 14, p. 28. Probst, Ursula Maria. “Le Surrealisme, c’est moi!” Kunstforum (Vienna), Aug–Sep, pp. 388–390. Radunsky, Clara. “Surreale Welten.” Die Presse (Vienna), June 10, p.31. Schlocker, Edith. “Antennenwels statt Hummer.” Tiroler Tageszeitung, Sep 8. Vogel, Sabine. “Dalis Schnurrbart trifft auf Schinwalds Karpfen.” Die Presse, June 22. 2010 Ackermann, Tim. “Die Indiskreten Masken von Mister Brown.” Architectural Digest, No. 110, June, pp. 94–96. Gallais, Jean-Marie. “Glenn Brown, Tate, Liverpool.” Frog, No. 9, pp. 102–05. Langbein, Julia. “Review: Second Hand.” , Sep 16. Quattrone, Raffaele. “Modernity and Art Field: toward new cultural references.” Equipèco, No.26, p. 22–27. Seo, Jung-im. “Specters in Art History Deconstructed by Moving Paintings.” Public Art, Sep, pp. 104–11. Sewell, Brian. “Book Review: Glenn Brown.” World of Interiors, Oct, p. 79. 2009 ------. “The Changing Man.” Liverpool.com, Mar, p. 12. ------. “Themen: Malerei.” ART: Das Kunstmagazin, No. 15, July.

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Anderson, Vicky. “Taking a Fresh Look at Art.” Daily Post, Feb 6, pp. 4–5. Brown, Christopher. “Glenn Brown’s Unusual Obsessions.” Metro, Feb 20, p. 25. Brown, Jonathan. “A Real Scene Stealer.” The Independent, Feb 16, pp. 14–15. Cairns, Steven. “Picks: Art Now: Beating the Bounds.” Artforum, Oct 22. Clark, Robert. “Exhibitions: Glenn Brown.” , Feb 21–27, p. 38. Coxhead, Gabriel. “Art Latest: Glenn Brown.” TimeOut London, Oct 23. Darwent, Charles. “The Fine Art of Copycatting.” The Independent, Jan 25, pp. 64–65. Degen, Natasha. “Previews.” Artforum, Jan, p. 123. Gayford, Martin. “Goo at Gagosian; Keifer Ghosts; Riley’s Curves: UK Galleries.” Bloomberg, Nov 11. Gingeras, Alison M., and Rochelle Steiner. “A Careful Concoction of ‘Push’ and ‘Pull’.” Tate, etc., Spring, pp. 38–47. Hausmann, Julia. “Zuruck blicken – Wendungen vollziehen.” Kunst+Unterricht, No. 336/337, p. 17. Herbert, Martin. “Review: Glenn Brown at .” Frieze, June–July–Aug. Lack, Jessica. “Exhbitions: Glenn Brown, London.” The Guardian, Oct 10. Lubbock, Tom. “Art.” The Independent. Jan 2. MacRitchie, Lynn. ”Glenn Brown,” Art in America, Apr. Pietsch, Hans. “Ein kreativer Dieb.” Art: Das Kunstmagazin, July, p. 42–49. Robinson, Walter. “Glenn Brown Retrospective.” artnet, Feb 12. Rose, Rebecca. “Devil in the Detail.” Financial Times, Feb 28. Trigg, David. “Painting Paintings: Glenn Brown Interviewed.” Art Monthly, No. 325, Apr, pp. 1–4. Wright, Karen. “Glenn Brown–Simply a Great Artist.” The Independent, Feb 23. Wullschlager, Jackie. “Frieze special: Elan about town.” Financial Times, Oct 9. 2008 “Glenn Brown Exhibits Paintings at Kunsthistoriches Museum in Vienna. Artdaily.org, May. Fishof, Ohad. “Correlation of Desires: An Interview with Doreet LeVitte Harten.” Studio: Israeli Art Magazine, Jan–Feb, pp. 40–48. 2007 Alpers, Svetlana and . “: Fictions of the studio, the shadows of the photographic, and contemporary ghosts of empathy.” Modern Painters, Feb, pp. 76-83. Campbell-Johnson, Rachel. “Old Masters, Young Pretenders.” , May 8, p. 14. Kalhama, Pilvi. “Medioista maalaukseen.” Taide, Jan, pp. 38-43. Peitz, Dirk. “Preview: Es wird verdammt symbolisch in Wuppertal.” Monopol, June, p. 108. Wright, Jeffrey Cyphers. “Kindling the spirits.” Chelsea Now, May 11–17, p. 23. 2006 Grant, Daniel. “Collecting Advice.” ARTnews, Sep, p. 100. Wittneven, Katrin. “Frankensteins Sohn.” Der Tagesspiegel, Feb 18. 2005 Bishop, Claire. “But is it–Installation Art?” Tate etc., Spring, pp. 26-35. Coomer, Martin. Review: Glenn Brown at Haunch of Venison. Time Out, Jan 12, p. 58. Gleadell, Colin. “London hits the $100 million mark.” Art Monthly, Apr 5, pp. 38-39. Gleadell, Colin. “Painting by numbers.” ArtReview, Apr, V3, N3, pp. 47-48. Heiser, Jörg. “Master and Minion.” Parkett, No. 75, pp. 133-140. Higgie, Jennifer. “He Paints Paint.” Parkett, No. 75, pp. 106-115. Myers, Terry R. “Coming Up Roses.” ArtReview, June–July, pp. 38-40. Smith, Trevor. “The Fantastic Voyage of Glenn Brown.” Parkett, No. 75, pp. 116-127. 2004 Brown, Glenn. “Questionnaire: Glenn Brown.” Frieze, Sep. Burnett, Craig. “Glenn Brown: The Divine and the Dirty.” Contemporary, no. 66, Oct, pp. 37-41.

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Charlesworth, JJ. “Fever.” Flash Art, Nov/Dec, pp. 84-7. Collings, Matthew. “Diary: Getting Ahead in New York.” Modern Painters, summer, pp. 18-23. Cumming, Laura. “To make your city, first take an egg.” (London), Sep 19. Darwent, Charles. “Homage or vampirism? No contest.” The Independent on Sunday, Sep 19, p. 25. Dormant, Richard. “A Magritte for our age.” , Sep 22. Ebony, David. “First Night: Lost in Space with a Master of Illusionist Art.” The Times, Sep 16. Ebony, David. Review: Glenn Brown at Gagosian. Art in America, Oct, p. 156. Wilsher, Mark. “Judgement Call.” Art Monthly, Oct, pp. 7-10. Herbert, Martin. Preview: Glenn Brown at Serpentine Gallery. Artforum, Sep, p. 113. Lafuente, Pablo. “Glenn Brown: Classic Contemporary.” Flash Art, May/Jun, pp. 110- 112. Januszczak, Waldemar. “Look here – Brit Art has entered a brave new world.” The Sunday Times, Sep 19. Jones, Jonathan. “Dawn of the Dead.” The Guardian, Sep 16, pp. 14-15. Johnston, Rachel Campbell. “Passion of an illusionist who leaves us lost in space.” The Times, Sep 15, p. 10. Kent, Sarah. “Altered States.” Time Out London, Sep 22-29. L. B. “Verbatim: Glenn Brown.” The Art Newspaper, Sep, pp. 110–12. Lillington, David. “Kopiist Voor Het Leven: Notities bij een gesprek met Glenn Brown.” Metropolis M, no.6, Dec–Jan, pp.101–13. Lubbock, Tom. “Brushing Up on the Cliches.” The Independent, Sep 21, pp. 12-13. Macmillan, Ian. “You Take My Place in this Showdown.” Modern Painters, Autumn, pp. 78-81. Martin, Esmeralda. “Glenn Brown: Do Artists Dream of Electric Landscapes?” Belio, No. 13, pp. 31–36. ------. “Modern Classic.” ArtReview, vol. 2, no. 3, p. 22. Packer, William. “Glenn Brown, Serpentine Gallery, London.” Financial Times, Sep 23, p. 15. Prince, Mark. “.” Art Monthly, May, pp. 6–9. Rodriguez, Edel. “Glenn Brown at Gagosian.” , March 29, pp. 16–17. ------. “Sci-Fi Deceptions that Seduce.” The Times, Sep 15, p. 9. Vallese, Gloria. “Glenn Brown, Nato per spiazzare.” Arte, No. 374, pp. 126–3. Wilson, Michael. “Review: Glenn Brown at Gagosian Gallery.” Artforum, Summer, p. 246. 2003 Adams, Brook. “Picabia, The New Paradigm.“ Art in America, Mar, pp. 84–91. Asmus, Dieter. “Heiliger auf Umlaufbahn.” Kunstzeitung, June, p. 25. La Placa, Joe and Walter Robinson. “New London Sun.“ Artnet, Oct. Nochlin, Linda. “New Tricks for an Old Dog: The Return of Painting.” Contemporary, No. 38, pp. 18–23. 2002 Bracewell, Michael. “History for Pissing On.” Tate Magazine, No.29, Summer, pp.34– 39. Bush, Kate. “Cher Peintre, Lieber Maler, Dear Painter.” Artforum, XLI, No.2, Oct, p. 148. Dent, Nick. “Copy Boy.” Black and White, no.61 June–July, p. 18. Edwards, Natasha. “Cher Peintre Peins-Moi!” Modern Painters, Autumn, p.145.

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Foster, Stephen. “Painting As A Foreign Language.” Contemporary, June–July–Aug, pp. 148-149. Gute, Charles; Menin, Samuele; Robecchi, Michele. “Focus Painting Part One.” Flash Art, XXXIV, No.226, Oct, p. 80. Muchnic, Suzanne. “Glenn Brown: Patrick Painter.” ARTnews, Jan, p. 125. Tufnell, Ben. “Dear Painter, Paint Me: Painting the Figure Since Late Picabia.” Contemporary, Sep, p. 90. 2001 Feaver, William. “Turner Prize 2000.” ARTnews, Feb, p. 65. Lydiate, Henry. “Copyright: Originality.” Art Monthly, no.243, Feb, pp.52–53. 2000 Alberge, Dalya and Ian Cobain. “Copycat Row as The Times Reveals Turner Prize Artist’s Inspiration.” The Times, Nov 28, pp. 1, 3. Cobain, Ian. “Portrait of an Artist Caught in a Pretty Bad Light.” The Times, Nov 29, p.3. Cork, Richard. “Dazzling Spectacle and in No Sense a Rip-Off.” The Times, Nov 28, p.3. ------. “Farewell Then, Britart.” The Times, Oct 25, Arts, pp. 20–21. Dorment, Richard. “Turner Prize: No Sheep, No Beds, No Dung—Just Fine Art.” The Daily Telegraph, Oct 25, p. 23. Gibb, Francis. “Lawyers Advise on a Claim for Compensation.” The Times, Nov 29, p.3. Grant, Simon. “Turner Prize.” Tate Magazine, No. 23, p.90. Herbstreuth, Peter. “Glenn Brown: Max Hetzler.” Flash Art, No. 215 Jan–Feb, p. 110. Kent, Sarah. “Artificial Intelligence.” Time Out, Oct–Nov, pp. 20–1. Pitman, Joanna. “Shock of the Old.” The Times Magazine, Oct 22, pp. 41–43. Rondi, Joelle. “Bignan, Domaine de Kerguéhennec.” Art Press, Oct, pp. 77–78. Searle, Adrian. “Turner Prize.” The Guardian: G2, Oct 24, pp. 12–13. Urquhart, Conal. “Sci-fi Artist Finds His Work Is in New Orbit.” The Times, Nov 28, p. 3. Withers, Rachel. “Intelligence: New British Art 2000/The British Art Show 5.” Artforum, Oct, p. 143. 1999 Benjamin, Marina. “Dalí Mixtures to Tickle the Jaded Palette.” London , May 6, Arts, pp.34–35. Brittain, David. “Glenn Brown.” Creative Camera, Issue 358, June–July. Brown, Glenn. “Gerhard Richter, Anthony d’Offay Gallery.” Frieze, no.44, Jan–Feb, p.74. Collings, Matthew. “Higher Beings Command.” Modern Painters, summer, pp.58–64. Darwent, Charles. “If You Want to Get Ahead, Get a Different Sort of Brain.” The Independent, Aug 25. Gellatly, Andrew. “It’s a Curse, It’s a Burden.” Frieze, no.45, March–April, pp.85–86. Higgie, Jennifer. “Glenn Brown, Jerwood Gallery, London.” Frieze, no.47 June–July– Aug, pp.98–99. Jones, Jonathan. “Pick of the Day.” The Guardian, May 17. ------. “John Moore’s 21 exhibition review.” The Guardian, Sep 28, p. 13. ------. “Pick of the Day.” The Guardian, May 17. Joni, Tom Ulford. “Glenn Brown.” TNT Magazine, May. Martin, Herbert. “Glenn Brown,” Time Out, May 12-19. Musgrave, David. “It’s a Curse, It’s a Burden.” Art Monthly (London), No. 223, pp. 36– 38. ------. “We’ll Drink Through it All This Modern Age.” Untitled, summer, pp. 4–6. Pagel, David. “Mixed Media.” , July 2.

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Patrick, Keith. “Formal Dress, Alienation and Resignation at the Millennium Ball.” Contemporary Visual Arts, winter, pp. 46–51. Sladen, Mark. “The Day the World Turned Auerbach.” Art/Text, p. 64 1998 Dewan, Shaila. “What’s So Great about Painting?” Houston Press, Oct 29, pp. 59–60. 1997 ------. “Academy Show in Copycat Spat.” London Evening Standard, Sep 16, p. 10. Collings, Matthew. “Higher Beings Command.” Modern Painters, 58-9. Fricke, Harald. “Das Fenster zur Welt ist ein Fernseher.” Taz, July 26. Jennings, Rose, and Libby Anson. “Berlin; Venice.” Untitled, winter, pp.16–17. Kent, Sarah. “It’s a Sensation! But Is It Art?” Time Out London, Sep 10, pp.4–5, 13 Kyte, Matthew and Darren Lees. “Glenn Brown in Conversation at His Studio.” The Slade Journal, summer, pp.27–34. Shone, Richard. “Lisbon: British Art 1960–Present.” Burlington Magazine, April, pp. 283–85. 1996 Adams, Brooks. “Hodgkin’s Subtexts.” Art in America, May, pp. 39–40. Dannatt, Adian. “Brilliant.” Flash Art, Jan–Feb. Feaver, William. “Crooked Style.” The Observer Review, Nov 17. Feldman, Melissa. “Twenty-one Days of Darkness,” Art Monthly, Apr, pp. 39–40. Findlay, Judy. “Twenty-one Days of Darkness.” Flash Art, No. 189, Jun/Jul. Graham-Dixon, Andrew. “On The Surface.” The Independent Tabloid, Nov 19, pp. 4-5. Hilton, Tim. “The Best Painting in Britain?” The Independent on Sunday,Nov 17, p. 30. Searle, Adrian. “The Best of British Painting?” The Guardian, Nov 11, p. 10. Wilson, Andrew. “The Vision Thing.” Art Monthly, Dec, pp. 7–9. 1995 Archer, Michael. “Licensed to Paint.” Art Monthly Magazine, No. 186, pp. 8-10. Auty, Giles. “Edge of the Black Hole.” The Spectator, Apr 15, p. 42. Brown, Glenn. “Glenn Brown on George Condo’s Clownmaker, A brush with Genius: 20.” The Guardian, Nov 14, p. 9. ------. “Glenn Brown on : Paintings.” Tate Gallery, Frieze, No. 22, May, pp. 54-5. Cafopoulos, Catherine. “Glenn Brown at Karsten Schubert.” Arti, Vol 27, Nov–Dec, pp. 208–11. Collings, Matthew. “Welcome to Our Repartee.” Modern Painters, Winter, pp. 24–28. Coomer, Martin. “From Here.” Time Out, Apr 19, p. 46. Cork, Richard. “Bright Young Things at Work and Play.” The Times, Sep. Dorment, Richard. “Funny, But Too Peculiar.” The Telegraph, Sep 20, p. 16. Gayford, Martin. “The Medium That Refused To Die.” The Telegraph, Apr 12. Hall, James. “Old Habits Die Hard.” The Guardian, Sep 25, p. 6. Hilton, Tim. “Fate, Hopelessness, Little Clarity.” The Independent on Sunday Review, Apr 9, p. 31. Hooper, Mark. “Space 1995.” The Face, No. 86, Nov, pp. 84-5. Hyman, James. “Presences and Spectral Traces.” Galleries Magazine, July, p. 12. Kent, Sarah. “Glenn Brown, Karsten Schubert.” Time Out London, Jul 26, p. 52. ------. “Pretty Vacant.” Time Out London, No. 1311, p. 51. McEwen, John. “Young British Artists V.” , Oct 1. Morgan, Stuart. “Anglo-Saxon Attitudes.” Frieze, Mar/Apr, p. 7. Negrotti, Rosanna. “Spaced Out.” What’s On Magazine, Oct 4, pp. 12-3. Norman, Geraldine. “Stampede Starts From Here.” The Independent¸ Apr 3, p. 7. Packer, William “Only Artists with Attitude.” Financial Times, Sep. Searle, Adrian. “Any Colour You Like as Long as It’s a Joke.” The Independent, Apr 4, p. 21. ------. “Art in the Wrong Place.” The Independent, Oct 10, p. 9.

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Wakefield, Neville. “Quite, Quite Brilliant.” Tate Magazine, Nov, No.8, pp. 32–9. Wilson, Andrew. “Breaking Content from Form.” Art & Design Magazine, No. 41, pp. 6–19. 1993 Beaumont, Peter. “Is Art Dead?” The Observer, Feb 14. Bennett, Oliver. “Exhibitionists!” The Evening Standard Magazine, May. Bonami, Francesco. “Vitamin P: The Sound of Painting.” Flash Art, Nov–Dec, No. 173. Cafopolous, Catherine. Review: Glenn Brown at Karsten Schubert. Arti, Nov–Dec, p. 208-211. ------. “Dali Dabbler.” The Times, Jan 28. ------. “Glenn Brown v The Dali Estate,” Untitled Magazine, spring. Graham-Dixon, Andrew. “Radical Chic and the Schlock of the New.” The Independent, Feb 16. Harvey, William. “Copycat Crime.” City Limits, Feb 4. Hilton, Tim. “Familiar Signs of a Misspent Youth.” The Independent on Sunday, Feb 7, p. 18. Kent, Sarah. “Awards to the Wise.” Time Out, Feb 3. Morgan, Stuart. “Confessions of a Body Snatcher.” Frieze, No. 12, Oct, p. 52-5. Myers, Terry R. “Painting Invitational.” Flash Art, No. 172. Pitt, Alex. “Copyright Issues.” Art Monthly Magazine, May, p. 17. ------. “Whose Art is it Anyway.” The Observer, May 9. Packer, William. “Crème de la Crème Goes Sour.” The Financial Times, Feb 2. Roberts, James. “Twin Peak: The Barclay’s Young Artists Award.” Frieze, Mar–Apr, No. 9. Smith, Roberta. “Painting Invitational.” , July 2. Whitford, Frank. “Blind Man’s Buff.” The Sunday Times, Feb 31. Wilson, Andrew. “London Winter Round-Up.” Art Monthly, Feb, No. 163. 1992 Kent, Sarah and Simon Chu. “The Late Show.” BBC 2, Feb 2. Lorent, Claude. “Quand l’Attitude Devient Art.” Art and Culture, Nov. Palmer, Julie. “Surface Valules–A review, Art and Design,” Contemporary Painting, Autumn. 1991 Collings, Matthew. “New Contemporaries, ICA.” City Limits, Aug 15. Dorment, Richard. “Painting With a Message.” The Telegraph, Aug 9. Jennings, Rose. “New Contemporaries, ICA.” City Limits, Jan 11. Kent, Sarah. “New Contemporaries, ICA.” Time Out London, Aug 7. McEwen, John. “Artists A-Plenty.” The Sunday Telegraph, Dec 8. Norrie, Jan. “BT New Contemporaries, Ikon Gallery.” Arts Review, Apr. 1989 Cork, Richard. “New Art Goes Under the Hammer.” Telegraph Weekend Magazine, Mar 11.

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