BORTOLAMI

Virginia Overton (b. 1971 in Nashville, Tennessee) Lives and works in Brooklyn, New York

Education

2005 University of Memphis, TN, MFA 2002 University of Memphis, TN, BFA

Solo Exhibitions

2019 Água Viva, Bortolami, New York, NY Francesca Pia, Zürich, Switzerland (forthcoming) 2018 Built, Don River Valley Park, Toronto, Canada secret space, Biel, Switzerland Built, Socrates Sculpture Park, Queens, NY Virginia Overton, University of Memphis Fogelman Galleries, Memphis, TN 2017 Why?! Why Did You Take My Log?!?!, Museum of Contemporary Art, Tucson, AZ 2016 Winter Garden, Whitney Museum of American Art, New York, NY , , England Sculpture Gardens, Whitney Museum of American Art, New York, NY The Aldrich Contemporary Art Museum, Ridgefield, CT 2015 White Cube, London, England 2014 Flat Rock, Museum of Contemporary Art North Miami, North Miami, FL 2013 Westfälischer Kunstverein, Munster, Germany Kunsthalle Bern, Bern, Switzerland Mitchell-Innes & Nash, New York, NY 2012 The Kitchen, New York, NY Deluxe, The Power Station, Dallas, TX 2011 Freymond-Guth, Zürich, Switzerland 2010 Untitled (Milano), N.O. Gallery, Milan, Italy Cheekwood Museum of Art, Nashville, TN True Grit, Dispatch, New York, NY 2008 Moving on South, curated by Dana Orland, White Box, New York, NY This Is Not A Ladder, Artlab at AMUM, Memphis, TN

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2007 Skytracker, Powerhouse, Memphis, TN

Selected Group Exhibitions

2019 Downtown Painting, curated by Alex Katz, Peter Freeman Gallery, New York, NY Art OMI, Ghent, NY The Magnetic Fields, curated by Cecilia Alemani, Gió Marconi, Milan, Italy Another Music In a Different Kitchen: Studio Recordings & Records by Artists, curated by Bob Nickas, Karma Bookstore, New York, NY 2018 Lampen, Galerie Francesca Pia, Zürich, Switzerland Above The Treeline, Office Baroque, Brussels, Belgium Remembering Tomorrow: Artworks and Archives, White Cube, Hong Kong Memory Palace, White Cube Bermondsey, London, England a window, a floor, credit cards, a bench, Emalin Gallery, London, England Season Zero: How well do you behave? IN THE FLAT FIELD. Beeler Gallery at the Columbus College of Art & Design, Columbus, OH Balance: Gravity in Contemporary Art, Bernal Espacio Gallery, Madrid, Spain

2017 EUCALYPT US, Boom Boom Room, Brooklyn, NY Jahresgaben, Westfälischer Kunstverein, Munster, Germany Everberg, Overton, Saunders, Taylor, Whitney, Zurier, BORCHs Butik, Copenhagen, Denmark N. Dash | Virginia Overton | B. Wurtz (form, content, place), Maisterravalbuena, Lisbon, Portugal 1107 Ave Pt.II, Curated by Olivier Mosset, Spencer Brownstone Gallery, New York, NY Alley Show, organized by Israel Lund and Sam Korman, apples, Brooklyn, NY Reflections on the Surface, Freymond-Guth, Basel, Switzerland 99 Cents or Less, curated by Jens Hoffman, Museum of Contemporary Art Detroit, Detroit, MI MIDTOWN, organized by Maccarone, Salon 94 Design, and Salon 94, Lever , New York, NY Where the Sidewalk Ends, Moran Bondaroff, Los Angeles, CA L’image, curated by Vincent Romagny, Galerie Francesca Pia, Zürich, Switzerland Escape Attempts, curated by Kathy Battista, Shulamit Nazarian Gallery, Los Angeles, CA Now Burning, Border Patrol, Portland, ME 2016 Michael François, Liz Larner, Tony Lewis, Virginia Overton, Morgan Fisher: Screening Room, Bortolami, New York, NY These Are Flat Things and Things Which are Not Flat, curated by Katarina Burin, Koppe

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and Astner, Glasgow, Scotland Freymond-Guth, Basel, Switzerland Pièces-Meublés, curated by Bob Nickas, Galerie Patrick Seguin, , France Touching Surface, Touching Ground, Freymond-Guth/Harlem, New York, NY Descent, curated by Charlotte Ickes, Institute of Contemporary Art, University of Pennsylvania, Philadelphia Decade, Freymond-Guth, Zürich, Switzerland Redeux (Sort of), organized by Foundation Barbin and Lucky DeBellevue, Kai Matsumiya Gallery, New York, NY 2015 Excavating The Contemporary, curated by Renee Bloch and Sara Tas, Jewish Historical Museum, Amsterdam, The Netherlands Lost in the Flood, Galerie Frank Elbaz, Paris, France Fence Show, organized by Israel Lund and Sam Korman, APPLES, Brooklyn, NY Virginia Overton / Heidi Bucher, Freymond-Guth, Zürich, Switzerland Primo, Palais–Galerie, Neuchâtel, Switzerland MOMMA with Servane Mary, Virginia Overton, John Miller & Richard Hoec, Olivier Mosset, and Michael Auder, text by Bob Nickas, Rothman’s Gallery, Southold, NY By Olivier Mosset, Laleh June Galerie, Basel, Switzerland American Idle, Salon 94, organized by Lydia Kutko, New York, NY Marlborough Lights, Marlborough Broome Street, curated by Leo Fitzpatrick, New York, NY Over & Under, Sikkema Jenkins & Co., organized with the cooperation of Matt Keegan, New York, NY OMM: Overton/Mary/Mosset, 138 Eldridge Street, New York, NY Touch the Spindle, Capital Gallery, San Francisco, CA Mary/Miller/Mosset/Overton, Triple V, Paris, France 2014 Great Expectations: A Group Exhibition in the Home of Nina Johnson-Milewski and Daniel Milewski, organized by Gallery Diet with the Box, Invisible-Exports, and Samson Projects, Miami, FL Monumental Fatigue, Freymond-Guth, Zürich, Switzerland Nuit Américaine, Office Baroque at former Entrepots Gérard Koninckx frères, Brussels, Belgium Days Inn, curated by Justine Kurland, Mitchell-Innes & Nash, New York, NY Visiting Faculty 2014-15, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA Video Works by Sarah Dornner, GOD, Sarah Magenheimer, Virginia Overton, Jacolby Satterwhite and Matthew Schlanger, selected by Bridget Finn and Erin Somerville; Cave, Detroit, MI Infinitude, Roberts & Tilton, Culver City, CA Ice Fishing, curated by Darren Flook, Max Wigram Gallery, London, UK Servane Mary / Virginia Overton / Olivier Mosset, A Palazzo Gallery, Brescia, Italy Roving Room, curated by Kelly Kaczynski and Cori Williams, Habersham Mills, Demorest, GA

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Le Salon Particulier, Freymond-Guth, Zürich, Switzerland Like a Virgin, VI, VII, Oslo, Norway Work Order, Change Order, curated by Daniel Lefcourt, Mitchell-Innes & Nash, New York, NY 2013 Israel Lund, Virginia Overton, Steinman and Tear, Bill Brady / KC, Kansas City, MO Piston Head, Venus Over Manhattan, Miami, FL Ground Control to Major Tom: Works from the Verhaegen Family Collection, Cookie Butcher, Antwerp, Belgium subject, answer, countersubject, curated by Summer Guthery, Disjecta Contemporary Art Center, Portland, OR Place is the Space, curated by Brad Cloepfil and Dominic Molon. Contemporary Art Museum, St. Louis, MO LAT. 41° 7' N., LONG. 72° 19' W., organized by Bob Nickas, Martos Gallery, East Marion, NY Illuminations, curated by , Richard Telles Fine Art, Los Angeles, CA Transforming the Known: Works from the Bert Kreuk Collection, Gemeentemuseum Den Haag, The Hague, Netherlands Electric Fields, Institut curatorial de la Head, Geneva, Switzerland Neo Povera, L&M Arts, Los Angeles, CA within the horizon of the object, curated by Samuel Leuenberger, Ausstellungsraum Klingental, Basel, Switzerland Rien faire et laisser rire, organized by Bob Nickas, Galerie Rodolphe Janssen, Brussels, Belgium Salon for Contemporary Dancing, organized by Sam Gordon, Cafe Dancer, New York, NY Memphis Social, organized by Tom McGlynn, apexart:Memphis, Memphis, TN Empire State, curated by Alex Gartenfeld and , Palazzo delle Esposizioni, Rome, Italy; traveled to Galerie Thaddaeus Ropac, Paris, France E.S.P. TV Live Taping: Public Service Announcement, Museum of Arts and Design, New York, NY The Pathos of Things, Carriage Trade, New York, NY Nicola Martini, Virginia Overton, Magali Reus: Heavy duty, silent haze, racing hearts, Freymond–Guth, Zürich, Switzerland Beyond the Object, Brand New Gallery, Milan, Italy 2012 Matterdaddy, curated by Israel Lund and John Roebas, Angstrom Gallery, Dallas, TX Emergency Cheesecake, curated by Wade Guyton and Jay Sanders, Whitney Museum, New York, NY Plenitude, curated by Stephan Tanbin Sastrawid, Gallery, London, UK Bulletin Boards, Venus Over Manhattan, New York, NY Creature from the Blue Lagoon, curated by Bob Nickas, Martos Gallery, Bridgehampton, NY Henry Codax, Virginia Overton, Kyle Thurman, Office Baroque, Antwerp, Belgium

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Abstract Everyday–Everyday Abstract, curated by Matthew Higgs, James Cohan Gallery, New York, NY Physical! Physical!, Freymond-Guth, Zürich, Switzerland Different Strokes, Hard Hat, Geneva, Switzerland Shake and Bake, curated by Hard Hat, Praz-Delavallade, Paris, France 2011 The Secret Garden, Freymond-Guth, Zürich, Switzerland Florbelle (after Sade), curated by Vincent Romagny, Air de Paris, Paris, France Sentimental Education, Gavlak, Palm Beach, FL 1107 Manhattan Avenue, Spencer Brownstone, New York, NY The Finishers, curated by Eric Gleason and Ethan Greenbaum, Wassaic Project, Wassaic, NY GLEE, curated by Cecilia Alemani, Blum and Poe, Los Angeles, CA The 2011 Bridgehampton Biennial, curated by Bob Nickas, Martos Gallery, Bridgehampton, NY Broken Umbrellas, curated by Christopher Aque, Laurel Gitlen, New York, NY Summer Affair, curated by Tim Goossens, fordProject, New York, NY I don't know if it makes any sense – I feel quite dizzy and a little drunk due to the blow. I will return with more info shortly..., curated by Howie Chen & Tim Saltarelli, IMO, Copenhagen, Denmark Against the Way Things Go, Klemens Gasser & Tanja Grunert, New York, NY Indeterminate Activity, Nicelle Beauchene Gallery, New York, NY Road to Nowhere, a collaborative effort between Virginia Overton and Aaron Suggs, The Wrong Again Gallery, Memphis, TN Impossible Vacation, White Flag Projects, St. Louis, MO 2010 Jacob Kassay, Robert Morris, Virginia Overton, Mitchell-Innes & Nash, New York, NY Looking Back / The Fifth White Columns Annual, organized by Bob Nickas, White Columns, New York, NY Multipli D'Artista, N.O. Gallery, Milan, Italy Run and Tell That! New Work from New York, SUArt Galleries, Syracuse University, Syracuse, NY The Artist as Collector: Olivier Mosset, Museum of Contemporary Art Tucson, Tuscon, AZ The Rule of the Game, Galerie Chantal Crousel, Paris, France Today I Made Nothing, curated by Tim Saltarelli, Elizabeth Dee Gallery, New York, NY Grass Grows By Itself, curated by Sima Familant, Marlborough Gallery, New York, NY Wait for Me at the Bottom of the Pool, curated by Bob Nickas, Martos Gallery, Bridgehampton, NY the backroom, organized by Kate Fowle, MoMA PS1, Long Island City, NY Greater New York, MoMA PS1, Long Island City, NY Windows at Saks 5th Avenue, New York, NY Be Yourself, Burning Bridges, New York, NY From the Mississippi to the Hudson, Michel Allen Projects, New York, NY

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edia Int'l Group, organized by Lucky DeBellevue, Foundation Barbin, New York, NY Portrait de l’artiste en motocycliste, Le Magasin-CNAC, Grenoble, France The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY In Practice, SculptureCenter, Long Island City, NY 2007 String Show, curated by Josh Smith, Greene Naftali Gallery, New York, NY 2006 VA4398UV, curated by Virginia Overton, Marshall Arts and Powerhouse, Memphis, TN 2005 MAX 2005: The Inner Voice of Art, curated by David Moos, Art Museum of the University of Memphis, Memphis, TN (8/5-9/3/05) MFA Thesis Show, Art Museum of the University of Memphis, Memphis, TN

Commissions and Public Works

2019 Rowdy Meadow, Cleveland, OH

2018 Frieze Sculpture Park, London, England FRONT International: Cleveland Triennial for Contemporary Art: An American City, Eleven Cultural Exercises, Curated by Michelle Grabner and Lisa Kurzner, University Hospitals Cleveland Medical Center, OH Rowdy Meadow, Cleveland, OH

2016 Untitled (HILUX), Parcours, curated by Samuel Leuenberger, Art Basel, Switzerland 2015 ALL RISE, Seattle, WA 2014 Pier 54, curated by Cecilia Alemani, High Line Art, New York, NY Outlooks: Virginia Overton, Storm King Art Center, Mountainville, NY 2013 Pop-Up 1: Montauk, Art Production Fund, Montauk, NY 2012 Untitled, R4 in association with FIAC, Ile Seguin, Paris, France Untitled, commission for High Line Art, New York, NY Untitled (Mirrors for Randall’s Island), Frieze Projects, curated by Cecilia Alemani, Randall’s Island, NY 2011 Freymond-Guth Fine Arts presents: Marc Bauer, Loredana Sperini & Tanja Roscic, Virginia Overton, Yorgos Sapountzis, ReMap 3, Athens, Greece 2006 Off the Grid, Brooks Museum of Art, Memphis, TN

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Special Projects

2019 Untitled (gourd stand) Edition with 500 Capp Street, UNTITLED, San Francisco, CA

2018 Virginia Overton for Kunsthalle Bern Special Edition, 100 Years Kunsthalle Bern, Switzerland 2017 VO for WKV Edition, Westfälischer Kunstverein Jahresgaben, Munster, Germany Amy O’Neill – Virginia Overton, MAY68 at Martos Gallery, New York, NY Print Residency at Niels Borch Jensen Editions, Copenhagen, Denmark Visiting Artist Series in conjunction with The Disagreeable Object, co-curated by Bob Linder and Diego Villalobos, The David Ireland House at 500 Capp Street, San Francisco, CA 2016 Servane Mary: Pop Up Postcard Project, produced by Shoot the Lobster, NY, White Columns at Printed Matter NY Art Book Fair, MoMA PS1, Long Island City, NY Servane Mary and Aura Rosenberg: The Pop-Up Postcard Project, JOAN, Los Angeles, CA Tribeca Film Festival Artists Award Program, curated by Alex Gartenfeld, Tribeca Film Festival Hub, 50 Varick Street, New York, NY An Evening with Virginia Overton: Contemporary Forum Lecture Series, Phoenix Art Museum, Phoenix, AZ The Pop-Up Postcard Project, organized by Servane Mary and Michel Auder, Cleopatra’s, Brooklyn, NY 2015 99 Objects: Virginia Overton on The Whitney’s Building by Renzo Piano, Whitney Museum of American Art, New York, NY Bellwether Series Artist Talk, organized by the Cleveland Art Museum, Happy Dog at the Euclid Tavern, Cleveland, OH

2014 Independent Projects, Center548, New York, NY Another, Once Again, Many Times More, organized by Walead Beshty and , Carol Bove, Bob Nickas and Virginia Overton, and Ryan Foerster, Martos Gallery, East Marion, NY 2013 Conversation XXII: Virginia Overton in conversation with Tenzing Barshee, Le Foyer, Zürich, Switzerland A Film to be Determined by Virginia Overton, White Flag Projects, St. Louis, MO Street Trash, organized by James Campbell, Motoko Fukuyama, Virginia Overton, and Aaron Suggs, Memphis, TN Change of State, organized by Nuit Blanche New York, a site-specific projection commissioned for the façade of the New Museum, New York

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2012 SC Conversations: Unidentified Influences with artists Rachel Foullon, Virginia Overton, Kilian Ruthemann and moderated by Ruba Katrib, Curator, SculptureCenter, Long Island City, NY 2011 Street Trash, organized by James Campbell, Sadie Laska, and Virginia Overton, Greenpoint, Brooklyn, NY Zabludowicz Collection Artist Residency, Sarvisalo, Finland Top 100 vol. 5 by Davide Bertocchi 2010 Ecart, organized by John Armleder and Mai-Thu Perret, Basel 41, Basel, Switzerland

Selected Bibliography

2019 Creahan, Daniel. “New York – Virginia Overton: Água Viva at Bortolami Gallery through June 15th, 2019.” Art Observed, May 30th, 2019, illus. Nelson, Karin. “Inside Hedi Slimane’s Retail Makeover of Celine.” W Magazine, May 30, 2019, illus. Selvin, Claire. “Art en Route.” ArtNews, May 24, 2019, llus. Malone, Callan. “10 Summer Exhibitions Worth The Trip.” Cultured Magazine, May 23, 2019, illus. Daswani, Kavita. “Celine brings its Hedi Slimane charms to Beverly Hills with a new store.” Los Angeles Times, March 21, 2019, illus. “San Antonio Museum of Art Gifted Several Works of Contemporary Art.” , February 7, 2019. Greenberger, Alex. “San Antonio Museum of Art Receives Works from Dallas Collectors, Alex Katz Foundation.” ARTNews, February 6, 2019, illus. Meyer, Bill. “Anne Guthrie/ Virginia Overton/ François Bonnet – Sculpture Gardens (Future Audio Graphics).” dusted magazine, January 31, 2019, illus. Hampton, Chris. “Giant swing recalls Don River Valley’s industrial past.” The Toronto Star, January 15, 2019, illus. 2018 Scott, Andrea. “Goings On About Town, Virginia Overton: Built.” The New Yorker, September 3, 2018, p. 10, illus. Nair, Uma. “Frieze Sculpture 2018: Experiments across architectural ideas.” Architectural Digest, July 24, 2018, illus. Zunitch, Victoria. “The natural and the industrial meet at Socrates.” Queens Chronical: qboro Arts, July 19, 2018, illus. Franklin, Sydney. “Virginia Overton’s site-specific work at Socrates Sculpture Park rethinks raw construction materials.” The Architects Newspaper, July 11, 2018, illus. Pes, Javier. “Here Are the Top 5 Highlights of Frieze Sculpture 2018.” Artnet, July 4, 2018, illus. Olesen, Ivy and Victoria Stapley-Brown. “Ten public art works to see for free around New York this summer.” The Art Newspaper, July 2, 2018, illus. Sayej, Nadja. “The Best in US Public Art this Summer.” The Guardian, June 11, 2018, illus.

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Herriman, Kat. “Virginia Overton Reveals the Natural Beauty of Socrates Sculpture Park.” Cultured Magazine, June 11, 2018, illus. Exit, Merle. “Transforming junk to art at Socrates Sculpture Park.” The Times Ledger, June 10, 2018, illus. McDermon, Daniel. “8 Outdoor Art Installations in New York to Get Excited About.” , May 25, 2018, illus. Litt, Steven. “FRONT announces 3 new public art installations for downtown and University Circle.” Cleveland.com, May 18, 2018, illus. “Five Outdoor Exhibitions Not To Miss In New York.” Cultured Magazine, Spring 2018, illus. “The Twenty Five; Build It And They Will Come: Virginia Overton at Socrates Sculpture Park.” Cultured Magazine, Spring 2018, p. 74, illus. Lynch, Scott. “Virginia Overton’s Socrates Sculpture Park Takeover Includes Pair Of Repurposed Pickups.” Gothamist, May 7, 2018, illus. Matorin, David. “Motoko Fukuyama / Virginia Overton.” Art Papers, Spring 2018, illus. Indrisek, Scott. “The Artist Who Conjures Beauty from Refuse and Rust.” Artsy, April 19, 2018, illus. Helmke, Juliet. “The Best Public Art Opening in New York City This Spring.” Observer, March 20, 2018, illus. Cascone, Sarah. “28 Public Artworks to See in New York This Spring.” Artnet, March 23, 2018, illus. Clarke, Mary. “A Radical Book and Music Store Takes Over a Chinatown Gallery.” Garage, Vice, January 24, 2018, illus. 2017 Coffin, Peter. “Imaginary Concerts.” New York: Anthology Editions and Printed Matter Press, 2017, p. 107, illus. Donoghue, Katy. “Seven Female Artists Confront Minimalism in ‘Escape Attempts’.” Whitewall Magazine, March 10, 2017, illus. Kim, Hyunjee Nicole. “Toward a ‘Herstory’ of Minimalism.” Hyperallergic, March 15, 2017, illus. Hampton, Chris. “In Detroit, Artists Explore the Riches of the 99-Cent Store.” New York Times, June 28, 2017, illus. “Riches of the Dollar Store.” New York Times, June 29, 2017, pp. C1, C5, illus. Regan, Margaret. “MOCA Metamorphosis.” Tucson Weekly, June 29, 2017. Sharp, Sarah Rose. “A Dollar-Store Art Show Shortchanges Its Viewers.” Hyperallergic, June 23, 2017, illus. Slenske, Michael. “Female Artist Turn Minimalism on its Head at Shulamit Nazarian’s New Hollywood Gallery.” Wallpaper*, February 21, 2017, illus. “In Shulamit Nazarian’s New LA Gallery, Radical Artists and Curators Are Making Noise.” Wallpaper*, May 2017, illus. Westin, Monica. “David Ireland and Virginia Overton.” Artforum, March 2017, illus. 2016 “10 to See: 4 Virginia Overton, White Cube, Bermondsey.” Aesthetica Magazine, August- September 2016, illus.

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“Art Basel 2016: ‘Parcours’ Installation Highlights Around the City.” Yahoo! Singapore, June 14, 2016. “Art Basel 2016 Reports Buoyant Sales to International Private Collections and Institutions.” ArtLyst, June 20, 2016. “Art Basel Explored – Artlyst Survives Day Two of Miami Art Week.” Artlyst, December 1, 2016. “Art Basel Questionnaire: Virginia Overton, Untitled, 2016.” ArtReview, June 14, 2016, illus. “Art Basel will unsicheren Zeiten auf trotzen.” Tagblatt, June 14, 2016, illus. “Art Basel will unsicheren Zeiten trotzen.” Liechtensteiner Vaterland, June 14, 2016, illus. “Artwork at Coal Creek Farm in Cumberland County.” Knoxville News Sentinel, October 18, 2016, illus. “Balance Act at Aldrich.” The Ridgefield Press, August 24, 2016, illus. “Eight Gallery Shows to See During London’s Frieze Week.” Artlead, October 7, 2016, illus. “Exhibition – Virginia Overton.” Best of Connecticut, December 19, 2016. “Datebook: Virginia Overton at White Cube, Bermondsey.” Blouin ArtInfo, October 5, 2016, illus. “How to Deconstruct a Pick-up Truck.” The Art Newspaper, June 14, 2016, p. 6, illus. “Storytelling and Bonfires with Virginia Overton.” Connecticut Post, October 25, 2016, illus. “Summer 2016 Art Exhibitions Not to Be Missed: Virginia Overton.” Visit CT.com, June 6, 2016, illus. “Virginia Overton at the Whitney Museum.” Contemporary Art Daily, September 21, 2016, illus. “Virginia Overton at White Cube Bermondsey.” Afasia Archzine, October 16, 2016, illus. “Virginia Overton White Cube.” ArtAddict.net, October 7, 2016, illus. “Virginia Overton’s ‘Winter Garden’ at Whitney Museum of American Art.” Blouin ArtInfo, December 20, 2016, illus. “Weltmesse Art Basel setzt in unsicheren Zeiten auf Qualität.” Hoefner Volksblatt, June 14, 2016, illus. “West Bund Art Fair Kicks Off in Shanghai, Attracts Strong International Presence.” CCTV.com, November 11, 2016, video. “White Cube Opens Exhibition Featuring Scupture and a Large-Scale Installation by Virginia Overton.” ArtDaily.org, October 1, 2016, illus. “The Work of Virginia Overton on View at The Aldrich Contemporary Art Museum.” ArtDaily.org, July 18, 2016, illus. Ahillen, Steve. “Coal Creek Grows Art on the Farm.” Knoxville News Sentinel, October 23, 2016, pp. 1D, 12D, illus. Altorfer, Sabine. “Ein Kunstfest. So popular wie exklusiv.” Grenchner Tagblatt, June 14, 2 016, illus. “Ein Kunstfest. So popular wie exklusiv.” Aargauer Zeitung, June 15, 2016, illus. “Ein Kunstfest. So popular wie exklusiv.” Oltner Tagblatt, June 15, 2016, illus. Botta, Carlotta Loverini. “After Frieze: Le Scelte dei Curatori.” Vogue Italia, October 7, 2016, illus.

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Boutboul, Charlotte. “What Exhibitions to See During Frieze Next Week.” Whitewall, September, 29, 2016. Brookins, Laurie. “Chloe Sevigny, Tavi Gevinson Discuss Met Gala, Art at Chanel’s Tribeca Dinner.” Hollywood Reporter, April 19, 2016. Brown, Angela, “Look, Look Again: Bortolami Group Show Considers the Art of Close, Careful Viewing.” Art News, December 22, 2016, illus. Cascone, Sarah, “Here’s the Full List of Parcours Projects at Art Basel.” Artnet News, May 20, 2016. D’Agostino, Paul. “Summer Museum Preview.” Brooklyn Magazine, May 31, 2016. Falkenstein, Michelle. “Rats on Main Street? Don’t Scream, They’re Art.” New York Times, July 10, 2016, p. CT8. Forrest, Nicholas. “Sneak Peek: What to Expect at Art Basel in Basel 2016.” Blouin ArtInfo, May 26, 2016. Gerard, Jeremy. “’Dean’, ‘Juncton 48’ and ‘Do Not Resist” Take Top Honors at Tribeca Film Festival.” Deadline Hollywood, April 21, 2016. Gibson, Janis. “New Aldrich Show Engages Community.” Stratford Star, April 29, 2016, pp. 1B, 4B, illus. Gopnik, Blake. “Virginia Overton: Forward to the Past.” Artnet News, August 19, 2016, illus. Hodara, Susan. “How to Put a Museum Exhibition Together (Hint: Start with Cash).” New York Times (online edition), August 26, 2016, illus. “Unseen Ingredients: Cash, and Lots of Time.” New York Times, August 28, 2016, p. WE9, illus. Kay, Jeremy. “’Dean’, ‘Juncton 48’ Win at Tribeca.” Screen Daily, April 21, 2016. Mason, Isabella. “Michel François’ ‘Instant Gratification’ at Bortolami Gallery, New York.” Blouin ArtInfo, November 14, 2016, illus. McColgin, Carol. “Friday Fleurs: Chanel’s Tribeca Film Festival Artists Dinner.” Hollywood Reporter, April 22, 2016. McDonough, Tom. “Common Places Ready Made,” in Matt Keegan: OR. New York and Stavenger, Norway: Inventory Press and Rogaland Kunstsenter, 2016, p. 53, illus. McGarry, Kevin. “7 Standout Artists From Art Basel.” Vogue, June 20, 2016, illus. Meier, Allison. “Wind Turbines Sustain an Aquatic Garden on a Whitney Museum Terrace.” Hyperallergic, July 6, 2016, illus. Mendelsohn, Meredith. “7 Getaway Shows to Visit from New York.” Artsy, August 8, 2016. Petrin, Susanna. “Die Neuentdeckung der Heimat über die Welt der Kunst.” Grenchner Tagblatt, June 15, 2016, illus. Pogrebin, Robin. “A Curator’s Swift Ascendance at the Whitney’s Hierachy.” New York Times, May 3, 2016, p. C1. “Inside Art: At Art Basel, Upbeat Dealers Exult Over Brisk Sales.” New York Times, June 17, 2016, p. C20, illus. Resvanis, Elli. “Virginia Overton.” This is Tomorrow, October 11, 2016, illus. Robecchi, Michele. “Virginia Overton White Cube London.” Flash Art Online, October 31, 2016, illus.

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Samaha, Barry. “Common, Karlie Kloss, Brandon Maxwell and More Gather at the Whitney Art Party 2016.” Forbes.com, November 16, 2016. Voon, Claire. “The Art World Called It: Greenery Is Pantone’s Color of the Year.” Hyperallergic, December 9, 2016. Wilson, Kendra. “NYC Weekend: Lily Pads and Rooftops Ponds at the Whitney Museum.” Gardenista, July 22, 2014, illus. 2015 “Over & Under.” New Yorker, July 22, 2015. “Virginia Overton First UK Show at White Cube Mason’s Yard.” Artlyst, January 21, 2015, illus. “Virginia Overton, Freymond-Guth Fine Arts” Afasia Archzine, October 15, 2015. Baker, E. “London–Virginia Overton at White Cube Mason’s Yard Through March 14, 2015, ArtObserved, February 27, 2015, illus. Black, Paul. “Virginia Overton, White Cube Mason’s Yard—The Concrete Poetry of Language.” Artlyst, January 26, 2015, illus. Butcher, Dwayne. “Virginia Overton and Greely Myatt Know Each Other.” Bmore Art, March 5, 2015, illus Herriman, Kat. “Natural Selection.” W Magazine, January 16, 2015, illus. Hotchkiss, Sarah. “Falling Under the Spell at CAPITAL.” KQED Arts, February 11, 2015, illus. Mitchell, Mike. “Maplewood Students Collaborate with Harvard Class on Book Project.” Children First: News from Metro Nashville Public Schools, February 2, 2015. Moyer, Sam. “Virginia Overton: The Ice Trick” (French title: “Trompeuse simplicité”). L’Officiel Art, December/January/February 2015/2016, pp. 112–121, illus. Mutza, Amy. “Review: Touch the Spindle at Capital Gallery.” Rogue/Rave, March 14, 2015, illus. Prapoglou, Kostas. “Virginia Overton: White Cube, Mason’s Yard.” The Seen: Chicago’s International Online Journal of Contemporary & Modern Art, March 13, 2015, illus. Scherly, Eva. “Virginia Overton: Not Just an Observer…” Wall Street International Magazine, April 14, 2015, illus. 2014 “The Five Point Weekend Escape Plan: Find Fresh Art in Memphis.” New York Magazine, April 10, 2014. “Ice Fishing.” Mousse Magazine, #44, Summer 2014. “Outlooks: Virginia Overton,” in “Museum & Gallery Listings for Nov. 14-20.” New York Times, November 13, 2014. “Team of Curators Organizes Martos Gallery’s North Fork Summer Show.” Hamptons Art Hub, July 11, 2014. “Virginia Overton,” in “The Artists’ Artists.” Artforum, December 2014. “Wise Buys: 50 Women Artists Worth Watching.” Art+Auction, September 2014, illus. Bischof, Jackie. “A New Sculpture Sprawls in Upstate New York at Storm King: Artist Virginia Overton’s 488-Foot Brass Tube is Installed.” Wall Street Journal, March 28, 2014, illus. Boucher, Brian. “Overton’s 488-Foot Tube Opens Storm King Season.” Art in America, April 1, 2014, illus.

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Cascone, Sarah. “High Line Restaging 1971 Willoughby Sharp Show on Pier 54.” Artnet, June 19, 2014. Chase, Abbey, and Michael Alan Connelly. “25 Things To Do In New York This Fall.” Huffington Post, August 27, 2014. Conley, Kevin. “Virginia Overton’s 400 Foot Sculpture Comes to Storm King.” Town & Country, May 2, 2014, illus. Cooper, Ashton. “14 Questions for Site-Responsive Sculptor Virginia Overton.” Blouin ArtInfo, April 17, 2014. Elmquist, Becky. “Form It With Love: An Interview with Virginia Overton.” Muse Magazine, #39. Freeman, Nate. “Out Where the Better Half Summers: The Art World Makes Its Annual Hamptons Pilgrimage.” GalleristNY Blog, June 2014. Gast, Christy. “Virginia Overton.” Miami Rail, June 2014, illus. Goldstein, Andrew M. “10 of the Most Outstanding Booths at Independent Projects 2014.” Artspace Magazine, November 8, 2014. Groth, Michael, “Seeking Harmony,” Hyperallergic, May 14, 2014, illus. Indrisek, Scott. “The Definitive Top 11 Booths at Art Basel Miami Beach.” Blouin ArtInfo, December 3, 2014. Johnson, Ken. “Where Minimalist Meets Showy: Zhang Huan and Virginia Overton Contrast at Storm King.” New York Times, August 8, 2014, p. C21, illus. Kunitz, Daniel. “’Like a Virgin’: VI, VII, January 24–March 2.” Modern Painters, May 2014, p. 109. Lescaze, Zoë. “A New Art Fair Battles the Auctions With Star Power.” New York Observer, October 20, 2014, p. 46, illus. Miller, M.H. “Here is the Exhibitor List for Independent Projects, A New Fair Debuting in New York in November.” ArtNews, September 16, 2014. Milliard, Coline. “See the 25 Best Booths at Art Basel 2014.” Artnet, June 18, 2014, illus. Pickman, Kara. “Virginia Overton, Museum of Contemporary Art, North Miami,” Flash Art, July–August–September 2014, p. 99, illus. 2013 “Cars Help Drive Traffic to Art Basel.” CBS News Miami, December 5, 2013. “Entrümpeln für Fortgeschrittene,” annabelle, August 7, 2013, p. 36, illus. “Virginia Overton,” New Yorker, March 25, 2013, p. 26. “Virginia Overton in Kunsthalle Bern,” SonntagsZeitung, August 25, 2013, p. 36. Bell, Jonathan. “Full throttle: a fleet of supercharged art cars goes on show in Miami,” Wallpaper*, December 4, 2013, illus. Bieri, Martin. “Hier geht es um mich,” Der Bund, August 22, 2013, p. 34, illus. Butcher, Dwayne. “Virginia Overton is Special,” artbutcher, September 23, 2013. Conley, Kevin. “The Exhibitionist: Virginia Overton,” Town & Country, March 29, 2013, illus. Curley, Neal. “1-800-GO-PENSKE.” In Street Trash, pp. 3–8. New York: 2013. Crow, Kelly and Mary M. Lane. "Mirrors, Mirrors on the Walls of Art Basel," Wall Street Journal, June 16, 2013, p. C14. Doran, Anne. “Letha Wilson,” Art in America, April 2013, p. 113. Gasser, Sonja. “Die verdoppelte Kunsthalle,” Berner Zeitung, August 28, 2013, p. 3, illus.

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Griffin, Tim. “Virginia Overton.” In Empire State: Arte a New York oggi, pp. 146–149. Milan: Skira, 2013. Harris, Gareth. “Review: Empire State, Palazzo delle Esposizioni, Rome,” Financial Times, May 15, 2013. Heyman, Marshall. “Salt, Sea and Sculpture Right Next Door,” Wall Street Journal, August 5, 2013, p. A20. Hussey, Miciah. “Rob Pruitt’s Art Awards 2013: Gallery Solo Show of the Year Nominees,” Art in America, December 2013, p. 113, illus. Johnson, Paddy, Whitney Kimball, and Corinna Kirsch. “We Went to Chelsea: Blue Chip Edition, Part One,” Artfcity, March 27, 2013. Latimer, Quinn. “Nicola Martini, Virginia Overton, Magali Reus,” Artforum, May 2013, pp. 342–43. Lescaze, Zoe. “Domestic Art,” New York Observer, August 19, 2013, pp. B1, B5. McGarry, Kevin. “For Art Basel, Miami’s Swankiest Garage Becomes a Gallery Yet Again,” T Magazine, December 3, 2013, illus. Molon, Dominic. “Place is the Space: A Building, A Decade, An Exhibition.” In Place is the Space, pp. 37–43, St. Louis: Contemporary Art Museum St. Louis, 2013. “Virginia Overton.” In Place is the Space, pp. 56–59, St. Louis: Contemporary Art Museum St. Louis, 2013. Piettre, Céline. “Empire State” Brings the New York Art Scene to France, Blouin ArtInfo, November 21, 2013. Russeth, Andrew. “Virginia Overton at Mitchell-Innes & Nash,” GalleristNY Blog, March 19, 2013, illus. “Virginia Overton in ‘Emergency Cheesecake’ at the Whitney,” 16 Miles of String, February 4, 2013, illus. Schultz, Charlie. “High-Octane Art Fare for Miami Art Week.” ArtSlant Miami blog, December 2013. Simpson, Ashley. “Art Sprouts in Montauk,” Style.com, August 1, 2013. Smith, Roberta. “Virginia Overton,” New York Times, March 22, 2013, p. C27. Solway, Diane. “Walking the Line: Virginia Overton’s transformed old pick-up truck.” W, March 5, 2013. Sutton, Benjamin. “Virginia Overton at Mitchell-Innes & Nash.” Artinfo, March 15, 2013. Vogel, Carol. “An Outdoor Gallery Pops Up in Montauk,” New York Times, July 29, 2013, p. C3. Zhong, Fan. “Speed Freaks,” W, December 2013/January 2014, p. 140, illus. Virginia Overton at the Power Station, Dallas,” Mousse Magazine, February 2012, illus. “We Went To Chelsea, Vol. 2,” Art Fag City, April 4, 2012, illus. “Work in Progress: Tree Hugger,” V Magazine, Issue 78, Fall Preview 2012, pp. 38–39, illus. Bollen, Christopher. “Virginia Overton Cooks Up Mischief,” Interview, March 2012. Brand, Will and Paddy Johnson. “5 Art Stars You Need to Know,” The L Magazine, March 28–April 10, 2012, p. 25, illus. Davis, Ben. “Virginia Overton Piece for the High Line Unexpectedly Becomes Interactive,” Artinfo, September 28, 2012, illus.

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Duray, Dan. “Virginia Overton to Make Truck Sculpture for High Line,” GalleristNY Blog, August 23, 2012. Everrit Howe, David. “Stop By: The Power Station, Dallas,” Kaleidoscope, Issue 17, Winter 2012–13, p. 152, illus. Gartenfeld, Alex. “First Look: Virginia Overton,” Art in America, April 2012, p. 33, illus. Heinrich, Will. “Sleights of Hand: Virginia Overton at the Kitchen and ‘Haitian Masters’ at Edward Thorp Gallery,” GalleristNY Blog, April 6, 2012, illus. Horvat, Vlatka. Top Along Below Inside, Lexicon of Spatial Dysfunction: Volume I. Boston: Boston University Art Gallery, 2012, pp. 37, 47, 49, 51, illus. Johnson, Ken. “Virginia Overton,” New York Times, April 6, 2012, p. C28, illus. “An Afterlife For a Sculptor,” New York Times, April 27, 2012, p. C34. Kerr, Merrily. “Virginia Overton,” Time Out New York, April 19-25, 2012, p. 43, illus. Mendelsohn, Meredith. “Country Slicker,” Modern Painters, March 2012, pp. 44–46, illus. Rosenberg, Karen. “Check Out the Gallery in the Freezer,” New York Times, August 3, 2012, p. C21. Russeth, Andrew. “When is a Cat Not a Cat? When It’s a Sculpture,” GalleristNY Blog, April 10, 2012, illus. Saltarelli, Tim. “Virginia Overton,” Flash Art, March–April 2012, Issue 283, p. 85, illus. Simek, Peter. “The Next Rachofsky,” D, March 2012, pp. 72–74, 169–170, illus. Vali, Murtaza. “Critic’s Picks: Virginia Overton,” Artforum.com, April 2012. “American Dreamers,” W, October 2011, p. 78; illus. “Jacob Kassay / Robert Morris / Virginia Overton,” New Yorker, January 31, 2011, p. 13. Bollen, Christopher. “Virginia Overton,” Interview, March 2011, p. 92, illus. Brand, Will. “Jacob Kassay, Robert Morris, Virginia Overton at Mitchell-Innes & Nash,” Art Fag City, January 26, 2011, illus. Campagnoli, Francesca. “Never Off, alternativi nell’anima,” FOOL, September 2011, pp. 30–32, illus. Cooper, Ivy. “Review: High quality variety at White Flag,” St. Louis Beacon, May 9, 2011. Hunn, Sarrita and Ryan Thayer. “Impossible Vacation,” Temporary Art Review, May 30, 2011, illus. Lunn, Felicity. “Virginia Overton,” frieze d/e, Issue 1, Summer 2011, p. 136, illus. Neill Butler, Lauren. “Jacob Kassay, Robert Morris, and Virginia Overton,” Artforum.com, January 2011. Rosenberg, Karen. “All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art,” New York Times, August 8, 2011, p. C5. 2010 “Grass Grows by Itself,” Time Out New York, August 12–18, 2010, p. 37. “Virginia Overton,” New Yorker, April 5, 2010, p. 14. “Virginia Overton.” In Greater New York 2010, New York: MoMA PS1, 2010 pp. 154–155, illus. Bordignon, Elena. “Virginia Overton: N.O. Gallery, Milano,” Flash Art, November 2010, Issue 228, p. 90+, illus. Chen, Howie. “Untitled (Milan).” In Untitled (Milan), pp. 2–13, illus. Milan: N.O. Gallery, 2010. Cotter, Holland. “Today I Made Nothing,” New York Times, September 10, 2010, p. C26.

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Griffin, Tim. “Today I Made Nothing,” Artforum, December 2010, p. 253. Misuraca, Caterina. “Virginia Overton,” exibart.com, September 22, 2010, illus. Moisdon, Stephanie. “Olivier Mosset: Artiste, collectionneur, biker…,” Beaux Arts Magazine, December 2009, pp. 62–67, illus. 2005 Knowles, Carol. “Voices and Visions.” Memphis Flyer, August 5, 2005.

Catalogues

Built, Socrates Sculpture Park, 2018. 99 Cents or Less. New York: Karma and Museum of Contemporary Art Detroit, 2018. Text by Elysia Borowy-Reeder. Edited by Jens Hoffman.” A Collection of Four Exhibitions, Tucson: Museum of Contemporary Art, 2017. Texts by Anne-Marie Russell and Jocko Weyland. Descent. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2017. Texts by Rizvana Bradley, Charlotte Ickes, and M. NourbeSe Philip. Virginia Overton. Zurich: JRP/Ringier, 2015. Edited by Lionel Bovier and Fabrice Stroun. Text by Howie Chen. Interview with Bob Nickas. Artists II, Göttingen, Germany: Steidl, 2015. Photographs by Jason Schmidt. Edited by Alix Browne and Christopher Bollen. Virginia Overton. London: White Cube, 2015. Text by Lisa Le Feuvre. Van Tuyckom-Taets Collection, Brussels: Leo Van Tuyckom, 2015. Edited by Erno Vroonen and Anna Wondrak. Commissions & Public Projects. London: White Cube, 2015. High Art: Public Art on the High Line. New York: Skira Rizzoli Publications/Friends of the High Line, 2015. Edited by Cecilia Alemani. Curator-in-Residence Program: Season 3. September 2014–February 2014. Portland, OR: Disjecta Contemporary Art Center, 2014. Pistonhead: Artists Engage the Automobile. New York: Venus Over Manhattan, 2014. Virginia Overton, 19.10.2013–12.01.2014. Münster: Westfälischer Kunstverein, 2013. Place is the Space: A Building, A Decade, An Exhibition. St. Louis: Contemporary Art Museum St. Louis, 2013. Text by Dominic Molon. Rien faire et laisser rire. Brussels: Galerie Rodolphe Janssen, 2013. Empire State: Arte a New York oggi. Milan: Skira, 2013. Text by Tim Griffin. Street Trash. New York: self-published, 2013. Text by Neal Curley. Deluxe. Dallas: The Power Station, 2012. Texts by Katarina Burin and Shan Overton. Interview between Mai-Thu Perret and Virginia Overton. The 2011 Bridgehampton Biennial. New York: Martos Gallery, 2011. Text by Bob Nickas. Impossible Vacation. St. Louis: White Flag Projects, 2011. 1107 Manhattan Avenue. New York: Spencer Brownstone Gallery, 2011. Greater New York 2010. New York: MoMA PS1, 2010. Text. Untitled (Milan). Milan: N.O. Gallery, 2010. Text by Howie Chen. The W.C. #33: Looking Back: The Fifth White Columns Annual. New York: White Columns, 2010. Interview between Bob Nickas and Craig Garrett. Run and Tell That! New Work from New York. Syracuse, NY: Syracuse University Art Galleries, 2010.

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Skytracker. Memphis, TN: Powerhouse, 2007. VA4398UV. New York: self-published, 2006–2007.

Collections

The Whitney Museum of American Art, New York, NY The , New York, NY Kunstmuseum Bern, Bern, Switzerland Kunsthaus Zürich, Zurich, Switzerland Museum of Contemporary Art, Tucson, AZ The San Antonio Museum of Art, San Antonio, TX University Hospitals Cleveland Medical Center, Cleveland, OH

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