Bortolami Gallery Through June 15Th, 2019.” Art Observed, May 30Th, 2019, Illus
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Patel Spring 2017 GL ARH 4470 Syllabus
Do not copy without the express written consent of the instructor. Syllabus Spring 2017 ARH 4470/ARH 5482 Contemporary Art A Discipline-Specific Global Learning Course1 Tuesday and Thursday 2-3:15pm Green Library, Room 165 Instructor: Dr. Alpesh Kantilal Patel Assistant Professor, Contemporary Art and Theory Director, MFA in Visual Arts Affiliate Faculty, Center for Women’s and Gender Studies Affiliate Faculty, African and African diaspora Program Contact information for instructor: Department of Art + Art History MM Campus, VH 235 Preferred mode of contact: [email protected] Office hours: Thursday: 12:45-1:45pm Course description: This course examines major artists, artworks, and movements after World War II; as well as broader visual culture—everything from music videos and print advertisements to propaganda and photojournalism—especially as the difference between ‘art’ and non-art increasingly becomes blurred and the objectivity of aesthetics is called into question. Movements studied include Abstract Expressionism, Pop, and Minimalism in the 1950s and 1960s; Post-Minimalism/Process Art, and Land art in the late 1960s and 1970s; Pastiche/Appropriation and rise of interest in “identity” in the 1980s; and the emergence of Post-Identity, Relational Art, Internet/New Media art, and Post- Internet art in the 1990s/post-2000 period. This course will explore the expansion of the art world beyond “Euro- America.” In particular, we will consider the shift from an emphasis on the international to transnational. We will focus not only on artistic production in the US, but also that in Europe, South and East Asia, Africa, and the Middle East. -
Wade Guyton : Double Negative = Doppelt Negativ
Wade Guyton : double negative = doppelt negativ Autor(en): Cotter, Suzanne / Opstelten, Bram Objekttyp: Article Zeitschrift: Parkett : the Parkett series with contemporary artists = Die Parkett- Reihe mit Gegenwartskünstlern Band (Jahr): - (2008) Heft 83: Collaborations Robert Frank, Wade Guyton, Christopher Wool PDF erstellt am: 04.10.2021 Persistenter Link: http://doi.org/10.5169/seals-680628 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Wad* Gtt)/on St/ZAAATE COTTTÄ In 2007, a work by Wade Guyton appeared, intrigu- WADE Gt/FTOH, TRAGMEiVT OE SCULPTURE THE SEZE OE ingly, in the exhibition Very Abstract and .Ftgwr«- A HOt/SE (EEACEEEFWOOD,), 2002, S«12j/0'/ tiwe at Thomas Dane Gallery in London's St. -
Kelley Walker Biography
P A U L A C O O P E R G A L L E R Y KELLEY WALKER Biography BORN 1969 Columbus, Georgia EDUCATION 1995 BFA, University of Tennessee, Knoxville ONE AND TWO PERSON EXHIBITIONS 2018 Kelley Walker, Capitain Petzel, Berlin, Germany (4/27—6/9/18) 2017 Kelley Walker, MAMCO, Geneva, Switzerland (5/30 – 9/10/17) Kelley Walker, Thomas Dane Gallery, London, UK (9/28—11/18/17) Kelley Walker, Le Mur Consortium, Paris, France (10/16—12/30/17) 2016 Kelley Walker: Direct Drive, Contemporary Art Museum, St. Louis, MO (9/16- 12/31/16) 2015 Kelley Walker, Galerie Gisela Capitain, Cologne, Germany (4/16 – 5/23/15) Kelley Walker, Paula Cooper Gallery, New York (3/3 – 4/18/15) 2014 Walead Beshty + Kelley Walker, Paula Cooper Gallery, New York (11/8 – 12/6/14) Kelley Walker, Paula Cooper Gallery, New York (2/22 – 3/29/14) 2013 Wade Guyton, Guyton\Walker, Kelley Walker, Kunsthaus-Bregenz, Bregenz, Austria (4/27 – 6/30/13) 2012 Dreams Without Frontiers, Manchester Art Gallery, Manchester, UK (6/29/12 – 5/1/13) Kelley Walker, Galerie Catherine Bastide, Brussels, Belgium (6/2 – 7/21/12) 2011 Untitled, 2011, Redling Fine Art, Los Angeles, CA (11/17 – 12/22/11) 2010 Kelley Walker, Thomas Dane Gallery, London, United Kingdom (10/12 – 11/13/10) Front Room: Guyton\Walker, The Baltimore Museum of Art, Baltimore, MD (9/22/10 – 1/16/11) Kelley Walker, Capitain Petzel, Berlin, Germany (6/11 – 8/28/10) Whitney on Site: New Commissions Downtown: Guyton\Walker, Whitney Museum of American Art, New York, NY (5/8 – 7/7/10) 2009 Kelley Walker, Capitain Petzel Gallery, Berlin, -
Billy Childish Flowers, Nudes and Birch Trees: New Paintings 2015 September 10-October 31, 2015 536 West 22Nd Street, New York #Billychildish
Billy Childish flowers, nudes and birch trees: New Paintings 2015 September 10-October 31, 2015 536 West 22nd Street, New York #billychildish Opening Reception: Thursday, September 10, 6-8PM birch wood, 2015, oil and charcoal on linen, 72.05 x 108.07 inches, 183 x 274.5 cm. Courtesy the artist and Lehmann Maupin, New York and Hong Kong. New York, August 11, 2015—Lehmann Maupin is pleased to present its fourth exhibition with British artist Billy Childish, a prolific painter, writer, and musician. The artist’s vivid oil paintings offer fragmented fields of intense color applied frenetically, often leaving charcoal marks and the linen canvas exposed, further emphasizing the immediate and intuitive nature of Childish’s work. The artist will be present for an opening reception at the gallery on Thursday, September 10 from 6-8PM. Working in traditional genres such as portraiture, still life, and landscape, Childish’s paintings are spiritually charged expressions that come from a place of deep personal meaning. These powerful works, including unabashed nudes, self-portraits, and dense woodland scenes, honor the simple nature of being and in the process transcend the ordinary. Eschewing any hint of post-modernist irony in his work, he allows the basics of personal expression to come forth through the fundamentals of painting. A self-proclaimed “Radical Traditionalist,” Childish has said, “The reason I honor tradition is that it provides a form and structure that allows freedom—the ego is subjugated and the requirements of the painting are met. Tradition is not to be worshipped or adored; it is a vehicle to take you to new places, or we could say to arrive at the perennial.” While he is occasionally associated with British groups like the Stuckists and YBAs, Childish does not see himself as connected to a particular contemporary movement; however, he is highly regarded and well known by his peers, including renowned artists Peter Doig and Tracey Emin. -
Matthew Higgs
The Museum of Everything Exhibition #4 Conversation with Matthew Higgs Matthew Higgs b 1964 (Wakefield, England) Matthew Higgs is an artist, curator, writer and director of White Columns Gallery, New York. Former director of exhibitions at the ICA in London (1996/9) and a former curator at the Wattis Institute in San Francisco (2001/4), Higgs was a contributor and speaker at Exhibition #1 and has ex- hibited the work of Creative Growth artists Dan Miller (2011) and William Scott (2009), both featured in Exhibition #4. [START] MoE: Matthew, I wondered if we could talk a little about your involvement with self-taught art and in particular with the artists at Creative Growth. You have curated the work of Judith Scott, Dan Miller, William Scott and Aurie Ramirez, I wondered if you could articulate what it is you feel is important about these artists and what they mean in terms of our understanding of art? MH: When I first came across Creative Growth ten years ago, my limited understanding of self-taught, outsider artists and creativity in relation to disabilities, was naï ve at best. Encountering an organisation like Crea- tive Growth forced me to think about my own relationship with this work and with art in general. I had spent most of the 1990s teaching undergraduate and graduate level in art schools. What was interesting was just how different the atmosphere was at Creative Growth. Art was being made for reasons that remained out of reach. The emphasis in conventional art schools is a pressure to ex- plain, to defend one’s intellectual and aesthetic territories. -
Biography Kelley Walker
Biography Kelley Walker Columbus, Georgia, 1969. Lives and works in New York SOLO EXHIBITIONS 2017 None 2016 2016 - Direct Drive, Contemporary Art Museum, St. Louis, USA 2016 - Schema, Contemporary Art Museum St. Louis, St. Louis, USA 2015 2015 - Kelley Walker, Galerie Gisela Capitain, Köln, D None 2014 2014 - Kelley Walker, Paula Cooper Gallery, New York, USA 2014 - Walead Beshty + Kelley Walker, Paula Cooper Gallery, New York, USA 2013 2013 - Guyton\Walker, Kelley Walker, Wade Guyton, Kunsthaus-Bregenz, Bregenz, A 2012 2012 - Dreams Without Frontiers, Manchester Art Gallery, Manchester, UK 2012 - Kelley Walker, Galerie Catherine Bastide, Bruxelles, B 2011 2011 - Untitled, Redling Fine Art, Los Angeles, USA 2010 2010 - Whitney on Site: New Commissions Downtown, Whitney Museum of American Art, New York, USA 2010 - Kelley Walker, Capitain Petzel, Berlin, D 2010 - Kelley Walker, Tomas Dane Gallery, London, UK 2010 - Front Room: Guyton\Walker, Te Baltimore Museum of Art, Baltimore, USA 2009 2009 - Kelley Walker, Capitain Petzel, Berlin, D 2009 - Kelley Walker, Massimo De Carlo, Milano, I 2009 - Guyton/Walker, Greene Nafali, New York, USA 2009 - Guyton/Walker, Air de Paris, Paris, F 2008 2008 - Billboards: Guyton/Walker, Laxart, Los Angeles, USA 2008 - Kelley Walker, Wiels, Bruxelles, B 2008 - Kelley Walker, Paula Cooper Gallery, New York, USA 2008 - Guyton/Walker, curated by Andrea Viliani, MAMbo–Museo dʼArte Moderna di Bologna, Bologna, I 2007 2007 - Kelley Walker, Magasin - CNAC, Grenoble, F 2007 - Kelley Walker, Mario Diacono Gallery -
Quinn Biography
MARC QUINN BIOGRAPHY Born in London, England, 1964. Education: Cambridge University, Cambridge, England, 1985. Lives in London, England. Selected Solo Shows: 1988 “Bronze Sculpture”, Jay Jopling/Otis Gallery, London, England. 1990 “Bread Sculpture”, Galerie Nikki Diana Marquardt, Paris, France. 1991 “Out of Time”, Grob Gallery, London, England. “Out of Time”, Jay Jopling, London, England. 1993 Galerie Jean Bernier, Athens, Greece. 1995 “Art Now. Emotional Detox: The Seven Deadly Sins”, The Tate Gallery of Modern Art, London, England. “Blind Leading the Blind”, Jay Jopling/White Cube, London, England. 1998 South London Gallery, London, England. “Marc Quinn – Incarnate”, Gagosian Gallery, NYC, NY. 1999 Kunstverein Hannover, Hannover, Germany. 2000 Fondazione Prada, Milan, Italy. Groninger Museum, Groningen, The Netherlands. “Still Life”, White Cube², London, England. 2001 “Italian Landscape”, Habitat, London, England. “Marc Quinn: Garden”, Art of This Century, Paris, France. “A Genomic Portrait: Sir John Sulston by Marc Quinn”, National Portrait Gallery, London, England. 2002 “Italian Landscapes from Garden 2000”, Terrace Gallery, Harewood House, Leeds, England. Tate Liverpool, Liverpool, England. 2003 “The Overwhelming World of Desire (Paphiopedilum Winston Churchill Hybrid)”, Goodwood Sculpture Park, Chichester, West Sussex, England. “The Overwhelming World of Desire (Phragmipedium Sedenii)”, Peggy Guggenheim Collection, Venice, Italy. 2004 “The Complete Marbles”, Mary Boone Gallery, NYC, NY. “Flesh”, Irish Museum of Modern Art, Dublin, Ireland. MARC QUINN BIOGRAPHY (continued) : Selected Solo Shows: 2005 “Flesh”, Mary Boone Gallery, NYC, NY. “Chemical Life Support”, White Cube, London, England. “Alison Lapper Pregnant”, Fourth Plinth, Trafalgar Square, London, England. 2006 “Marc Quinn: Recent Sculptures”, Groninger Museum, Groningen, The Netherlands. Museo d’Arte Contemporanea Roma, Rome, Italy. 2007 “Sphinx”, Mary Boone Gallery, NYC, NY. -
An Analysis of New York and London Fine Art Schools' Responses to the Market in Pedagogy and Curricula Adelaide Dunn
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2018 From the Academy to the Marketplace: An analysis of New York and London Fine Art Schools' Responses to the Market in Pedagogy and Curricula Adelaide Dunn Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Art Education Commons, Curriculum and Instruction Commons, and the Higher Education Commons From the Academy to the Marketplace: An Analysis of New York and London Fine Art Schools’ Responses to the Market in Pedagogy and Curricula By Adelaide Dunn A thesis submitted in conformity with the requirements for a Master of Arts in Art Business Sotheby’s Institute of Art, New York 2018 14,976 words Abstract As fine art degrees expand in cost and popularity, the need to educate students about the complex art market they are entering is more urgent now than ever before. But despite the globalizing art market’s continuing demand for emerging talent, its opaque and hypercompetitive nature generates significant obstacles for fine art graduates. This is exacerbated by the relative absence of practical business and legal skills implemented in fine art curricula across the U.S. and U.K. Statistical and anecdotal evidence highlighting the many entrepreneurial skills required to develop and sustain a professional practice, demonstrates the need for more comprehensive professional development syllabi to be implemented in fine art schools. This thesis takes as its main focus the art markets of New York and London, and assesses how fine art schools in these rapidly intensifying urban centers respond to their commercial environments. -
Thecollective
WORKPLACEGATESHEAD The Old Post Office 19-21 West Street Gateshead, NE8 1AD thecollective Preview: Friday 5th May 6pm – 8pm Exhibition continues: 6th May – 3rd June Opening hours: Tuesday – Saturday 11am – 5pm Issued Wednesday 26th April 2018 Workplace Gateshead is delighted to present the first public exhibition of selected works from The Founding Collective. FOR IMMEDIATE RELEASE Started in 2002 in London by a group of art professionals and families interested in living with contemporary art The Collective is a growing network of groups collecting, sharing and enjoying contemporary art in their homes or places of work. The combined collection of The Founding Group now comprises over 60 original and limited edition works by emerging and established artists. Selected by Workplace this exhibition includes works by: Mel Brimfield, Jemima Brown, Fiona Banner, Libia Castro & Olafur Olafsson, Martin Creed, Tom Dale, Michael Dean, Tacita Dean, Peter Doig, Bobby Dowler, Tracey Emin, Erica Eyres, Rose Finn-Kelcey, Ceal Floyer, Matthew Higgs, Gareth Jones, Alex Katz, Scott King, Jochen Klein, Edwin Li, Hilary Lloyd, Paul McCarthy, Paul Noble, Chris Ofili, Peter Pommerer, James Pyman, Frances Richardson, Giorgio Sadotti, Jane Simpson, Wolfgang Tillmans, Piotr Uklanski, Mark Wallinger, Bedwyr Williams, and Elizabeth Wright. Free public event: Friday 5th May, 5pm - 6pm, all welcome Founding members of The Collective will give an informal introduction to the history of the group, how it works, how it expanded and plans for the future. This will be followed by an open discussion chaired by WORKPLACE directors Paul Moss and Miles Thurlow focusing on the importance of collecting contemporary art, how to make a start regardless of budget, and the challenges and opportunities for new collectors in the North of England. -
Murray Guy 453 West 17 Street New York NY 10011 T: 212 463 7372 F: 212 463 7319 [email protected]
Murray Guy 453 West 17 Street New York NY 10011 T: 212 463 7372 F: 212 463 7319 [email protected] MATTHEW HIGGS Born 1964 in Wakefield, West Yorkshire, England Lives and works in New York Education 1984-87 Newcastle-upon-Tyne Polytechnic, BA (Hons Fine Art) 1983-84 Blackburn School of Art (Foundation) Solo Exhibitions 2016 Lost For Words, Murray Guy, New York 2015 Matthew Higgs and Clive Hodgson, Wilkinson, London 2014 Matthew Higgs, Ian Wallace: Reading Works, The Apartment, Vancouver 2013 MLMH (two person exhibition with Margaret Lee), Murray Guy, New York 2012 MHML (two person exhibition with Margaret Lee), The Green Gallery, Milwaukee, WI 2010 Showdown, The Apartment, Athens, Greece 2009 Art in Crisis – Pictures in Peril, Murray Guy, New York Never Look Back, Glenn Horowitz Bookseller, East Hampton, NY Beginnings, Middles and Ends (with Gedi Sibony), Galerie Senn, Vienna 2008 Art Is To Enjoy, Wilkinson, London Are You Happy, The Apartment, Vancouver 2007 EX LIBRIS: Matthew Higgs and Peter Wuethrich, University Gallery Umass, Amherst, MA Jack Hanley, Los Angeles 2006 What goes around comes around, Murray Guy, New York 2004 Priceless, The Suburban, Oak Park, IL 2003 Art Isn’t Easy, Murray Guy, New York 2002 Not Worth Reading, Anthony Wilkinson Gallery, London 2000 Look Now, Pay Later, Murray Guy, New York 1999 Anthony Wilkinson Gallery, London 1997 There’s a painting on the wall (a collaboration with Chris Ofili), Anthony Wilkinson Fine Art, London 1996 There’s a painting on the wall (a collaboration with Peter Doig), Anthony Wilkinson Fine Art, London Selected Group Exhibitions 2016 Foundation Barbin Presents Redeux Sort Of, Kai Matsumiya Gallery, New York 2014 Not for All My Little Words (curated by Tim Hawkinson), Marc Straus, New York Manic Panic, Shoot the Lobster, New York. -
Sean Landers Cv 2021 0223
SEAN LANDERS Born 1962, Palmer, MA Lives and works in New York, NY EDUCATION 1986 MFA, Yale University School of Art, New Haven, CT 1984 BFA, Philadelphia College of Art, Philadelphia, PA SOLO EXHIBITIONS 2020 Petzel Gallery, New York, NY, 2020 Vision, April 26–ongoing (online presentation) Greengrassi, London, UK, Northeaster, June 16–July 31 Consortium Museum, Dijon, France, March 13– October 18, curated by Eric Troncy 2019 Ben Brown Fine Arts, Hong Kong, China, November 12–January 9, 2020 Galerie Rodolphe Janssen, Brussels, Belgium, November 9–December 20 (catalogue) Petzel Bookstore, New York, NY, Curated by . Featuring Sean Landers, November 7– December 14 Freehouse, London, UK, Sean Landers: Studio Films 90/95, curated by Daren Flook, January 13–February 24 2018 Petzel Gallery, New York, NY, March 1–April 21 (catalogue) 2016 Capitain Petzel, Berlin, Germany, Sean Landers: Small Brass Raffle Drum, September 16– October 29 2015 Taka Ishii Gallery, Tokyo, Japan, December 5–January 16, 2016 Galerie Rodolphe Janssen, Brussels, Belgium, October 29–December 19 (catalogue) China Art Objects, Los Angeles, CA, February 21–April 11 2014 Petzel Gallery, New York, NY, Sean Landers: North American Mammals, November 13– December 20 (catalogue) 2012 Galerie Rodolphe Janssen, Brussels, Belgium, November 8–December 21(catalogue) Sorry We’re Closed, Brussels, Belgium, Longmore, November 8–December 21 greengrassi, London, UK, April 26–June 16 1 2011 Friedrich Petzel Gallery, New York, NY, Sean Landers: Around the World Alone, May 6–June 25 Marianne Boesky Gallery, New York, NY, Sean Landers: A Midnight Modern Conversation, April 21–June 18 (catalogue) 2010 Contemporary Art Museum St. -
Murray Guy 453 West 17 Street New York NY 10011 T: 212 463 7372 F: 212 463 7319 [email protected]
Murray Guy 453 West 17 Street New York NY 10011 T: 212 463 7372 F: 212 463 7319 [email protected] MATTHEW HIGGS Born 1964 in Wakefield, West Yorkshire, England Lives and works in New York Education 1984-87 Newcastle-upon-Tyne Polytechnic, BA (Hons Fine Art) 1983-84 Blackburn School of Art (Foundation) Solo Exhibitions 2014 Matthew Higgs, Ian Wallace: Reading Works, The Apartment, Vancouver 2013 MLMH (two person exhibition with Margaret Lee), Murray Guy, New York 2012 MHML (two person exhibition with Margaret Lee), The Green Gallery, Milwaukee, WI 2010 Showdown, The Apartment, Athens, Greece 2009 Art in Crisis – Pictures in Peril, Murray Guy, New York Never Look Back, Glenn Horowitz Bookseller, East Hampton, NY Beginnings, Middles and Ends (with Gedi Sibony), Galerie Senn, Vienna 2008 Wilkinson, London Are You Happy, The Apartment, Vancouver 2007 EX LIBRIS: Matthew Higgs and Peter Wuethrich, University Gallery Umass, Amherst, MA Jack Hanley, Los Angeles 2006 What goes around comes around, Murray Guy, New York 2004 Priceless, The Suburban, Oak Park, IL 2003 Art Isnʼt Easy, Murray Guy, New York 2002 Not Worth Reading, Anthony Wilkinson Gallery, London 2000 Look Now, Pay Later, Murray Guy, New York 1999 Anthony Wilkinson Gallery, London 1997 Thereʼs a painting on the wall (a collaboration with Chris Ofili), Anthony Wilkinson Fine Art, London 1996 Thereʼs a painting on the wall (a collaboration with Peter Doig), Anthony Wilkinson Fine Art, London Selected Group Exhibitions 2014 Not for All My Little Words (curated by Tim Hawkinson), Marc Straus, New York 2013 Parasitic Gaps, Team Gallery, New York Summer Reading, The Hole, New York Blank Out, The Apartment, Vancouver MHMMML.