DOCSLIB.ORG

Gilbert & George

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gilbert & George GILBERT & GEORGE Education Gilbert Wolkenstein School of Art Hallein School of Art Munich Academy of Art Central St Martin’s School of Art, London George Dartington Adult Education Centre Dartington Hall College of Art Oxford Art School Central St Martin’s School of Art, London Awards 2011 Lifetime Achievement Award, New Museum, New York 2008 Honorary Degree in Philosophy, London Metropolitan University, London 2005 Gilbert & George, British Pavilion, 51st International Art Exhibition, Venice Biennale 1986 Winner of Turner Prize 1984 Shortlisted for Turner Prize Solo Exhibitions 2011 Jack Freak Pictures , Deichtorhallen, Hamburg; Kunstmuseum Linz 2011 Gilbert & George, Urethra Postcard Pictures , White Cube, London; Galerie Thaddaeus Ropac, Paris; Alfonso Artiaco, Naples; Ivory Press, Madrid; Arndt, Berlin 2010 Jack Freak Pictures , CAC Malaga; Museum of Contemporary Art, Zagreb; Palais des Beaux Arts, Brussels 2009 Jack Freak Pictures , Arndt & Partner, Berlin; Thaddaeus Ropac, Paris; White Cube, London; Galerie Baronian Francey, Brussels; Thaddaeus Ropac, Salzburg; Bernier- Eliades Gallery, Athens; Alfonso Artiaco Gallery, Naples 2008 Gilbert & George , Brooklyn Museum of Art, Brooklyn, NY 2008 Gilbert & George , Philadelphia Museum of Art, Philadelphia, PA 2008 Gilbert & George , de Young Museum, Fine Arts Museums of San Francisco, CA 2008 Gilbert & George , Milwaukee Art Museum, Milwaukee, Wisconsin 2008 Gilbert & George: The Secret Files of Gilbert & George , Video Screening, CCA Kitakyushu Project Gallery, Japan 2008 Gilbert & George: Notations , Philadelphia Museum of Art, Philadelphia, PA 2007 Gilbert & George: Major Exhibition , Tate Modern, London; Haus der Kunst, Munich; Castello di Rivoli 2007 Gilbert & George; works from the collection , Magasin 3 Stockholm Konsthall, Stockholm 2007 Gilbert & George; selected works from the ‘80s , Faggionato Fine Art, London 2006 SONOFAGOD Pictures Was Jesus Heterosexual? Bonnefantenmuseum, Maastricht; White Cube, London 2005 Gilbert & George, British Pavilion , 51st International Art Exhibition, Venice Biennale 2005 20 London E1 Pictures , Kestner Gesellschaft, Hannover 2004 The Perversive Pictures , Sonnabend Gallery and Lehmann Maupin Gallery, NY 2004 Thirteen Hooligan Pictures , Bernier/Eliades, Athens 2004 20 London E1 Pictures , Galerie Thaddaeus Ropac, Paris; Modern Art Museum, St Etienne 2003 Gilbert & George , Brooklyn Museum of Art, Brooklyn, NY 2003 Gilbert & George , Kröller-Müller Museum, Otterlo 2002 The Dirty Words Pictures , Serpentine Gallery, London 2002 Nine Dark Pictures , Portikus, Frankfurt 2002 The Art of Gilbert & George , Fundação Centro Cultural de Belém, Lisbon, Portugal 2002 Gilbert & George: A Retrospective , Kunsthaus Bregenz, Bregenz; School of Fine Art, Athens 2001 Gilbert & George , Chateau d’Arenthon Fondation pour l’Art Contemporain, Alex (Annency) 2001 Nineteen Ninety Nine , Museum of Contemporary Art, Chicago; Museum Moderner Kunst, Vienna 2001 New Horny Pictures , White Cube2, London 2001 Gilbert & George , Bernier/Eliades Gallery, Athens 2001 The Art of Gilbert & George , The Factory, Athens School of Art 2001 Gilbert & George , The Tuileries, an eight-part charcoal on paper sculpture, Rijksmuseum Twenthe Museum voor oude en moderne kunst, Enschede 2000 Gilbert & George , Parkhaus, Dusseldorf 2000 Zig-Zag Pictures 2000, FIAC, Galerie Thaddaeus Ropac, Paris 2000 MM 2000; Biennale de Lyon , Halle Tony Garnier 2000 Gilbert & George 1991 – 1997 , Ormeau Baths Gallery, Belfast 1999 Gilbert & George 1970-1988 , Astrup Fearnley Museet for Moderne Kunst, Oslo 1999 Gilbert & George 1986-1997 , Drassanes, Valéncia 1999 The Rudimentary Pictures , Milton Keynes Gallery, Milton Keynes (inaugural exhibition); Gagosian Gallery, Los Angeles, CA 1999 Nineteen Ninety Nine , 1999, Kunstmuseum, Bonn 1998 New Testamental Pictures , Museo di Capodimonte, Naples; Galerie Thaddaeus Ropac, Paris; Galerie Thaddaeus Ropac, Salzburg 1998 Black White and Red 1971 to 1980 , James Cohan Gallery, New York 1998 Selected Works from The Fundamental Pictures , Massimo Martino Fine Arts & Projects, Switzerland 1997 The Fundamental Pictures , Sonnabend Gallery and Lehmann Maupin Gallery, New York, NY 1997 Gilbert & George , Musee d’Art Moderne de la Ville de Paris, Paris, France 1997 Gilbert & George: Art for All 1971 – 1992 , Sezon Museum of Art, Tokyo, Japan 1997 Gilbert & George Art , Magasin 3, Stockholm, Sweden 1997 Gilbert & George Retrsospective , Galleria d'Arte Moderna, Bologna, Italy 1997 The Naked Shit Pictures , Stedelijk Museum, Amsterdam 1995 The Singing Sculpture , CAPC Musee d'Art Contemporain, Bordeaux, France 1995 The Naked Shit Pictures , South London Art Gallery, London, England 1995 Gilbert & George , Galerie Nikolas Sonne, Berlin, Germany 1994 Gilbert & George , Robert Miller Gallery, NY 1994 Gilbert & George , Museo d'Arte Moderna, Lugano, Switzerland 1994 The Naked Shit Pictures , Galerie Jablonka, Cologne, Germany 1994 Shitty Naked Human World , Kunstmuseum Wolfsburg, Wolfsburg, Germany 1993 China Exhibition 1993 , National Art Gallery, Peking; The Art Museum, Shanghai, China 1993 The Cosmological Pictures , Tate Gallery, Liverpool; Württembergischer Kunstverein, Stuttgart 1992 The Cosmological Pictures , Kunsthalle, Zurich; Wiener Secession, Vienna; Ernst Muzeum, Budapest; Haags Gemeenstemuseum, The Hague; Irish Museum of Modern Art, Dublin; Fundacio Joan Miro, Barcelona; 1992 New Democratic Pictures , Anthony d'Offay Gallery, London; Aarhus Kunstmuseum, Arhus, Denmark 1991 Gilbert & George , Gramo Fine Arts, Antwerp, Belgium 1991 The Cosmological Pictures , Palac Sztuki, Krakow; Palazzo delle Esposizioni, Rome 1991 The Singing Sculpture & The General Jungle , Sonnabend Gallery 1990 Gilbert & George Pictures 1983 – 1988 , Moscow Exhibition, New Tretyakov Gallery, Moscow 1990 Twenty-Five Worlds by Gilbert & George , Robert Miller Gallery, New York 1990 Gilbert & George Post-Card Sculptures and Ephemera 1969-1981 , Hirschl & Adler Modern, NY 1990 The New Cosmological Pictures , Sonnabend Gallery, New York 1990 Gilbert & George: Worlds & Windows , Anthony d'Offay Gallery, London 1990 Gilbert & George , Sonnabend Gallery, New York 1990 Eleven Worlds by Gilbert & George and Antique Clocks , Desire Feuerle Gallery, Cologne 1989 For Aids Exhibition , Anthony D’Offay Gallery, London 1989 Gilbert & George: Postcard Sculptures , Paul Kasmin Gallery, New York 1989 The 1988 Pictures , Christian Stein Gallery, Milan 1988 The 1988 Pictures , Ascan Crone Gallery, Hamburg, West Germany 1987 Gilbert & George, The Complete Pictures 1971 – 1985, Palacio de Velazquez, Parque del Reitrio, Madrid; Stadtische Galerie im Lenbachhaus, Munich; Hayward Gallery, London; Sonnabend Gallery, New York 1987 Gilbert & George New Pictures , Anthony D'Offay Gallery, London 1987 Gilbert & George Pictures , The Aldrich museum, Ridgefield, Connecticut 1986 Gilbert & George, The Complete Pictures 1971 - 1985 , CAPC Musee d'Art Contemporain de Bordeaux, Kunsthalle, Basel, Palais des Beaux Arts, Brussels 1986 Charcoal on Paper Sculptures 1970 to 1974 , CAPC Bordeaux 1986 The Paintings 1971 , The Fruitmarket Gallery, Edinburgh 1985 Gilbert & George, Milwaukee Art Museum; The Solomon R. Guggenheim Museum, New York 1985 New Moral Works , Sonnabend Gallery, New York 1984 New Photo-Pieces , Anthony D’Offay Gallery, London 1984 Gilbert & George , The Baltimore Museum of Art; Contemporary Art Museum, Houston; The Norton Gallery of Art, West Palm Beach, Florida 1984 The Believing World , Anthony D’Offay Gallery, London 1984 Hands Up , Schelman & Kluser Gallery, Munich “Live’s” Pieroni Gallery, Rome 1983 Modern Faith , Sonnabend Gallery, New York 1983 Photo-Pieces 1980-82 , David Bellman Gallery, Toronto 1983 New Works , Crousel-Hussenot Gallery, Paris 1982 New Photo-Pieces , Gewad Ghent 1982 Crusade , Anthony D’Offay Gallery, London 1982 Photo-Pieces 1971-80, (Retrospective) Kunsthalle, Dusseldorf; Kunsthalle, Bern; Centre National d'Art et de culture Georges Pompidou, Paris; Whitechapel Art Gallery, London 1982 Photo-Pieces 1980-81 , Chantal Crousel Gallery, Paris 1980 Post-Card Sculptures , Art & Project Gallery, Amsterdam; Konrad Fischer Gallery, Dusseldorf 1980 New Photo-Pieces , Karen & Jean Bernier Gallery, Athens; Sonnabend Gallery, New York 1980 Modern Fears , Anthony D’Offay Gallery, London 1980 Photo-Pieces 1971 – 80 , Stedelijk van Abbemuseum , Eindhoven 1978 Photo-Pieces , Dartington Hall Gallery, Dartington Hall 1978 New Photo-Pieces , Sonnabend Gallery, New York; Art Agency, Tokyo 1977 New Photo-Pieces , Art & Project Gallery, Amsterdam; Konrad Fischer Gallery, Dusseldorf 1977 Dirty Words Pictures , Art & Project, Amsterdam; Konrad Fischer Gallery, Düsseldorf 1976 Red Morning , Sperone Fischer Gallery, Basel 1976 The General Jungle , Albright-Knox Gallery, Buffalo 1976 Dead Boards , Sonnabend Gallery, New York 1976 Mental , Robert Self Gallery, London; Robert Self Gallery, Newcastle 1975 Bloody Life , Sonnabend Gallery, Paris; Sonnabend Gallery, Geneva; Lucio Amelio Gallery, Naples 1975 Post-Card Sculptures , Sperone Westwater Fischer Gallery, New York 1975 Dusty Corners , Art Agency, Tokyo 1974 Drinking Sculptures , Art & Project MTL, Antwerp 1974 Humane Bondage , Konrad Fischer Gallery, Dusseldorf 1974 Dark Shadow , Art & Project Gallery, Amsterdam; Nigel Greenwood Gallery, London 1974 Cherry Blossom , Sperone Gallery, Rome 1973 The Shrubberies & Singing Sculpture ," National Gallery of New South Wales; John Kaldor Project, Sydney; National Gallery of Victoria; John Kaldor Project,
Load more

Recommended publications
  • TURNER PRIZE: Most Prestigious— Yet Also Controversial
    TURNER PRIZE: Most prestigious— yet also controversial Since its inception, the Turner Prize has been synonymous with new British art – and with lively debate. For while the prize has helped to build the careers of a great many young British artists, it has also generated controversy. Yet it has survived endless media attacks, changes of terms and sponsor, and even a year of suspension, to arrive at its current status as one of the most significant contemporary art awards in the world. How has this controversial event shaped the development of British art? What has been its role in transforming the new art being made in Britain into an essential part of the country’s cultural landscape? The Beginning The Turner Prize was set up in 1984 by the Patrons of New Art (PNA), a group of Tate Gallery benefactors committed to raising the profile of contemporary art. 1 The prize was to be awarded each year to “the person who, in the opinion of the jury, has made the greatest contribution to art in Britain in the previous twelve months”. Shortlisted artists would present a selection of their works in an exhibition at the Tate Gallery. The brainchild of Tate Gallery director Alan Bowness, the prize was conceived with the explicit aim of stimulating public interest in contemporary art, and promoting contemporary British artists through broadening the audience base. At that time, few people were interested in contemporary art. It rarely featured in non-specialist publications, let alone in the everyday conversations of ordinary members of the public. The Turner Prize was named after the famous British painter J.
    [Show full text]
  • Anya Gallaccio
    ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition,
    [Show full text]
  • Contemporary Art Society Annual Report 1993
    THE CONTEMPORARY ART SOCIETY The Annual General Meeting of the Contemporary Art Society will be held on Wednesday 7 September, 1994 at ITN, 200 Gray's Inn Road, London wcix 8xz, at 6.30pm. Agenda 1. To receive and adopt the report of the committee and the accounts for the year ended 31 December 1993, together with the auditors' report. 2. To reappoint Neville Russell as auditors of the Society in accordance with section 384 (1) of the Companies Act 1985 and to authorise the committee to determine their remunera­ tion for the coming year. 3. To elect to the committee Robert Hopper and Jim Moyes who have been duly nominated. The retiring members are Penelope Govett and Christina Smith. In addition Marina Vaizey and Julian Treuherz have tendered their resignation. 4. Any other business. By order of the committee GEORGE YATES-MERCER Company Secretary 15 August 1994 Company Limited by Guarantee, Registered in London N0.255486, Charities Registration No.2081 y8 The Contemporary Art Society Annual Report & Accounts 1993 PATRON I • REPORT OF THE COMMITTEE Her Majesty Queen Elizabeth The Queen Mother PRESIDENT Nancy Balfour OBE The Committee present their report and the financial of activities and the year end financial position were VICE PRESIDENTS statements for the year ended 31 December 1993. satisfactory and the Committee expect that the present The Lord Croft level of activity will be sustained for the foreseeable future. Edward Dawe STATEMENT OF COMMITTEE'S RESPONSIBILITIES Caryl Hubbard CBE Company law requires the committee to prepare financial RESULTS The Lord McAlpine of West Green statements for each financial year which give a true and The results of the Society for the year ended The Lord Sainsbury of Preston Candover KG fair view of the state of affairs of the company and of the 31 December 1993 are set out in the financial statements on Pauline Vogelpoel MBE profit or loss of the company for that period.
    [Show full text]
  • Turner Prize Winner Lubaina Himid to Exhibit Unique Instructional Version of Vernet’S Studio in South Africa
    NOT A SINGLE STORY –Turner Prize winner Lubaina Himid to exhibit unique instructional version of Vernet’s Studio in South Africa. Hosted from 12 May – 29 July at the NIROX Sculpture Park in the Cradle of Humankind, NOT A SINGLE STORY is a collaboration between the NIROX Foundation, South Africa and Wanås Konst, The Wanås Foundation, Sweden. NOT A SINGLE STORY is the NIROX Winter sculpture exhibition 2018. The exhibition and its educational program are made possible with the support of The Swedish Postcode Foundation, The Swedish Institute and the Swedish Embassy. NIROX Foundation: Facebook | Twitter| Instagram Wanås Konst, The Wanås Foundation: Facebook | Instagram On Saturday 12 May, the NIROX Sculpture Park opens the exhibition NOT A SINGLE STORY. The title references “The Danger of a Single Story,” a TED Talk presented by acclaimed novelist and feminist writer, Chimamanda Ngozi Adichie, which posits that our differences strengthen rather than divides us. Curated by Elisabeth Millqvist and Mattias Givell, co-directors of the Wanås Foundation, the exhibition is a celebration of diversity and includes works made of wishes, space blankets and large scale sound pieces by established and emerging artists from the continent and abroad. Notable is the participation of 2017 Turner Prize winner Lubaina Himid (ZNZ/UK) who will exhibit eight figures from the 26-piece installation Vernet’s Studio uniquely produced under instruction by studio artists at NIROX. This installation comprises of female artists from art history featuring the likes of Frida Kahlo, Rosemary Trocke, Maud Sulter and Georgia O’Keefe. This work is exemplary of Himid’s practise, which is embedded in foregrounding stories and narratives.
    [Show full text]
  • Grayson Perry
    GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art
    [Show full text]
  • Anya Gallaccio
    Anya Gallaccio 1963 Born in Paisley, Scotland Lives and works in London, UK Education 1985-1988 Goldsmiths’ College, University of London, UK 1984-1985 Kingston Polytechnic, London, UK Residencies and awards 2004 Headlands Center for the Arts, Sansalitos, California, US 2003 Nominee for the Turner Prize, Tate Britain, London, UK 2002 1871 Fellowship, Rothermere American Institute, Oxford, UK San Francisco Art Institute, California, US 1999 Paul Hamlyn Award for Visual Artists, Paul Hamlyn Foundation Award, London, UK 1999 Kanazawa College of Art, JP 1998 Sargeant Fellowship, The British School at Rome, IT 1997 Jan-March Art Pace, International Artist-In-Residence Programme, Foundation for Contemporary Art, San Antonio Texas, US Solo Exhibitions 2015 Lehmann Maupin, New York, US 2014 Stroke, Jupiter Artland, Edinburgh, UK SNAP, Art at the Aldeburgh Festival, Suffolk, UK Blum&Poe, Los Angeles, US 2013 This much is true, Artpace, San Antonio, Texas, US Creation/destruction, The Holden Gallery, Manchester, UK 2012 Red on Green, Jupiter Artland, Edinburgh, UK 2011 Highway, Annet Gelink Gallery, Amsterdam, NL Where is Where it’s at, Thomas Dane Gallery, London, UK 2010 Unknown Exhibition, The Eastshire Museums in Scotland including the Dick Institiute, the Baird Institute and the Doon Valley Museum, Kilmarnock, UK 2009 Inaugural Exhibition, Blum & Poe Gallery, Los Angeles, CA, US Lehmann Maupin Gallery, New York, US 2008 Comfort and Conversation, Annet Gelink Gallery, Amsterdam, NL That Open Space Within, Camden Arts Center, London, UK Kinsale
    [Show full text]
  • Antagonism and Relational Aesthetics Author(S): Claire Bishop Source: October, Vol
    Antagonism and Relational Aesthetics Author(s): Claire Bishop Source: October, Vol. 110 (Autumn, 2004), pp. 51-79 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/3397557 Accessed: 19/10/2010 19:54 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mitpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to October. http://www.jstor.org Antagonism and Relational Aesthetics CLAIRE BISHOP The Palais de Tokyo On the occasion of its opening in 2002, the Palais de Tokyo immediately struck the visitor as different from other contemporary art venues that had recently opened in Europe.
    [Show full text]
  • Bortolami Gallery Through June 15Th, 2019.” Art Observed, May 30Th, 2019, Illus
    BORTOLAMI Virginia Overton (b. 1971 in Nashville, Tennessee) Lives and works in Brooklyn, New York Education 2005 University of Memphis, TN, MFA 2002 University of Memphis, TN, BFA Solo Exhibitions 2019 Água Viva, Bortolami, New York, NY Francesca Pia, Zürich, Switzerland (forthcoming) 2018 Built, Don River Valley Park, Toronto, Canada secret space, Biel, Switzerland Built, Socrates Sculpture Park, Queens, NY Virginia Overton, University of Memphis Fogelman Galleries, Memphis, TN 2017 Why?! Why Did You Take My Log?!?!, Museum of Contemporary Art, Tucson, AZ 2016 Winter Garden, Whitney Museum of American Art, New York, NY White Cube Bermondsey, London, England Sculpture Gardens, Whitney Museum of American Art, New York, NY The Aldrich Contemporary Art Museum, Ridgefield, CT 2015 White Cube, London, England 2014 Flat Rock, Museum of Contemporary Art North Miami, North Miami, FL 2013 Westfälischer Kunstverein, Munster, Germany Kunsthalle Bern, Bern, Switzerland Mitchell-Innes & Nash, New York, NY 2012 The Kitchen, New York, NY Deluxe, The Power Station, Dallas, TX 2011 Freymond-Guth, Zürich, Switzerland 2010 Untitled (Milano), N.O. Gallery, Milan, Italy Cheekwood Museum of Art, Nashville, TN True Grit, Dispatch, New York, NY 2008 Moving on South, curated by Dana Orland, White Box, New York, NY This Is Not A Ladder, Artlab at AMUM, Memphis, TN 39 WALKER STREET NEW YORK NY 10013 T 212 727 2050 BORTOLAMIGALLERY.COM BORTOLAMI 2007 Skytracker, Powerhouse, Memphis, TN Selected Group Exhibitions 2019 Downtown Painting, curated by Alex Katz, Peter
    [Show full text]
  • Listed Exhibitions (PDF)
    G A G O S I A N G A L L E R Y Anish Kapoor Biography Born in 1954, Mumbai, India. Lives and works in London, England. Education: 1973–1977 Hornsey College of Art, London, England. 1977–1978 Chelsea School of Art, London, England. Solo Exhibitions: 2016 Anish Kapoor. Gagosian Gallery, Hong Kong, China. Anish Kapoor: Today You Will Be In Paradise. Gladstone Gallery, New York, NY. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor. Lisson Gallery, Milan, Italy. Anish Kapoor. Museo Universitario Arte Contemporáneo, Mexico City, Mexico. 2015 Descension. Galleria Continua, San Gimignano, Italy. Anish Kapoor. Regen Projects, Los Angeles, CA. Kapoor Versailles. Gardens at the Palace of Versailles, Versailles, France. Anish Kapoor. Gladstone Gallery, Brussels, Belgium. Anish Kapoor. Lisson Gallery, London, England. Anish Kapoor: Prints from the Collection of Jordan D. Schnitzer. Portland Art Museum, Portland, OR. Anish Kapoor chez Le Corbusier. Couvent de La Tourette, Eveux, France. Anish Kapoor: My Red Homeland. Jewish Museum and Tolerance Centre, Moscow, Russia. 2013 Anish Kapoor in Instanbul. Sakıp Sabancı Museum, Istanbul, Turkey. Anish Kapoor Retrospective. Martin Gropius Bau, Berlin, Germany 2012 Anish Kapoor. Museum of Contemporary Art, Sydney, Australia. Anish Kapoor. Gladstone Gallery, New York, NY. Anish Kapoor. Leeum – Samsung Museum of Art, Seoul, Korea. Anish Kapoor, Solo Exhibition. PinchukArtCentre, Kiev, Ukraine. Anish Kapoor. Lisson Gallery, London, England. Flashback: Anish Kapoor. Longside Gallery, Yorkshire Sculpture Park, West Bretton, England. Anish Kapoor. De Pont Foundation for Contemporary Art, Tilburg, Netherlands. 2011 Anish Kapoor: Turning the Wold Upside Down. Kensington Gardens, London, England. Anish Kapoor: Flashback. Nottingham Castle Museum, Nottingham, England.
    [Show full text]
  • Richard Wentworth Samoa, 1947 Vive Y Trabaja En Londres, UK
    CV Richard Wentworth Samoa, 1947 Vive y trabaja en Londres, UK Educación 2009/11 Profesor de escultura, Royal College of Art, Londres, UK 2002/10 Ruskin Master of Drawing, Ruskin School of Art, Oxford, UK 2001 Beca en San Francisco School of Art, San Francisco, CA, USA 1971/87 Tutor, Goldsmith's College, University of London, Londres, UK 1967 Trabajó para Henry Moore, UK 1966/70 Royal College of Art, London, UK Exposiciones individuales (selección) 2020 There’s no knowing, Blind Alley projects, Fort Worth, Texas, US 2019 Lecciones Aprendidas, NoguerasBlanchard, Madrid, ES School Prints 2019, The Hepworth Wakefield, UK 2017 Concertina, Arebyte Gallery, Londres, UK Richard Wentworth at Maison Alaïa, Galerie Azzedine Alaïa, París, FR Richard Wentworth: Paying A Visit, Nogueras Blanchard, Barcelona, ES Now and Then, Peter Freeman Inc., New York, USA 2015 False Ceiling, Museo de arte de Indianápolis, USA Bold Tendencies, Peckham, Londres, UK 2014 Motes to self, Peter Freeman Inc., New York, NY, USA 2013 A room full of lovers, Lisson Gallery, Londres, UK Black Maria (en colaboración con Gruppe), Kings Cross, Londres, UK 2012 Galeria Nicoletta Rusconi (con Alessandra Spranzi), Milán, IT Galerie Nelson Freeman, Art 43 Basel, Basel, CHE 2011 Richard Wentworth, Galerie Nelson Freeman, París, FR Richard Wentworth, Peter Freeman Inc., París, FR Richard Wentworth: Sidelines, Museu da Farmacia, Experimenta Design, Lisboa, PT 2010 Three Guesses, Whitechapel Gallery, Londres, UK Richard Wentworth, Peter Freeman Inc., New York, NY, USA 2009 Scrape/Scratch/Dig,
    [Show full text]
  • Quinn Biography
    MARC QUINN BIOGRAPHY Born in London, England, 1964. Education: Cambridge University, Cambridge, England, 1985. Lives in London, England. Selected Solo Shows: 1988 “Bronze Sculpture”, Jay Jopling/Otis Gallery, London, England. 1990 “Bread Sculpture”, Galerie Nikki Diana Marquardt, Paris, France. 1991 “Out of Time”, Grob Gallery, London, England. “Out of Time”, Jay Jopling, London, England. 1993 Galerie Jean Bernier, Athens, Greece. 1995 “Art Now. Emotional Detox: The Seven Deadly Sins”, The Tate Gallery of Modern Art, London, England. “Blind Leading the Blind”, Jay Jopling/White Cube, London, England. 1998 South London Gallery, London, England. “Marc Quinn – Incarnate”, Gagosian Gallery, NYC, NY. 1999 Kunstverein Hannover, Hannover, Germany. 2000 Fondazione Prada, Milan, Italy. Groninger Museum, Groningen, The Netherlands. “Still Life”, White Cube², London, England. 2001 “Italian Landscape”, Habitat, London, England. “Marc Quinn: Garden”, Art of This Century, Paris, France. “A Genomic Portrait: Sir John Sulston by Marc Quinn”, National Portrait Gallery, London, England. 2002 “Italian Landscapes from Garden 2000”, Terrace Gallery, Harewood House, Leeds, England. Tate Liverpool, Liverpool, England. 2003 “The Overwhelming World of Desire (Paphiopedilum Winston Churchill Hybrid)”, Goodwood Sculpture Park, Chichester, West Sussex, England. “The Overwhelming World of Desire (Phragmipedium Sedenii)”, Peggy Guggenheim Collection, Venice, Italy. 2004 “The Complete Marbles”, Mary Boone Gallery, NYC, NY. “Flesh”, Irish Museum of Modern Art, Dublin, Ireland. MARC QUINN BIOGRAPHY (continued) : Selected Solo Shows: 2005 “Flesh”, Mary Boone Gallery, NYC, NY. “Chemical Life Support”, White Cube, London, England. “Alison Lapper Pregnant”, Fourth Plinth, Trafalgar Square, London, England. 2006 “Marc Quinn: Recent Sculptures”, Groninger Museum, Groningen, The Netherlands. Museo d’Arte Contemporanea Roma, Rome, Italy. 2007 “Sphinx”, Mary Boone Gallery, NYC, NY.
    [Show full text]
  • Stephen Willats
    STEPHEN WILLATS Born 1943 in London, UK Lives and works in London, UK Education 2006 ‘Multiple Clothing’ seminar and performance at Tate Modern, London, UK 2003 Convener of the Seminars ‘Art Intervention’, Control Magazine at Vilma Gold, London, UK 1991 ‘Stephen Willats - Printed Archive’ established at the Victoria and Albert Museum, London, UK 1990 Convener of the Symposium, ‘Art Creating Society’, Museum of Modern Art, Oxford, UK 1980 D.A.A.D. Fellowship, Berlin, Germany 1973 Director of ‘The Centre for Behavioural Art’, London, UK 1965 - Present Editor and publisher of Control Magazine 1963 ‘The Ground Course’, Ealing School of Art, London, UK Solo Exhibitions 2019 Stephen Willats – Languages of Dissent, Migros Museum, Zürich, Switzerland ​ Modern Buildings - Works & Drawings, Galerie Lumen Travo, Amsterdam, Netherlands ​ 2018 Control, Tate Liverpool, UK ​ Endless Galerie Thomas Schulte, Berlin, Germany ​ 2017 Human Right, Middlesbrough Art Gallery, Middlesbrough, UK ​ Stephen Willats: The Conceptual Designer, Art Feature at Basel Art Fair, Galerie Balice Hertling, Paris, France ​ 2016 Conversations With Buildings, Galerie Reinhard Hauff, Stuttgart, Germany ​ Stephen Willats: THISWAY, Index, Stockholm, Sweden ​ Inside the Night, Galerie Balice Hertling, Paris, France ​ 2015 Publishing Interventions – Stephen Willats – Selected Publications 1965 – 2015, Tenderpixel, London, UK ​ Step Change, Lumen Travo, Amsterdam, Netherlands ​ st Stephen Willats: Man from the 21 ​ Century, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico ​ ​
    [Show full text]