Art Books Spring 2019 Contact
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ART BOOKS SPRING 2019 CONTACT POST TATE PUBLISHING, MILLBANK, LONDON SW1P 4RG VISIT TATE.ORG.UK/PUBLISHING CALL +44 (0)20 7887 8870 EMAIL [email protected] TWITTER @TATE_PUBLISHING INSTAGRAM @TATEPUBLISHING CONTENTS NEW TITLES 2 PIERRE BONNARD: THE COLOUR OF MEMORY 4 PIERRE BONNARD 5 VAN GOGH 6 VAN GOGH AND BRITAIN 8 DON MCCULLIN 10 FRANK BOWLING 12 KEITH HARING 14 NATALIA GONCHAROVA 16 DOROTHEA TANNING 18 THE ART OF FEMINISM 20 THE GHOST: A CULTURAL HISTORY 21 VIRGINIA WOOLF 22 RECENT HIGHLIGHTS 23 BACKLIST TITLES 34 HYUNDAI COMMISSION SERIES 35 MODERN ARTIST SERIES 36 TATE INTRODUCTIONS SERIES 37 BRITISH ARTIST SERIES 38 STATIONERY 40 CONTACT INFORMATION IMAGE CREDITS Pierre Bonnard, The Window 1925, digital image © Tate 2018 (p.2). Frank Bowling, Towards Crab Island 1983 (cover), Jetty II 1988 (p.10), courtesy the artist and Hales Gallery, London and New York, © the artist. Vincent Van Gogh, La Berceuse (Woman Rocking a Cradle) 1889, The Metropolitan Museum of Art, New York, The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1996, Bequest of Walter H. Annenberg, 2002, accession Number: 1996.435 (p.6). Natalia Goncharova, Peasants Picking Apples 1911, © The State Tretyakov Gallery (p.14), Linen 1913, digital image © Tate 2018 (p.15). Keith Haring, Free South Africa 1985 (p.12 top), Untitled 1983 (p.12 bottom) © Keith Haring Foundation. Louise Nevelson, Black Wall 1959, © the artist, digital image © Tate 2018 (p.18). Don McCullin, Gangs of Boys Escaping C.S. Gas Fired by British Soldiers, Londonderry, Northern Ireland 1971 (p.8 top), Somerset Levels All profits go to supporting Tate. near Glastonbury c.1990 (p.8 bottom), © Don McCullin. Dorothea Tanning, Eine Kleine Nachtmusik 1943 Please note that all prices, scheduled publication dates and specifications are subject to alteration. Owing to market restrictions (detail, p.16), © DACS 2018, digital image © Tate 2018. some titles are not available in certain markets. For more information on sales and rights contacts see pages 40 and 41. THE CC LAND EXHIBITION PIERRE BONNARD: THE COLOUR OF MEMORY EDITED BY MATTHEW GALE TITLES NEW EXHIBITIONS: A TECHNICOLOUR VIEW OF THE WORLD BY THE Tate Modern FATHER OF MODERNISM 23 January – 6 May 2019 Pierre Bonnard (1867–1947) was a key member of the generation of artists that transformed painting during the early twentieth century. Ny Carlsberg Glyptotek, Copenhagen Focusing on Bonnard’s work from 1912–47, this lavishly 6 June – illustrated book presents a variety of landscapes and 22 September 2019 intimate domestic scenes. These artworks are the artist’s memories creatively reconstructed, and convey a palpable sense of sensuality and melancholy. As well as looking at Bank Austria his processes, his reliance on photography and his ability Kunstforum, Vienna to work on different subjects side-by-side, this book will 10 October 2019 – relocate Bonnard in the turbulent history of his times. 12 January 2020 Channelling to the heart of Bonnard’s position as an artist who maintained continuities with the past while developing an individual expression of his engagement with the modern world, this sumptuously colourful book reveals 200 colour illustrations Bonnard’s transition from great colourist to modernist 255 x 235 mm master, and emphasises his place within the story of 240 pp twentieth-century art. £25 • PB 9781849766166 MATTHEW GALE is Curator of Modern Art and Head of Displays at Tate Modern. LINE CLAUSEN PEDERSEN is Curator of Nineteenth-Century Danish and French Art at the £40 • HB Ny Carlsberg Glyptotek, Copenhagen. EVELYN BENESCH is 9781849766173 Deputy Director at the Bank Austria Kunstforum, Vienna. JULIETTE RIZZI is Assistant Curator at Tate Modern. VÉRONIQUE SERRANO is Chief Curator at the Musée January 2019 Bonnard, Le Cannet, France. 3 PIERRE BONNARD VAN GOGH JULIETTE RIZZI HATTIE SPIRES NEW TITLES NEW ACCESSIBLE INTRODUCTION TO THE LIFE AND WORK A FRESH INTRODUCTION TO ONE OF THE WORLD’S OF THIS MODERNIST MASTER MOST CELEBRATED ARTISTS Pierre Bonnard (1867–1947) was, with Henri Matisse, one Vincent Van Gogh’s (1853–1890) paintings are among the of the greatest colourists of the early twentieth century, most reproduced and recognisable in the history of art. His best known as a painter of intimate, domestic interiors short career as an artist produced over 800 paintings, most and brightly coloured landscapes. Bridging impressionism created in the last two years of his life. Van Gogh’s intimate and modernism, Bonnard’s work is characterised by an reflections on life and art, revealed through his letters, allow extraordinary artistic vision, a rich and unconventional a close understanding of the artist’s journey from obscurity. palette and exceptional perspective. Preferring to work His vivid use of colour and expressive brushwork influenced from memory, Bonnard imaginatively captured the spirit artists and writers and inflected popular culture in the of a moment and expressed it through his unique handling twentieth century and beyond. of colour and innovative sense of composition. This richly illustrated introduction will take a fresh approach This vibrant introduction explores Bonnard’s life and to the life and work of this modern master, and will remarkable body of work. Charting the evolution of his re-examine the formation of the Van Gogh legend and his technique and practice over the course of his career, it legacy on British art. illustrates the artist’s close connection to his subjects and the world around him, and reveals how he transitioned from HATTIE SPIRES is Assistant Curator of Modern and a master of colour to one of the great modernist painters. Contemporary British Art at Tate Britain. JULIETTE RIZZI is Assistant Curator at Tate Modern. 60 colour illustrations 60 colour illustrations 210 x 168 mm 210 x 168 mm 80 pp 80 pp £7.99 • PB £7.99 • PB 9781849766180 9781849766227 January 2019 March 2019 4 5 THE EY EXHIBITION VAN GOGH AND BRITAIN EDITED BY CAROL JACOBI Van Gogh TITLES NEW The EY Exhibition EY The and Britain EXHIBITION: A REVEALING EXPLORATION OF VAN GOGH’S RELATIONSHIP WITH BRITISH ART AND CULTURE Tate Britain 27 March – 11 August 2019 As a young man, Vincent Van Gogh (1853–1890) lived in England for several crucial and formative years. He fell in love with British culture, especially the novels of Charles Dickens and George Eliot, and was inspired by the art he saw in London, including paintings by John Constable and John Everett Millais. These influences informed his ideals in profound ways and continued to affect the style of his radical, egalitarian paintings throughout his career. As well as focusing on the artist’s time in London in the 1870s, this lavishly illustrated publication explores Van Gogh’s lasting affect on the British art world, from the first 210 colour illustrations displays of his paintings before the First World War through 270 x 225 mm to the 1950s when his life and work became renowned as 224 pp an embodiment of embattled human creativity. Lively texts by leading experts investigate how Van Gogh set British £25 • PB artists such as Walter Sickert, David Bomberg and Francis 9781849766029 Bacon on the road to modernism. CAROL JACOBI is Curator, British Art, 1815–1915, Tate Britain. £40 • HB 9781849766012 March 2019 RIGHTS AVAILABLE: WORLD EXCLUDING NORTH AMERICA 7 DON MCCULLIN WITH TEXTS BY SIMON BAKER AND SHOAIR MAVLIAN NEW TITLES NEW EXHIBITION: CELEBRATING THE BREADTH OF MCCULLIN’S PRACTICE WITH RARELY SEEN OR PUBLISHED MATERIAL Tate Britain 5 February – Accompanying a major retrospective at Tate Britain of iconic 6 May 2019 British photographer Don McCullin (b.1935), this exquisitely produced book includes his work from the mid-1950s to the present. Highlighting all areas of McCullin’s output it includes his long career as a conflict photographer, social documentary practice, travel assignments and his more recent engagement with landscape. A native Londoner, McCullin began to take photographs in the 1950s documenting his surroundings and local community, including the gangs in his neighbourhood. In 1958 his photograph The Guvnors – a portrait of a notorious Finsbury Park gang who were involved in the murder of a police officer – was published in the Observer, launching his career as a photojournalist. He went on to become one of the best-known war correspondents in the country. 170 colour illustrations SIMON BAKER is director of the Maison Européenne de 285 x 230 mm la Photographie, Paris, France. SHOAIR MAVLIAN is director 224 pp of Photoworks, Brighton, UK. Both were formerly curators £25 • PB at Tate. 9781849766197 £40 • HB 9781849766487 February 2019 8 9 FRANK BOWLING EDITED BY ELENA CRIPPA NEW TITLES NEW EXHIBITION: FIRST BOOK TO EXPLORE BOWLING’S ENTIRE OEUVRE AND EXTRAORDINARY CAREER SPANNING 60 YEARS Tate Britain 31 May – Since he started painting in the late 1950s, Frank Bowling 28 August 2019 (b.1936) has pursued a relentless exploration of the possibilities of paint, experimenting with staining, pouring and dripping. Often ambitious in scale, Bowling’s work combines figuration, abstract elements, popular and autobiographical references, and demonstrates his interest in social and political imagery. Beginning with his figurative work created in the early 1960s, this book will trace the development of Bowling’s practice right up to his most recent work, illustrating his interest in surface textures, expansive fields of colour and the accrual of thickly built impasto – as well as his use of unusual mediums, such as metallic pigments and acrylic gels. Bowling’s contribution to modern art and his wide-reaching influence are further illuminated by a combination of insightful art-historical texts and contemporary artistic voices. Featuring iconic series – such as the ‘Map Paintings’ and the ‘Poured Paintings’ – alongside rarely seen works, this book is a feast of colour and texture that celebrates the quality and breadth of 120 colour illustrations Bowling’s long and distinguished career.