Elinor Hills Curls up with a Good Book
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
AITKEN ALEXANDER London Book Fair 2019
AITKEN ALEXANDER ASSOCIATES London Book Fair 2019 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] ANNA WATKINS Brazil, Bulgaria, China, Croatia, Czech Republic, Denmark, Estonia, Finland, Greece, Hungary, Iceland, Indonesia, Israel, Japan, Korea, Latvia, Lithuania, Macedonia, Norway, Portugal, Poland, Romania, Russia, Slovakia, Slovenia, Spain, Taiwan, Thailand and Turkey Email: [email protected] MONICA MACSWAN All Arabic and Indian language territories Email: [email protected] Literary Agents Centre Tables: Anna – 33f, Monica – 33e, Lisa – 34f For Film and Television Rights please contact: LESLEY THORNE Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander Contents Page Fiction: The Wisdom of Bones by Kitty Aldridge p.1 Saltwater by Jessica Andrews p.2 The Body Lies by Jo Baker p.3 My Sister, the Serial Killer by Oyinkan Braithwaite p.4 In the Full Light of the Sun by Clare Clark p.5 Your Fault by Andrew Cowan p.6 This Brutal House by Niven Govinden p.7 The Porpoise by Mark Haddon p.8 Rabbit Foot Bill by Helen Humphreys p.9 The Harpy by Megan Hunter p.10 The Great Wide Open by Douglas Kennedy p.11 When We Were Rich by Tim Lott p.12 The Anthill by Julianne Pachico p.13 Lanny by Max Porter p.14 All the Water in the World by Karen Raney p.15 The Sandpit by Nicholas Shakespeare -
Images of Jewish Women in Comic Books and Graphic Novels. a Master’S Paper for the M.S
Alicia R. Korenman. Princesses, Mothers, Heroes, and Superheroes: Images of Jewish Women in Comic Books and Graphic Novels. A Master’s Paper for the M.S. in L.S degree. April 2006. 45 pages. Advisor: Barbara B. Moran This study examines the representations of Jewish women in comic books and graphic novels, starting with a discussion of common stereotypes about Jewish women in American popular culture. The primary sources under investigation include Gilbert Hernandez’s Love and Rockets X, Aline Kominsky-Crumb’s autobiographical works, the X-Men comic books, Art Spiegelman’s Maus and Portrait of the Artist as a Young %@&*!, Joann Sfar’s The Rabbi’s Cat, and J.T. Waldman’s Megillat Esther. The representations of Jewish women in comic books and graphic novels vary widely. And although certain stereotypes about Jewish women—especially the Jewish Mother and the Jewish American Princess—pervade American popular culture, most of the comics featuring Jewish characters do not seem to have been greatly influenced by these images. Headings: Comic books, strips, etc. -- United States -- History and Criticism Popular Culture -- United States – History – 20th Century Jewish Women -- United States – Social Life and Customs Jews -- United States -- Identity PRINCESSES, MOTHERS, HEROES, AND SUPERHEROES: IMAGES OF JEWISH WOMEN IN COMIC BOOKS AND GRAPHIC NOVELS by Alicia R. Korenman A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina April 2006 Approved by _______________________________________ Barbara B. -
Cultural Difference and Diversity in French- Language Comics
Cultural Difference and Diversity in French- Language Comics The Editors The treatment of cultural difference and diversity by French-speaking cartoonists has changed radically over the last few decades, as four articles in this special issue demonstrate. What has not changed since the nineteenth century is the centrality of these themes to comics, which have been a globalizing medium in a shrinking world throughout the period. French-language comics are exemplary of these transformations, insofar as France was a major imperialist power during the nineteenth and twentieth centuries. Moreover, France has long been home to ethnic and religious minorities, and was a major center of immigration during the twentieth century. These socio- historical trends have left a huge imprint on comics within France itself, but the French also exported the form along with their language to most of their colonies, which has given rise to (post-)colonial traditions of cartooning in French-speaking regions across the globe. Belgium too has a signifi cant history of colonial intervention in Africa and of immigration and ethnic diversity within its own borders, which has had a signifi cant impact on comics in both Belgium and its former African colonies. French-language comics therefore constitute a rich fi eld for studying representations of cultural difference and diversity, although one can certainly also fi nd related trends and examples in comics of other European languages and national traditions: for example, in Italian comics one fi nds the black character Bilbolbul and other stories related to the colonization of Africa.1 On the other hand, one of the most important early cartoonists and theoreticians of comics was Swiss, not French or Belgian. -
The Comics Grid. Journal of Comics Scholarship. Year One, Edited by Ernesto Priego (London: the Comics Grid Digital First Editions, 2012)
The Comics Grid Journal of Comics Scholarship Year One Contributor Jeff Albertson James Baker Roberto Bartual Tiago Canário Esther Claudio Jason Dittmer Christophe Dony Kathleen Dunley Jonathan Evans Michael Hill Nicolas Labarre Gabriela Mejan Nina Mickwitz Renata Pascoal s Nicolas Pillai Jesse Prevoo Ernesto Priego Pepo Pérez Jacques Samson Greice Schneider Janine Utell Tony Venezia Compiled by Ernesto Priego Peter Wilkins This page is intentionally blank Journal of Comics Scholarship Year One The Comics Grid Digital First Editions • <http://www.comicsgrid.com/> Contents Citation, Legal Information and License ...............................................................................................6 Foreword. Year One ...................................................................................................................................7 Peanuts, 5 October 1950 ............................................................................................................................8 Ergodic texts: In the Shadow of No Towers ......................................................................................10 The Wrong Place – Brecht Evens .........................................................................................................14 Sin Titulo, by Cameron Stewart, page 1 ...............................................................................................16 Gasoline Alley, 22 April 1934 ............................................................................................................... -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title African Francophone Bandes Dessinées: Graphic Autobiographies and Illustrated Testimonies Permalink https://escholarship.org/uc/item/27t2j8mq Author Bumatay, Michelle Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles African Francophone Bandes Dessinées: Graphic Autobiographies and Illustrated Testimonies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in French and Francophone Studies by Michelle Lynn Bumatay 2013 © Copyright by Michelle Lynn Bumatay 2013 ABSTRACT OF THE DISSERTATION African Francophone Bandes Dessinées: Graphic Autobiographies and Illustrated Testimonies by Michelle Lynn Bumatay Doctor of Philosophy in French and Francophone Studies University of California, Los Angeles, 2013 Professor Dominic Thomas, Chair Former French President Charles de Gaulle’s famous claim that Belgian bande dessinée character Tintin was his only international rival speaks to the ubiquity of bandes dessinées in the francophone world while underlining their participation in imperial cultural hegemony. Similarly, in Peau noire, Masques blancs, Frantz Fanon also highlights the popularity of European bandes dessinées in the francophone world and observes the negative psychological impact of such texts on non-European readers who identify with Western explorer characters rather than with the racialized stereotypical images of non-European characters. One major factor for this is that the emergence and development of French and Belgian bandes dessinées took place during the height of European colonialism; bandes dessinées subsequently drew from and participated in a visual culture—such as travel postcards, brochures and keepsakes from colonial expositions, and in particular advertisements for exotic goods such as Banania—that ii helped construct the European imaginary of Africa. -
JOANN SFAR (1971-) Bibliographie Sélective
Bibliothèque nationale de France Direction des collections Département Littérature et art novembre 2017 JOANN SFAR (1971-) Bibliographie sélective Joann Sfar est né à Nice le 28 août 1971. Après une maîtrise de philosophie, il s'inscrit à l'École nationale supérieure des beaux-arts de Paris, où il suit des cours de morphologie. Il publie ses premières planches en 1994 à L’Association, puis signe son premier album couleur chez Delcourt en 1996, Petrus Barbygère, sur un scénario de Pierre Dubois. Il compose ensuite de nombreuses séries pour adultes (Donjon, en collaboration avec Lewis Trondheim, Pascin, Carnets autobiographiques) et pour la jeunesse (Petit vampire, Sardine de l’espace). Son œuvre rencontre un succès grandissant et plusieurs de ses albums sont primés à Angoulême : Le Chat du rabbin : la bar-mitsva reçoit le prix du jury œcuménique de la bande dessinée en 2003, Petit vampire : la soupe au caca le prix jeunesse en 2004 et Le petit Prince en 2009. Après avoir été directeur de collection chez Bréal Jeunesse entre 2003 et 2005, Joann Sfar a créé chez Gallimard la collection « Bayou » qu’il dirige depuis 2005. Joann Sfar © Dargaud Il est également musicien, et ajoute encore une corde à son arc de créateur polymorphe en se lançant dans la réalisation cinématographique, avec Gainsbourg, vie héroïque qui obtient le César du meilleur premier film en 2011. En 2012 il reçoit le César du meilleur film d’animation pour Le Chat du rabbin. En 2013 il publie un premier roman, L'éternel. Dans son dernier roman, Vous connaissez peut-être, paru en août 2017, Joann Sfar s’interroge sur les travers de notre monde ultra-connecté, que cet ancien blogueur très actif sur les réseaux sociaux connait bien. -
London Book Fair 2019
AITKEN ALEXANDER ASSOCIATES London Book Fair 2019 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] ANNA WATKINS Brazil, Bulgaria, China, Croatia, Czech Republic, Denmark, Estonia, Finland, Greece, Hungary, Iceland, Indonesia, Israel, Japan, Korea, Latvia, Lithuania, Macedonia, Norway, Portugal, Poland, Romania, Russia, Slovakia, Slovenia, Spain, Taiwan, Thailand and Turkey Email: [email protected] MONICA MACSWAN All Arabic and Indian language territories Email: [email protected] Literary Agents Centre Tables: Anna – 33f, Monica – 33e, Lisa – 34f For Film and Television Rights please contact: LESLEY THORNE Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander Contents Page Fiction: The Wisdom of Bones by Kitty Aldridge p.1 Saltwater by Jessica Andrews p.2 The Body Lies by Jo Baker p.3 My Sister, the Serial Killer by Oyinkan Braithwaite p.4 In the Full Light of the Sun by Clare Clark p.5 Your Fault by Andrew Cowan p.6 This Brutal House by Niven Govinden p.7 The Porpoise by Mark Haddon p.8 The Harpy by Megan Hunter p.9 The Great Wide Open by Douglas Kennedy p.10 When We Were Rich by Tim Lott p.11 The Anthill by Julianne Pachico p.12 The Inheritance of Solomon Farthing by Mary Paulson-Ellis p.13 Lanny by Max Porter p.14 All the Water in the World by Karen Raney p.15 The -
Gainsbourg: a Heroic Life
GAINSBOURG: A HEROIC LIFE Directed and Written by Joann Sfar Starring Eric Elmosnino, Laetitia Casta, Anna Mouglalis, Lucy Gordon Produced by Marc du Pontavice and Didier Lupfer César Awards 2011 Winner: Best First Film – Joann Sfar Winner: Best Actor – Eric Elmosnino Official Selection - 2011 Palm Springs International Film Festival Seattle International Film Festival Tribeca Film Festival 2010 Winner: Best Actor – Eric Elmosnino COLCOA Film Festival 2010 Special Mention by Jury for his Performance – Eric Elmosnino Press information available at: http://www.musicboxfilms.com/gainsbourg Running Time: 122 Minutes/In French with English Subtitles/Unrated Press Contact New York Press Contact Los Angeles Sophie Gluck & Associates Marina Bailey Film Publicity Sophie Gluck Marina Bailey 124 West 79th Street 1615 North Laurel Avenue New York, NY 10024 Los Angeles, CA 90046 Tel: (212) 595-2432 Tel: (323) 650-3627 [email protected] [email protected] 1 SYNOPSIS Once upon a time, a young boy, Lucien, walked up and down the streets of Paris, proudly showing off the abominable yellow star pinned to his jacket. It’s 1941. When this child of Russian-Jewish parents with a cheeky sparkle in his eyes crosses paths with the pro-Nazi French militia, he starts singing The Marseillaise anthem alongside them... even though he doesn‘t quite know the words. Then something stops young Lucien short – anti-Semitic propaganda featuring a caricature of a Jew. It’s an ugly face that resembles him a bit too closely. A face pinned up to be seen and scorned by all. He wants to run away or erase the grotesque face but does neither. -
Download October 2014 Movie Schedule
Movie Museum OCTOBER 2014 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! CHEF THE RABBI'S CAT Hawaii Premiere! A TALE OF SAMURAI FORT McCOY (2014-US) (2011-France) THREE STARS COOKING (2011-US) in widescreen in widescreen French w/Eng subtitles, ws (2010-Germany) (2013-Japan) with Eric Stoltz Jon Favreau, John Leguizamo voiced by François Morel. German/Eng/French subs ws Japanese w/Eng subtitles ws 12:00, 3:30 & 7:00pm 12:00, 4:15 & 8:30pm 12:00, 3:30 & 7:00pm Doc on Michelin 3 star restos. 12, 4 & 8pm ------------------------------------ ------------------------------------ ------------------------------------ 12:00 & 3:45pm ------------------------------------ THE GOD OF COOKERY A TALE OF SAMURAI Hawaii Premiere! ------------------------------------ Hawaii Premiere! (1996-Hong Kong) COOKING: FORT McCOY CHEF THREE STARS Cantonese w/subtitles, ws A TRUE LOVE STORY (2011-US) in widescreen (2014-US) in widescreen (2010-Germany) Directed by Stephen Chow (2013-Japan) Japn w/subtitles with Eric Stoltz Jon Favreau, John Leguizamo. German/Eng/French subs ws 1:45, 5:15 & 8:45pm 2 2:00 & 6:15pm 3 1:45, 5:15 & 8:45pm 45 1:45, 5:30 & 7:30pm 2:15 & 6:15pm 6 Hawaii Premiere! Discoverers' Day A COFFEE IN BERLIN THE GOD OF COOKERY EDGE OF TOMORROW A COFFEE IN BERLIN 2 Hawaii Premieres! (2012-German) (1996-Hong Kong) (2014-US/Australia) (2012-German) MAGNIFICA PRESENZA German/Eng w/ subtitles ws Cantonese w/subtitles, ws in widescreen German/Eng w/ subtitles ws (2012-Italy) 12, 4 & 8pm Directed by Stephen Chow 12:00, 3:45 & 7:30pm Italian w/Eng subtitles ws ------------------------------------ 12:00, 4:15 & 8:30pm with Tom Cruise, ------------------------------------ 12:00, 3:45 & 7:30pm A TALE OF SAMURAI ------------------------------------ Emily Blunt, Bill Paxton, Hawaii Premiere! ------------------------------------ COOKING: A GHOST OF A CHANCE Brendan Gleeson. -
2019 Comic Books & Graphic Novels
22019019 CCOMICOMIC BBOOKSOOKS & GGRAPHICRAPHIC NNOVELSOVELS A SELECTIONSELECTION OFOF FRENCHFRENCH TTITLESITLES Cover illustration: Adaptation of the novel by Jean-Patrick Manchette, Nada © Éditions Gallimard, 1972 Graphic Novel Adaptation © Dupuis 2018, by Manchette, Doug Headline, Cabanes All rights reserved Promoting French publishing around the world For almost 140 years, BIEF has been promoting French publishers’ creations on the international scene with the vocation of facilitating and developing exchange between French and foreign professionals in the publishing industry. This catalogue presents 16 publishing houses and 80 titles. It is intended as both a working and reference tool for all those interested in comics and graphic novels published in France, especially foreign publishers, booksellers and librarians keen to build their list of translated and/or adapted works in this sector. This catalogue was created to promote the discovery of the great variety in and the high quality of comics and graphic novel publishing in France, to help publishers, booksellers and librarians strengthen existing ties with their French counterparts. Index of publishers / Comic Books & Graphic Novels 4 Les Arènes 7 Groupe Bayard 10 Casterman 13 Dargaud – Dupuis – Le Lombard 16 Groupe Delcourt – Delcourt – Soleil 19 Denoël Graphic 22 Futuropolis 25 Gallimard Bande dessinée 28 Glénat 31 Éditions de la Gouttière 34 Les Humanoïdes Associés – Humanoids 37 Michel Lafon 40 Petit à Petit 43 Rue de Sèvres 46 Sarbacane 49 Steinkis Groupe Founded: 1996 Titles in catalogue: 500 Les Arènes Titles published annually: 80 Emblematic titles or series Une Histoire de sexe, by Philippe Brenot and Laetitia Coryn: 50,000 copies sold; translated into 11 languages Calme et attentif comme une grenouille; Cahiers de sérénité, by Eline Snel: 400,000 copies sold; translated into 21 languages Les Arènes was founded by Laurent Beccaria in 1997 La Vie secrète des arbres for the unique purpose of publishing a single work, (translated from German), by Une Guerre (A War) by Dominique Lorentz. -
François Roca
FRANÇOIS ROCA ILLUSTRATOR NOMINEE FOR THE HANS CHRISTIAN ANDERSEN AWARDS 2020 TABLE OF CONTENTS BIOGRAPHY 3 NOMINATING FRANÇOIS ROCA: THE REASONS BEHIND THE CHOICE 4 INTERVIEWS AND ARTICLES 5 AWARDS’ LIST 26 BIBLIOGRAPHY 29 TRANSLATED BOOKS 40 TOP TEN BOOKS 43 BOOKS SENT TO THE JURORS 46 The rights of all the images in this dossier are reserved. 2 BIOGRAPHY François Roca was born in Lyon (France) in 1971. He studied in Paris at the National School of Applied Arts Olivier-de-Serres, then in Lyon at the Émile-Cohl School; he graduated in 1993. He devoted himself a time to painting and then exclusively to illustration. He particularly illustrates the texts of his accomplice Fred Bernard, with whom he builds an imaginary universe renewed with each album. Since 1996, this "feather- brush" association allows him to visit themes rarely dealt with in children’s literature. An album marks a turning point in their collaboration: Jésus Betz wins the 2001 Baobab and Goncourt Jeunesse 2002 awards. That provides them with the freedom to tell stories for older children: The Bonsai-man, The Indian of the Eiffel Tower... François likes to give life to characters close to those who made him dream as a child, characters he met in the cinema or in front of the television. He also produces covers for novels and magazines and collaborates regularly with American publishers. Heir to the painters he loves and admires (E. Fromentin, E. Hopper, F. Remington, J. W. Waterhouse, N. C. Wyeth, Vermeer…), he pays tribute to them in his albums; he cites them with winks or transpositions that allow to build bridges between artists over time. -
Robert Doisneau Through the Lense
ROBERT DOISNEAU THROUGH THE LENSE BY CLÉMENTINE DEROUDILLE WITH THE PARTICIPATION OF ARTE FRANCE ”Tere is one more treasure that I wish to pass down to my son : a legacy that is just as im- portant as customs, traditions, photo albums, cooking recipes, pieces of furniture and houses handed down from one generation to the next and enhanced or worn out by the hand of time. Tere are many facets to this legacy: I wish to pass down my curiosity for each and every human activity, a certain thirst for knowledge that has become a way of life, a strong willpower in every thought and every gesture so as to learn the useful albeit tough discipline of life, but most importantly, I wish to pass down the power to love and be loved.” RENÉ TAVERNIER. Introduction read by Jean-Louis Trintignant 3 AUTHOR'S NOTE 4 “Doisneau: through the lense” will be an original and novel flm portrait of the artist Robert Doisneau featuring previously unissued sound and video archives – sometimes belonging to the photographer’s own private collection – as well as interviews of his friends and partners in crime. Te aim of this documentary is to relate the story of Doisneau’s life and work as faithfully as possible. 5 Last July, I recorded two radio shows about my grandfather for the French public radio: http://www.franceculture.fr/emission-libre-cours-robert-doisneau-12-2014-07-26 Without infringing upon his privacy, these programs allowed me to talk about my grandfather in my own voice and to uncover another side of Doisneau’s character, to go beyond the clichéd view people may have of him and his pictures.