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A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
The Inextricable Link Between Literature and Music in 19Th
COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57 -
Bugsy Siegel Part 30 of 32
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Plants!) the Press, and Rarely Granted Interviews
Reader Input for your Holiday Planning ! Josephine Tey Holiday Gift and Reading Recommendations from your Friends of Manchester Library. Josephine Tey, the nom de plume used by Elizabeth Falling In Love by Donna Leon Macintosh, was born and raised in Inverness, Scotland. Not only was she a first-rate novelist (known Blind Faith by C. J. Lyons principally for her superb detective stories), but At Home: A Short History of Private Life by Bill Bryson (writing under the name Gordon Daviot) Tey was a successful playwright as well. Her plays, however, The Christmas Train by David Baldacci though salted with three-dimensional people, lack the Big Magic: Creative Living Beyond Fear pace and tension that characterize her novels. by Elizabeth Gilbert Cutting for Stone by Abraham Verghese Tey wrote near the end of the Golden Age of British The Girl In the Spider’s Web by David Lagercrantz crime writing (1920 - 1950). Her stories are known for their deft construction and meticulous prose style. The Secret Pilgrim by John LeCarre They have an enduring quality, never follow a set Loving Jesus by Mark Allen Powell pattern, and reveal Tey's impatience with the established rules and conventions of the standard King Hereafter by Dorothy Dunnett whodunit. Hawke by Ted Bell The Daughter of Time by Josephine Tey And, on occasion, they revised British opinion. In The Daughter of Time, for example, Tey constructs an * * * * * historical mystery investigated by modern-day Wine Tasting, Raffle & Book Sale Results enquirers. She aroused nation-wide interest in a period of England's background once considered quite sordid ̶ Wine Tasting & Raffle $1,500 the reign of King Richard III and the murder of his two Holiday Book Sale $ 685 nephews in the Tower of London. -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Russianness in the Works of European Composers Liudmila Kazantseva Department of Theory and History of Music Astrakhan State Concervatoire Astrakhan, Russia E-mail: [email protected] Abstract—For the practice of composing a conscious Russianness is seen more as an exotic). As one more reproduction of native or non-native national style is question I’ll name the ways and means of capturing Russian traditional. As the object of attention of European composers origin. are constantly featured national specificity of Russian culture. At the same time the “hit accuracy” ranges here from a Not turning further on the fan of questions that determine maximum of accuracy (as a rule, when finding a composer in the development of the problems of Russian as other- his native national culture) to a very distant resemblance. The national, let’s focus on only one of them: the reasons which out musical and musical reasons for reference to the Russian encourage European composers in one form or another to culture they are considered in the article. Analysis shows that turn to Russian culture and to make it the subject of a Russiannes is quite attractive for a foreign musicians. However creative image. the European masters are rather motivated by a desire to show, to indicate, to declare the Russianness than to comprehend, to II. THE OUT MUSICAL REASONS FOR REFERENCE TO THE go deep and to get used to it. RUSSIAN CULTURE Keywords—Russian music; Russianness; Western European In general, the reasons can be grouped as follows: out composers; style; polystyle; stylization; citation musical and musical. -
Fairclough, P. (2016). Brothers in Musical Arms: the Wartime Correspondence of Dmitrii Shostakovich and Henry Wood
Fairclough, P. (2016). Brothers in Musical Arms: the wartime correspondence of Dmitrii Shostakovich and Henry Wood. Russian Journal of Communication, 8(3), 273-287. https://doi.org/10.1080/19409419.2016.1213219 Peer reviewed version Link to published version (if available): 10.1080/19409419.2016.1213219 Link to publication record in Explore Bristol Research PDF-document This is the accepted author manuscript (AAM). The final published version (version of record) is available online via Taylor and Francis at http://dx.doi.org/10.1080/19409419.2016.1213219. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Brothers in musical arms: the wartime correspondence of Dmitrii Shostakovich and Henry Wood Abstract Wartime correspondence between the conductor Sir Henry Wood and the composer Dmitrii Shostakovich marks the earliest point of Anglo-Soviet musical exchange at the highest artistic levels. Though short-lived due to Wood’s death in 1944, the correspondence shows how genuine warmth and mutual regard could co-exist with a relationship that was brokered by government officials. Other archive sources around them reveal the varying shades of cynicism and sincerity that underpinned the whole project of wartime cultural exchange between Britain and the Soviet Union. Though this rendered Anglo-Soviet connections inescapably underpinned by political motivations, it could not prevent genuine artistic and personal relationships from forming, albeit on a limited basis. -
A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score. -
Proquest Dissertations
NOTE TO USERS Page(s) not included in the original manuscript and are unavailable from the author or university. The manuscript was scanned as received. pg297 This reproduction is the best copy available. UMI DIASPORIC REPRESENTATIONS: A STUDY OF CIRCASSIAN AND ARMENIAN IDENTITIES IN GREATER SYRIA by Kari S. Neely A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Near Eastern Studies) in The University of Michigan 2008 Doctoral Committee: Professor Kevork B. Bardakjian, Chair Professor Anton Shammas Associate Professor Carol Bardenstein Associate Professor Andrew J. Shryock UMI Number: 3305049 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3305049 Copyright 2008 by ProQuest LLC. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 E. Eisenhower Parkway PO Box 1346 Ann Arbor, Ml 48106-1346 © KariS.Neely 2008 For Nico Sevan, who made this difficult but also necessary. If any one thing made me connect to these authors and their works it was looking at you, my child, and thinking about theirs; lost, orphaned, emaciated, murdered. I wish for you perpetual happiness and that you may never know loss. -
Jihad-Cum-Zionism-Leninism: Overthrowing the World, German-Style
Jihad-cum-Zionism-Leninism: Overthrowing the World, German-Style Sean McMeekin Historically Speaking, Volume 12, Number 3, June 2011, pp. 2-5 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/hsp.2011.0046 For additional information about this article http://muse.jhu.edu/journals/hsp/summary/v012/12.3.mcmeekin.html Access Provided by Bilkent Universitesi at 11/26/12 5:31PM GMT 2 Historically Speaking • June 2011 JIHAD-CUM-ZIONISM-LENINISM: ISTORICALLY PEAKING H S OVERTHROWING THE WORLD, June 2011 Vol. XII No. 3 GERMAN-STYLE CONTENTS Jihad-cum-Zionism-Leninism: 2 Sean McMeekin Overthrowing the World, German-Style Sean McMeekin Is “Right Turn” the Wrong Frame for 6 American History after the 1960s? t is often said that the First World War David T. Courtwright marks a watershed in modern history. From the mobilization of armies of un- The Politics of Religion in 8 I fathomable size—more than 60 million men put Modern America: A Review Essay on uniforms between 1914 and 1918—to the no Aaron L. Haberman less mind-boggling human cost of the conflict, Military History at the Operational Level: 10 both at the front and beyond it (estimated mili- An Interview with Robert M. Citino tary and civilian deaths were nearly equal, at Conducted by Donald A. Yerxa some 8 million each), the war of 1914 broke all historical precedent in the scale of its devasta- The Birth of Classical Europe: 13 An Interview with Simon Price and Peter tion. Ruling houses that had endured for cen- Thonemann turies—the Romanov, Habsburg, and Conducted by Donald A. -
Masquerade, Crime and Fiction
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and over- worked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discern- ing readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true- crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Published titles include: Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian (editor) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Lee Horsley THE NOIR THRILLER Fran Mason AMERICAN GANGSTER CINEMA From Little Caesar to Pulp Fiction Linden Peach MASQUERADE, CRIME AND FICTION Criminal Deceptions Susan Rowland FROM AGATHA CHRISTIE TO RUTH RENDELL British Women Writers in Detective and Crime Fiction Adrian Schober POSSESSED CHILD NARRATIVES IN LITERATURE AND FILM Contrary States Heather Worthington THE RISE OF THE DETECTIVE IN EARLY NINETEENTH-CENTURY POPULAR FICTION Crime Files Series Standing Order ISBN 978-0–333–71471–3 (Hardback) 978-0–333–93064–9 (Paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. -
Stoney Road out of Eden: the Struggle to Recover Insurance For
Scholarly Commons @ UNLV Boyd Law Scholarly Works Faculty Scholarship 2012 Stoney Road Out of Eden: The Struggle to Recover Insurance for Armenian Genocide Deaths and Its Implications for the Future of State Authority, Contract Rights, and Human Rights Jeffrey W. Stempel University of Nevada, Las Vegas -- William S. Boyd School of Law Sarig Armenian David McClure University of Nevada, Las Vegas -- William S. Boyd School of Law, [email protected] Follow this and additional works at: https://scholars.law.unlv.edu/facpub Part of the Contracts Commons, Human Rights Law Commons, Insurance Law Commons, Law and Politics Commons, National Security Law Commons, and the President/Executive Department Commons Recommended Citation Stempel, Jeffrey W.; Armenian, Sarig; and McClure, David, "Stoney Road Out of Eden: The Struggle to Recover Insurance for Armenian Genocide Deaths and Its Implications for the Future of State Authority, Contract Rights, and Human Rights" (2012). Scholarly Works. 851. https://scholars.law.unlv.edu/facpub/851 This Article is brought to you by the Scholarly Commons @ UNLV Boyd Law, an institutional repository administered by the Wiener-Rogers Law Library at the William S. Boyd School of Law. For more information, please contact [email protected]. STONEY ROAD OUT OF EDEN: THE STRUGGLE TO RECOVER INSURANCE FOR ARMENIAN GENOCIDE DEATHS AND ITS IMPLICATIONS FOR THE FUTURE OF STATE AUTHORITY, CONTRACT RIGHTS, AND HUMAN RIGHTS Je:jrev' W. Stempel Saris' ArInenian Davi' McClure* Intro d uctio n .................................................... 3 I. The Long Road to the Genocide Insurance Litigation ...... 7 A. The Millet System of Non-Geographic Ethno-Religious Administrative Autonomy ........................... -
Tulane University Professor, Bestselling Author Walter Isaacson to Virtually Debut New Book
Tulane University Tulane University professor, bestselling author Walter Isaacson to virtually debut new book February 26, 2021 10:00 AM Roger Dunaway [email protected] Walter Isaacson’s newest book— The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race— provides a gripping account of how American biochemist Dr. Jennifer Doudna and her colleagues launched a revolution with CRISPR technology which will help cure diseases, fend off viruses and result in healthier babies. Walter Isaacson, a bestselling biographer, and the Leonard A. Lauder Professor of American History and Values in Tulane University’s School of Liberal Arts, will debut his new book – The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race– during a Zoom webinar at 6 p.m. on Monday, March 15. Trivia Frazier, PhD, a Tulane alumna and president and CEO of Obatala, will moderate the discussion. Tulane President Michael A. Fitts will introduce Isaacson and Frazier to the virtual audience. The event is free, but registration is required to participate. Please click here to register. Copies of Isaacson’s book will be released on March 9 and are available for pre-order at Garden District Book Shop and Octavia Books. The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race centers Tulane University | New Orleans | 504-865-5210 | [email protected] Tulane University around American biochemist Dr. Jennifer Doudna, who is considered one of the prime inventors of CRISPR, a system that can edit DNA. The book provides a gripping account of how she and her colleagues launched a revolution with CRISPR technology that will help cure diseases, fend off viruses and result in healthier babies.