DOCSLIB.ORG

Gotthold Ephraim Lessing, 1749 17 Friedrich II., Um 1768 17 „Schattenriß Von Berlin", 1788 17 L

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gotthold Ephraim Lessing, 1749 17 Friedrich II., Um 1768 17 „Schattenriß Von Berlin Gotthold Ephraim Lessing, 1749 17 Friedrich II., um 1768 17 „Schattenriß von Berlin", 1788 17 L. Formey, 1796 18 Friedrich von Schiller, 1804 18 Heinrich Heine, 1822 20 Johann Wolfgang von Goethe, 1823 und 1831 20 Georg Wilhelm Friedrich Hegel, um 1830 21 „Berlin, wie es ist", 1832 21 Gottfried Keller, 1854 21 Max Ring, 1882 22 Julius Rodenberg, 1884 23 Christian Morgenstern, 1908 24 Bertolt Brecht, 1928 24 Joachim Ringelnatz, 1930 25 Hansgeorg Stengel, 1968 26 http://d-nb.info/870960369 2 Det janze Dorf berlinert «elioii Berlinisch vor 200 Jahren Karl Philipp Moritz Reichtum verpflichtet Julius von Voß Berlin, wie es scherzt und sdiimpft Ein Ferngespräch Kurt Tucholsky Dialooch uff Berlinisch John Stave Was braucht man, um glücklich zu sein? Louis Angely 49 Ein Leib und eine Seele Adolf Glaßbrenner 50 Berliner Pfingsten Gottfried Keller 50 Wundersames Abenteuer Otto Julius Bierbaum 51 Kleines Wörterbuch 55 Der Zahn Alfred Kerr 58 Seh ich morgens früh in meinen Spiegel Erich Ems 60 Die Gnädige und ihre Zofe 61 Die Braut Marcellus Schiffer 62 Der amerikanische General Paula Busch 63 Das ist sie Carl Zuckmayer 66 Liebeslied für Schnecke Johannes Conrad 66 Ohne mir Rudi Strahl 67 Hätt idc man lieber ... Gisela Steineckert 68 Hallo, Taxi! Renate Holland-Moritz 70 Die Berlinerin Werner Klemke 71 Marjrajrejrithchen 74 4 Kluft and Kleedage Über den Luxus in Berlin Friedrich J. Bertudi 77 Modetorheiten des Biedermeier Felix Eberty 81 Erst kamen die Blusen und Kleider Willy Wolff 82 Berliner Ballberichte Kurt Tucholsky 84 Über die Herrenmode Bertolt Brecht 89 In neue Schuhe eingestöpselt Heli 92 Nichts anzuziehen -! Kurt Tucholsky 94 5 Mit Kind niici Keg-el Die Linden Heinrich Heine 97 In Berlin, sagt er Karl von Holtei 100 Ausflug zur Hinrichtung Willibald Alexis 100 Gespräch über die Unsterblichkeit Adolf Glaßbrenner 104 Die Besteigung des Monte Cruce David Kaiisch 106 Die Besteigung des Prenzlauer Bergs Peter Gauglitz 110 Die gestohlenen Schnapsgläser Hugo Wauer 113 Leichte Kavallerie Hansgeorg Stengel 115 Die Verlobungsgondel Werner Engelbrecht 115 Alt-Berliner Wetterregeln 117 Kneipensprüche 118 Mit oder ohne Ridiard Zoozmann 120 Lexikon für unser werthes Publikum 121 Die Expedition nach Teupitz Theodor Fontane 122 Wilhelmine Buchholz über die Regatta Julius Stinde 128 Die Heringstonne Hans Hyan 133 Der Taucher Hans Brennert 134 Fahrschule Fred Hildenbrandt 137 Baumblüte in Werder Klabund 140 Zwanzigmal Sechstagerennen Egon Erwin Kisdi 145 Das „t" Peter Neil 148 Frühling bei Großpietsch Erwin F. B. Albrecht 150 Heimweh nach Berlin Erich Kästner 152 Berlinische Novelle Walther Kiaulehn 153 Mein großer Bruder Erich Brehm 157 Adios, Signore Frati Klaus Beuchler 158 Berliner Novemberelegie Hansgeorg Stengel 160 Die ersten Tanzstundenschritte Jo Schulz 160 Beduselter Herr in der Nacht Johannes Conrad 162 Der Mann, der seinen Mörder fing Cobra 163 Die Feier beim Kollegen M. Nils Werner 166 Vorsicht, Bazillen! Lothar Kusche 168 Die tote Cora Lilo Ludwig 172 Märchen heute Hilde Arnold 174 Auf der Galerie Adolf Glaßbrenner 177 Ein Berliner über Goethes „Tasso" Adolf Glaßbrenner 183 Das Vorstädtische Theater der Mutter Gräbert Julius Rodenberg 183 Das Schmalzstullentheater 185 Wilhelm Teil in Posemuckel David Kalisdi 186 Noch einmal „Wilhelm Teil" 189 Ein seltsamer Theaterdirektor 190 Der angeführte Vollmer 190 Der teure Hut 192 Ein neues Wort wird zur Attraktion Walther Kiaulehn 193 Tingel-T angel Frank Wedekind 194 Zwischenfall im Variete Otto Reutter 195 Otto Reutter Kurt T ucholsky 196 In fünfzig Jahren ist alles vorbei Otto Reutter 198 Da hat vor fünfzig Jahren noch keiner dran gedacht. Heinz Kahlau 200 Variete im Norden Heinrich Mann 200 Unsa Erich! Karl Schnog 202 Männeken steh! Erich Carow 203 Paul Graetz Arnolt Bronnen 204 Heimat Berlin Walter Mehring 205 Die Generalprobe des „Hauptmann von Köpenick" Carl Zuckmayer 207 Wissen muß man's 209 Klassenbewußtsein 209 Autorenfreuden 209 Chargenspieler Werner Finck 210 Kellner Willi und die leichte Muse Lothar Kusche 210 Frisör Kleinekorte bedient einen höheren Beamten C. U. Wiesner 212 Der Faust aufs Auge Hansgeorg Stengel 215 Der Dackel nicht! Ruth Berläu 215 Selbstgestricktes einer Garderobiere Hans Krause 216 Ihr Sprachfehler Rudi Strahl 218 Rotes Licht und Weiße Maus Hansgeorg Stengel 218 7 Köpfe und Käuze Der alte Schadow Theodor Fontane/Wilhelm Spohr 221 Gespenster-Hoffmann und Ludwig Devrient Karoline Bauer 222 Geschichten um Madame du Titre 225 Doktor Heim, der grobe Arzt 227 „Die kleine alte Kröte", Erinnerungen an Georg Hermann 229 Adolph Menzel Der Tunnel über der Spree Hans Ludwig 232 Der selbstbewußte Virchow Carl Ludwig Schleich 235 Europa in Trauer 235 Virchows Garten 235 Eulenspiegel Helmholtz 236 Der Arzt und der Kanzler 236 Anekdoten um Max Liebermann 236 Meister Zille Gerhard Flügge 238 Zille zum Siebzigsten Erich Weinert 241 Mitmenschen Heinrich Zille 242 Das Lied vom Vater Zille Willi Kollo 243 Einstein und die Relativitäts-Theorie Walther Kiaulehn 244 Herr Erich grüßt Herrn Weinert E. R. Greulich 245 Beweis steht an der Autobahn E. R. Greulich 246 Ulaf Uulbransson 8 Pappenallee Die Rettung des preußischen Staatskredites E. Th. Hoffmann 249 Der bildungsfeindliche König 250 Fräulein - nur von Adel! Varnhagen von Ense 250 Inflation der Hofräte Ludwig Börne 250 Cafe National Hoff mann von Fallersleben 251 Türkische Verordnung (Faksimile) Kladderadatsch 1848 252 Vom „Vater" Wrangel A. von Sternberg 253 An den General Wrangel Adolf Glaßbrenner 255 Der Sommer- und Winter-Geheimrat Theodor Fontane 256 Die neue Kaiser-Stadt Carl Sternheim 256 Sieges-Allee Georg Bötticher 258 Der Zuckerbäcker-Stil Heinrich Seidel 261 Annemarie Lange 262 Donnerwetter, tadellos! Julius Freund 263 Schlicht und bescheiden Victor Laverrenz 264 Der Säbelkaiser Peter Hacks 265 „Woran wir denken! Bilder aus großer Zeit!" 267 Der General im Salon Kurt Tucholsky 269 Gebet einer Potsdamer Jungfrau Slang 271 Die Entlassung Peter Neil 272 11 Heute Lustgarten! Johannes R. Becher 273 Das Bankkonto des Führers Bertolt Brecht 274 Ode an Berlin Walter Mehring 276 Die Linden-Passage Friedrich Hollaender 279 Abschied von Berlin Johannes R. Becher 280 0 Haute,Mimite und andere Etwas über Eckensteher 283 Eckensteher Nante im Verhör Friedrich Beckmann 284 Der echte Eckensteher Nante Adolf Glaßbrenner 287 Der ausgestorbene Nante 290 Der Leichenbitter Ludwig Lenz/Ludwig Eichler 291* Berliner Leichenpolka Martin Kessel 293 Die Nasenprobe Heinrich Seidel 294 Aus „Nunnes Tagebuch" Sigmar Mehring 296 Das Schwein Ludwig Stettenheim 297 Das Ekel Georg Hermann 301 Das Edelweiß Roda Roda 305 Wonach riecht Berlin? Walther Kiaulehn 305 Die Dame mit der gestreiften Katze Victor Auburtin 306 Die Straßenhändler 307 Ich baumle mit de Beene Klabund 310 Die Kartenhexe Walter Mehring 312 Der Mann mit der Mappe Kurt Tucholsky 313 Letzte Instanz Günter Bruno Fuchs 314 Frisör Kleinekorte und der letzte Glockenschlag C. U. Wiesner 316 Afüllunk Gisela Steineckert 318 Die Eintagsfliege John Stave 319 Liebe auf den ersten Blick Nils Werner 321 Kellner Willi erzählt: Der Mann, der ehmt hier saß Lothar Kusche 322 Nachwort Hans Ludwig 325 Rechtsnachweis 331 .
Load more

Recommended publications
  • CHAPTER 2 the Period of the Weimar Republic Is Divided Into Three
    CHAPTER 2 BERLIN DURING THE WEIMAR REPUBLIC The period of the Weimar Republic is divided into three periods, 1918 to 1923, 1924 to 1929, and 1930 to 1933, but we usually associate Weimar culture with the middle period when the post WWI revolutionary chaos had settled down and before the Nazis made their aggressive claim for power. This second period of the Weimar Republic after 1924 is considered Berlin’s most prosperous period, and is often referred to as the “Golden Twenties”. They were exciting and extremely vibrant years in the history of Berlin, as a sophisticated and innovative culture developed including architecture and design, literature, film, painting, music, criticism, philosophy, psychology, and fashion. For a short time Berlin seemed to be the center of European creativity where cinema was making huge technical and artistic strides. Like a firework display, Berlin was burning off all its energy in those five short years. A literary walk through Berlin during the Weimar period begins at the Kurfürstendamm, Berlin’s new part that came into its prime during the Weimar period. Large new movie theaters were built across from the Kaiser Wilhelm Memorial church, the Capitol und Ufa-Palast, and many new cafés made the Kurfürstendamm into Berlin’s avant-garde boulevard. Max Reinhardt’s theater became a major attraction along with bars, nightclubs, wine restaurants, Russian tearooms and dance halls, providing a hangout for Weimar’s young writers. But Berlin’s Kurfürstendamm is mostly famous for its revered literary cafés, Kranzler, Schwanecke and the most renowned, the Romanische Café in the impressive looking Romanische Haus across from the Memorial church.
    [Show full text]
  • Versailles (Hellerau, 1927). Even Deutschland, Frankreich Und
    BIBLIOGRAPHICAL NOTE Most of the sources on German history from 1890 to the end of the Weimar Republic are of use in a study of Maximilian Har­ den. In the following paragraphs are noted, besides the un­ published sources, only the published materials that deal directly with Harden, and the general works or monographs on the period that have been used most extensively. Many works cited in the text are not listed here; a complete reference to each one is found in its first citation. The indispensable source of information on Harden is the magazine he edited from 1892 until 1922. The one hundred and eighteen volumes of the Zukunft contain the bulk of his essays, commentaries, and trial records, as well as many private letters to and from him. The Zukunft was the inspiration or the source for Harden's principal pamphlets and books, namely Kampfge­ nosse Sudermann (Berlin, 1903); KopJe (4 vols., Berlin, 1911-1924); Krieg und Friede (2 vols., Berlin, 1918); and Von Versailles nach Versailles (Hellerau, 1927). Even Deutschland, Frankreich und England (Berlin, 1923), written after the Zukun}t had ceased publication, was in large a repetition of Zukunft articles. Harden's earliest work, Berlin als Theaterhauptstadt (Berlin, 1889), consisted in part of pieces he had written for Die Nation. Apostata (Berlin, 1892), Apostata, neue Folge (Berlin, 1892), andLiteraturund Theater (Berlin, 1896), were collections of his essays from Die Gegenwart. The Gegenwart and the other magazines for which he wrote before 1892 - Die Nation, Die Kunstwart, and M agazin fur Litteratur - are also indispensable sources. Harden's published writings also include articles in other German and foreign newspapers and magazines.
    [Show full text]
  • Kurt Tucholsky's Satirical Essays
    Payne: Europe’s Displacements Europe’s Displacements: Kurt Tucholsky’s Satirical Essays “Identification” and “The Border” TRANSIT vol. 11, no. 1 Charlton Payne Europe (including Germany), Tucholsky’s short satirical pieces remind us, was undergoing momentous changes as a result of the efforts to secure and administer its national borders during and in the immediate aftermath of the First World War. The modern nation-state had been developing techniques for drawing borders, identifying citizens and aliens, and controlling the movement of persons and goods across borders since at least the eighteenth century. But the outbreak of war in 1914 ignited a vehement, renewed effort by European nations and empires to secure their respective borders. Nation-states combined the various technologies of identification and record-keeping with the state’s authority to impose comprehensive wartime measures with the aim of regulating the movements of persons throughout the striated spaces of nation and empire. One consequential way to do so was through the administration of identification documents. A passport had to include a personal description, photograph, and the signature of its bearer along with official certification that the bearer was in fact the person in the photograph. On 31 July, 1914, Germany implemented such passport restrictions on anyone entering the Empire from abroad. Additionally, foreign passports for entry into the German Empire required a visa from German diplomatic or consular authorities. Of course, the nation-state is interested not only in keeping out unwanted persons, but also mobilizing its human resources in the event of war. This meant, as Tucholsky describes in “Identification,” that German military personnel could only obtain passports enabling them to exit Germany with the approval of commanding officers.
    [Show full text]
  • Literary Clusters in Germany from Mid-18Th to Early-20Th Century
    A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kuld, Lukas; O'Hagan, John Working Paper Location, migration and age: Literary clusters in Germany from mid-18th to early-20th Century TRiSS Working Paper Series, No. TRiSS-WPS-03-2019 Provided in Cooperation with: Trinity Research in Social Sciences (TRiSS), Trinity College Dublin, The University of Dublin Suggested Citation: Kuld, Lukas; O'Hagan, John (2019) : Location, migration and age: Literary clusters in Germany from mid-18th to early-20th Century, TRiSS Working Paper Series, No. TRiSS-WPS-03-2019, Trinity College Dublin, The University of Dublin, Trinity Research in Social Sciences (TRiSS), Dublin This Version is available at: http://hdl.handle.net/10419/226788 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence.
    [Show full text]
  • Berg Literature Festival Committee) Alexandra Eberhard Project Coordinator/Point Person Prof
    HEIDELBERG UNESCO CITY OF LITERATURE English HEIDEL BERG CITY OF LITERATURE “… and as Carola brought him to the car she surprised him with a passionate kiss before hugging him, then leaning on him and saying: ‘You know how really, really fond I am of you, and I know that you are a great guy, but you do have one little fault: you travel too often to Heidelberg.’” Heinrich Böll Du fährst zu oft nach Heidelberg in Werke. Kölner Ausgabe, vol. 20, 1977–1979, ed. Ralf Schell and Jochen Schubert et. al., Kiepenheuer & Witsch Verlag, Cologne, 2009 “One thinks Heidelberg by day—with its surroundings—is the last possibility of the beautiful; but when he sees Heidelberg by night, a fallen Milky Way, with that glittering railway constellation pinned to the border, he requires time to consider upon the verdict.” Mark Twain A Tramp Abroad Following the Equator, Other Travels, Literary Classics of the United States, Inc., New York, 2010 “The banks of the Neckar with its chiseled elevations became for us the brightest stretch of land there is, and for quite some time we couldn’t imagine anything else.” Zsuzsa Bánk Die hellen Tage S. Fischer Verlag, Frankfurt am Main, 2011 HEIDEL BERG CITY OF LITERATURE FIG. 01 (pp. 1, 3) Heidelberg City of Literature FIG. 02 Books from Heidelberg pp. 4–15 HEIDELBERG CITY OF LITERATURE A A HEIDELBERG CITY OF LITERATURE The City of Magical Thinking An essay by Jagoda Marinic´ 5 I think I came to Heidelberg in order to become a writer. I can only assume so, in retro spect, because when I arrived I hadn’t a clue that this was what I wanted to be.
    [Show full text]
  • Documentary Theatre, the Avant-Garde, and the Politics of Form
    “THE DESTINY OF WORDS”: DOCUMENTARY THEATRE, THE AVANT-GARDE, AND THE POLITICS OF FORM TIMOTHY YOUKER Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Timothy Earl Youker All rights reserved ABSTRACT “The Destiny of Words”: Documentary Theatre, the Avant-Garde, and the Politics of Form Timothy Youker This dissertation reads examples of early and contemporary documentary theatre in order to show that, while documentary theatre is often presumed to be an essentially realist practice, its history, methods, and conceptual underpinnings are closely tied to the historical and contemporary avant-garde theatre. The dissertation begins by examining the works of the Viennese satirist and performer Karl Kraus and the German stage director Erwin Piscator in the 1920s. The second half moves on to contemporary artists Handspring Puppet Company, Ping Chong, and Charles L. Mee. Ultimately, in illustrating the documentary theatre’s close relationship with avant-gardism, this dissertation supports a broadened perspective on what documentary theatre can be and do and reframes discussion of the practice’s political efficacy by focusing on how documentaries enact ideological critiques through form and seek to reeducate the senses of audiences through pedagogies of reception. TABLE OF CONTENTS LIST OF ILLUSTRATIONS iii INTRODUCTION: Documents, Documentaries, and the Avant-Garde 1 Prologue: Some History 2 Some Definitions: Document—Documentary—Avant-Garde
    [Show full text]
  • NEW TITLES for 2014
    NEW TITLES ∙ GERMAN LITERATURE NEW TITLES ∙ GERMAN LITERATURE THEODOR FONTANE PETER WORTSMAN, editor No Way Back Tales of the German Imagination from the PAID GERMAN NEWLY TRANSLATED WITH AN AFTERWORD Presort Std U.S. Postage BY HUGH RORRISON AND HELEN CHAMBERS Permit No. 169 Brothers Grimm to Ingeborg Bachmann Staten Island, NY TRANSLATED WITH AN INTRODUCTION BY THE EDITOR This psychologically acute study of a failing marriage and sexual politics exemplifies the irony, elegance, and masterly dialogue for which Fontane is acclaimed through its tragi- This rich and varied anthology gathers together the most strange and fantastical German comic exploration of romance, misperception, decisions, and consequences. stories from the past 200 years. “Helen Chambers and Hugh Rorrison have improved on the previous English version by “[This] collection of German tales, beautifully translated by Peter Wortsman, introduces LITERATURE some of the most fascinating and powerful examples of this genre to English speakers.... Douglas Parmée, especially in the handling of conversation. While Parmée’s translation sometimes felt stilted, they compose natural, idiomatic conversations.”—Times Literary Wortsman dazzles.”—Albrecht Classen, University of Arizona Supplement NEW TITLES f o r 2 0 14 “An excellent selection of master tales and some hidden jewels not usually in an under- PENGUIN CLASSICS PAPERBACK • 256 PP. • 978-0-14-139215-8 • $16.00 graduate reading list. I plan to incorporate it immediately.”—Raymond Burt, University of North Carolina-Wilmington
    [Show full text]
  • Brown in Germany
    Brown in Germany 2013-14 Program Handbook Brown in Germany Berlin Handbook Introduction .................................................................................................................. 2 Pre-Departure Information ........................................................................................ 4 Humboldt University ................................................................................................... 9 Housing ....................................................................................................................... 12 Dismissal Policy .......................................................................................................... 16 Money Matters ........................................................................................................... 17 Communications ........................................................................................................ 16 Arrival ........................................................................................................................ 19 Orientation ................................................................................................................. 19 Academics at Humboldt University ........................................................................ 20 Measurement Conversions ....................................................................................... 23 Check List: Before Leaving Berlin ........................................................................... 25 Introduction
    [Show full text]
  • The Weimar Republic and the War of Memory
    Southern Methodist University SMU Scholar The Larrie and Bobbi Weil Undergraduate Research Award Documents Fondren Library Spring 2020 The Weimar Republic and the War of Memory Madeline Dixon Southern Methodist University, [email protected] Follow this and additional works at: https://scholar.smu.edu/weil_ura Part of the European History Commons, and the Political History Commons Recommended Citation Dixon, Madeline, "The Weimar Republic and the War of Memory" (2020). The Larrie and Bobbi Weil Undergraduate Research Award Documents. 11. https://scholar.smu.edu/weil_ura/11 This document is brought to you for free and open access by the Fondren Library at SMU Scholar. It has been accepted for inclusion in The Larrie and Bobbi Weil Undergraduate Research Award Documents by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. The Weimar Republic and the War of Memory Madeline Dixon HIST 4300: Junior Seminar Dr. Hochman April 27, 2019 Dixon 2 This paper is about the havoc World War I unleashed on Germany and its impact on the Weimar Republic. While the war dismantled Imperial Germany, a second war soon began to brew within the newly-formed republic. This war over the memory of the Great War was a key player in Weimar’s destruction, and was rooted in differing interpretations of the war’s meaning, which existed as soon as the declarations of August 1914. The first of such narratives was the “Spirit of 1914,” an exuberant celebration of the war’s conception that took hold of Germans and drove them and their celebrations into the streets.
    [Show full text]
  • Q27 Casadevall EN.Pdf 103.65 KB
    Political satire in Germany: from the political Kabarett of the thirties to Comedy TV Gemma Casadevall . Political satire in Germany is related to a tradition in- 1. Introduction herited from French cabaret but taken on as their own by a handful of intellectuals, principally left-wing, in the In Germany, talking about political humour means referring twenties and thirties of the last century: the so-called to a past quite a time before the birth of television and, political . Its roots in the political avant garde Kabarett essentially, to one word: Kabarett. This is a term adopted give it a prestige that survives to the present day as well from the original French word cabaret, also with connota- as a certain immunity to the media impact of other tions of a subculture, bohemian life and musicals but which mass TV products, such as Comedy TV. Hitler made in Germany, more than in other countries where this genre Kabarett the “political enemy” of the Third Reich, but the capitulation of Nazism also saw the rebirth of the genre, has also been taken on board, has a political aspect and is stronger than ever. Cabarets sprung up like mush- related to intellectuality, whether it takes place at night or rooms throughout Germany, although mainly in the two not. cities that had been the cradle for the genre, Berlin and The formula is the same: a small stage, an equally small Munich. A good cabaret artist knows no taboos: every- company with just a few actors, often monologue experts, thing is allowed, provided the subject is handled with and a mix of humour and satire with a certain carte blanche talent and they do not resort to silliness.
    [Show full text]
  • Berlin Coquette: Prostitution and the New German Woman, 1890
    Berlin Coquette Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought publishes new English- language books in literary studies, criticism, cultural studies, and intellectual history pertaining to the German-speaking world, as well as translations of im- portant German-language works. Signale construes “modern” in the broadest terms: the series covers topics ranging from the early modern period to the present. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Please see http://signale.cornell.edu/. Berlin Coquette Prostitution and the New German Woman, 1890–1933 Jill Suzanne Smith A Signale Book Cornell University Press and Cornell University Library Ithaca, New York Cornell University Press and Cornell University Library gratefully acknowledge The Andrew W. Mellon Foundation and the College of Arts & Sciences, Cornell University, for support of the Signale series. Copyright © 2013 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2013 by Cornell University Press and Cornell University Library Printed in the United States of America Library of Congress Cataloging-in-Publication Data Smith, Jill Suzanne, 1972– author. Berlin coquette : prostitution and the new German woman, 1890/1933 / Jill Suzanne Smith. pages cm. — (Signale : modern German letters, cultures, and thought) Includes bibliographical references and index. ISBN 978-0-8014-5267-3 (cloth : alk.
    [Show full text]
  • The Political Development of Kurt Tucholsky (1890-1935) William John King Thesis Presented for the Degree of Ph.D., to the Germ
    'The Political Development of Kurt Tucholsky (1890-1935) William John King Thesis presented for the degree of Ph.D., to the German Department, Glasgow University, March 1977. ProQuest Number: 13804113 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13804113 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ACKNCWLEDG&ENTS I am very grateful to Mary Tucholsky, the widow, sole heiress and literary executor of Kurt Tucholsky, for her generous hospitality, and her readiness to allow me to consult material in the Tucholsky-Archiv in Rottach. Dr. Fritz J. Raddatz, the chairman of the Tucholsky- Stiftung, and Professor Walter Jens, of Tubingen University, gave me valuable advice. I should like to give particular thanks to two colleagues : to Dr. Margaret McHaffie of Glasgow University for her encouragement and advice, and to B e m d Klewitz of Sheffield City Polytechnic for his friendly criticism. CONTENTS Pages Summary i-iv Chapter 1 1-27 Chapter 2 28-57 Chapter 3 58-86 Chapter 4 . 87-117 Chapter 5 118-162 Chapter 6 163-192 Chapter 7 193-224 Chapter 8 225-262 Chapter 9 263-297 Chapter 30 298-310 Abbreviations 311 Bibliography 312-321 (i) SUMMARY This study examines the works of Kurt Tucholsky ^(1890-1935).
    [Show full text]